City of Lies

City of Lies
Alafair Burke

Copyright

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

AVON

A division of HarperCollinsPublishers Ltd. 1 London Bridge Street London SE1 9GF

www.harpercollins.co.uk

First published in the U.S.A as 212 by HarperCollinsPublishers, New York, NY, 2010

Published by HarperCollinsPublishers 2010

Copyright © Alafair Burke 2010

Alafair Burke asserts the moral right to be identified as the author of this work

A catalogue record for this book is available from the British Library

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Source ISBN: 9781847561107

Ebook Edition © FEBRUARY 2010 ISBN: 9780007363025

Version: 2016-10-04

For Philip, Mary, and Anne-Lise Spitzer

Table of Contents

Cover Page

Title Page

Copyright

Dedication

Chapter One

Chapter Two

Part I You Can’t Let This Get to You.

Chapter Three

Chapter Four

Chapter Five

Chapter Six

Chapter Seven

Chapter Eight

Chapter Nine

Chapter Ten

Chapter Eleven

Chapter Twelve

Chapter Thirteen

Chapter Fourteen

Chapter Fifteen

Chapter Sixteen

Part II ‘Go Ahead. Lie to Me.’

Chapter Seventeen

Chapter Eighteen

Chapter Nineteen

Chapter Twenty

Chapter Twenty-One

Chapter Twenty-Two

Chapter Twenty-Three

Chapter Twenty-Four

Chapter Twenty-Five

Chapter Twenty-Six

Part III It Was All About May 27.

Chapter Twenty-Seven

Chapter Twenty-Eight

Chapter Twenty-Nine

Chapter Thirty

Chapter Thirty-One

Chapter Thirty-Two

Chapter Thirty-Three

Chapter Thirty-Four

Chapter Thirty-Five

Part IV Easy Money

Chapter Thirty-Six

Chapter Thirty-Seven

Chapter Thirty-Eight

Chapter Thirty-Nine

Chapter Forty

Chapter Forty-One

Chapter Forty-Two

Chapter Forty-Three

Chapter Forty-Four

Chapter Forty-Five

Part V Secrets

Chapter Forty-Six

Chapter Forty-Seven

Chapter Forty-Eight

Chapter Forty-Nine

Chapter Fifty

Chapter Fifty-One

Chapter Fifty-Two

Chapter Fifty-Three

Chapter Fifty-Four

Chapter Fifty-Five

Chapter Fifty-Six

Chapter Fifty-Seven

Keep Reading

Author’s Note

About the Author

Other books by

Guide To New York

About the Publisher

Chapter One

May 27

Tanya Abbott noticed the quiver in her index finger as it pressed the three silver buttons in the rain – 9…1…1. Listening to the ring, she found herself mentally calculating the number of days that had passed since she had first arrived in New York City.

Tanya had put the number at twenty-six by the time the dispatcher answered the call. It had been three full weeks and another five days.

‘Nine-one-one. What is your emergency?’

She’d taken the Amtrak to Penn Station three Thursdays ago, and now it was Tuesday night. Twenty-six days in New York. Twenty-six days since she had started over again. Twenty-six days, and already she was calling 911.

‘Hello? Is anyone there? What is your emergency?’

Tanya cleared her throat. ‘The penthouse apartment at Lafayette and Kenmare.’

‘That’s your location, ma’am? Tell me what’s going on there.’

The corner of Lafayette and Kenmare was no longer Tanya’s location, but twenty minutes earlier, she had been inside the luxury penthouse perched on top of the white brick building on the corner. She’d sipped Veuve Clicquot from a crystal flute while leaning against the black granite bar. She had lounged on the low white-leather sectional sofa with her legs crossed modestly as her host pointed out the panoramic SoHo views of the Hudson River, temporarily obscured by cascading sheets of rain. She had followed him into the master suite. She had cleaned herself up with a washcloth in the gleaming marble bathroom when it was all over.

‘A shooting. There’s been a shooting.’ Tanya used her palm to wipe away the drops of water from her eyes, tears mixed with rain. Her attempts were futile, serving only to smear mascara across her clammy cheeks.

‘You heard gunshots?’

‘Inside the apartment.’

‘Ma’am. I need you to use your words. You heard gunshots from inside the apartment? Could you tell what direction they were coming from?’

‘There was a shooting. Inside the apartment at Lafayette and Kenmare.’

‘I’ve got your location as Lafayette and Bond, ma’am. Did you mean to say Lafayette and Bond?…I need you to speak to me, ma’am. Can you tell me if you’re okay? Are you hurt?’

Tanya hadn’t realized that she had run five full blocks before finding a pay phone. She couldn’t even remember crossing Houston. Maybe her heart was pounding because of the running. She found comfort in the thought of some distance between her and the apartment.

‘Lafayette and Kenmare. The penthouse.’

‘Can you tell me your name, ma’am? I’ve got an ambulance on the way. Just keep talking to me. My name’s Tina Brooks. Can you tell me your name?’

Tanya returned the handset to its cradle and sprinted south on Lafayette toward the subway station at Bleecker. She hadn’t given her name to the dispatcher, and she hadn’t used her cell phone. She could move swiftly without prompting attention from the other pedestrians who were also rushing for shelter.

At the same moment Tina Brooks had dispatched an ambulance to the penthouse, she had no doubt sent a police car to the pay phone on the corner of Lafayette and Bond to search for the anonymous caller who had dialed 911. But before either vehicle reached its intended destination, Tanya Abbott would be long gone, drying her face against her damp sleeve and catching her breath on the 6 train.

Chapter Two

Detective Ellie Hatcher and her partner, J. J. Rogan, were soaked. Not damp. Not soggy. Soaked. The rainfall that poured onto Manhattan’s streets that night felt like the kind that meteorologists might measure in buckets per second.

Ellie should have been grateful for the storm. It was the first break in a week-long, record-setting late-May heat wave. For seven consecutive days, the mercury had approached triple digits. Those kinds of oppressive temperatures were never cause to celebrate, but in New York City, atmospheric heat led to an altogether different kind of swelter. Thanks to the combination of heat-retaining concrete and still, breezeless air, the entire city reeked of a unique potpourri of body odor, garbage, and urine. The streets and subways were crowded. People were sticky. People were cranky. People drank more. They stayed out later. And people got dangerous.

In New York City, heat begets violence.

Ellie and Rogan had hoped that the rainfall might wash in their first quiet night of what had been a hectic week. They should have known better.

Their first callout was to the scene of a reported homicide in SoHo. A couple huddled beneath a restaurant awning had made out the image of a man’s prone body in the backseat of a BMW 325 parked on Grand. By the time EMTs found the track marks and Ellie pulled the eighteen inches of rubber tubing from the back passenger footwell, Ellie and her partner were soaked.

They had just reported clear and were looking forward to drying out back in the squad room when the second call came in, this time to a penthouse apartment at Lafayette and Kenmare. As they drove up Crosby, Ellie noticed a small pile of flowers propped up against a stoop at the corner of Broome, a rain-battered memorial to the late Heath Ledger. It had been more than four months since the actor’s accidental overdose; today, the media had announced the death of Sydney Pollack from stomach cancer. When celebrities died, everyone cared, even though the public knew those stars no better than whatever sad sack Ellie and Rogan were about to open a new case file for.

The address at the condo turned out to be 212 Lafayette, but the blue glass sign on the bright white exterior marked the building merely as 212. Whereas builders had co-opted the American West a century ago with names like the Dakota, the Wyoming, and the Oregon, the latest flavor was minimalist titles that managed to evoke images of urban perfection with one discreet word: Cielo, Onyx, Azure. And what could be more quintessentially New York than Manhattan’s famous area code – 212?

Dishwater gray puddles had pooled at their feet by the time the elevator reached the seventh floor. The doors parted to reveal a narrow hallway occupied by a uniform officer standing between two slate-colored doors. The officer nodded in the direction of the open one.

‘Not technically a penthouse,’ Rogan observed as the elevator doors whispered shut behind them. ‘In a real penthouse, you walk directly from the elevator and into the apartment.’

The foyer alone was twice the size of Ellie’s entire apartment.‘I don’t care if a realtor would call it a shanty,’ she said. ‘I’d take it.’

Rogan unbuttoned his trench coat and let it fall to the foyer floor. Ellie did the same with her black slicker. The last thing they needed was a waterlogged crime scene.

As they made their way to the sounds of voices beyond the living room, Ellie took in the apartment’s condition. Beneath a single built-in shelf, books were scattered haphazardly across the floor. The empty drawers of a credenza in the dining room were flung open. Kitchen cabinets, also open.

A pyramid of unlit logs rested picturesquely beneath a mantel sporting a single crystal-framed photograph: a handsome middle-aged man shaking hands with the former president. The man looked familiar.

The person in the picture was not, however, the man they found splayed naked on the white sheets of a king-size bed in the master suite, a used condom knotted neatly on top of the nightstand beside him.

Bullet holes riddled the corpse, the bed beneath the corpse, and the wall behind the bed. The nightstand and dresser drawers were open, as were the doors to two double closets. All empty. By comparison, the adjoining bathroom looked relatively peaceful, with only a stack of towels toppled onto the floor.

A voice from the living room interrupted their inspection of the disarray.

‘Robo? Robo! Where the hell is he?’

‘Detectives. I think the apartment owner’s here.’ A uniform officer stood nervously in the doorway of the master bedroom.

‘Who called him?’ Rogan asked.

The officer shrugged. ‘We called the super. The super must’ve called the owner.’

‘Did someone ask you to call the super, Officer?’ Above Rogan’s clenched jaw, a vein pulsed at his temple. ‘Did we ask you to do that?’

‘I’ll deal with it,’ Ellie said, brushing past the uniform as he muttered a halfhearted apology. She turned in the living room to face a trim, middle-aged man in a black tuxedo and white bow tie. He had closely clipped silver hair and intense green eyes. She recognized him as the man from the photograph on the mantel.

He eyed her up and down, clearly trying to determine how a barefoot woman in a turquoise linen shirt and black pencil-legged pants fit in among an apartment full of uniformed police officers.

‘Who are you?’

‘Detective Ellie Hatcher. NYPD.’ She flipped open the badge holder that was clipped to her waistband.

‘I take it from your bare feet that two of these many shoes on my Ryan McGinness belong to you.’

‘You mean on your rug?’ Ellie looked at the patterned area rug separating her from the man in the tuxedo.

‘It’s art,’ the man said, ‘but you apparently don’t recognize that. Robo, get this cleaned up. Robo – I called him forty-five minutes ago to deal with this shit. Robo –’

He headed toward the bedroom, but Ellie held her hand up. ‘I answered your question, sir. Now it’s my turn. Who are you?’ She still could not put her finger on where she’d seen him before.

‘I’m the man who owns the apartment you all have apparently commandeered. Robo –’

‘Is Robo a well-built guy? Brown hair? Sleeve tattoo wrapped up his right arm, leprechaun tat on his left hip?’

He blinked at her. ‘I don’t even want to process what you’re insinuating.’

‘I wasn’t insinuating anything. Assuming you have never seen the tattoo on the man’s hip, the rest of the description fits?’

The man nodded. ‘Where is he? I don’t appreciate getting called away from an important event by some building superintendent.’

‘Unfortunately, sir, the man you’re calling Robo is dead. He was shot in what is apparently your bed. And he was naked in your bed, in case you were wondering.’

The man stared at her for three full beats before the corner of his mouth crept upward. ‘You’re going to regret this conversation, Miss Hatcher. I won’t ask you to clean up the mess you’ve made lest you accuse me of sexism, but please have one of these lackeys standing guard on taxpayer dollars remove your soggy shoes from what you so eloquently called my rug. It’s worth more than you make in a year.’

‘First I need a name and some identification, sir.’

‘Samuel Sparks.’ He didn’t even feign a reach for his wallet.

‘And who’s Robo?’

‘His name is Robert Mancini. He’s one of my protection specialists. I’ve been calling him ever since I was beckoned down here about some kind of police emergency.’

‘A protection specialist. You mean a bodyguard?’

The man nodded, and Ellie suddenly matched the name to the face: Samuel Sparks was Sam Sparks. That Sam Sparks. Before she scored a rent-stabilized sublet of questionable legality, she had perused countless real estate listings for units in Sparks’s buildings that she could not afford. This was the man who had been rumored to be purchasing the 110-building Stuyvesant Town to convert into condos before a rival tycoon outbid him. He was the mogul who had been photographed with so many A-list women that he himself had become fodder for the tabloids and paparazzi, including some who speculated about the sexuality of the self-declared ‘permanent bachelor’. Ellie assumed those rumors might explain Sparks’s response to her mention of the victim’s exposed hip.

Sparks’s smirk widened into a full-blown smile. ‘You can apologize after these shoes have been picked up.’

Needless to say, Ellie did not apologize.

‘Mr. Sparks, your apartment is now officially a crime scene. I need you to leave.’

‘Excuse me?’

‘Did you hear my request, sir?’

‘Of course I heard you, but –’

‘Then I’m ordering you, for the second time now, to leave the premises.’ Ellie intentionally used the kind of I-get-high-on-my-authority tone that made a person want to disobey.

‘I am not leaving my own –’

‘Sam Sparks, you’re under arrest for disobeying the lawful order of a police officer.’ Ellie used her index finger to signal to a uniform officer who’d been observing cautiously from the front doorway. The officer removed his handcuffs from his duty belt.

‘You want to do the honors, or should I?’ the officer asked.

Sparks sucked his teeth and squinted at the officer’s nameplate. ‘Officer T. S. Amos. I’d warn against taking another step in my direction unless you plan to spend the rest of your NYPD career on parking patrol.’

Ellie snatched the handcuffs from the uniform’s grasp. ‘Not to worry, Amos. This one’s all me.’

Part I You Can’t Let This Get to You.

Chapter Three

Four months later…Wednesday, September 24

11: 00 a.m.

Ellie Hatcher raised her right hand and swore to tell the truth, the whole truth, and nothing but the truth.

But the testimony she gave before Judge Paul Bandon was not really the whole truth. It was a dry, concise recitation of the basic facts – and only the facts – of a callout 120 days earlier. Time: 11:30 p.m. Location: a penthouse apartment at a building called 212 at the corner of Lafayette and Kenmare. Nature of the callout: a report of shots fired, followed by the subsequent discovery of a bullet-ridden body in the bedroom. The dead man: Robert ‘Robo’ Mancini, bodyguard to Manhattan real estate mogul Sam Sparks.

Ellie allowed herself a glance at Sparks, who sat at counsel table with a blank-faced stare next to his lawyer, Ramon Guerrero. According to her police report, Sparks was fifty-five years old, but looking at him this morning, she could understand why he enjoyed the serial companionship of the various models and aspiring starlets who graced his side on the society pages. It wasn’t just the money. With his square jaw, bright green eyes, and a permanent Clint Eastwood squint, Sparks exuded the kind of chiseled intensity that was catnip to a certain kind of woman.

Ellie was surprised that he had bothered to make a personal appearance. It was probably the man’s way of signaling to Judge Bandon that this hearing was just as important to him as it was to the police. The only spectator on the government’s side of the courtroom, in the back bench by the entrance, was Genna Walsh, the victim’s sister. Ellie had told her there was no point coming into the city for the hearing, but she could not be dissuaded. Perhaps Sparks was not the only one trying to send a message.

Assistant District Attorney Max Donovan continued to feed Ellie the straightforward questions that would lay the groundwork for today’s motion.

‘Did the decedent reside at the apartment in which his body was found – the penthouse in the 212 Building at 212 Lafayette?’

‘No, he did not. Mr. Mancini’s personal residence was in Hoboken, New Jersey.’

‘Did he own the apartment where his body was found?’ Donovan asked.

‘No.’

‘Who does own the apartment?’

‘Mancini’s employer, Sam Sparks.’

‘In your thorough search of the crime scene, did you find any evidence to suggest that the decedent was staying long-term at the 212?’

‘No, we did not.’

‘No suitcase, no toothbrush or shaving kit, nothing along those lines?’

‘No.’ Ellie hated the formal back-and-forth that was inherent in testifying. She’d prefer to sit across a desk from Judge Bandon and lay it all out for him. ‘In fact, Mr. Sparks himself told us that very night that the decedent was only using the apartment for the evening.’

Again, Ellie reported just the facts. According to Sparks, he had completed the development at 212 six months earlier and kept the penthouse for himself as an investment and as a place to host the European investors who increasingly preferred downtown’s modern lofts to the more conventional temporary housing stock in midtown. To further justify the space as a corporate deduction, he allowed his personal assistant and security officers to make use of the apartment when the calendar permitted.

Max Donovan had pinned photographs from the crime scene on a bulletin board next to the witness stand. Moving through the sequence of photos, Ellie described the disorder in the apartment – the open cabinets and drawers, the relatively few possessions in the apartment tossed to the floor like confetti.

‘From the looks of it,’ Max said, ‘only the bathroom was spared?’

In the final picture on the board, a single cabinet door in the otherwise tidy master bathroom was flung open, a pile of towels splayed on the tile floor beneath the sink.

‘That’s about right,’ Ellie responded.

‘I guess extra rolls of toilet paper and back issues of Sports Illustrated aren’t the usual targets of a home invasion.’

Max’s comment wasn’t especially funny, but the bar for comedy in courtrooms was notoriously low, and the remark drew a chuckle from Judge Bandon.

The point of the testimony was simple: the violent home invasion on May 27 of a seventh-floor condo overlooking Lafayette Street had nothing to do with poor Robert Mancini until Robo got caught in the crossfire. The bodyguard’s relationship to the apartment was too inconsequential – too tangential – for the dead man to have been the premeditated target of the four bullets that eventually penetrated his naked torso that night.

No, the crime had nothing to do with Mancini. The real target was either a robbery or Sam Sparks himself, and robbery seemed unlikely. Despite the expensive furnishings – two flat-screen televisions, a top-of-the-line stereo system, the rug that doubled as art – nothing was missing from the apartment.

So now the police wanted to know more about Sam Sparks.

From the witness stand, Ellie eyed a silver picture frame behind the bench. In the photograph, a smiling Paul Bandon beamed alongside a perfect-looking wife and a teenage boy in a royal blue cap and gown. Outside this courtroom, underneath the robes, Bandon was a normal person with a real life and a family. She wondered, if she cut through the bull and laid it all out for him, whether Judge Bandon would understand how the series of events beginning on May 27 had led her to the middle of a battle between the district attorney’s office and one of the most powerful men in the city.

Maybe he would understand how she had felt when Sparks had sauntered into the crime scene, in his custom-cut tuxedo, somehow dry and picture-ready on that rain-soaked night, so put out by the disturbance at his pristine penthouse. Maybe he could imagine the disdainful looks Sparks had given the police officers sullying his spotless pied-a-terre, the very officers who protected the appearance of order that allowed Sparks to earn billions in Manhattan real estate. Maybe he would realize that she hadn’t even meant to arrest Sparks and had immediately kicked herself for doing it. All she’d wanted was to wipe that smug look off his face, just long enough for him to give more of a rat’s ass about a dead man in his bedroom than the area rug in his foyer.

If Ellie were telling the whole truth, she’d tell Judge Bandon that there was something about Sam Sparks that got under her skin. And she would try to explain that the only thing that bothered her more than that something was her own inability to maintain control in the face of it.

Sparks’s rigid refusal to cooperate with the police investigation – all because of their first ill-fated encounter, an encounter in which she had played no small part – had contributed to a four-month investigation that led nowhere.

‘So, in sum, Detective Hatcher, would access to the financial and business records we are requesting from Mr. Sparks assist you with your investigation?’ Donovan asked.

‘We believe so,’ she said, now looking directly at Judge Bandon. ‘Mr. Sparks is, as we all know, an extremely successful man. A break-in at one of his showcase personal properties would send a message to him. If he has financial or business enemies, we need to look into that.’

‘And to be clear, is Mr. Sparks himself a target of your investigation?’

‘Of course not,’ Ellie said.

If she were revealing the whole truth, she would have told Judge Bandon that at one point they of course had looked at Sparks as a suspect, but had quickly cleared him.

‘Is there anything you’d like to add to your testimony, Detective Hatcher?’

In polite courtroom discourse, ADA Max Donovan referred to her as Detective Hatcher. But this was not the whole truth, either. If courtrooms had anything to do with the whole truth, he would call her Ellie. And one of them might have to disclose the fact that, just that morning, the testifying detective had woken up naked in the assistant district attorney’s bed.

‘No, thank you, Mr. Donovan.’