Kitabı oku: «Blade-O'-Grass. Golden Grain. and Bread and Cheese and Kisses.», sayfa 7

PART II

THE PRISON WALL

Seven years have passed, and the curtain rises upon a high gloomy stone wall. Grouped about the pavement which skirts the wall are nearly a score of persons, waiting in a state of painful expectancy. They are waiting for friends and relatives; and this gloomy stone wall encloses a prison.

Although it is broad day, the aspect of the scene is inexpressibly depressing. It is September; but the treacherous month has crept upon November, and stolen one of its cheerless days, when dull sky and dull atmosphere conspire to send the spirits down to zero. Not that these unhappy mortals require any outward influence to render them miserable; their countenances and attitude show that clearly enough. There are among them young women, almost children, and they stand about the prison with pale faces and clasped hands, with eyes cast down to the earth. They exchange but few words; they have sufficient special occupation in their thoughts to render them indisposed for conversation. They are poorly clad, and some of them shiver as the damp wind steals round the massive wall which shuts out hope.

Near to the prison door are a young and an old woman-one seventeen years of age on her last birthday, the other seventy. The young woman has no covering on her head; the old woman wears an ancient bonnet, which was the fashion once upon a time. Her little wrinkled face is almost hidden in the bonnet, and her ancient cotton dress falls in such straight lines about her, that, but for the pale wrinkled face and the shrivelled hands that peep from out the folds of a faded shawl, it might reasonably have been supposed it covers the limbs of a child. The bonnet has moved several times in the direction of the girl-woman, as if its owner were curious about her companion; but the girl takes no notice. At length, a piping voice asks, 'Are you waiting for some one, my dear?'

The girl answers 'Yes,' but does not look at the questioner.

'Who for, my dear?'

No answer.

'You needn't mind me,' pipes the old woman; 'I don't mean any harm; and it does my old heart good to talk. Perhaps you've got a mother of your own.'

'Mother!' echoes the girl, somewhat bitterly, and yet with a certain plaintiveness. 'No, I've got no mother; I never 'ad one as I knows of.'

'Poor dear, poor dear! Come, my dear, talk kindly to an old woman who might be your grandmother. Ay, I might, my dear. I'm seventy-one come the 10th of November, and I'm waiting for my daughter. You've got a long time before you, my dear, before you come to my age.'

'Seventy-one!' exclaims the girl, 'I shall never be seventy-one. I shouldn't like to be. What's your daughter in for? How old is she? She must be older than me.'

'She's thirty, my dear, and she's in for begging. What's yours in for?'

'My what in for?' sharply and sullenly.

'Your friend. You needn't be so sharp with an old woman like me. You may be a mother yourself one day, poor dear!'

The girl turns with a gasp-it may be of joy or pain-and takes the old woman's hand and begs her pardon.

Her friend is in for worse than beggin', the girl says, and relapses into silence, retaining the old woman's hand in hers, however, for a little while.

Many persons pass this way and that, but few bestow a second glance upon the group; and even if pity enters the heart of one and another, it does not take practical shape, and in its passive aspect it is, as is well known, but cold charity. One man, however, lingers in passing, walks a few steps, and hesitates. He has caught a glimpse of a face that he recognises, and it is evident that he is distressed by it. He turns boldly, and pauses before the forms of the old woman and the girl.

'Blade-o'-Grass!' he exclaims.

She raises her head, and looks him in the face. No shame, no fear, no consciousness of degradation, is in her gaze. She drops him a curtsey, and turns her face towards the prison doors.

Girl as she is, she is a woman, and well-looking. Her dress is of the poorest, and she is not too tidy; but the grace of youth is upon her. It is not upon all who are brought up as she has been. But she has this charm, and good looks as well; and she is grateful for them, for she likes to be called pretty. Remember that, at that momentous period in the life of Blade-o'-Grass when her future hung on a chance, Mrs. Manning 'kept the prettiest one, the one with the dimple.'

What is it that causes the gravest of expressions to pass into the countenance of Mr. Merrywhistle as Blade-o'-Grass looks up? He does not say; but the grave expression remains upon his face during the interview. He has not seen her since the spring. Somehow or other, he lost sight of her. Years ago, when Tom Beadle 'set her up' as a flower-girl, he had a strong inclination to do some substantial good for her-to remove her from the associations by which she was surrounded, and which dragged her down to the lowest level. But, in the first place, he could ill afford it; and, in the second, when he had spoken of his wish to Jimmy Virtue, that worthy had asked him if he thought he could take all the world's work upon his one pair of shoulders. 'And after all,' Jimmy Virtue had said, 'isn't the gal gettin' a honest livin'?'

The old woman peers into Mr. Merrywhistle's face, and as her ancient bonnet goes up in the air, it seems capacious enough to bury her whole body in. Mr. Merrywhistle gives her a kind look, and addresses himself to Blade-o'-Grass.

'This is not a fit place for you-' he is about to add, 'my poor child,' but her womanly appearance checks him.

'Ain't it?' she replies, with a smile on her lips that is not pleasant to see. 'What is then?'

He is surprised at her reckless manner. 'Have you business here? Are you waiting for any one?

'Yes.'

'For whom?'

'Ah, that's what I asked her,' pipes the old woman; 'but she wouldn't tell me.'

'I'm waitin' for Tom,' she says, answering him.

'Tom Beadle?'

'Yes, Tom Beadle.'

'Is he in prison, then?' he asks, very gently.

'Yes; he's been doin' a month.'

'What for?'

'What does it matter? Priggin'-anythin'.'

Perceiving that Blade-o'-Grass does not wish to pursue the conversation, Mr. Merrywhistle steps aside, sad at heart; but lingers, looking pityingly at Blade-o'-Grass. As he does so, a clock strikes the hour, and the eyes of the expectant group turn eagerly to the prison door, which presently opens. Six or seven persons walk out. The women blink their eyes as they come into the light; the men shake themselves like dogs; some raise their hands to their brows, and look about them as Gulliver might have done when he found himself in a strange land. The little old woman hastens to her daughter, a patient-looking woman, and for a moment two faces are hidden in the ancient bonnet. One man, who has seven or eight friends waiting for him, shakes his fist at the prison, and kicks the stone wall savagely.

'That's how I'd like to serve the guvner of that there cussed hole!' he exclaims. 'Give me something to drink, or I shall choke!'

Another man looks around with a vacant stare: there is no one to meet him. With something like a sigh his head sinks into his shoulders, and he slinks away, hugging the wall as he goes.

The last to come out is Tom Beadle. Blade-o'-Grass is by his side in an instant.

'Come along, Tom,' she says, clinging fondly to his arm, and pulling his face down to hers and kissing it; 'I've got something nice to eat at home.'

'You're a good sort, Bladergrass,' says the thief. 'Let's get away from this place quick, and go home.'

Home! Yes, to Stoney-alley, not twenty yards from where her mother had died. A room in an attic, which had been thoroughly cleaned and made tidy for the return of the prodigal. No furniture to speak of; a fire, and a saucepan on the hob; a mug of beer, a flat bottle with gin in it; one chair and a stool, and a table; a bed in the corner.

Tom surveys the room with satisfaction beaming in his eyes. Blade-o'-Grass looks at him, and joy breaks like sunlight over her face because he is pleased.

'Drink some beer, Tom.'

He takes a deep draught, puts the jug down, heaves a long breath, and repeats,

'You're a real good sort, Bladergrass. Give us another kiss, old gal!'

ONE OF MANY HAPPY NIGHTS

But that the gray streaks are thickening in Mrs. Silver's hair, and that her husband is fast growing bald, it might have been but yesterday that we were sitting with them in the cosy parlour in Buttercup-square. Everything inanimate is the same as it was seven years ago, and does not appear to have grown any older or shabbier; the very cuckoo in the clock retains its youth, and its tones, as it asserts itself to be the great 'I am,' are as fresh as ever they were. Hark! it is speaking now, and 'Cuck-oo!' issues six times from its throat, sparklingly, as if defying time. It is six o'clock. The days are drawing in, and it is dark enough for lights. But Mr. and Mrs. Silver sit in the dusk before the fire, talking of the matters nearest to their hearts. Their married life has been a happy one-with clouds in it, of course. Natural griefs and sorrows have come to them, as to others. At first a storm threatened their future, but it did not burst over them. The exercise of kindly impulse; the wise and good desire to accept the inevitable, and to make the loneliness of their lives a means of happiness to others; their dependence on one another, and mutual love and faith; their recognition, in their every action, of higher duties of life than are generally acknowledged in practice, – turned the storm to sunshine, brought happiness to them. If they were to die now, they would be blessed with the happy assurance that their lives had been productive of good to others. So might we all live; so should we all live. The world would be the better for it. No man or woman is unblessed with the want of continual opportunity for doing good or being kind.

'Christmas will very soon be here once more,' says Mr. Silver.

'We'll have a merry gathering,' Mrs. Silver answers. 'There will be changes before the next comes round.'

'Yes; our little children are men and women now.'

'Good men and women, thank God!'

'Wife,' he says, 'I have thought many times of your words when I brought little Charley home twenty-three years ago. The child was lying in your lap, and you said, "Perhaps this is the reason why God has given us no children."'

She looks at him with a tender light in her eyes. Between these two love does not show itself in words, but in ministering to each other unselfishly.

'They have been a blessing to us, dear,' she says. 'Our household will be smaller presently. Charley and Ruth, I think, are fond of each other. He brings her home now every night.'

'What did Charley earn last week?

'Thirty-eight shillings.'

'Is that sufficient to marry on?'

'Quite sufficient, and to spare; and Charley has money put by to start with. They must live near us. Charley would like to, I know, and Ruth too; but it will be time enough to talk of these things by and by.'

'Carry your mind ten years on, my dear.'

'Well, I do so.'

'What do you see?'

'If we live?'

'If we live.'

She muses a little, looking into the fire.

'Ourselves old people; Charley and Ruth happily married, with children of their own; Mary married also, although her prince is not yet come, and is a stranger to us. Richard will go abroad: I can tell, by his reading and conversation, that his heart is set upon it. And Rachel-poor Rachel! – stopping sometimes with us, and sometimes-nearly always indeed-with Ruth and Charley. I can see myself with hair perfectly white, and you with only a fringe of white hair round your head.'

He laughs softly and pleasantly, and caresses her hand.

'I can see nothing but happiness, dear.'

They sit quietly before the fire, and the darkness grows deeper. The door opens, and Mr. Merrywhistle enters softly.

'Don't stir,' he says; 'and don't light the gas. I was told you were here, and I know how fond you are of sitting in the dark.'

It was indeed a favourite habit with them when they were alone. He sits by them in silence; for a minute or two no word is spoken. Then Mrs. Silver places her hand lightly on his shoulder.

'I understand, I understand,' he says; 'you are waiting for me to speak. You always know when I am in trouble.'

'How can I help knowing? Your face I cannot see, but I hear your heart in your voice.'

'Tell me: is it a good thing to make other persons' troubles ours?'

'What is sympathy for?' she answers in return.

'I have spoken to you now and again of a child-a girl-whom I have seen occasionally-

'The flower-girl?'

'Yes, the flower-girl; the girl whom I met for the first time in the company of a boy who deceived me-a boy who told me the most unblushing l- stories, and who yet had some humanity in him.'

'That is many years ago. The girl must be almost a woman now.'

'She is a woman, God help her! – more woman than her years warrant I should think she is about the same age as Ruth. And it comes upon me again, that fancy, when I speak of Ruth and think of this poor girl.'

'Yes; you have told us there is a singular likeness between them.'

'It is striking-wonderfully striking. But there can be nothing in it; for Ruth, you have said, was the only child of a poor woman who died a fortnight after the little thing was born.'

'Yes, my friend.'

'So that it is pure accident; but the fancy remains, for all that I shall never forget the sad story that this poor Blade-o'-Grass told me of the tiger that worried her, and clamoured for food. It was hunger, my dear friends, hunger. I shall never forget her notion that Hallelujah came to her while she was asleep, and put baked potatoes in her lap. I shall never forget my pleasure when I first saw her with a basket of flowers, and bought a flower of her. But I have told you of these things before, and here I am babbling of them again, like an old man that has lost his wits.'

'Never mind, friend; go on.'

'I saw poor Blade-o'-Grass this morning. I haven't seen her for many months. I had occasion to pass by a certain prison early, and I saw her, with a dozen others, waiting outside. She was waiting for this boy that was-this man and thief that is. I lingered until the prison doors were opened, and let him and others out. And when he came'-there were tears in the old man's voice as he spoke-'and when he came, this unhappy girl kissed him and clung to him as with less shame she might have kissed and clung to a better man, had she been taught something good when she was younger.'

'My dear, dear friend!' says Mrs. Silver, taking his hand in hers.

'I cannot tell you what I feared as I saw her, and spoke to her before the prison doors were opened. Poor Blade-o'-Grass! poor child! Nay, let me have my way.'

And this good old man, whose heart is as tender as that of a good woman, sheds tears and trembles; if a daughter's happiness had been at stake, he could not have been more moved. Wisely, Mr. and Mrs. Silver do not disturb him, but talk together of other subjects until Mr. Merrywhistle exclaims, with something of his usual cheerfulness, 'What on earth are we sitting in the dark for?' Whereat Mr. Silver smiles, and lights the gas. As if the light is the means of suddenly waking up the cuckoo from a nap, it immediately proclaims seven o'clock, and in another hour the whole of Mrs. Silver's family are assembled in the parlour. Rachel, the blind girl, has no outdoor occupation, but all the others have. Charley, as you know, is a printer, and, being out of his time, is earning good wages; Richard is a watchmaker, still an apprentice, and making famous progress; and Mary and Ruth are both of them in the postal telegraph office. For it has been part of Mrs. Silver's plan to give her family the opportunity of making their way in the world, and boys and girls have been taught that to work is one of the chief duties and one of the best blessings of life. Charley and Ruth come in together. He has grown quite a man since we last saw him, and Ruth, Blade-o'-Grass's sister, is as bright and cheerful-looking a lass as one can meet. She is particularly bright just now, and looks particularly happy, for she and Charley have had a brisk walk; her cheeks are glowing healthfully, and there is a bright sparkle in her eyes. Then questions are asked and answered. The events of the day are narrated, and it is wonderful what interest is manifested in these trifles. Every few minutes the comfortable parlour in Buttercup-square is filled with merry laughter.

'Come, come, children,' says Mr. Silver, after nearly an hour has been spent in this manner; 'are we to have any reading to-night?'

The books are instantly brought forward, and the youngsters are busy turning over the leaves. When last we were in their company they were deep in the beautiful story of Paul and Virginia. Since then, they have had rare nights with their favourite authors, and have laughed and cried, as hundreds of thousands of others have done, over the sayings and doings of the men and women and children who play their parts in the pages of Thackeray and Scott and Dickens and Jerrold, and authors of long ago. It is not a novel that engages their attention now; this is one of their 'play' nights, when scenes from Shakespeare are read. When the rustling of the leaves has ceased, they all with one accord turn to Rachel, the blind girl. She knows they are looking at her, and her face flushes as she says, 'Yes, I am ready.' Then says Richard, in a deep bass voice, laying his finger on the first line of the fourth act of The Merchant of Venice, 'What, is Antonio here?' And Charley forthwith answers, 'Ready, so please your grace;' and the play commences. They all take parts, with the exception of Mr. Merrywhistle, who is the audience, and who applauds as if the house is packed, and there is not standing room for one. Mr. Silver takes Shylock (the villain's part generally falls to his share), and Ruth reads the few lines that Nerissa has to say. But the great wonder of the reading takes place when Richard, as the Duke, says,

'You hear the learned Bellario, what he writes:

And here, I take it, is the doctor come.'

Up rises Rachel, the blind girl.

'Give me your hand. Come you from old Bellario?'

And Rachel bows, and answers, in a gentle voice, 'I did, my lord.' The scene proceeds, and Rachel speaks Portia's lines with grace and power, and does not falter at a word. How they all praise her and cluster round her when the act is finished, and the books are closed!

But this is only one of very many such nights passed in that happy home in Buttercup-square.

FACE TO FACE-SO LIKE, YET SO UNLIKE

On the following Saturday, Ruth and Charley had a holiday, which, with the sanction of their kind guardians, they intended to spend at the International Exhibition. The holiday had been planned a month before its arrival, and had indeed been the occasion of an innocent conspiracy between Ruth and Rachel and Charley, and of much mysterious conversation. Rachel was to accompany them. The day, which had been looked forward to with such rapturous anticipation as only the young can experience and enjoy, at length arrived. In a very flutter of delight, the two girls and their hero-for Charley was Rachel's hero as well as Ruth's-bade Mrs. Silver good-morning, and went out into the streets with joy in their hearts. Very tender were they to each other, and very tender were Ruth and Charley to their blind companion. No words of love had passed between Ruth and Charley, although their attachment was known to their kind guardians, as you have read. But, indeed, no words were required; their looks, their almost unconsciously-exercised tenderness towards one another, were sufficient confirmation of mutual affection. These two young persons were enjoying the purest, happiest dream that life contains. May all the grown-up people who read these pages have enjoyed such a pure and happy dream! May all others live to enjoy it!

Ruth and Charley, of course, with the usual blindness of lovers, believed that no one noticed anything particular in their behaviour; but in this respect they were as blind as Rachel-more so indeed, if there be degrees in blindness, for even she guessed their secret In the course of their rambles through the Exhibition, she sat down and asked to be left alone for a while, and when Ruth and Charley demurred, insisted, with a pretty and affectionate wilfulness, on having her own way.

'And don't hurry,' she said, turning her face to them and smiling sweetly. 'You will find me here when you come back. I am tired, and want a long, long rest.'

And there the blind girl sat, seeing nothing, enjoying everything, while unsuspecting Ruth and Charley wandered away into fairyland, arm in arm. Soft strains of music came to Rachel's ears, and she listened and drank them in, with clasped hands and head inclined, She was as one inspired; visions of beauty passed before her, and the melodious notes were imbued with palpable loveliness for her. Many a passer-by paused to look at her beautiful face, and felt the better for it, and a great lady came and sat down beside her. When the music ceased, the lady said, 'My dear, are you here alone?'

'O no,' replied Rachel, 'I have friends; I asked them to let me sit by myself. I wanted to listen to the music. They will come for me presently.'

'You love music?'

'Who can help loving it? I can see it'

The lady's voice was soft and sweet, and Rachel felt goodness in her manner. 'Tell me,' she said, 'what is before me.'

They were sitting opposite a piece of sculpture-a perfect work-and the lady described it, and described it well, and told the story that it illustrated.

'Ah,' sighed the blind girl, 'it is beautiful!'

The lady was accompanied by her husband and child.

'Is this your little daughter?' asked Rachel.

'My dear,' exclaimed the lady, 'I thought-thought-'

'That I was quite blind,' said Rachel, smiling. 'So I am. But see-your little girl's hand is in mine.'

And indeed the child, who was standing by her mother's side, had placed her hand in Rachel's, beneath the folds of the blind girl's shawl.

'And without that I think I could tell,' added Rachel.

'Yes, my dear, it is my little girl,' said the lady.

Rachel stooped and kissed the child, whose hand stole round Rachel's neck, and caressed it. Lips purer and more innocent had never met. So they sat, talking for a little while longer, until Rachel raised her face, and smiled a happy greeting to Ruth and Charley, who were standing before her. The lady and the child bade good-bye to Rachel, and kissed her; and when they met again, an hour afterwards, the child gave Rachel a flower.

Like the incense of a breeze that has been wandering among sweet-smelling plants; like the soft plash of water on a drowsy day; like the singing of birds, are such small circumstances as these. Thank God for them!

And what had Ruth and Charley been doing? Dreaming-nothing more-walking almost in silence among the busy eager bustling crowd, standing before works of beauty, and enjoying. Everything was beautiful in their eyes. Perfect harmony encompassed them; the commonest things were idealised; their souls were filled with a sense of worship.

How quickly the hours passed! It seemed to them that they had been in the place but a few minutes, and it was already time for them to go. They left with many a sigh, and many a parting glance at the wonders which lined the spaces through which they walked. Ruth's hand was clasped in Charley's beneath her mantle, and a tender light was in her eyes as they made their way through the restless throng. It was still light when the omnibus put them down within a mile of Buttercup-square. The tramway carriage would have carried them to the avenue that led to Buttercup-square; but both Ruth and Rachel expressed a desire to walk, wishful perhaps to prolong the happy time. Charley, nothing loth, gave an arm to each of the girls, and they walked slowly onwards, Rachel being nearest to the wall. They were passing a man and a girl, who were talking together. The girl had just uttered some words to the man, who was leaving her, when Rachel cried suddenly in a voice of alarm,

'Ruth, was it you who spoke?'

Her face was deadly pale, and her limbs were trembling.

'No, Rachel,' answered Ruth, surprised at the blind girl's agitation.

As she replied, both she and Charley turned, and saw Blade-o'-Grass. Thus, for the first time since their infancy, the sisters looked each other in the face. Each saw, instantaneously, such a resemblance to herself, that they leant towards each other in sudden bewilderment Their gaze lasted scarcely as long as one might count three, for Charley hurried Ruth and Rachel on; he also had seen with amazement the likeness that Blade-o'-Grass bore to Ruth, and that there should be any resemblance to his treasure in such a forlorn disreputable-looking creature as Blade-o'-Grass, smote him with a sense of pain. Ruth walked along, dazed; but before they had gone a dozen yards she stopped, and pressed her hand to her heart.

'Ruth! dear Ruth!' exclaimed Charley, placing his arm round her, for indeed she was almost falling. She released herself, and said in a faint voice:

'Rachel, why did you ask if it was I who spoke?'

'The tone was so exactly like yours, Ruth,' answered Rachel, 'that the words slipped out from me unaware. Who was it that spoke?'

'It must have been a poor girl whom we have just passed.'

'What is she like?' Ruth's lips trembled, but she did not answer the question.

'Why must the words have slipped from you unaware, Rachel?'

'Because, if I had considered an instant, I should not have asked. You could not have said such a thing.'

'What thing? – Nay, Charley, don't interrupt me,' said Ruth, in such an imploring tone, that he was mute from fear, for Ruth's eyes were filled with tears, and her face was very pale. 'What thing, Rachel?'

'Just, then,' answered Rachel slowly and solemnly, 'a voice said, "For God's sake, Tom, bring home some money, for there's not a bit of bread in the cupboard!"'

'Charley!' cried Ruth hurriedly, 'stand here with Rachel for a few moments. Don't follow me; let me go alone.'

She was his queen, and he obeyed her; but his apprehensive looks followed her, although he did not stir from the spot Ruth hastened to where Blade-o'-Grass was standing. The poor outcast was very wan and wretched. Ruth knew part of her own history; for Mrs. Silver, when her adopted children arrived at a proper age, had told them, gently, as much of the story of their lives as she deemed it right and necessary for them to know. The hours in which she unfolded their stories to her children were quiet and solemn; there was no one present but she and her adopted one; and she told them their history so gently and with such sweet words of love, that they were never unhappy when they learnt the truth. Ruth therefore knew that she was an orphan; and she, in common with the others, had shed many grateful tears, and had offered up many grateful prayers, for the merciful heart that had made life a blessing to her. As she stood before her sister, so like, yet so unlike-her sister never to be recognised, or acknowledged as of her blood-the thought came to her, 'But for my dear good mother I might have been like this-ragged, forlorn, hungry, with not a bit of bread in the cupboard!'

Blade-o'-Grass, whose wistful eyes had followed the strange likeness to herself, saw Ruth turn back, and dropped a curtsey as her sister in her warm soft dress stood before her.

Then said Ruth timidly, 'It was you who said that?' She herself might have been the suppliant, her voice and manner were so quiet and humble.

'Said what, miss?'

'That you hadn't a bit of bread in the cupboard.'

'It's true, miss, and to-morrow's Sunday.'

Ruth thought of what a happy day the Sabbath was to her and hers in Buttercup-square, the goodness of it, the peacefulness of it! And this forlorn girl before her, the sight of whom had so strangely unnerved her, had only one thought of that happy Sabbath to-morrow-whether she would be able to get bread to eat. Tears choked her voice as she asked, 'Will you tell me your name?'

'Blade-o'-Grass, miss.'

Ruth looked up in surprise. 'Is that your real name?'

'Yes, miss, I ain't got no other.' Ruth's hand had been in her pocket from the first, with her purse in it; but she could scarcely muster sufficient courage to give. She judged poor Blade-o'-Grass with the eyes of her own sensitive soul, and felt that if money were offered to her, she would sink to the earth in shame.

'Will you pardon me,' she said hesitatingly, the hot blood flushing her neck and face; 'will you pardon me if I offer you-if I beg of you to-to-'

The hand of Blade-o'-Grass was held out eagerly, imploringly, and Ruth emptied her purse into it. Blade-o'-Grass wondered at the munificence of the gift, and the modesty with which it was given, and her fingers closed greedily on the silver coins.

'God Almighty bless you, miss!' she exclaimed, taking Ruth's hand and kissing it 'God Almighty bless you!' The tears were streaming down both their faces. A warm hand pressure, a last grateful look from Blade-o'-Grass, and the sisters parted.

'O, Charley! Charley!' sobbed Ruth, as she clasped his arm, 'I might have been like that!' They walked in silence to their home, and Ruth whispered to her companions not to say anything to their kind guardians of what had taken place. 'It might make them sad,' she said.

It was dusk when they went indoors. Rachel went to her room first, and Ruth and Charley lingered in the passage.

'Ruth!' he whispered.

She laid her head upon his breast with the confidence and innocence of a child. He stooped and kissed her cheek, still wet with her tears. She clung to him more closely-hid her face in his neck. A wondering happiness took possession of them.