Kitabı oku: «A Midnight Fantasy», sayfa 2

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I remember, vaguely, that I paused for a moment on the draw of the bridge, to look at the semi-circular fringe of lights duplicating itself in the smooth Charles in the rear of Beacon Street—as lovely a bit of Venetian effect as you will get outside of Venice; I remember meeting, farther on, near a stiff wooden church in Cambridgeport, a lumbering covered wagon, evidently from Brighton and bound for Quincy Market; and still farther on, somewhere in the vicinity of Harvard Square and the college buildings, I recollect catching a glimpse of a policeman, who, probably observing something suspicious in my demeanor, discreetly walked off in an opposite direction. I recall these trifles indistinctly, for during this preposterous excursion I was at no time sharply conscious of my surroundings; the material world presented itself to me as if through a piece of stained glass. It was only when I had reached a neighborhood where the houses were few and the gardens many, a neighborhood where the closely-knitted town began to fringe out into country, that I came to the end of my dream. And what was the dream? The slightest of tissues, madam; a gossamer, a web of shadows, a thing woven out of starlight. Looking at it by day, I find that its colors are pallid, and its threaded diamonds—they were merely the perishable dews of that June night—have evaporated in the sunshine; but such as it is you shall have it.

II

The young prince Hamlet was not happy at Elsinore. It was not because he missed the gay student-life of Wittenberg, and that the little Danish court was intolerably dull. It was not because the didactic lord chamberlain bored him with long speeches, or that the lord chamberlain’s daughter was become a shade wearisome. Hamlet had more serious cues for unhappiness. He had been summoned suddenly from Wittenberg to attend his father’s funeral; close upon this, and while his grief was green, his mother had married with his uncle Claudius, whom Hamlet had never liked.

The indecorous haste of these nuptials—they took place within two months after the king’s death, the funeral-baked meats, as Hamlet cursorily remarked, furnishing forth the marriage-tables—struck the young prince aghast. He had loved the queen his mother, and had nearly idolized the late king; but now he forgot to lament the death of the one in contemplating the life of the other. The billing and cooing of the newly-married couple filled him with horror. Anger, shame, pity, and despair seized upon him by turns. He fell into a forlorn condition, forsaking his books, eating little save of the chameleon’s dish, the air, drinking deep of Rhenish, letting his long, black locks go unkempt, and neglecting his dress—he who had hitherto been “the glass of fashion and the mould of form,” as Ophelia had prettily said of him.

Often for half the night he would wander along the ramparts of the castle, at the imminent risk of tumbling off, gazing seaward and muttering strangely to himself, and evolving frightful spectres out of the shadows cast by the turrets. Sometimes he lapsed into a gentle melancholy; but not seldom his mood was ferocious, and at such times the conversational Polonius, with a discretion that did him credit, steered clear of my lord Hamlet.

He turned no more graceful compliments for Ophelia. The thought of marrying her, if he had ever seriously thought of it, was gone now. He rather ruthlessly advised her to go into a nunnery. His mother had sickened him of women. It was of her he spoke the notable words, “Frailty, thy name is woman!” which, some time afterwards, an amiable French gentleman had neatly engraved on the head-stone of his wife, who had long been an invalid. Even the king and queen did not escape Hamlet in his distempered moments. Passing his mother in a corridor or on a staircase of the palace, he would suddenly plant a verbal dagger in her heart; and frequently, in full court, he would deal the king such a cutting reply as caused him to blanch, and gnaw his lip. If the spectacle of Gertrude and Claudius was hateful to Hamlet, the presence of

Hamlet, on the other hand, was scarcely a comfort to the royal lovers. At first his uncle had called him “our chiefest courtier, cousin, and our son,” trying to smooth over matters; but Hamlet would have none of it. Therefore, one day, when the young prince abruptly announced his intention to go abroad, neither the king nor the queen placed impediments in his way, though, some months previously, they had both protested strongly against his returning to Wittenberg.

The small-fry of the court knew nothing of Prince Hamlet’s determination until he had sailed from Elsinore; their knowledge then was confined to the fact of his departure. It was only to Horatio, his fellow-student and friend, that Hamlet confided the real cause of his self-imposed exile, though perhaps Ophelia half suspected it.

Polonius had dropped an early hint to his daughter concerning Hamlet’s intent. She knew that everything was over between them, and the night before he embarked Ophelia placed in the prince’s hand the few letters and trinkets he had given her, repeating, as she did so, a certain distich which somehow haunted Hamlet’s memory for several days after he was on shipboard:

 
     “Take these again; for to the noble mind
     Rich gifts wax poor when givers prove unkind.”
 

“These could never have waxed poor,” said Hamlet softly to himself, as he leaned over the taffrail, the third day out, spreading the trinkets in his palm, “being originally of but little worth. I fancy that that allusion to ‘rich gifts’ was a trifle malicious on the part of the fair Ophelia;” and he quietly dropped them into the sea.

It was as a Danish gentleman voyaging for pleasure, and for mental profit also, if that should happen, that Hamlet set forth on his travels. Settled destination he had none, his sole plan being to get clear of Denmark as speedily as possible, and then to drift whither his fancy took him. His fancy naturally took him southward, as it would have taken him northward if he had been a Southron. Many a time while climbing the bleak crags around Elsinore he had thought of the land of the citron and the palm; lying on his couch at night, and listening to the wind as it howled along the machicolated battlements of the castle, his dreams had turned from the cold, blonde ladies of his father’s court to the warmer beauties that ripen under sunny skies. He was free now to test the visions of his boyhood.

So it chanced, after various wanderings, all tending imperceptibly in one direction, that Hamlet bent his steps towards Italy.

In those rude days one did not accomplish a long journey without having wonderful adventures befall, or encountering divers perils by the way. It was a period when a stout blade on the thigh was a most excellent travelling companion. Hamlet, though of a philosophical complexion, was not slower than another man to scent an affront; he excelled at feats of arms, and no doubt his skill, caught of the old fencing-master at Elsinore, stood him in good stead more than once when his wit would not have saved him. Certainly, he had hair-breadth escapes while toiling through the wilds of Prussia and Bavaria and Switzerland. At all events, he counted himself fortunate the night he arrived at Verona with nothing more serious than a two-inch scratch on his sword arm.

Yaş sınırı:
0+
Litres'teki yayın tarihi:
07 mayıs 2019
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25 s. 1 illüstrasyon
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Public Domain
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