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Sometimes having it all isn’t enough…

Emma has everything she’s ever wanted. Her boyfriend’s just proposed and her career has finally taken off. And so what if her latest client just happens to be downright gorgeous? She’s getting married. Isn’t she?

Rachel’s married with 2.4 children (well, actually, 3) and life is all about trying to leave the house in a non-stained top. Once it was about skinny cappuccinos, cocktails and dynamic ad agency meetings. She wants her old life back, but can it ever be the same?

A sparkling, funny tale of two sisters and how often you don’t know what you’ve got until it’s gone.

Not Quite Perfect
Annie Lyons


After leaving university, ANNIE LYONS decided that she ‘rather liked books’ and got a job as a bookseller on Charing Cross Road, London. Two years later she left the retail world and continued rather liking books during an eleven-year career in publishing. Following redundancy in 2009 she realised that she would rather like to write books and having undertaken a creative writing course, lots of reading and a bit of practice she produced Not Quite Perfect. She now realises that she loves writing as much as coffee, not as much as her children and a bit more than gardening. She has since written another novel and is about to start work on her third. She lives in a house in south-east London with her husband and two children. The garden is somewhat overgrown. One day she hopes to own a chocolate-brown Labrador named John and have tea with Mary Berry.

Big thanks to my early readers for their insightful comments and huge encouragement: Gill Mclay, Viv Peters, Heather Williams, Fiona Veacock, Sarah Livingston, Jenice Collins, Jane Clements, Mary Vacher and Lisa Stevens.

Thanks to Sally Williamson, Nicky Lovick and all at Carina for their support and enthusiasm, and to Jenny Hutton for putting me in touch with them. Thanks also to Charlotte Robertson.

Many thanks to Chris Cleave for allowing me to use the phrase ‘angels and tigers’ from his brilliant novel, Incendiary.

Heartfelt thanks to my mum and dad for instilling in me a great love of books.

Finally, special thanks to Lily and Alfie for being a daily source of inspiration and to Rich for never allowing me to give up.

For Rich

Contents

Cover

Blurb

Title Page

Copyright

Author Bio

Acknowledgements

Dedication

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Extract

About the Publisher

Copyright

HQ

An imprint of HarperCollinsPublishers Ltd.

1 London Bridge Street

London SE1 9GF

First published in Great Britain by HQ in 2013

Copyright © Annie Peters 2013

Annie Peters asserts the moral right to be identified as the author of this work.

A catalogue record for this book is available from the British Library.

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author's imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

E-book Edition © June 2013 ISBN: 9781472017123

Version date: 2018-06-20

Chapter 1

Emma Darcy wakes to the brain-imploding sensation of another hangover and wishes she had more self-control. She opens one eye and, finding the prospect of daylight nauseating, closes it again and rolls over with a groan. She wants the duvet to comfort her, to wrap its arms around her and cure her but all it is doing is making her feel sweaty and restless. She glances at the empty space next to her and moves into it, breathing in the musty aroma of man. She can already hear said man, also known as her fiancé Martin, in the shower, cheerfully murdering a Stevie Wonder song. She pulls the pillow over her head and prays for sleep or death or both.

The volume of the singing gets louder as Martin makes his way back into the bedroom and flings open the curtains. Ignoring her protests, he pries the pillow from her face and kisses her forehead. She opens one eye and attempts a weak smile. It doesn’t feel good.

‘Wake up, Bungle Bonce. It’s gone eleven and we’ve got to be at your parents’ in an hour.’

‘Nnnnnnnng’ is the only sound Emma can make.

‘Someone should have stopped after that first bottle of champagne, shouldn’t they?’ grins Martin, running a hand through his dark brown hair, still wet from the shower.

Emma can find no reason to disagree.

‘Magical Martin’s Hangover Cure coming right up!’ he whispers, stroking her cheek and gently kissing the corner of her mouth. ‘I hate to say it Em, but I wonder if you might want a shower before we head over to your parent’s. You smell like a barmaid’s apron!’ Emma aims a feeble punch in Martin’s direction, which he sidesteps with ease. He laughs and jogs down the stairs, whistling happily.

Emma marvels at this man: he drinks far more than she does and yet never seems to have any side effects. She seems to have a permanent hangover of late. It’s hardly surprising as ever since she and Martin announced their engagement a month ago it’s been a steady round of celebratory drinks and dinners with friends and family. Last night, it was just the two of them with a Chinese take-away and yet they still managed to polish off the champagne from Emma’s godmother, Rosie, plus another bottle and possibly something more potent in a smaller glass.

They had been in celebratory mood as Emma had picked up some honeymoon brochures and they had worked their way through them narrowing it down to a beach holiday in Bali or a safari in Kenya. They had then celebrated this decision by casting the brochures to one side and indulging in passionate sex on the living-room rug. As she fell asleep that night, Emma couldn’t imagine being happier. As Sunday morning dawned, she couldn’t imagine feeling worse.

While waiting for the shower to warm up, she shudders at the thought of lunch at her parents with a hangover, her sister, her brother-in-law and their three not particularly quiet children. She stands underneath the jet of water, its warmth slightly masking the feeling that her brain is trying to exit her body through her ears.

Martin is kind and presents her with a poached egg, which she nibbles, a cup of coffee, which she sips, and a glass of water with two paracetamol, which she almost inhales. She is feeling nearly human again as she staggers to the car for the short drive to her parents’ house.

Her recovery is short-lived as Emma’s mother opens the door and Buzz Lightyear leaps out in best Space Ranger form, fixing her with a determined eye, his stubby finger poised over his wrist-laser.

‘Prepared to be eliminated, evil Emperor Zurg!’ he squeaks.

‘Fuck!’ cries Emma in genuine surprise.

‘Gra-neeeeeee. Auntie Em said fuck. Again.’

‘Emma honestly,’ chides her mother.

‘Sorry. He just sort of scared me.’

‘Em’s a bit shaky today, Diana,’ says Martin, putting an arm around his fiancée. ‘She’s tired. She’s been working far too hard and then of course there’s the wedding to think about.

Emma rests heavily against Martin’s shoulder, grateful for his attempt at damage limitation.

‘Auntie Em, Uncle Martin!’ squeals Lily with unmitigated glee, darting down the hall towards them.

‘Ah my darling Pica-Lily.’ Emma scoops up her niece and tickles her delightfully chubby little ribs.

‘Doppit, doppit, doppit!’ shrieks Lily and then, ‘again, again, again!’

‘Let them come in, you horrible lot,’ interrupts Emma’s dad. ‘Gin and tonic, Mart? And maybe just a tonic for you eh, lovely girl?’ he says, wrapping Emma in a restorative embrace. She kisses him on the cheek and puts an arm around his middle as they walk into the living room, where Rachel is flicking through the Sunday newspapers.

‘I warn you, your mother’s current favourite topic is weddings,’ he whispers as he disappears into the kitchen to fetch the drinks.

Emma grimaces.

‘Who’s talking about WEDDINGS?’ says Rachel in a too-loud voice, giving her sister a playful nudge as she flops down next to her on the sofa.

Emma pulls a face. ‘Keep it down, Rach. I’ve got a hangover the size of Wales and could really do without Mum on my back today.’

‘What? I only said the word “WEDDING”’ smirks Rachel.

Alfie appears at Emma’s side and seeing his mother’s smiling face, decides to join in the game. ‘WEDDING! WEDDING! WEDDING!’ he cries with glee.

Emma gives her sister a look. ‘Could you ask him not to do that?’

Lily appears alongside him and starts to join in. Rachel grins at her sister and shrugs her shoulders. ‘I’m so sorry. I’ve lost control of my children,’ she says innocently.

‘Yes, well, not for the first time, Rachel,’ declares Diana, appearing behind them. ‘Emma, we need to talk menus, dresses and flowers.’

Emma and Rachel roll their eyes at one another as Edward returns with the drinks. ‘At least let them have a drink first, eh darling?’ he says, handing out the glasses and winking at the girls.

Diana adopts a look that suggests she is not to be trifled with. ‘Well Emma is the one who’s decided to get married. If she wants our help I think she needs to co-operate a bit more. Yes?’

‘Yes, Mum,’ says Emma with tired resignation.

‘And you can stop this conspiratorial “Mummy is a villain” thing, Edward. I only want what’s best for my family.’

‘Yes, dear,’ says Edward, suppressing a smile.

‘Right, I’ve made quiche and salad. I don’t expect the children will eat it as it’s not fish fingers but I’ve done my best.’

Rachel opens her mouth to protest but sees Emma looking smug and decides to change tack. ‘Sounds delicious. Let’s eat so that we can talk weddings,’ she says, looking victoriously at her sister.

Emma manages to pick her way through lunch feeling more and more miserable as her mother attacks each item on her list with the gusto of a military commander.

‘So Lily will be your flower girl and Rachel your matron of honour.’

‘Of course and I want Ella to be a bridesmaid too.’

‘Who is this Ella? Do I know her?’

‘She’s my best friend at work, Mum, and no, you’ve never met her.’

‘Yes, but don’t forget that Daddy and I will be putting money towards this so we don’t want people there we don’t know.’

‘Look, Mum, I know you’re doing this with the best intentions, but we haven’t even set a date yet. It is up to Martin and me.’ Emma’s painkillers are starting to wear off and she can feel a dull throbbing at her temples. She looks around for an ally.

Rachel is sitting with her arms folded enjoying every second of the spectacle while her husband, Steve, talks to Edward about football. Meanwhile, Martin is being coerced into the role of Captain Hook by the three children.

‘I’m only trying to help. I know how stressful these things can be and I’m just trying to take some of the pain out of it. By the way, my cousin Eunice has already said she will do the flowers and I think it has to be white lilies, yes?’

‘Mum, just stop it!’

‘I beg your pardon?’

‘I said stop it. You’re not helping, you’re interfering!’

Rachel is watching Emma wide-eyed and impressed.

‘Well really, there’s no need to be rude!’

‘I’m sorry. It’s just that –’

‘I only wanted to help.’

‘I know but –’

‘I’m just trying to make it special for my little girl. I mean Rachel just eloped so I didn’t get the chance then.’ Her eyes are beginning to fill with tears and Emma is wishing she could dig a large hole and crawl into it.

‘Mum, please!’

The tension is broken by a piercing cry as Alfie falls off the lowest branch of an apple tree having been made to walk the plank by his determined older brother, Will. Chaos ensues and everyone runs over offering advice. Steve and Rachel bundle the hysterical patient into the car with Diana following them, barking instructions about where to park when they get to A&E. Edward reassures the distraught Will, and soon has him and his sister are distracted with a spot of blackberry-picking.

Martin looks sheepishly at Emma.

‘I hope you’ll take better care of our children,’ she jokes.

Martin wraps her in his arms. ‘I will always take care of my family,’ he says.

Sensing an exit plan, he and Emma take the chance to leave, but she is still wound up on the journey home.

‘I mean, what is she on? How many years exactly do you get for matricide?’

‘You probably won’t want to hear this, but I think she is just trying to help, Em.’

‘Oh why do you have to be so bloody reasonable?’

‘It’s why you love me.’

‘I know and I do feel bad because I guess she is trying to help and I’m just tired and hung over, but it’s our big day and I don’t want anyone hijacking it,’ she says resting her hand on Martin’s knee.

He smiles at her. ‘It will be fine, try not to worry. We’ll find a way to manage your mum. We probably just need to put her in charge of something like the cake or flowers or something.’

Emma feels a little consoled and leans over to kiss him on the cheek. ‘I knew there was a reason I was marrying you.’

‘What apart from my infinite charm and the fact that I’m so much better looking than Daniel Craig?’

‘Yeah, that as well.’ Emma’s phone beeps and she flicks it to read the text: ‘Hope you’re not too nervous re tomorrow. Get an early night, lovely. Exx’

Emma smiles at Ella’s message and is suddenly filled with nerves at the thought of what lies ahead tomorrow. She is pitching for a new book, which, given the buzz in publishing circles, is destined to become the next big thing. Her anxiety and waning hangover make her feel tired so she foregoes Sunday evening TV and a glass of wine for an early night curled up with Allen Chandler’s potential new bestseller. Martin comes up to find her and picks up some of the scattered pages.

‘The Red Orchid. Sounds a bit poncey.’

‘It’s not poncey: It’s going to be huge and I’m going to publish it.’

‘Well I hope you do, my sweet. Have I ever told you how proud I am of you?’

‘Never,’ says Emma with a grin.

‘Would you like me to show you?’ asks Martin, prising the pages of the book from her fingers, kissing her hand and along her wrist.

‘I really should finish this,’ sighs Emma, as Martin works his way up her arm and onto her neck.

‘Well if you really have to,’ he adds, continuing to kiss her chin and face and the corner of her mouth.

‘Oh sod it. I’ll do it on the train!’ says Emma, casting the manuscript to one side, wrapping her arms and legs around him and pulling him down on top of her. There is an urgency and intensity to the movement so that minutes later they are pulling at each other’s clothes and Martin is exploring Emma’s body with his tongue: down the curve of her breast to one nipple where he toys a while, inciting and enjoying her reaction. Emma’s body rises and she lifts her pelvis in a moment of pure pleasure and lust. And suddenly, he reaches down, moves her underwear to one side and is inside her causing Emma to gasp and pull him deeper into her. Later, after they have both come and Emma has retrieved her underwear from the nose of an indignant looking giant toy frog they won on a trip to Brighton, they lay together like spoons, both heavy and warm with sleep.

‘I do love you,’ says Emma, reaching an arm up to stroke his face.

‘‘Course you do,’ says Martin and she can feel the grin on his face. ‘I’m bloody lovely.’

Rachel throws miscellaneous chunks of Lego and tiny dolls’ shoes into whichever receptacle is nearest.

‘Glass of wine?’ asks Steve.

‘Lovely,’ she answers without looking up.

He returns smiling, placing the glasses on the coffee table and stretching out an arm to her. ‘What a day eh? At least Alfie’s OK though.’

Rachel nods, accepting the embrace for a second and then pulling away. ‘Just got to reclaim the living room before I sit down.’

‘Sure, sweet-cheeks, you do what you godda do,’ says Steve turning on the TV and flicking to the sports news.

‘Maaaarm!’ yells a small voice from the top of the stairs.

‘Alfie,’ says Rachel in a weary voice.

‘I’ll go. You sit,’ says Steve.

Rachel accepts with gratitude, slumping onto the sofa and sipping her wine.

‘He’s fine. He’d just dropped Raggy,’ reports Steve on his return.

‘Good. Thanks. So, do you want to watch Grey’s Anatomy or The Wire? I’ve got them both on Sky Plus.’

‘Actually Rach, I need to talk to you.’

She looks at his weary face and realises how little she actually looks at him these days. The early months of their relationship had been spent memorising every part of each other’s face and body, but with time and children their faces became somewhat obscured as they were replaced by younger, smaller and more impatient versions of themselves. Looking at him now, she recognises the man she fell for, but his face is punctuated with more lines and his eyes are underlined with purple-grey shadows. She looked at her own face in the mirror recently and had been shocked when she realised that the lines were now caused by too much frowning rather than too much laughter.

‘OK, sounds serious. What’s up?’

‘Well –’ Steve looks unsure where to begin and Rachel is starting to feel a little worried.

‘You’re having an affair? With Kate Winslet? Again?’

Rachel’s attempt at humour makes Steve smile, but only just.

‘Yeah, but apart from that. It’s about work. They want to promote me.’

‘Wow, that’s fantastic! Congratulations! To do what?’

‘To open up a new office.’

‘Brilliant. Where?’

‘Edinburgh.’

‘What?’

‘I know. It’s a long way from everything but it’s a huge step up and a big pay rise.’

‘It’s in Scotland.’

‘I know, but it could be fantastic.’

‘How?’

‘It’s an amazing city.’

‘It’s in Scotland.’

‘I know.’

‘That’s north of here.’

‘Yes but –’

‘Where it rains.’

‘OK, but –’

‘A lot.’

‘Look, Rachel, I knew you’d be like this but I’d at least like to discuss it rationally.’

‘Oh, so I’m irrational now, am I?’

‘A tad.’

‘You want to drag your family a billion miles up north for the sake of your career?’

‘No, of course not, but we do need to consider our future and I am the breadwinner.’

‘Yeah and don’t I know it!’

‘What’s that supposed to mean?’

‘I’ve given up everything for this family. Everything. You just don’t get it, do you?’

‘Not very often, no.’

‘Ha bloody ha. So that’s my lack of job and sex drive at fault, is it? I mean, do you ever actually think about me or what I need?’

‘That’s why I’m trying to talk to you. Why do you always get like this?’

Rachel can’t speak. She lets out an enraged yelp like a trapped animal and storms out. The phone interrupts her moment of fury and she snatches it to her ear.

‘Hello?’ she says.

‘Rachel, darling?’ trills her mother oblivious to her daughter’s tone.

‘Oh hi, Mum.’

‘We just wanted to check how Alfred is.’

‘He’s fine thank you. He’s sleeping.’

‘And what about my other naughty grandchildren?’

‘Naughty.’

‘Excellent. Now darling, listen, we need to take that sister of yours in hand. I thought a spot of dress shopping might be in order.’

‘OK.’ Rachel can’t even muster any glee at the thought.

‘Super. I’ll call Emma and set a date.’

‘OK. Mum?’

‘Yes, darling?’

‘Nothing.’

‘All right. Kisses to the children.’

‘Will do. Give our love to Dad.’

‘I will if I can ever persuade him to come out from behind the Telegraph.’

Rachel replaces the receiver feeling about three years old again and wishing that there was someone to look after her. She can’t remember a time when she felt anything less than exhausted. She loves her kids and Steve but can’t always find the energy to tell them. She feels so far away from her previous life of skinny cappuccinos and dynamic, creative ad agency meetings. Life now is all about trying to leave the house in a non-stained top and asking everyone if they want ketchup with their fish fingers.

She is still angry with Steve but is too tired for an encore. Unlocking the back door she retrieves the secreted packet of Marlboro Lights kept in the shed for occasions like this. Padding a little further down the garden and she curls herself up on a garden chair tucked out of the sight of the house, behind a sickly rhododendron. She lights up and inhales deeply, shivering against the chilly evening air. Feeling herself relax she gazes out into the night but can see nothing but the molten orange glow of her cigarette.

‘Gotcha!’

Rachel shrieks and then laughs as she sees her neighbour Tom’s amused face grinning over the fence.

‘You bastard.’

‘Good evening to you too, Mrs Summers.’

‘Good evening, Mr Davies. What are you doing, creeping round the garden like a pervert?’

‘Snail patrol,’ he says flashing torchlight over the fence. ‘It’s the only way to catch them, you see.’

Rachel looks amused.

‘All right, I know. It’s a sad life but I’m a single man with only my hostas for company. And I do love my hostas.’

Rachel laughs. ‘And there was me thinking you were coming to rescue a damsel in distress.’

‘Do you need rescuing then?’ asks Tom, suddenly serious.

In the half darkness Rachel can just make out his face. At first look it could not be described as drop-dead gorgeous, in fact it is slightly pudgy at the edges, but there is a twinkle in his eye that Rachel has decided is handsome and she has always wondered why he’s never been snapped up.

Steve and she had assumed he was gay until she’d been chatting with him for a bit one day and he’d said, ‘I’m not gay by the way.’ After that she’d worried that he’d heard them through their paper-thin walls and had felt guilty for gossiping.

‘I don’t really need rescuing,’ Rachel says feeling disloyal. ‘It’s just been a bit of a day.’ She recounts the saga of Alfie but doesn’t mention her row with Steve.

‘Ahh, you love it really.’

‘Do I?’ asks Rachel. ‘Do I really love all this? When will it all end?’ She loves the kids, that’s a given, and Steve has always been her best friend: ‘Sod ‘em all!’ they used to sing when times were tough. But now they barely have time for themselves, let alone each other.

Tom is eyeing her now, looking uncertain of what to do next.

‘Well, back to your snails, saddo,’ says Rachel, trying to put him at ease.

‘If you ever need to chat, you know where I am,’ Tom says, and Rachel is touched.

‘Rach?’ Steve’s voice echoes across the garden. ‘Are you out here?’

Rachel makes a face at Tom like a scolded teenager. ‘Yeah, what?’

‘Alfie wants you.’

‘Great. I can’t even have a sneaky fag now. See you later, neighbour.’

‘Bye Mrs S and remember what I said.’

‘Thanks.’

She stalks down the garden and into the house, ignoring Steve. When she enters Lily and Alfie’s bedroom, she feels a little sheepish as her maternal role suddenly washes over her again. Their room still has that sweet scent of young children. Rachel remembers the intoxicating smell of them as newborns and although it fades over the years, she still finds breathing them in, especially after a bath when it is restored, gloriously satisfying.

Alfie is blinking at her, holding out his fat palms. ‘Want Mummy.’

‘Alfie, you should be asleep. Is your arm hurting?’

‘No. All better,’ he says. ‘I am a big boy.’

‘Yes you are darling, but you need to go to sleep.’

‘Want Mummy,’ he insists and she cannot refuse. She lies down beside him and strokes his mop of hair.

‘Poo-ee, Mummy smells.’ Rachel remembers the cigarette.

‘Alfie love Mummy?’ she asks.

‘Naaaaooo,’ croons Alfie, teasing.

‘Boo-hoo.’ Rachel feigns weeping.

Alfie laughs. ‘Mummy, cry again.’

Rachel plays along for a bit, and then says, ‘Sleep now, baby boy.’

‘Mummy sing,’ demands Alfie and after a couple of rounds of Twinkle, Twinkle, Little Star his eyelids droop and Rachel creeps out.

Steve is watching the news as she skulks back into the living room, uncertain of what to say next. He flicks off the TV and pats the space next to him, eyes imploring. ‘Sit. Please?’

She does so grudgingly, not wanting to be the one to give way and hating herself for it.

‘Friends?’ he asks stretching out an arm like a peace offering.

Realising it would be churlish to refuse, she leans towards him. ‘Look, Steve, I know we need to talk but I’m just too tired tonight.’

‘I know, I know,’ he says. ‘Why don’t we see if Emma or your mum can babysit at the weekend? We’ll go and have lunch, talk properly, get drunk and say sod ‘em all! Waddya reckon?’

Rachel chews her lip and looks at her husband. Dear dependable Steve, her best friend and constant; she finds it impossible to stay angry with him for too long. ‘Sod ‘em all!’ she says, kissing him on the cheek and feeling instant relief. ‘I’m going up. Are you coming?’

‘Just going to watch the end of Match of the Day 2,’ he says, picking up the remote and flicking on the television again.

She nods and pecks him on the cheek before climbing the stairs, exhausted by life and longing for the passion and energy of her twenties.

Chapter 2

The cavernous room is filled with a murmuring hubbub as two thousand or so publishers, authors and their celebrity guests look towards the stage in anticipation. Stephen Fry stands at the podium, smiling; wise and waiting for hush.

‘Esteemed guests, ladies, gentlemen and publishing scamps, it is my unbridled pleasure and bowl-clenching joy to announce that the winner of this year’s Best Novel Category is the astounding, Red Orchid by Richard Bennett.’ Thunderous applause. The crowd is on their feet. Richard rises to greet his public pausing only to kiss his beloved editor, Emma Darcy. There are cheers from the Allen Chandler table. Richard is greeted and embraced by Stephen Fry. A sea of photographers capture the moment with a myriad clicks and flashes. The applause is enthusiastic and heartfelt. Richard speaks to his people.

‘I would like to thank the judges for this great honour. I am truly humbled, but I have to say that I could never have achieved it without the singular devotion of one woman: Emma Darcy, this one’s for you, babe.’

Babe? Emma looks up confused as Richard grabs the microphone and starts to sing a heartfelt version of Dido’s ‘Thank You’. As she looks closely at his face, she is astonished.

‘Martin! Is that you?’

She is even more surprised when Stephen Fry picks up the backing vocals and the people in the room join in too, all turning as one to smile at Emma.

‘Oh. It’s another bloody dream,’ mumbles Emma as her brain tunes in to the song playing on her radio alarm clock. She opens her eyes feeling queasy at the thought of the day ahead. ‘Today is the one I day I will not, must not be late,’ she says to the room.

‘Drop you at the station, gorgeous girl?’ asks Martin returning from the shower and pausing to kiss his fiancée.

‘Brillo pads. Thanks, handsome.’

‘Can I suggest, endearing as it is, that you don’t use the phrase “brillo pads” in this meeting?’

‘Right-ho. Good point.’

‘Or “right-ho”.’

‘Understood,’ she says with a small salute.

On boarding the train, Emma makes a beeline for her favourite seat: second carriage from the front, facing forwards in a two-seater. She pulls out the manuscript and her notes. A few stops later a man listening to an iPod takes the empty seat next to her. They have a barely perceptible tussle over elbow territory, and she is just settling into her work when he cranks up the volume and starts to hum along.

Emma is considering making a comment when she notices that he is reading her notes. She snatches them to her chest, like a schoolgirl trying to prevent her neighbour from cribbing.

‘Sorry,’ he says grinning.

‘It’s fine but actually would you mind turning down your music please,’ says Emma trying to sound as reasonable as possible.

‘Sure. Sorry, again.’

Emma looks at him for the first time. He’s quite good looking in a public school sort of way. His smile reveals a dimpled cheek, which reminds her of Martin.

‘You must be busy, having to work on the train,’ he says gesturing at her papers.

‘Oh, I’ve got this pitch meeting today with an author. I’m an editor you see,’ she says proudly.

‘Oh wow. You’re an editor – that must be fascinating. Who’s the lucky guy?’

Emma smiles, enjoying some innocent flirting. ‘He’s a relatively new writer called Richard Bennett. His novel is amazing but I’ve heard a rumour that he’s a bit of a lothario,’ she says conspiratorially.

The train is making its final, slow passage into Victoria past the gasholders and dormant power station that Emma thinks makes this part of London look abandoned.

‘Men eh?’ smiles the man. ‘Well I hope he doesn’t give you too much trouble.’

‘Thanks, I’m hoping I can charm him.’

‘I have no doubt you will. Well good luck –?’

‘Emma. Emma Darcy.’

‘Emma Darcy. Like a character in a novel. I hope you get your book, Emma Darcy,’ he smiles and then disappears into the crowd of commuters. Emma gathers her belongings, takes a deep breath, and steps off the train into Monday morning chaos.

‘Want breakfast naaaaaow!’ yells Alfie.

‘Ok, Hitler-in-a-nappy. Mummy’s going as fast as she can.’ Rachel throws crisps, a drink and a packet of something claiming to be 100% fruit into Will’s lunch bag and counts down the seconds until the microwave gives its final ping. She snatches open the door to find that the milk has boiled over and Alfie’s porridge now resembles molten lava with a temperature to match. ‘Bollocks!’ she mutters as quietly as she can, emptying the rest of the carton of milk into the bowl in a desperate attempt to cool it down. It now has the consistency of slurry and Rachel knows that this will not pass the Alfie taste-test. She bins her first attempt and gives the microwave a cursory wipe before starting again.

‘Naaaaaow Mummeeee!’

‘Look, young man, either you wait or you work out a way of making it yourself. I’m doing my best, OK?’

‘‘kay,’ says Alfie uncertainly. ‘Mummy cwoss.’

‘I am not cross,’ and then she catches sight of his chubby jowls and blue eyes and smiles, ‘Mummy’s sorting it, sausage.’

‘Cuddle, cuddle,’ he implores, and Rachel gives in, nibbling at his soft little neck.

‘Nooo, Mummy,’ he giggles.

‘Right you, into your chair and, Lily! Will! Breakfast time!’

‘Coming!’ shouts Will. ‘Just got to take this penalty to win the World Cup for England.’

‘I’m having a poo!’ bellows Lily.

‘Breakfast in paradise, darling?’ asks Steve, grabbing a banana on his way through.

‘Oh yeah, baby, it’s like a week in Mauritius.’

‘Bless you, Mummy. Achoo!’ says Alfie mishearing.

Rachel removes the second batch of cereal from the microwave and pours a pot of something pink, gloopy and organic all over it.

‘Naaaaaooooo, Mummy, want bananaaaaa!’

‘Oh for heaven’s sake, Alfred!’

‘Maaaarrrrm,’ shouts Lily, ‘I’ve run out of bog roll!’

‘Did you teach her to call it that?’ Rachel asks Steve.

‘Darling, I thought you were the queen of spade-calling. Got to dash.’

‘You’re a bit early, aren’t you?’

‘Lots to do, my sweet. Got to start early so I can be home on time. Let’s talk later. Properly? Over a bottle of something nice? Love you.’ He plants a kiss on her cheek and on each available child’s head.

‘Bye Lils!’

‘Bye, Daddy. Love you.’ Her voice is sweet and charming and then changes as she shouts, ‘Maaarrrm!’

‘OK, Lily. I’m coming!’

‘Mummy, banana!’ insists Alfie.

‘OK, OK. Will, please can you sort out your brother while I attend to your sister.’

Lily looks disappointed at Rachel’s entrance.

‘I want Daddy.’

‘Well, unfortunately you have Mummy.’

‘Oh.’

Five minutes later, the ladies of the house come downstairs to a suspiciously peaceful kitchen.

Rachel looks pleased and then horrified. ‘Will, what have you done?’ she cries, seeing that Alfie’s face is smeared with the remains of a packet of Giant Chocolate Buttons, which his obliging brother has tipped over his cereal.

‘What? He likes them.’

Rachel is about to open her mouth when her phone beeps with a text. It’s from her friend, Sue: ‘Fancy Baby Bump and Grind aka Bounce and Rhyme at the library at 10?’

Rachel fires off a reply: ‘In the absence of an offer from George Clooney, you’re on. Got to pop home after school run. Save me a tambourine.’ And then as an afterthought, ‘Shall I text Christa?’

The answer pings back: ‘Good idea.’

Christa, who has recently moved from Switzerland, is clearly pleased to be asked: ‘Danke viels. Roger and I would that love. Bis bis.’

Rachel smiles and takes a deep breath, making ready to coax, cajole and nag her family out of the house.

Emma walks into Allen Chandler’s impressive, marble lobby. She smiles at Derek on reception, who gives her a wink and a thumbs-up.

‘Hold that lift!’ orders a voice.

Emma turns to see Joel Riches marching through the door radiating an air of self-importance. He ignores Derek, who in turn shakes his head in disgust. Emma is tempted to pretend she hasn’t heard, but knows this won’t work. Joel is a persistent force in her life. Every book she publishes or pitches for, he’s there ‘thinking outside the box’ or ‘campaigning above the line’, ready to disassociate himself from things which don’t work and take the glory for things that do. As a member of the ‘say what you mean and mean what you say’ club Emma loathes him.

‘Hi, Emma,’ he says with a condescending lilt. ‘So Richard Bennett? It’s either going to be a huge opportunity or a complete drain on resources and the bottom line. Thoughts?’

Emma bristles at his patronising tone but answers as calmly as she can. ‘I think it’s a formative work for an emerging talent in a brave new world of modern fiction destined to win awards and generate sales and profit for the company,’

‘Well done, Emma. Good work,’ he says, which makes Emma want to stave in his head with the manuscript she’s holding. ‘Personally, I prefer something a little meatier. Did I tell you I’d read Don Quixote last summer?’

‘Several times.’ They have reached the twelfth floor and the lift doors open. ‘Got to dash, Joel. Got a book to buy.’

‘Good luck. Don’t be nervous. Mind you, I would be. Digby’s relying on this one.’

‘Tosser,’ mutters Emma under her breath as she makes her way into the open-plan office. Ella has left a small bunch of butter-yellow freesias on her desk with a card that says, ‘I know you can do it.’ Emma is touched, but at the same time feels a little inadequate as she doesn’t know if she would have been so thoughtful herself. Behind the lovingly placed flowers is a less lovingly placed Post-It note slapped onto her computer’s blank face. It’s from Miranda and it simply says, ‘Emma – please pop in at 9. Digby wants a word.’

Emma feels as if she might regurgitate her breakfast. It’s not that she’s afraid of Digby: He’s a pussy cat compared with the bottom-line obsessed powers that now run the company. But he is one of Miranda’s oldest friends and was a traditional, independent, gentlemen publisher, who launched a whole host of seminal works, as well as being the founding member of the day-long publishing lunch. Emma takes a deep breath and knocks on Miranda’s closed door with what she hopes is an air of quiet authority. There is no answer, so Emma inclines her ear towards the door, just as it is flung open by the literary powerhouse that is Miranda Winter.

‘Ah, Emma. I thought I heard something. Morning. Morning. And how is my brightest and best on this exquisite day? Come, my child, don’t be shy. Digby won’t eat you. He’s had his breakfast.’

Miranda’s office is a shrine to the great and good of publishing, books and reading. Her walls are adorned with photographs, sketches and mementos from her forty-odd years as the matriarchal founding editor of Chandler and now Allen Chandler. The world of books and publishing may have changed, but Miranda Winter is not a woman to be trifled with and the newer suits at Allen Chandler simply wouldn’t dare. They’re terrified of her and she makes them far too much money. The photographs of Miranda with everyone from John Gielgud to John Updike read like a history of cultural movers and shakers from the post-war years. Emma is particularly impressed by the rumours that Miranda has slept with most of the men photographed here, even the gay ones. They are like the photographic equivalent of notches on her bedpost.

As Emma enters the room, Digby is perched on the edge of Miranda’s dark oak monster of a desk, a pudgy hand pawing at one of his many chins. Although publishing today is a very different world to that of fifty or even twenty years ago, when lunch neatly segued into afternoon tea, cocktails and dinner, no one seems to have told Digby and he remains the very picture of old-school corpulence. He is suited by a little man in Saville Row and his Oxford brogues are always shiny. He prefers a dickey bow to maintain the air of an eccentric publisher and today his pink shirt looks fit to burst as his belly extends over his blue pinstriped trousers.

‘Ah Ella,’ he begins, raising his fat hands in a sort of waving gesture.

‘It’s Emma.’ She corrects him. ‘Ella’s the other one.’

Digby snorts with amusement as if having two people with vaguely similar names is the funniest thing he’s ever heard.

‘Sorry, so sorry. Now, Emma, I know I don’t need to tell you how much our hopes are resting on you today. And I just wanted to say good luck. I know you can do it.’

Emma tries to speak but only manages a squeak of agreement.

Miranda leaps to her rescue. ‘Well, Emma and I will do our darndest to bring home the bacon, eh Emma?’

Emma nods vigorously, deciding that it is probably best to remain mute for now.

‘Quite so, quite so,’ says Digby with customary vagueness. ‘Well, the very best to you both. I look forward to hearing good news!’ And away he shuffles.

‘So tell me how you’re really feeling’ says Miranda when he is gone.

‘Honestly? I’m bloody terrified. I mean, this is this most exciting book I’ve read since Marquez. Do you really think we can get it?’

‘The agent is touting it hither and thither after the publisher with the most money, but I know we have more to offer.’

She looks at Emma with glassy eyes. It’s the look Ella and Emma call her ‘mirror to the past’. Ella always jokes that Emma is her protégé and it is clear that Miranda does see something of herself in Emma. At last year’s Christmas party, Miranda threw her arms around her and told her that she was like Boudicca, but they were all very drunk.

‘Ten o’clock then. We pitch our ideas, gush, enthuse and generally plump up their egos like sumptuous cushions. OK?’

‘Ok. Do you think Richard will go for it?’

‘Oh, it’s not Richard we have to worry about, darling. It’s the agent.’

The light is flashing on Emma’s phone when she gets back to her desk. It’s a text from Martin: ‘Good luck Mrs Almost-Wifey. Hope you get the book. I’m proud of you. Love M.’ She smiles but is starting to feel a bit sick and desperate to get on with it. She checks her watch: 9:34. twenty-six minutes to go. She leafs through her notes again and realises that her hands are shaking. The book is beautifully written and Emma desperately wants to be the one to publish it. She gives herself an internal pep talk: ‘You can do this. You are good at your job. You love this book and you want the world to love it too.’

The phone rings shattering the peace. Emma leaps up, knocking coffee all over her notes. ‘Fuck!’ she says involuntarily into the mouthpiece.

‘Emma?’ asks Miranda with no notable surprise at the outburst.

‘Yes? Sorry. I’m here.’

‘And so are they. Are you ready?’

Emma looks at the coffee-steeped notes and realises that she’s going to have to wing it. ‘I’ll come straight over.’

‘Fine. I’ll go and welcome them, roll out the red carpet as it were. And remember, you should be bloody nervous but it’s just another book. OK?’

‘OK,’ says Emma feeling anything but.

Miranda’s office is filled with the heavy perfume of pink lilies, mingled with the welcome aroma of freshly brewed coffee. Emma realises that she needs to pee, but daren’t leave the room now. The table is covered with a selection of Danish pastries. Her stomach groans appreciatively, but she decides against the risk of icing down her top and flaky crumbs on her upper lip. She can hear Miranda coming, jollying their guests along in a warm but business-like way. She decides that standing is the best option as sitting might seem somehow presumptuous or complacent or both.

The woman who enters first is known to Emma by fearsome reputation only: Joanna Uppington is ball-breaker number one of the publishing world. Emma is pretty sure she’s never smiled in her life. She is immaculate and tiny in her fitted, designer trouser suit. The only aspect to her that gives her any height (and which Emma suspects is the actual source of her power) is her hair with its impressive four-inch power-bouffant held in place with enough hair spray to finish off the ozone layer.

‘Joanna, this is Emma Darcy, our most talented editor.’

Joanna looks Emma up and down as if seeking to identify a new life form and thrusts out a bony hand like a poison dart. ‘And this is my most talented author, Richard Bennett,’ she retorts.

And there he is. Of course. As if God, Beelzebub and his wizards, and the spirit of Joel Riches were all conspiring as one against Emma. The man from the train.

Chapter 3

Rachel looks at the kitchen and tries to ignore the Weetabix-encrusted carnage. She presses the button on the washing machine, waiting with impatience for it to release the laundry. She can hear Alfie and Lily shouting their usual morning chorus of ‘I hate you’s’ and decides to let them resolve it for themselves, like the books tell you to. She unlocks the back door and picks her way across the dewy grass. She is just prising apart a mass of trousers and socks, when she hears the phone ring.

‘I’ll get it!’ calls Lily. Rachel curses. Moments later, her daughter pads into the garden.

‘My socks are wet and it’s Grandpa,’ she announces. Rachel accepts the phone and waves her daughter away with the international semaphore sign for ‘Go and find some dry socks.’

‘Hi, Dad,’ she says at last.

‘Morning, daughter number one. Your mother was fretting so she made me phone you,’ he says with a chuckle.

Rachel laughs. ‘I’m fine thanks, Dad. It was lovely to see you all yesterday, despite the apple tree incident.’

‘Yes and how is the little man this morning?’

Rachel can hear her mother talking in the background, directing operations. ‘He’s absolutely fine. No lasting damage. What’s Mum saying?’

Edward doesn’t speak for a moment, as he tries to listen to two separate conversations. ‘Sorry, Rachel. Your mother wants to know if you and Steve are all right?’ says Edward. Rachel hears her mother exclaim at his lack of subtlety.

She laughs again. ‘We’re fine. Why?’

‘She wants to know why,’ Edward reports back to his increasingly exasperated wife.

‘Oh for heaven’s sake, Edward. Give me the phone will you? Honestly, if you want something done in this family. Rachel?’ says Diana as she takes the phone.

‘Yes, Mum?’

‘Now don’t you “yes, Mum” me. I know what you and Daddy are like when you get together. I simply wanted to check that everything is all right between you and Steve.’

‘I’ve just told Dad we’re fine. Why do you ask?’

‘Steve has asked us to have the children on Saturday night.’

‘Oh right, yes, well we just want to have a little time on our own as a married couple.’

‘Yes all right, Rachel. There’s no need to be coarse. So I don’t need to worry then?’

Rachel contemplates this question and then immediately rejects the idea of telling her Mother about Edinburgh. ‘No, of course not.’

‘Well good, because I’ve got enough to worry about with this wedding of your sister’s. I’ll hand you back to your father.’

‘Rachel? Sorry about that. You know what your mother gets like when she’s been listening to the Today programme. Two hours of John Humphries and she just won’t let things go,’ says Edward.

‘It’s all right, Dad. I know.’

‘You know you can always talk to your old dad, if there is anything, don’t you?’

‘I know, Dad. Thanks. Look, I’ve got to go.’ Rachel replaces the phone and glances at her watch.

‘Kids! We’re –’

‘Yeah, yeah, we know. Late again!’ says Lily. ‘It’s OK, we’ve done our shoes and coats. We’re a bit more organised than grown-ups, you know.’

‘Well thank you, Lily,’ says Rachel through gritted teeth, grabbing her bag and ushering them out of the door.

It’s fortunate that Emma is not the sort of girl who blushes. She does her best to shake hands with Richard without betraying what can only be described as her almighty cock-up. Looking at him properly for the first time, she notices his dark brown eyes and the dimple that appears when the subject is amused. The subject is now extremely amused.

‘Hello, Emma. So good to see you. I feel as it we’ve met somewhere before? Or maybe not?’ He plonks himself down into the nearest chair, grabs a pastry and grins at her. Happily, no one else seems to notice this display.

‘Coffee anyone?’ asks Miranda.

‘Tea thanks. Lapsang souchong if you have it – with lemon,’ says Joanna.

‘Yeah. Coffee’s fine. Milk, no sugar thanks,’ says Richard folding his arms behind his head in a ‘so what can you offer me?’ type way.

‘Of course. I’ll get Andrea to do the honours,’ says Miranda disappearing.

Emma is panicking inwardly like a child whose mother has left the room, but she fights the urge to throw herself on the floor and beat the carpet with her fists, offering Joanna a seat instead. Joanna looks horrified and turns to inspect the chair, dusting it with a manicured hand and perching awkwardly, as if this is the first time she’s sat down in her life. All the while Richard is eyeing Emma with vast amusement.

‘So,’ booms Miranda on her return, ‘thank you for coming today. We’re tremendously excited about this book and hope you decide that Allen Chandler is the best home for it. Emma has prepared some data on the current market, our comparable titles and what we can offer Richard.’

‘Oh come on, Miranda, never mind that. This is a brilliant and original book. We all know that. Every other publisher is telling us that. Great. Fantastic. We’re thrilled. But what are you prepared to pay?’ Joanna’s voice is direct, fierce and as terrifying as her reputation. Emma gulps. No one speaks to Miranda like that. Her eyes betray thunder, but her smile remains fixed.

‘No Joanna, it’s OK, I think we should hear what Emma has to say.’ Richard’s voice is amused and almost mocking.

‘Do you?’ Joanna says in surprise. ‘Oh all right then. Let’s hear it.’

Emma’s heart is in her mouth. ‘Right, well I’ve prepared some data.’

‘Yes, yes. Miranda said that. Let’s see it.’

She passes round the pages.

‘Ooh, PowerPoint®. How modern!’ says Richard, and Joanna sniggers.

‘The first slide shows what we view as the benchmarks for this title and sales data to support,’ says Emma ignoring them.

‘Life of Pi? The Book Thief? Surely The Red Orchid is better than these?’ says Joanna looking unimpressed.

‘Well, I think so, yes. If you look at Allen Chandler’s own, comparable titles from the past five years we have exceeded sales of these industry benchmarks, and I see no reason why we can’t go even further with The Red Orchid.’

‘How?’

‘Well, it will obviously be picked up by the key retailers and reviewers.’

‘Ha! A Waterstone’s 3 for 2 and four inches in the Guardian does not a bestseller make.’

‘Well, then there’s the awards.’

‘Yes, but there’s no guarantee, is there?’

‘Of course not, but –’

‘What I want to know is, how are you going to make the UK’s most talented and original author since McEwan into an out and out bestseller?’

‘As I’ve said –’

‘But you haven’t said. It’s all hot air and promises you can’t keep, isn’t it?’

Richard is grinning, enjoying the spectacle, but for Emma it is turning into another fight with her mother. She is waiting for Joanna to tell her to go and tidy her room.

‘No, it’s not all hot air and promises,’ says Emma surprising everyone in the room including herself. Joanna looks at her sharply. ‘In the past ten years the fiction market has changed beyond recognition.’

‘Tell me something I don’t know,’ yawns Joanna.

‘Publishers are under incredible pressure to deliver profit, but are being squeezed by the demands of agents and authors for ever higher advances.’

‘And I suppose that’s my fault, is it?’ Joanna wants to spar. Emma won’t bite.

‘There are a whole host of publishers who will offer you more money than they can ever earn just to win your book.’

‘And?’

Emma address her directly now, refusing to be cowed. ‘And, those with the fattest cheque books don’t necessarily have what you need to turn a book from an emerging talent to a bestseller to a classic.’

‘Oh please impart your wisdom. What would that be?’

‘One word: Passion.’

Joanna snorts with derision. Miranda is watching Emma with what she detects is a glimmer of pride. Emma takes courage from this and addresses Richard directly. ‘Your characters, particularly Alexander and Newton, are the lifeblood of this book. They leap out and grab you by the throat, and Alexander’s unrequited love for Stella is one of the greatest love stories ever told. It’s a story that will stay with readers for ever.’

Richard’s eyes are fixed on Emma now, calm and steady. He has lost his earlier cockiness. He opens his mouth to speak but Joanna butts in. ‘Listen, I’m sure you’re a great editor and it’s lovely to hear that you’ve read and loved this book. Ya di ya big deal, but what are ya gonna pay?’ She spits out the last six words with venom.

Miranda clears her throat. ‘Joanna, I think it’s time we drew this meeting to a close.’

‘I’m sorry?’

‘Yes, so am I. I think we have been upfront, honest and seeringly enthusiastic for Richard’s book. If it’s all about the money, it’s not for us. Shall I see you to the lift?’ Miranda appears calm but the area of neck just below her ears has reddened.

‘But I thought –’ Joanna blurts.

‘Then you thought wrong. If other publishers are prepared to let you throw your weight around and patronise their editors, then more fool them. I, for one, am not.’

Joanna opens her mouth to speak but stops when she sees Miranda’s face. She raises herself up on her bony twig legs and pats her immobile hair. ‘Come on, Richard, let’s go to another, less short-sighted publisher.’ Joanna Uppington breezes out of the room on a waft of Chanel No. 5.

Richard is still staring at Emma.

‘Richard!’ shouts Joanna from the corridor.

Richard jumps up ready to follow, but stops at the door and turns to address Emma and Miranda. ‘I’m sorry, I have to erm, it was lovely to meet you –’

‘Richard!’ screeches Joanna again.

Richard holds up his hands and smiles like a defeated man. ‘Bye,’ he says and darts out of the door.

‘Tell me his written word is better than his spoken,’ says Miranda after a moment.

‘It is. Unfortunately,’ says Emma with a sigh. ‘Why does Joanna behave like that?’

‘Because, my dear, she is a bully and frankly we’re better off without them both.’ Her phone chirps and she glances at it, looking weary. Emma feels guilty. ‘It’s Digby. I better update him.’

Emma takes this as a signal to leave and tries to creep back to her desk unnoticed. She realises that the god of shit days has got it in for her as she turns the corner and Joel appears out of nowhere. Emma jumps. ‘Jesus, Joel!’

‘Ahh, thanks for the accolade, you can just call me Joel though. Sooo, how’d it go? Ooh. Not so good eh?’

‘I don’t know. We’ll just have to see.’

‘Ouch. That bad eh? You should have asked me to come along, Em. I would have been happy to help.’

Emma bristles at his familiar use of her name. Realising that homicide is probably not the best course of action, she tries to muster some dignity and shambles back to her desk. Almost immediately, Ella is by her side confirming that the Joel bush telegraph is fully operational.

‘Come on,’ she says, ‘we need Oreo cookie cheesecake and we need it now.’

The over-enthusiastic librarian has her hand up a surprised looking crocodile puppet as Rachel arrives hot and flustered at the library. As the highlight of pre-school entertainment in this town, the tiny space is packed with fifty or more mums and dads and their wriggly offspring. Rachel attempts to park her double buggy by the door.

‘Can’t park there, love,’ insists a red-faced man with a bunch of keys on his belt.

‘Can’t I?’ says Rachel irritated.

‘‘ealth ‘n’ safety innit?’ he insists.

‘Right. Fine.’ Rachel can’t be bothered to argue and steers the buggy round to ‘Large Print’. She turns round to see that Alfie has escaped, while is sister is still calmly disembarking. ‘Lily, where’s Alfie?’

‘I don’t know,’ says Lily with a complete lack of concern.

‘Oh shit!’

A large lady in her sixties who is dressed like a duchess tuts loudly in Rachel’s direction.

‘Sorry, it’s just that I’ve lost my –’

‘Boo!’ Alfie jumps out from behind a Catherine Cookson display.

The woman is unimpressed. ‘This isn’t a crèche, you know.’

Rachel wants to respond but Alfie is tugging at her leg,

‘Let’s go and see Joe, Mummy.’

‘All right, darling. Silly old bag,’ mutters Rachel.

Lily giggles. ‘Silly old bag!’

The woman looks around and Rachel smiles trying to look innocent. ‘Bye!’

After a row of ‘sorry’s’ and side-shuffles, she reaches Sue and Christa and their respective sons, Joe and Roger. ‘What did I miss?’ she whisper to Sue.

‘Just a couple of ‘Bobbins’ and an energetic ‘Sailor Went to Sea’.’

The librarian, a bony woman of indeterminate age, is now handing out musical instruments. Alfie shakes his sleigh bell enthusiastically resulting in a glancing blow to Roger’s bemused face.

‘Alfie! Say sorry.’

‘Sorreeee,’ sings Alfie with a grin.

Roger looks unsure, but then joins in as Joe takes this as a cue for an impromptu sword fight.

‘Boys! Stop it!’ commands Lily. ‘I can’t hear the lady.’

The boys comply and Sue smiles, impressed. ‘Got her mother’s way with men, has she?’

‘I wish. Wait until I tell you what Steve’s got lined up for us.’

‘I’m hoping it’s an all expenses paid trip to 5-star luxury beach resort with hot and cold running nannies but from your face, I’m guessing not.’

‘Ok, mums, dads, boys and girls, are we ready to be jingle-jangle scarecrows?’

‘Tell you over a latte,’ says Rachel with a rictus, ready-to-sing grin.

Ücretsiz ön izlemeyi tamamladınız.

Yaş sınırı:
0+
Hacim:
384 s. 7 illüstrasyon
ISBN:
9781472017123
Telif hakkı:
HarperCollins

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