Kitabı oku: «Sister Dolorosa, and Posthumous Fame», sayfa 8
III
One afternoon, when people thronged the great cemetery of the city, a strolling group were held fascinated by the unique loveliness of a newly created monument.
"Never," they exclaimed, "have we seen so exquisite a masterpiece. In whose honour is it erected?"
But when they drew nearer, they found carved on it simply a woman's name.
"Who was she?" they asked, puzzled and disappointed. "Is there no epitaph?"
"Ay," spoke up a young man lying on the grass and eagerly watching the spectators. "Ay, a very fitting epitaph."
"Where is it?"
"Carved on the heart of the monument!" he cried, in a tone of triumph.
"On the heart of the monument? Then we cannot see it."
"It is not meant to be seen."
"How do you know of it?"
"I made the monument."
"Then tell us what it is."
"It cannot be told. It is there only because it is unknown."
"Out on you! You play your pranks with the living and the dead."
"You will live to regret this day," said a thoughtful bystander. "You have tampered with the memory of the dead."
"Why, look you, good people," cried Nicholas, springing up and approaching his beautiful master-work. He rested one hand lovingly against it and glanced around him pale with repressed excitement, as though a long-looked-for moment had at length arrived. "I play no pranks with the living or the dead. Young as I am, I have fashioned many monuments, as this cemetery will testify. But I make no more. This is my last; and as it is the last, so it is the greatest. For I have fashioned it in such love and sorrow for her who lies beneath it as you can never know. If it is beautiful, it is yet an unworthy emblem of that brief and transporting beauty which was hers; and I have planted it here beside her grave, that as a delicate white flower it may exhale the perfume of her memory for centuries to come.
"Tell me," he went on, his lips trembling, his voice faltering with the burden of oppressive hope – "tell me, you who behold it now, do you not wed her memory deathlessly to it? To its fair shape, its native and unchanging purity?"
"Ay," they interrupted impatiently. "But the epitaph?"
"Ah!" he cried, with tenderer feeling, "beautiful as the monument is to the eye, it would be no fit emblem of her had it not something sacred hidden within. For she was not lovely to the sense alone, but had a perfect heart. So I have placed within the monument that which is its heart, and typifies hers. And, mark you!" he cried, in a voice of such awful warning that those standing nearest him instinctively shrank back, "the one is as inviolable as the other. No more could you rend the heart from the human bosom than this epitaph from the monument. My deep and lasting curse on him who attempts it! For I have so fitted the parts of the work together, that to disunite would be to break them in pieces; and the inscription is so fragile and delicately poised within, that so much as rudely to jar the monument would shiver it to atoms. It is put there to be inviolable. Seek to know it, you destroy it. This I but create after the plan of the Great Artist, who shows you only the fair outside of His masterpieces. What human eye ever looked into the mysterious heart of His beautiful – that heart which holds the secret of inexhaustible freshness and eternal power? Could this epitaph have been carved on the outside, you would have read it and forgotten it with natural satiety. But uncomprehended, what a spell I mark it exercises! You will – nay, you must– remember it for ever! You will speak of it to others. They will come. And thus in ever-widening circle will be borne afar the memory of her whose name is on it, the emblem of whose heart is hidden within. And what more fitting memorial could a man rear to a woman, the pure shell of whose beauty all can see, the secret of whose beautiful being no one ever comprehends?"
He walked rapidly away, then, some distance off, turned and looked back. More spectators had come up. Some were earnestly talking, pointing now to the monument, now towards him. Others stood in rapt contemplation of his master-work.
Tears rose to his eyes. A look of ineffable joy overspread his face.
"O my love!" he murmured, "I have triumphed. Death has claimed your body, heaven your spirit; but the earth claims the saintly memory of each. This day about your name begins to grow the Legend of the Beautiful."
The sun had just set. The ethereal white shape of the monument stood outlined against a soft background of rose-coloured sky. To his transfiguring imagination it seemed lifted far into the cloud-based heavens, and the evening star, resting above its apex, was a celestial lamp lowered to guide the eye to it through the darkness of the descending night.
IV
Mysterious complexity of our mortal nature and estate that we should so desire to be remembered after death, though born to be forgotten! Our words and deeds, the influences of our silent personalities, do indeed pass from us into the long history of the race and abide for the rest of time: so that an earthly immortality is the heritage, nay, the inalienable necessity, of even the commonest lives; only it is an immortality not of self, but of its good and evil. For Nature sows us and reaps us, that she may gather a harvest, not of us, but from us. It is God alone that gathers the harvest of us. And well for us that our destiny should be that general forgetfulness we so strangely shrink from. For no sooner are we gone hence than, even for such brief times as our memories may endure, we are apt to grow by processes of accumulative transformation into what we never were. Thou kind, kind fate, therefore – never enough named and celebrated – that biddest the sun of memory rise on our finished but imperfect lives, and then lengthenest or shortenest the little day of posthumous reminiscence, according as thou seest there is need of early twilight or of deeper shadows!
Years passed. City and cemetery were each grown vaster. It was again an afternoon when the people strolled among the graves and monuments. An old man had courteously attached himself to a group that stood around a crumbling memorial. He had reached a great age; but his figure was erect, his face animated by strong emotions, and his eyes burned beneath his brows.
"Sirs," said he, interposing in the conversation, which turned wholly on the monument, "you say nothing of him in whose honour it was erected."
"We say nothing because we know nothing."
"Is he then wholly forgotten?"
"We are not aware that he is at all remembered."
"The inscription reads: 'He was a poet.' Know you none of his poems?"
"We have never so much as heard of his poems."
"My eyes are dim; is there nothing carved beneath his name?"
One of the bystanders went up and knelt down close to the base.
"There was something here, but it is effaced by time – Wait!" And tracing his finger slowly along, he read like a child —
"He – asked – but – for – the – common – lot.
"That is all," he cried, springing lightly up. "Oh, the dust on my knees!" he added with vexation.
"He may have sung very sweetly," pursued the old man.
"He may, indeed!" they answered carelessly.
"But, sirs," continued he, with a sad smile, "perhaps you are the very generation that he looked to for the fame which his own denied him; perhaps he died believing that you would fully appreciate his poems."
"If so, it was a comfortable faith to die in," they said, laughing, in return. "He will never know that we did not. A few great poets have posthumous fame: we know them well enough." And they passed on.
"This," said the old man, as they paused elsewhere, "seems to be the monument of a true soldier; know you aught of the victories he helped to win?"
"He may not have helped to win any victories. He may have been a coward. How should we know? Epitaphs often lie. The dust is peopled with soldiers." And again they moved on.
"Does any one read his sermons now, know you?" asked the old man as they paused before a third monument.
"Read his sermons!" they exclaimed, laughing more heartily. "Are sermons so much read in the country you come from? See how long he has been dead! What should the world be thinking of, to be reading his musty sermons?"
"At least does it give you no pleasure to read 'He was a good man'?" inquired he plaintively.
"Ay; but if he was good, was not his goodness its own reward?"
"He may have also wished long to be remembered for it."
"Naturally; but we have not heard that his wish was gratified."
"Is it not sad that the memory of so much beauty and truth and goodness in our common human life should perish? But, sirs," – and here the old man spoke with sudden energy – "if there should be one who combined perfect beauty and truth and goodness in one form and character, do you not think such a rare being would escape the common fate and be long and widely remembered?"
"Doubtless."
"Sirs," said he, quickly stepping in front of them with flashing eyes, "is there in all this vast cemetery not a single monument that has kept green the memory of the being in whose honour it was erected?"
"Ay, ay," they answered readily. "Have you not heard of it?"
"I am but come from distant countries. Many years ago I was here, and have journeyed hither with much desire to see the place once more. Would you kindly show me this monument?"
"Come!" they answered eagerly, starting off. "It is the best known of all the thousands in the cemetery. None who see it can ever forget it."
"Yes, yes!" murmured the old man. "That is why I have – I foresaw – Is it not a beautiful monument? Does it not lie – in what direction does it lie?"
A feverish eagerness seized him. He walked now beside, now before, his companions. Once he wheeled on them.
"Sirs, did you not say it perpetuates the memory of her – of the one – who lies beneath it?"
"Both are famous. The story of this woman and her monument will never be forgotten. It is impossible to forget it."
"Year after year – " muttered he, brushing his hand across his eyes.
They soon came to a spot where the aged branches of memorial evergreens interwove a sunless canopy, and spread far around a drapery of gloom through which the wind passed with an unending sigh. Brushing aside the lowest boughs, they stepped in awestricken silence within the dank, chill cone of shade. Before them rose the shape of a grey monument, at sight of which the aged traveller, who had fallen behind, dropped his staff and held out his arms as though he would have embraced it. But, controlling himself, he stepped forward, and said, in tones of thrilling sweetness —
"Sirs, you have not told me what story is connected with this monument that it should be so famous. I conceive it must be some very touching one of her whose name I read – some beautiful legend – "
"Judge you of that!" interrupted one of the group, with a voice of stern sadness and not without a certain look of mysterious horror. "They say this monument was reared to a woman by the man who once loved her. She was very beautiful, and so he made her a very beautiful monument. But she had a heart so hideous in its falsity that he carved in stone an enduring curse on her evil memory, and hung it in the heart of the monument because it was too awful for any eye to see. But others tell the story differently. They say the woman not only had a heart false beyond description, but was in person the ugliest of her sex. So that while the hidden curse is a lasting execration of her nature, the beautiful exterior is a masterpiece of mockery which her nature, and not her ugliness, maddened his sensitive genius to perpetrate. There can be no doubt that this is the true story, as hundreds tell it now, and that the woman will be remembered so long as the monument stands – ay, and longer – not only for her loathsome – Help the old man!"
He had fallen backward to the ground. They tried in vain to set him on his feet. Stunned, speechless, he could only raise himself on one elbow and turn his eyes towards the monument with a look of preternatural horror, as though the lie had issued from its treacherous shape. At length he looked up to them, as they bent kindly over him, and spoke with much difficulty —
"Sirs, I am an old man – a very old man, and very feeble. Forgive this weakness. And I have come a long way, and must be faint. While you were speaking my strength failed me. You were telling me a story – were you not? – the story – the legend of a most beautiful woman, when all at once my senses grew confused and I failed to hear you rightly. Then my ears played me such a trick! O sirs! if you but knew what a damnable trick my ears played me, you would pity me greatly, very, very greatly. This story touches me. It is much like one I seemed to have heard for many years, and that I have been repeating over and over to myself until I love it better than my life. If you would but go over it again – carefully – very carefully."
"My God, sirs!" he exclaimed, springing up with the energy of youth when he had heard the recital a second time, "tell me who started this story! Tell me how and where it began!"
"We cannot. We have heard many tell it, and not all alike."
"And do they – do you – believe – it is – true?" he asked helplessly.
"We all know it is true; do not you believe it?"
"I can never forget it!" he said, in tones quickly grown harsh and husky. "Let us go away from so pitiful a place."
It was near nightfall when he returned, unobserved, and sat down beside the monument as one who had ended a pilgrimage.
"They all tell me the same story," he murmured wearily. "Ah, it was the hidden epitaph that wrought the error! But for it, the sun of her memory would have had its brief, befitting day and tender setting. Presumptuous folly, to suppose they would understand my masterpiece, when they so often misconceive the hidden heart of His beautiful works, and convert uncomprehended good and true into a curse of evil!"
The night fell. He was awaiting it. Nearer and nearer rolled the dark, suffering heart of a storm; nearer towards the calm, white breasts of the dead. Over the billowy graves the many-footed winds suddenly fled away in a wild, tumultuous cohort. Overhead, great black bulks swung heavily at one another across the tremulous stars.
Of all earthly spots, where does the awful discord of the elements seem so futile and theatric as in a vast cemetery? Blow, then, winds, till you uproot the trees! Pour, floods, pour, till the water trickles down into the face of the pale sleeper below! Rumble and flash, ye clouds, till the earth trembles and seems to be aflame! But not a lock of hair, so carefully put back over the brows, is tossed or disordered. The sleeper has not stretched forth an arm and drawn the shroud closer about his face, to keep out the wet. Not an ear has heard the riving thunderbolt, nor so much as an eyelid trembled on the still eyes for all the lightning's fury.
But had there been another human presence on the midnight scene, some lightning flash would have revealed the old man, a grand, a terrible figure, in sympathy with its wild, sad violence. He stood beside his masterpiece, towering to his utmost height in a posture of all but superhuman majesty and strength. His long white hair and longer white beard streamed outward on the roaring winds. His arms, bared to the shoulder, swung aloft a ponderous hammer. His face, ashen-grey as the marble before him, was set with an expression of stern despair. Then, as the thunder crashed, his hammer fell on the monument. Bolt after bolt, blow after blow. Once more he might have been seen kneeling beside the ruin, his eyes strained close to its heart, awaiting another flash to tell him that the inviolable epitaph had shared in the destruction.
For days following many curious eyes came to peer into the opened heart of the shattered structure, but in vain.
Thus the masterpiece of Nicholas failed of its end, though it served another. For no one could have heard the story of it, before it was destroyed, without being made to realise how melancholy that a man should rear a monument of execration to the false heart of the woman he once had loved; and how terrible for mankind to celebrate the dead for the evil that was in them instead of the good.
