The Fine Art of Temptation
London-based artist Avery Cullen refuses to sell her late father’s art collection. But bold, brash Marcus Price will try everything to get her to reconsider. He even launches an all-out sexual siege on the lonely heiress in the gilded cage.
Securing the collection would be a coup for his auction house, but for Marcus, it would settle a lifelong score. He’s managed to keep his true motives hidden along with his family’s skeletons…and now he’s so close, he can taste success in Avery’s kiss. But after their torrid night of passion, is Marcus prepared for the outcome?
Avery in his arms…
The memory was all he could handle.
She got to him on so many levels. Him, the original user. The guy who’d used his unmistakable charm to fake his way to a pedigree no one questioned. He was immune to the vulnerable; he’d trained himself to be. Because Marcus Price never took his eye off the prize, and he was always prepared to work hard to get whatever he wanted.
You want Avery Cullen.
Sure, he wanted Avery. She was a goddess, with a body that promised untold sexual delight, yet she maintained an air of naivety, of untapped raw passion, that was enough to entice even the most jaded of souls.
But there was something he wanted even more.…
Dear Reader,
I was delighted to be invited to participate in The Highest Bidder continuity. The opportunity to work with authors I admire is something I like to grasp firmly whenever it is presented to me. While we’re always given the skeleton of our stories, and the continuity overview, seeing how everyone fleshed out their characters and cleverly wove the threads of the mysteries of the Gold Heart statue was fascinating.
In A Silken Seduction, Avery Cullen and Marcus Price are such different people. She’s gentle, shy and perhaps a little naive. He’s confident, determined and very, very aware of what he wants in life. She’s from old money, lots of it. He, most definitely, is not. Yet their attraction to one another is something neither can ignore.
Can their growing attraction for one another survive Marcus’s driving ambition, or will one of them pay the ultimate price and have their heart irrevocably broken? I do hope you enjoy finding out the answers as you delve into A Silken Seduction.
Happy reading,
Yvonne Lindsay
A Silken Seduction
Yvonne Lindsay
New Zealand born, to Dutch immigrant parents, YVONNE LINDSAY became an avid romance reader at the age of thirteen. Now, married to her ‘blind date’ and with two fabulous children, she remains a firm believer in the power of romance. Yvonne feels privileged to be able to bring to her readers the stories of her heart. In her spare time, when not writing, she can be found with her nose firmly in a book, reliving the power of love in all walks of life.
She can be contacted via her website:
www.yvonnelindsay.com
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Special thanks and acknowledgment to Yvonne Lindsay for her contribution to The Highest Bidder miniseries.
To my fellow authors—Maureen, Charlene, Paula, Cat
and Barbara. It’s been a genuine pleasure, thank you.
And, to CG and JA—
working with you guys is always a delight.
Contents
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Bonus Story
One
“Miss Cullen is not taking visitors!”
Avery started at the outraged voice of her housekeeper—the action making her blotch a daub of the yew-green paint at the end of her brush. The sound of footsteps came swiftly on the ancient paved path behind her. She sighed and put the paintbrush down. On this overcast and suddenly autumnal London day she was already losing the light and, interruptions aside, the painting wasn’t going well anyway. If only passion for a subject made up for a lack of everything else, she thought as she reached for the linseed-oil-scented rag on the shelf of her easel and wiped her hands before turning to see what the fuss was about.
Her housekeeper usually had no trouble heading off visitors at the front door. The woman was fiercely protective of Avery and fully respected the younger woman’s wish for privacy. But it seemed someone had managed to cut past Mrs. Jackson’s normally effective defense. The man walking a clear yard ahead of the stout housekeeper had his eyes on only one thing. Avery.
Tall, with dark blond hair that, while short, managed to look like he’d just rolled out of bed, and a light beard that suggested he hadn’t shaved in a couple of days, there was no doubt he was disreputably good-looking. There was also something vaguely familiar about him. No, surely not. She would have remembered meeting him before. She didn’t know him at all. Sure you do, a tiny voice whispered from deep inside. Wasn’t he that guy Macy had pointed out when they were in New York for the Tarlington auction? Avery shoved the voice back down where it belonged as a shiver of something undefined shimmered up her neck. Not fear. Not even apprehension over the stranger striding so determinedly toward her, strangely enough.
No, this was something else. Something she had about as much trouble putting a name to as she’d had capturing the beauty of her father’s favorite garden in oils on canvas. Whatever it was, it made a bloom of heat kiss her cheeks and she felt her pulse rate lift a notch. Irritation at being disturbed, she told herself, but she knew it was anything but.
“I’m sorry, Miss Cullen, I informed Mr. Price you aren’t taking visitors but he just wouldn’t listen.” Disapproval was clear in every vowel of the housekeeper’s London East End origins. She gave an indignant sniff. “He says he has an appointment.”
Mrs. Jackson’s rosy cheeks glowed even brighter than usual at this clear invasion of her mistress’s privacy.
“It’s all right, Mrs. Jackson. He’s here now,” Avery answered as soothingly as she could and, summoning the hospitality that had been drummed into her from an early age, she offered, “perhaps our guest might like some tea on the terrace before he leaves?”
“Coffee, please, if you have it,” the man said, his voice pure Boston Brahmin all the way, but it was his name that finally filtered through her memory and caught her attention.
As Mrs. Jackson bustled off to prepare the coffee, still bristling with outrage and muttering under her breath, Avery gave him her full consideration.
“Price? So you’d be Marcus Price, of Waverly’s in New York?” she asked.
Waverly’s was the auction house that had handled her friend Macy’s mother’s estate sale. Seeing what Macy had gone through over the sale had made Avery all the more determined to hold on to the treasures that made up her past—whether she liked them or not. At least she had the luxury, literally, of not having to sell those memories as poor Macy had.
“I’m flattered you remember my name,” he said with an easy smile that made her stomach do an uncomfortable flip in response.
“Don’t be,” she answered in as quelling a tone as she could muster, given the unbidden buzz of heat that unfurled through her body at his nearness. “I made my position on the sale of my father’s Impressionist collection quite clear when you first contacted me. You’ve come a long way for a wasted journey.”
He smiled in response and a flutter of unadulterated feminine interest flickered through her veins. A flutter she attempted to suppress as rapidly as it arose. As handsome as he was, and he certainly was that, she knew his type all too well. Bold, brash, confident. He was everything she wasn’t and he was in for a disappointment if he thought she would be talked into selling her late father’s much-coveted collection.
“Now I’ve finally had the chance to meet you, I know my time wasn’t entirely wasted.”
His voice was laden with innuendo and the surety he would get what he came for.
“You can stop trying to flatter me, Mr. Price. Better men than you have tried…and failed.”
“Marcus, please.”
She nodded, a bare ascension of her head. “Marcus, then. It doesn’t change anything. I’m not selling and I really don’t understand why you’re here.”
“Your assistant, David Hurley, arranged our meeting two weeks ago. I had assumed he’d told you but—” his green eyes narrowed as he obviously noted the flash of anger that she knew must show across her expressive features “—I can see from your expression that he neglected to do so. I’m sorry, Miss Cullen. I believed you were open to discussions.”
Oh, he was good. Charming, sincere—she could almost believe him if she didn’t wonder just how much he’d bribed David to set this up. She would have hoped her late father’s assistant was above such a thing but apparently not. And, to be honest, she couldn’t imagine any other way Marcus would have succeeded in getting the appointment he’d been hounding her for in the past month. She made a mental note to follow up with David as soon as possible. He was still based in her hometown of Los Angeles and despite the years of service he’d given her dad, if he didn’t have a valid explanation, she was prepared to lose him over this. Trust was something earned and, when breached, easily broken.
“Your coffee should be ready,” Avery answered, refusing to confirm or deny David’s part in this. “Shall we go up to the terrace?”
“Thank you.” Marcus held out one hand, gesturing for her to precede him.
She couldn’t help but feel the assessment of his eyes on her back as she followed the path that led to the terrace at the side of the house. Every feminine cell in her body wished she was wearing something more…. Well, anything other than the old jeans and T-shirt she’d chosen to wear for painting today. In the instant she thought it, she dashed the vanity from her mind. She wasn’t out to impress Marcus Price or anyone like him. She’d learned the hard way how to read people who wanted to use her for their own advancement and she had no doubt that securing the Cullen Collection, the Impressionist paintings her father had acquired over the past two and a half decades, would be a golden feather in this hotshot’s career-advancement cap.
They arrived on the terrace just as Mrs. Jackson wheeled out a cart laden with afternoon tea—or coffee as the case was—and transferred the cups and saucers to a small wrought-iron table set with two matching chairs. Avery invited Marcus to sit down.
“Cream or milk?” Avery asked as she finished pouring the aromatic dark brew from the silver coffeepot embossed with the crest of her English mother’s family.
“Just black, thanks.”
“Sugar?” she continued, striving to follow the social graces her parents would have expected of her had they both still been alive.
“Two, please.”
She arched a brow. “Two? Ah, yes, I can see why.”
“You think I need sweetening?” There was a hint of laughter in his voice.
“You said it, not me.”
Using silver tongs, she dropped two cubes of sugar in his coffee and handed the cup and saucer across to him.
“Thank you,” he said, holding it in one hand while with the other he picked up the silver teaspoon resting on the saucer, to stir his coffee.
Avery found herself mesmerized. Long fingered, yet broad and capable, his hands were both those of an artist and a man more accustomed to physically working hard for a living. That traitorous curl of warmth licked through her body again. She really needed to get out more, she thought as she tried to quash the attraction she felt toward him. She’d been sequestered in her London home since her father’s death and, aside from a brief trip to New York to support her best friend during the auction of Macy’s famous mother’s possessions, she’d kept social contact to an absolute minimum. Maybe it was time for that to change. In fact, hadn’t Macy told her she should at least meet Marcus, if only for the eye-candy quotient?
Change or not, Marcus Price was too slick for someone like her.
“About the Cullen Collection—” he began after taking a sip of his coffee.
“I’m not interested in selling. I don’t know how I can be any clearer on the subject,” Avery interrupted.
She really was losing patience over this. She couldn’t expect anyone to fully understand just why she was so determined to hold on to the paintings. They were collecting dust in her family’s Los Angeles mansion. Deep down she knew she needed to do something—loan them to a museum or a gallery, anyone who’d appreciate them more than she did. But she couldn’t bring herself to let them go just yet. Her father had amassed the Impressionist works over her lifetime and even as a child she’d understood his satisfaction in acquiring another piece for the collection.
Forrest Cullen had loved every canvas with a devotion Avery had often envied for herself. Oh, she knew her father had loved her in his own distant way, but even after her mother’s death when she was five he’d continued to remain a disconnected parent. She’d always felt her father had had two great loves in his life. His wife and his collection. She wasn’t about to part with the remaining tangible link she had to the man she’d idolized her whole life. It, and the garden here in London that he’d so patiently tended, made her feel closer to him—made his loss less raw.
Marcus interrupted her thoughts, bringing her very firmly into the present.
“I’m sure you’re well aware of what the collection could command from the right buyers.”
Avery gave him a cynical half smile. “Look around you, Marcus. I’m not exactly short of a dollar or two.”
“Then think of it this way. Those paintings deserve to be in the hands and view of people who truly appreciate them.”
She stiffened. Had David told him that she actually didn’t even like most of the collection? No, surely even he didn’t know that much.
“Are you suggesting I don’t appreciate my father’s collection? That’s rather assumptive, wouldn’t you say?”
Marcus narrowed his green eyes and gave her an assessing look. She fought the urge to tidy herself under his scrutiny, to smooth the wisps that, in the curse of fine blond hair, had escaped her ponytail and even now tickled against her cheeks in the light afternoon breeze.
“I’m sure you have your reasons, but I believe that anyone can be swayed with the right enticement.”
She laughed aloud. The sheer audacity of the man.
“I’m not interested in enticement, Mr. Price,” she said, deliberately returning to using the formal version of his name. “Now, if you’ve finished your coffee, I’ll ask Mrs. Jackson to see you out.”
“Are you going back to your painting?” he asked, not moving an inch from his seat.
She felt her guard rise even higher. “I believe I asked you to leave, Mr. Price.”
“Marcus. And you did. Ever so nicely, but—” he leaned forward and traced one finger across a smear of paint on the index finger of her right hand “—I find myself wanting to continue to discuss art, and its many forms, with you.”
For just a moment she was trapped in the thrall of his touch. So light, and yet pulling from deep within her a reaction so intense it took her breath clean away. If circumstances had been different, she’d lean toward him, too, and see whether he tasted as enticing as his words sounded.
The squawk of a bird settling in a nearby tree broke the spell Marcus had woven. She wasn’t into fleeting pleasure and a fling with Marcus Price would be exactly that. A fling. Life was worth so much more—correction, she was worth so much more than that. Avery pointedly looked at his hand before withdrawing her own from beneath it.
“Sadly, I can’t say the same.”
He quirked his lips in a half smile. “C’mon, I bet you’re wondering, even now, what it is that you’re doing wrong with your painting, why it’s not working.”
The challenge hung in the air between them.
“Wrong?” she answered, raising her brows.
“I am recognized as something of an expert in art, you know.”
“Selling it, perhaps.”
“Identifying what’s worth selling,” he corrected, his voice still light but carrying an underlying steel that proved she might have dented his pride just a little.
“So, tell me, what is it that I’m doing wrong,” she challenged. She didn’t for one minute believe he’d be able to direct her any better than she could herself.
“It’s in the way you’ve captured the light.”
“The light?” Oh, God, she must sound like an idiot parroting his words.
“C’mon, I’ll show you.”
Before she could answer he’d risen from his chair and taken her hand in his own. The warmth of his fingers as they curled around hers, holding them lightly but without any hint of letting go anytime soon, felt oddly right. She was helpless to protest as he led her down the shallow terrace steps and back to where her easel stood waiting with its half-finished canvas.
“Actually, it’s more in the way you haven’t captured the light,” Marcus said, pointing to the dappled texture of rich early autumnal tones on the stretched canvas. “See? Here, and here. Where’s the light, the sun, the warmth? Where’s it coming from? Where’s the last caress of summer?”
In an instant she knew exactly what he was talking about and she mixed some paint on her palette and, with a clean brush, swiftly applied her attention to one area of the canvas.
“Like that?” she asked, stepping back.
“Yeah, just like that. You know what you’re doing. How did you miss it?”
“I guess the light’s been missing from my life for a while now,” she said without thinking. “And, I stopped looking for it.”
Two
Marcus couldn’t help but feel the solid wall of her grief as he watched her. He acknowledged it and then swept it to the back of his mind, where he could potentially deal with it later. Right now he had to keep his advantage. He’d been plotting for months to get beyond Avery Cullen’s well-trained guard dogs and he wasn’t about to waste his gain now.
He was close, so close he could feel it in the tingling in the pit of his stomach. If he could secure the rights to sell the Cullen Collection, his bid to become a partner at Waverly’s would be a foregone conclusion—and it would take him one almighty step closer to getting back that which belonged to his family.
“It’s tough, losing a parent,” he said, injecting the right note of sympathy into his voice.
She gave a brief nod and he glimpsed a sheen of moisture in her wide-spaced blue eyes before she turned away from him and added a few more touches to the painting. This was wrong. A gentleman wouldn’t be capitalizing on her sorrow—but he was no gentleman, certainly not by birth. But even though he knew what should be the right thing to do, he was so close to his goal he could almost taste the success. He saw her slender shoulders lift as she drew in a deep breath, then settle once more as she let it pass slowly through her lips.
“It’s why this painting is so important to me. This garden was his favorite place in the world, especially in the fall. He always said he felt closest to my mother here. I take it you’ve lost a parent, too?” she asked, her voice a little shaky.
“Yeah, both of them.”
It wasn’t strictly true. While he had lost his mother before he could remember her, his father was still alive—somewhere. The man had stated his own price for staying out of Marcus’s life—a price Marcus’s grandfather had willingly paid—and surprisingly, so far, his father had kept his word.
Her voice was firmer when she spoke, her eyes filled with compassion. “I’m sorry, Marcus.”
And he knew she was. He felt a pang of guilt that he should accept her sympathy. He hadn’t known either of his parents. His mother had given birth to him while serving time for drug possession and supply, leaving him to the care of her father from the day he was born. She’d later died when he was about two years old, using the drugs that had ruled her life since her late teens—the price of the contraband eventually being far higher than she’d ever anticipated. His father had been itinerant, turning up only when he knew he could fleece the old man for more money in exchange for leaving Marcus alone. Eventually his grandfather had sold his dearest possession to buy his late daughter’s partner off for good—that action had, strangely enough, led Marcus right here to Avery’s garden.
He shrugged, determined to stay on track. He couldn’t change who his parents were, but he could certainly make amends to his grandfather for the damage they’d wreaked on Grampa’s life. And that started with getting back the painting the old man should never have been forced to sell.
“It was a long time ago, but thank you,” he said, reaching out to rest one hand briefly on her shoulder and giving it a gentle squeeze.
He kept the touch light, not lingering too long, but the heat of her body through her T-shirt seared like a brand on his palm. He forced himself to let go and create a little more distance between them. He already knew she found him attractive. It had been there in the instinctive flare of her pupils, in the blush across her cheeks, in the way she kept checking him out even when she tried not to. He wasn’t above using that to his advantage in this instance, but his own attraction to her left him more than a little startled.
He needed to return things to an even footing and he forced his concentration back toward her work.
“Landscapes aren’t really your thing, are they?” he asked with sudden perspicacity.
“What makes you say that?” she asked. “You think it’s no good? Seriously, if you’re trying to get on my good side, you’re going about it the wrong way.”
He gave a short chuckle, giving in to the burst of humor her wry observation initiated.
“I didn’t say it wasn’t good. Technically, you’re doing a great job, but a photo would serve just as well.”
“Damned with faint praise,” she said wryly, snapping the lid closed on her box of paints and gathering up her brushes and the small folding table she’d rested her supplies on.
“So what is your passion?” Marcus persisted. “What is it that really sets you on fire?”
She lifted her gaze to his face but her observation of him was different from how her eyes had skipped over his features before. This time, he sensed she wasn’t looking at him as a man, but as a subject.
“Portraits,” she said with a shrug, “nudes.”
A bolt of sexual hunger rocked through him. Nudes? What would it be like to sit for her? he wondered. He rapidly extinguished the growing fire that lit through his veins. Miss Avery Cullen was getting more and more interesting by the second but he didn’t want to scare her off. Not when there was so much at stake.
“Like your great-great-uncle?” he asked.
She gave a careful nod. “You seem to know your stuff.”
“Waverly’s doesn’t make a habit of hiring idiots,” he replied.
“I’m sure it doesn’t,” she agreed as she continued to gather her things together. “You know my uncle’s work?”
“I studied him in college. Baxter Cullen’s work has always been among my favorites.” He reached for her unfinished canvas and easel. “Here, let me help you with that.”
“Thanks,” she said, to his surprise. He hadn’t expected her to accept his offer. They started to walk back toward the house. “Do you paint?”
“Not my strength, I’m afraid,” he answered with complete honesty. “But I’ve always had an appreciation for well-executed work.”
She stopped at the double set of French doors that led into the house. “I have a Baxter Cullen here, would you be interested in seeing it?”
For a second his heart skipped a beat. Was she referring to Lovely Woman—the very painting he sought to restore to his grandfather? He fought to inject the right note of interest, as opposed to overwhelming desire, into his voice.
“That would be great, if you’re sure it’s no bother.”
“It’s no bother. Come up to my studio,” Avery said.
He followed her through a well-used parlor and then up the wide wooden staircase that led to the next floor. His feet were silent on the carpet runner even while his heart beat a tattoo in his chest he was almost certain had to be audible. The second set of stairs was narrower, the handrail less ornate, but he could see the patina of time on the highly polished wood and wondered, with a tinge of bitterness, how many generations of hands had taken their right to live here for granted. He’d lay odds no one in the Cullen family, or even on Avery’s mother’s side, had ever had to sell anything just to put food on the table.
You can take the boy out of the neighborhood, he could hear his grandfather’s voice echoing in his mind, but you can’t take the neighborhood out of the boy. Well, he’d spent most of his adult life working hard to try to prove Grampa wrong on that score. One day he’d be able to give them both what they deserved, and hopefully that one day, courtesy of Avery Cullen, would be soon.
“This was the nursery, back in the day when children were seen and not heard,” Avery commented as she directed Marcus where to put the easel and painting and moved across the room to a set of sliding doors that, when opened, revealed a built-in bench and basin.
He looked around as she cleaned her brushes. The high unadorned ceilings reflected the cool light that streamed in from the tall windows. He could see why Avery used this room as a studio. But then his attention was caught by the very thing he sought.
Blood pounded in his ears as he approached the small but perfectly executed nude of a young woman bathing, and he fought to keep his breathing under control. He stopped in front of the picture and counted slowly backward from one hundred. His eyes drank in the vision in front of him. Technique aside, the rendering was near perfect. He almost felt like a voyeur, as if he’d caught a glimpse into the private life and time of the woman, as she dragged a dripping rag gracefully over one softly rounded shoulder.
A dreadful urge to simply rip the painting from its hook and race down the stairs and out of here bloomed inside. An urge he instinctively suppressed. He hadn’t waited this long just to ruin everything now but it was harder than he’d expected to finally see the painting his grandfather had been forced to sell twenty-five years ago.
“It’s beautiful, isn’t it?” Avery said from behind him. “Apparently she was one of the maids in Baxter’s household. There was a bit of a scandal over this back then. She was dismissed by Baxter’s wife, Isobel, when she saw the painting. Isobel accused the maid of having an affair with Baxter and insisted her husband destroy the picture. Obviously he didn’t. There was a rumor that he sent the painting to the maid, but we have no actual proof of who owned it after it left his house.”
“Interesting that there was no blame laid at her husband’s feet for exploiting a maid in his employment.” As hard as he tried he couldn’t keep a hint of bitterness from his voice. The underclass always bore more than its share of blame in situations like this.
Avery shrugged. “I don’t know whether there was or not. His wife was apparently quite a forceful character. Probably necessary when Baxter was oblivious to everything but his work.”
“And, no doubt, his subject.”
A small smile tugged at her lips. “Yes,” she conceded. “And his subject, although I wonder if he ever saw her as anything other than tones and light and shadows.”
Marcus clenched his jaw to hold back the words that hovered on the tip of his tongue. It wouldn’t do to let Avery know that he had no doubt that Baxter Cullen had most definitely seen his model as far, far more than that.
After all, the subject in question had been Marcus’s own great-grandmother.
Marcus forced himself to shift the conversation away from the woman in the painting. Knowing it was because of him that the nude no longer hung on Grampa’s sitting-room wall made seeing the work more emotional than he’d anticipated—and Marcus didn’t do emotion.
“How did your father come into possession of Lovely Woman?”
“Through a broker, I imagine. That’s how he bought most of his favorites, although he was pretty good at spotting bargains in estate lots and secondhand stores. Even so, he was a stickler for paying a fair price.”
“I’m surprised you have it here in your studio.”
“It’s my inspiration,” she answered simply.
“For your nudes?”
“Not just my work—for everything, really. It reminds me to look for beauty in all things, no matter what the circumstances.”
“I’m surprised you have to look. Aren’t you surrounded by beauty here in your home?” He tore his gaze from the painting and turned to face her.
Her full lips twisted in a wry smile. “You’d be surprised at what surrounds me and what’s expected of me.”
He could sense there was hurt lying behind her words, but surely living in her gilded world couldn’t be all that bad? In the distance Marcus heard the sonorous chimes of a grandfather clock, counting out the hour. It was getting late. While every urge pushed him to press the advantage of her current openness he knew that underneath she was probably still as skittish as a first-time buyer at auction.
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