Kitabı oku: «One of My Sons», sayfa 16

XXVII
RAIN

Suddenly the figure of a man stepped out before us. It was too dark to see his face, but his voice had a familiar sound as he said:

"It's all right. He's there. I saw him go in a half-hour ago."

"Very good. My man, Sweetwater," explained Mr. Gryce, turning for an instant towards me; then, in hurried tones to the other, "Do you know on which floor he is to be found; and whether the man at the bar suspects what's up?"

"If he does, he's pretty quiet about it. All looks natural inside. But you can't tell what whispers have gone about. As for him, he's chosen his place with his usual indifference to consequences. He's in one of the attic rooms, sir, well back, and can be reached from the outside by means of a shed that slopes up almost to the window-ledge. If he wanted to escape, he could easily do so by a drop of only four feet. But I have left a man on watch there and our young gentleman would fall into arms that wouldn't let him go in a hurry. Will you come around that way? There's a light in the window and there's neither curtain nor shade to hinder a man's looking in. If you wish, I can crawl up on the roof I spoke of and take a peep at our doves before we venture upon disturbing them."

"It can do no harm," rejoined the older detective; "and if the girl is where she can be seen, this gentleman can go up afterwards and identify her. It will mean surer and quieter work than approaching them by the stairway. The house is full, I suppose?"

"Chuck." And with this characteristic word Sweetwater melted from before us as if he had been caught up in one of the swirls of wind and rain that ever and anon swept through the alley, dashing our faces with wet and making our feet unsteady on the slippery pavement.

I began to feel strange and unlike myself. The night, the storm, the uncongenial place, our more than uncongenial errand, were having their effect, lending to that dark entrance into one of the worst corners of our great city a sense of mysterious awe which has caused it to remain in my memory as something quite out of the ordinary experiences of life. It was not a long alley, and we soon reached the light I have mentioned. We could hear voices now, loud voices raised one moment in contention, the next in drunken cheer; and, thrilling through it all, a woman's tones singing some bewildering melody. It was not the voice of Mille-fleurs. I could never have mistaken that – but it was a young voice, and did not lack sweetness in the low notes. As I was listening to it, something flew flapping into my face. It was a piece of damp paper peeled from some billboard by a wandering gust and sent scurrying through the air. I tore it away from my eyes, drawing a deep breath like a person suddenly released from suffocation; but I shall not soon forget the effect of that cold slap in the face at the moment when my every nerve was on tension. Mr. Gryce, who had seen nothing, – it was hardly possible to see in the deluge which now swept down upon us, – gave me a pull which drew me from before the swinging door I was unconsciously making for, into a corner where I found myself more or less shielded from the wind if not from the rain. The alley had an L, and leading down from this L was a narrow passage, within which we now stood, surrounded by reeking walls and facing (whenever the fury of the storm abated sufficiently for us to look up) an opening into what might be called a labyrinth of back-yards. As I was bracing myself to meet all alarms, real or imaginary, associated with this noisome place, I beheld a sudden figure emerge from the opening and hastily approach us. It was Sweetwater again. He had just descended from his clamber over the roofs, where he seemed to be as much at home as a cat.

"Lucky that it rains so," he panted; "keeps the kids in. Otherwise some of us would have been spotted long ago. There are about fifty of them in this one house." Then I heard him whisper in the ear that was necessarily very near mine:

"It's all right up there. I can see his figure plainly. He's sitting with his back to the window, but there's no mistaking Leighton Gillespie. He's in dinner dress, just as he came from his own table in Fifth Avenue. The girl – "

"Well, what of the girl?"

"Is in one of her heavy sleeps. I could not see her face, only her hair, which hung all about her – "

"I would know her hair," I put in.

The two men drew a step aside and whispered together. Then Mr. Gryce came back, and, putting his mouth to my ear, asked if I had enough agility to mount the shed as Sweetwater had done. "He says the wood is slippery, but the climb up quite practicable for an agile man. He had no difficulty, and if you will catch hold of the window-casings as you go along – "

"Let me see the place," said I.

Sweetwater at once drew me down the passage into the open place in the rear. Here wind and storm had their will again, and for a moment I could neither hear nor see anything but a vast expanse of hollow darkness, lit here and there with misty lights, and reverberating with all sorts of sounds, among which the shrieking wind wailed longest and most furiously.

"Up there!" called a voice in my ear, and then I became aware of an arm pointing over my shoulder towards a dark incline running up over a flight of stairs, upon the lower step of which I had almost stumbled. "That's your road. Can you take it?"

Jamming my hat over my head, I looked up. A lighted square met my eyes in the blank side of the wall, against which this none too desirable road, as he called it, ran up.

"The window is wide open," said I.

"As you see," said he.

"I shall make a noise; he will hear me – "

"He didn't hear me– "

"That's no proof he won't hear me. But I forget the gale, and that sound – what is it?"

"Tin cans rattling; loose in some gutter, I suppose – "

"It is infernal." Then with sudden resolution – a resolution I hardly understand, for I certainly did not feel called upon to risk either self-respect or safety in this cause – I cried out: "I'll try for it; though it's long since I put my agility to the proof. But how am I to get onto the roof?"

For reply, Sweetwater uttered a low but peculiar call, and a shadow near by became a man.

"Lend your back to this gentleman," said he; and as I took advantage of the assistance thus afforded me and worked my way up onto the ledge over his head, he softly added:

"Catch hold of everything that offers, and be careful your feet don't slip. When you're up, give one look and come down. We will be on hand to catch you when you get to the edge of the roof."

The rain was dripping from my hat to such an extent that it nearly blinded me. I tore it off and flung it at their feet; then I started on my perilous climb.

It was a difficult one, but not so difficult as I had expected; and in two minutes I was under that open window. A tangle of ropes struck my head – clothes-lines, I suppose. Laying hold of them, I steadied myself before looking in. As I did so, a consciousness of my position made the moment a bewildering one. I thought of Hope and what her surprise would be could she see me in my present situation on the peak of this sloping roof, thirty feet above the ground. Hope! the word brought resolution also. I would look in upon this man with eyes schooled to their duty, but unsharpened by hate. If there was forbearance due him, I would try and exercise that forbearance, remembering always that he was an object of affection to the woman I loved.

Was this why I, for the first time, saw him as he may have looked to her and probably did? He was seated in such a way that only his profile was visible beyond the casing around which I peered. But that profile struck me forcibly, and, forgetting my errand, I allowed myself a moment's study of the face I had never rightly seen till then.

I was astonished at the result; astonished at the effect it had upon me. Leighton Gillespie seen with his brothers was not the Leighton Gillespie I looked upon now. Beheld thus by himself he was an impressive figure. Lacking George's height and Alfred's regularity of feature he was apt to be regarded by superficial or prejudiced observers as the one plain man in an exceptionally handsome family. But I saw now that this was not so. He had attractions of his own which could bear comparison with those of most other men; and, relieved from too close comparison with these two conspicuous personalities, the traits of his dark, melancholy countenance came out, and in the regard of his sad and preoccupied eye was felt a charm which might have ripened into fascination had no dark secret beclouded their depths or interfered with the natural expression of feelings that must once have been both natural and spontaneous. Had he been more fortunate in his tastes or more able to put restraint upon his passions, he might, with that eye and smile, have been one of those men whose influence baffles the insight of the psychologist, and from whose magnetic personality spring innumerable benefits to those of his day and generation.

All this was forcibly impressed upon me as I knelt in the pouring rain, looking in upon his face at this momentous crisis of his life, and, had I known it, of my own also.

I had feared to advance my head too far lest he should be attracted by the movement and so detect my presence at the window. Consequently I had seen as yet nothing of Mille-fleurs, and but little of the room. This would not do, and I was just preparing to extend my view further when the face I was watching sank forward out of sight and a groan came to my ears so thrilling and heartbroken that my own heart stopped beating in my bewilderment and surprise. From whose lips had this expression of anguish sprung? From hers? It had not sounded like a woman's voice. Could it be —

Again! What could it – did it, mean? Had Leighton Gillespie received some warning of the fate which at this moment hung over him, and was it his voice I heard lifted in these heartbroken accents? I was willing to risk everything to see. Thrusting my head forward, I looked boldly into the room, and momentary as the glance was, or seemed to be, I have never forgotten the dolorous and awe-compelling picture upon which it fell.

By the light of a guttering candle, whose blowing flame threatened every minute to go out, I saw a wretched pallet drawn up against a dirty and mouldering wall. On this pallet lay a woman, with just a ragged counterpane covering limbs I had so lately seen moving in rhythmical measure. Her hair – those bewildering curls, the like of which I had never before seen and would never see again, lay about her wherever those faded rags failed to reach. It hid her arms, it framed her temples, and, flowing away, coiled in great masses over the side of that pallet and onto the floor it seemed to richen with its wealth. But it did not hide her face. Either she had moved or her locks had been drawn aside since Sweetwater crouched in my place, for now her features were plainly visible and in those features I had no difficulty in recognising – Mille-fleurs.

Beside her, and drawn up so close that the rich broadcloth of his sleeve brushed the foul bed and lost itself among those overflowing curls, sat Leighton Gillespie, with his head in his hands, weeping as a man weeps but once in a lifetime.

There was no mistaking that grief. Real heart agony cannot be simulated; and, touched with awe for what I could not understand, I was about to slip away from my post, when he gave an impetuous start, roused himself, and glanced in sudden anger towards a door set in the wall directly opposite me. Another instant he was on his feet, with his hands held out across the prostrate figure before him, in an attitude of jealous love such as I have never seen equalled. What had he seen or heard? The door was closed, yet he seemed to fear intrusion. Whose? Not mine, for his eyes did not turn towards the window, but remained fixed upon this door. Had the sound of steps reached him from the hall? Probably, for, as I watched the door with him, I beheld the knob turn, then the door itself open, slowly at first, then more quickly, till it suddenly fell back, disclosing the quiet form and composed countenance of the old detective I had left behind me in the dark corner of the passage at the side of the house.

At the same instant a voice whispered from over my shoulder into my ear:

"Lie still; or slip silently down to the officers stationed below. You were so long that Mr. Gryce became impatient."

Up till then I had supposed that only a moment had elapsed since I first looked in.

"I will stay," I whispered back. I saw that Leighton was about to speak.

"Who are you?" I heard him demand of the intruder, in a passion so great he failed to note the identity of the man he thus accosted. "I have a right to this room. I have paid for it – Ah!" He had just recognised the detective.

With a quick turn he drew the coverlet over the face he seemed to guard so jealously, then with an air of command, which was at once solemn and peremptory, he pointed to the hat which naturally rested on Mr. Gryce's head, and said:

"Respect for the dead! You will uncover, Mr. Gryce."

"The dead?" repeated the astonished detective, striding hurriedly into the room. "The dead? Is this girl dead?"

But his doubt, if doubt it were, disappeared before the look with which Leighton Gillespie regarded him.

"Dead!" that gentleman declared. Then as Mr. Gryce instinctively bared his head, this strange, this incomprehensible man advanced a step, and in tones inconceivably touching and dignified, added this short sentence:

"To respect her is to respect me; this woman is my wife."

XXVIII
BY THE LIGHT OF A GUTTERING CANDLE

My amazement was unaffected, and so overwhelming I hardly understood myself. His wife, Mille-fleurs! Alas, then, for Hope, who, in her unthinking if generous love for this man, was prepared for any other grief than this! Yet why "alas"? Had she not told me that her greatest wish, her supreme desire, was to see his character restored to its old standing in her eyes, and had he not at this moment cleared himself of the one sin her womanly heart would find it hardest to pardon? The cry of "poor Hope!" with which my heart was charged changed to "happy Hope," and my composure, which had been sadly shaken, was slowly returning, when the insoluable mystery of the situation absorbed me again, and I glanced at Mr. Gryce to see how he had been affected by Mr. Gillespie's announcement.

This aged detective, who, when I last looked his way, was standing alone in the doorway, now had Sweetwater at his side, – that agile young man having bounded into the room before the words which had made so great a change in the situation had fully left Mr. Gillespie's lips; and the contrast of expression as seen in the two faces was noticeable. Sweetwater, young in experience, young in feeling, reflected in look and attitude the sensations of awakening sympathy and interest with which I own my own breast was full, while the older detective, with characteristic prudence, withheld his judgment, and, consequently, his sympathy, for the explanations which such an avowal from such a man certainly demanded.

Indeed, the situation might very naturally suggest to one so accustomed to the seamy side of human nature, that this sudden demise of an inconvenient witness chimed in too opportunely with the need of the man he had come there to arrest, for it to be viewed without suspicion.

There was, however, only a tinge of this feeling in his voice as he quietly remarked:

"I thought you buried your wife five years ago in Cornwall."

"And I thought so also," was Leighton Gillespie's quiet reply. "For many, many wretched weeks and months I believed this in common with all my friends. Then – but it is a long story, Mr. Gryce. Do you require me to relate it now and here?"

The reverence with which he allowed his hand to touch rather than fall on the breast he had so carefully covered from our curious gaze spoke volumes. At the sight of this simple action, both men bent their heads. I doubt if he noticed it. A stray lock which had escaped from the coverlet and now hung curling and glittering over the straw which protruded from the wretched pallet, had attracted his eye. Lifting it with a lingering touch, he put it softly out of sight; then he quietly said:

"I would like to have one fact made known to the public. My father was ignorant to the last that it was a stranger and not my wife we buried in Cornwall. There were reasons which made it difficult for me to tell him that Mrs. Gillespie still lived; and while I make no excuses for the silence I maintained towards him on this subject, I acknowledge that to it are due my present position and the misery I am now under of seeing the darling of my heart die in an attic where I would not house a dog."

The accents of heartfelt sorrow are not to be mistaken. The air of severity with which Mr. Gryce had hitherto surveyed this supposed criminal softened into a look more in keeping with his native benevolence, but he had no reply ready, and the silence became painful. Indeed, the situation was not an easy one for even so experienced a man as Mr. Gryce to handle, and, noting his embarrassment, I bounded into the room and took my place at his side, much as Sweetwater had done.

Mr. Gillespie scarcely remarked this new inroad upon his privacy. He doubtless took me for another police-officer, and as such not to be noted or counted. But the detectives showed some surprise at my intrusion, which seeing, I turned to Mr. Gryce and said:

"If you will excuse my presumption I should like to speak to Mr. Gillespie."

The latter started, possibly at my tone, and, wheeling about, gazed at my bare head and drenched figure with sharp curiosity in which a growing recognition soon became visible.

I at once bowed.

"You remember me," I suggested. "I am Mr. Outhwaite. If you will pardon my method of entrance and the proof which it gives of my connection with these men, I should like to offer you my assistance at this crisis. Mr. Gryce evidently wishes some conversation with you, which you rightly hesitate to accord him in a place made sacred by the presence of your dead wife. If you will have confidence in me, I will watch this room while you go below. No one shall approach the bed and no one shall enter the room, if Mr. Gryce will leave a guard at the door. Will you accept this service? It is sincerely tendered."

He stood perplexed, eyeing me with mingled doubt and astonishment; then, turning with an inexpressible look of longing towards the one object of his care, he cried:

"You do not understand or you would not ask me to leave her, not for a moment. I have not had her so near me, so near my hand, so near my heart, these many minutes in years. She cannot rise and run away from me now. She does not even wish to. This is a happiness to me you cannot appreciate, a happiness I cannot endure seeing cut short. Leave me, then, I pray, and come again when she has been laid in her grave. You will find me ready to receive you, ready to explain – "

"You ask the impossible," interrupted Mr. Gryce. "Some explanations will not bide the convenience of even so recent a mourner as yourself. If you do not wish to be taken immediately from this place, you will make some few things clear to us. What has this woman had to do with your father's death?"

"Nothing."

The fire with which Leighton Gillespie uttered this word made us both start. Aghast at what struck me as a direct falsehood, I instinctively opened my lips. But Mr. Gryce made me an imperceptible gesture, and I refrained from carrying out my inconsiderate impulse.

"I see," continued the unhappy man, "that suspicions which I had supposed confined to my brothers and myself have involved my innocent wife. This is more than I can bear. I will at once make known to you my miserable story."

Mr. Gryce drew up a chair and sat down. As there was no other in the room we knew what that meant. The damp air was beginning to tell upon the rheumatic old man. Attention being thus called to the open window, Sweetwater moved over and closed it. Never shall I forget the look which Leighton Gillespie cast towards the bed as that broken and ill-fitting sash came rattling down.

"See if the hall is clear," said Mr. Gryce.

The young detective crossed to the door. As he opened it and looked out, a gust of noisy laughter rose from below, mingled with the shrill sound of a woman's singing, the same, doubtless, which we had previously heard in front. These tones, heard amid brawl and shouting, seemed to pierce Mr. Gillespie to the heart. Mr. Gryce, who saw everything, motioned to Sweetwater to close the door as he had the window. Sweetwater complied by shutting himself out. This was an act of self-denial which I felt called upon to emulate.

"Shall I join Mr. Sweetwater?" I asked.

It was Mr. Gillespie who replied:

"No. I wish more than one listener; let the lawyer stay."

I was only too happy to remain. Wet as I was, I felt anxious to hear what this man so singled out by Hope had to say in explanation of his relations to the wretched woman he now acknowledged to be his wife.

He seemed in haste to make them.

"Seven years ago this fall," he began, "I met this woman, then a girl."

"Wait!" put in Mr. Gryce; "there is a point which must first be settled." And, advancing to the cot guarded so jealously by the man before him, he laid his hand upon the coverlet. "You will allow me," he said firmly, as with a gentle enough touch he drew it softly aside.

"How came this woman – pardon me, how came Mrs. Gillespie to die thus suddenly?"

The unhappy husband, after his first recoil of outraged feeling, forced himself into a recognition of the detective's rights, and, with apparent resignation, rejoined:

"I should have come to that in time. She died, as you can readily perceive, from exposure. Driven from Mother Merry's miserable quarters by some terror for which, perhaps, she had no name, she wandered in and out among the docks for two wretched days and nights, often dragging her feet through the ooze of the river, so that her garments were never dry and are not so yet. At last she came here, where once before she had found shelter in a biting storm. Here! But it is a better place than the wharves, and I am glad God guided her to even so poor a refuge. She was raving with fever when she came straggling into the room below. But after the warmth struck her and she had tasted something, she came to herself again, and then – and then she sent for me."

He paused. I did not yet understand him or the circumstances which made this situation possible, but a strange reverence began to mingle with my wonder, – not for the man – I could not feel that yet; but for a love which could infuse such feeling into the lightest allusion he made to this beloved, if wretched waif.

"There was a doctor here when I came," he speedily continued. "You can find him; – he will tell no different tale from mine – but no doctor could help her after those nights of bitter cold and exposure, and I paid him to leave me alone with her; and she died in my arms. May I tell you why this was everything to me? Why, the happiness of having received her last sigh is so great, that I have no room for resentment against you for this intrusion, and hardly feel the shame of being found in this place, with my dead darling lying in her miserable rags on this hideous pallet!"

"You may tell us," assented Mr. Gryce, replacing the coverlet over the face upon which was fast settling that look of peace which is Death's last gift to the living.

Mr. Gillespie's tone grew deeper; it could hardly have grown more tender or more solemn.

"I loved this woman. She was young when I first saw her. So was I. There were no haggard lines about her dancing eyes and laughing lips then. She was a vision of – well, I will not say beauty; she was never beautiful – but of – I cannot tell you what; I can only say that my life began on that day, not to end till she died, a half-hour ago.

"I married her. She was not a woman to take into my father's house; perhaps not into any family circle. The stage was her home, the stage from which I took her; but I did not know this; I simply knew that she was wild in spirit, and unused to household ways and social restrictions. But had I understood her then as I do now, I doubt if I would have acted any differently. I was headstrong in those days and quite reckless enough to grasp at what I felt to be my own, even if aware it would fall to nothing in my frenzied clutch.

"I took her into my father's family. I took this wild bird out of its native air, and shut it up behind the strict bars of a conventional household. One promise only I exacted from her as the price of this gracious act on my part. She was never under any pretext, not even in the event of my death, to return to the stage. Poor child! she has kept that promise. Perhaps it is all she has kept: kept it, though hungry; kept it when the wild craving for morphine tore at her breast and brain and she could have got the drug for one strain from her marvellous voice; kept it, though her veins burned with longing for the movement that was her life, and the weights on her tongue lay heavy on her heart, which beat truly only while she was dancing or singing. It was her dancing and singing which had won my heart; or, rather, the woman when dancing and singing; yet I cut her off from these natural expressions of the turbulent joy springing from her exuberant nature, and expected her to be satisfied with my love and the routine of a well-regulated household. This was my folly; a folly born of the delight I took in her simple presence. I thought that she loved me as I did her, and found in love's madness the recompense for what she had laid aside. But I had not read her nature. No man could fill her heart as she filled mine. She was a genius, – an untamable one, – and the restiveness of her temperament made demands which could only find relief in spontaneous song or rhythmic movement.

"My father, who loved quiet women – women like my mother, whose force lay hidden in such sweetness that she shines with almost a saint's glory in our memory – could not understand my wife's temperament; and, consequently, could not show even common patience towards her. He was not harsh in his treatment of her, but he failed to give her credit for so much as wishing to conform to his ways and the habits of the people she must meet in our house. When he came upon her, stealthily posing before our long mirror in the drawing-room, or caught floating down the stairs a faint echo of her magical voice in one of the tragic strains she best loved to sing, he showed such open shrinking and distaste that she flew for comfort to the one resource capable of undermining for me all hope of a better future. I allude to her use of morphine.

"She had taken it before our marriage, but the fact was kept from me. When I awoke to a realisation of the horror menacing my happiness, I devoted time, strength, and every means I then knew, to win her from this practice. But I only partially succeeded. She did not realise the harmfulness of this habit and could not be made to. Eluding my vigilance, she resorted more and more to the drug I could never succeed in keeping out of her grasp, and it fell to me to stand in the breach thus made and keep the knowledge of this crowning humiliation from my father and brothers.

"Meanwhile my father, who was strictness itself in all matters of propriety, insisted upon her sitting opposite him at the table and comporting herself in every way as the lady of the house. Just because he so dreaded comment and had so much pride in his own social standing and that of his sons, he kept her continually on view and carried her to parties and balls, thinking that his prestige would cause recognition to be given her by his friends. And it did – but grudgingly! Admired for what she was not, she was scorned for what she was. I have seen her petted by some would-be society fine lady till my blood boiled, then marked the smile of supercilious sarcasm which would be thrown back upon her when her beautiful shoulders were turned. Yet I had hopes, strong hopes of better days after the first strangeness of the new life should have worn away and her good impulses had had time to develop into motive powers for kind actions. But it was not to be; never was to be. The fiend whose power I had set myself to combat was far stronger than any force I could bring against him. She grew worse – appeared once in public as she never before had appeared outside her own room, and my father, who was with her, never attempted to hold up his head again in his former unmoved fashion. Claire, who came to us later, had no power to hold her mother back, and while she was still an infant, the inevitable occurred – my wife ran away from us.

"It was the first overwhelming shock my hitherto unfailing faith had had to sustain. She had slipped away at nightfall without money and almost without farewell. The merest note left on the piano in our little room on the third floor told me she had tried to be happy in a domestic life, but had failed; and begged me not to seek her, for she was stifling for air and freedom.

"And I have no doubt she was. Seeing, since, where she has found pleasure, and under what conditions the old gay smile has revisited her lips, I have no doubt that the very luxury we prized was oppressive to her. But then I only thought of the dangers and privations she must encounter away from my protection; and, confiding to no one the calamity which had befallen me, I rushed from the house and sought her in every place which suggested itself to me as a possible refuge. It was a frenzied search, and ended in my coming upon her, ten days after her disappearance, in a plain but decent lodging-house. Her money was gone, and she lay in that heavy sleep which has no such hallowing effect upon the beauty as this we look upon now.