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ANNIE PROULX

Postcards


Copyright

Fourth Estate

An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF

www.harpercollins.co.uk

First published in paperback in 1994 by Fourth Estate and by

Harper Perennial in 2006, reprinted 7 times.

First published in Great Britain in 1993 by Fourth Estate

Copyright © Dead Line, Ltd. 1992

Annie Proulx asserts the moral right to be identified as the author of this work

A catalogue record for this book is available from the British Library

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins ebooks.

HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication.

Source ISBN: 9781841155012

Ebook Edition © JUNE 2012 ISBN: 9780007385553

Version: 2018-05-23

Praise for Postcards:

‘Annie Proulx has come close to writing “The Great American Novel”’

New York Times

‘Postcards feels like a fifth or sixth novel, not a first. Language that sizzles like meat in a pan … A wonderful writer and an astonishingly accomplished novel’

Chicago Tribune

‘Her first novel fulfils the promise of her short stories … hugely ambitious … The natural description is superb. The dialogue has a raspy bony twang to it. She pushes language to breaking point … a gifted prose stylist who renders her characters on the page to mesmerizing effect’

San Francisco Chronicle

‘The author’s literary ancestors range from Edith Wharton to Nathaniel West. But Proulx sees the grand side too … She sees every part of the national configuration and wraps every character here in a crazy-quilt of literary affection’

Los Angeles Times

‘Postcards triumphantly delivers. You could use the word “great” about Postcards without embarassing yourself’

Boston Globe

‘Rich, boisterous, remarkable … Annie Proulx draws characters who matter’

Washington Times

For Roberta

Contents

Cover

Title Page

Copyright

Praise for Postcards

Preface

I

1 Blood

2 Mink’s Revenge

3 Down the Road

4 What I See

5 A Short, Sharp Shock

6 The Violet Shoe in the Ditch

7 When Your Hand Is Cut Off

8 The Bat in the Wet Grass

9 What I See

10 The Lost Baby

11 Tickweed

12 Billy

13 What I See

II

14 Down in the Mary Mugg

15 The Indian’s Book

16 The Bigger They Are the Higher They Burn

17 The Weeping Water Farm Insurance Office

18 What I See

19 The Lonely Hearts Prisoner

20 The Bottle-Shaped Tombstone

21 The Drive

22 The Dermatologist in the Wild Wood

23 Ott’s Lots

24 The Indian’s Book Again

III

25 Garden of Eden

26 Bullet Wulff

27 Crazy Eyes

28 The Kernel of life

29 Dazed and Confused

30 The Troubles of Celestial Bodies

31 Toot Nipple

32 Pala

33 Obregón’s Arm

34 Tumbleweed

35 What I See

36 Shotguns

37 The Indian’s Book

38 Looks Like Rain

39 The Logging Road

IV

40 The Gallbladders of Black Bears

41 The Tropical Garden

42 What I See

43 The Skeleton with Its Dress Pulled Up

44 The Runty Rider Curses Judges

45 The Lone One

46 What I See

47 The Red-Haired Coyote

V

48 The Hat Man

49 What I See

50 The One Only One

51 The Red-Shirt Coyote

52 La Violencia

53 The Fulgurite Shaped Like a Bone

54 What I See

55 The White Spider

56 The Face in the Moss

57 The Jet Trail in the Windshield

58 What I See

Acknowledgments

Also By Annie Proulx

About the Publisher

‘But that’s the part of it I always liked. He adjusted himself to beams falling, and then no more of them fell, and he adjusted himself to them not falling.’

DASHIELL HAMMETT, The Maltese Falcon

I

1 Blood


EVEN BEFORE HE GOT UP he knew he was on his way. Even in the midst of the involuntary orgasmic jerking he knew. Knew she was dead, knew he was on his way. Even standing there on shaking legs, trying to push the copper buttons through the stiff buttonholes he knew that everything he had done or thought in his life had to be started over again. Even if he got away.

He couldn’t get any air, but stood on his knocked-out legs gasping and wheezing. It was like he’d taken a bad fall. Dazed. He could feel the blood hammering in his throat. But there was nothing else, only the gasping for breath and an abnormal acuity of vision. Mats of juniper flowed across the field like spilled water; doghair maple crowded the stone wall wavering through the trees.

He’d thought of the wall walking up the slope behind Billy, thought of it in a common way, of working on it sometime, setting back in place the stones that frost and thrusting roots had thrown out. Now he saw it as a scene drawn in powerful ink lines, the rock fissured with crumpled strings of quartz, humps of moss like shoulders shrugging out of the mold, black lignum beneath rotten bark, the aluminum sheen of deadwood.

A stone the size and shape of a car’s backseat jutted out of the wall, and below it was a knob of soil that marked the entrance to an abandoned fox den. Oh Jesus, it wasn’t his fault but they’d say it was. He grasped Billy’s ankles and dragged her to the wall. He rolled her up under the stone, could not look at her face. There was already a waxiness to her body. The texture of her bunched stockings, the shape of her nails glowed with the luminous hardness that marks the newly dead in the moment before the flames consume or the sucking water pulls them under. The space beneath the rock was shallow. Her arm fell outward, the hand relaxed, the fingers curled as if she held a hand mirror or a Fourth of July flag.

Instinctively he translated the withering shock into work, his answer to what he did not want to understand, to persistent toothache, hard weather, the sense of loneliness. He rebuilt the wall over her, fitting the stones, copying the careless, tumbled fall of rock. A secretive reflex worked in him. When she was locked away in the wall he threw on dead leaves, tree limbs and brush, raked the drag marks and scuffed ground with a branch.

Down the back fields, keeping to the fence line, but sometimes staggering onto open ground. No feeling in his legs. The sun was going down, the October afternoon collapsing into evening. The fence posts on the margins of the fields glinted like burnished pins, the thick light plated his face with a coppery mask.

Grass eddied around his knees, the purple awns burst, scattering a hail of seed. Far below he saw the house varnished with orange light, balanced against the grove of cottonwoods, like a scene etched on a metal plate. The sag of the roof curved into shadows as delicate as a bloom of mold, thickening the trees.

In the orchard he knelt and wiped his hands over and over in the coarse grass. The trees were half wild with watersprouts and deadwood. The mournful smell of rotted fruit came into his nose. ‘If I get away,’ he said, dragging breath into his constricted throat, and briefly seeing, not what had happened up beside the wall, but his grandfather spraying the tree with Bordeaux mixture, the long wand hissing in the leaves, the poisoned codling moths bursting up like flames, the women and children, himself, on the ladder picking apples, the strap of the bag cutting into his shoulder, the empty oak-splint baskets under the trees and the men loading the full baskets into a wagon, the frigid packing room, old Roseboy with his sloping, bare neck and his dirty hat, pointed like a cone, nothing but a trimmed-up old syrup filter, tapping on the barrel heads, serious, saying over and over, ‘Take it easy now, one rotten apple spoils the whole goddamn barrel.’

Evening haze rose off the hardwood slopes and blurred a sky discolored like a stained silk skirt. He saw and heard everything with brutal clarity; yet the thing that had happened up beside the wall was confused. Coyotes singling along the edge of the duck marsh called in fluming howls. Wet hand ticking the skeletal bean poles, he walked through the withered garden. Moths like pinches of pale dust battered in his wake.

At the corner of the house he stopped and urinated on the blackened stalks of Jewell’s Canterbury bells. The seed husks rattled and a faint steam rose in the trembling shadow of his legs. His clothes had no warmth. The grey work pants, knees stained with soil, were stippled with grass heads and bramble tips, his jacket spattered with shreds of bark. His neck stung from her raking scratches. A gleaming image of her fingernails swerved into his mind and he clamped it off. The cedar waxwings rustled stiff leaves with a sound of unfolding tissue paper. He could hear Mink’s voice in the kitchen, lumps of sound like newly plowed soil, and the flat muffle of Jewell, his mother, answering. Nothing seemed changed. Billy was somehow up there under the wall, but nothing seemed changed except the uncanny sharpness of his vision and the tightness that gripped somewhere under his breastbone.

A length of binder twine hung with bean plants sagged between the two porch pillars, and he could see each hemp fiber, the shadows in the folds of each desiccated leaf, the swell of the seed inside the husks. A broken pumpkin, crusted on its underside with earth, parted like a mouth in a knowing crack. His foot crushed a leaf as he opened the screen door.

Wire egg baskets were stacked in the corner of the entry. Water had drained from a basket half full of pale eggs and pooled under Mink’s barn boots. The reeking barn clothes, Dub’s jacket, his own denim coat with the pocket gaping open like a wound, dangled from nails. He scraped his shoes on the wad of burlap sacks and went in.

‘About time. You, Loyal, you and Dub can’t get to the table on time we’re not waitin’. Been sayin’ this since you was four years old.’ Jewell pushed the bowl of onions toward him. Her hazel eyes were lost behind the glinting spectacles. The ridge of muscle that supported her lower lip was as stiff as wood.

The white plates made a circle around the kitchen table, the shape echoed in the curve of grease around Mink’s mouth. There was stubble on his face, his finely cut lips were loosened by missing teeth. The dull silver lay on the yolk-colored oilcloth. Mink clenched the carving knife, sawed at the ham. The ham smelled like blood. Cold air crawled along the floor, the ferret scurried in the wall. On a hill miles away an attic window caught the last ray of light, burned for a few minutes, dimmed.

‘Pass the plates.’ Mink’s voice, gone thin since his tractor accident a few years ago, seemed caught in some glottal anatomic trap. He tensed his neck, creased across the back with white lines, and cut at the ham. The label on his overall bib read TUF NUT. The red slices fell away from the knife onto the platter, the glaze crackled by heat in crazy hairlines. The knife was thin-bladed, the steel sharpened away. Mink felt its fragility against the ham bone. Such a worn blade could easily break. His pallid gaze, blue as winter milk, slid around the table.

‘Where’s Dub? Goddamn knockabout.’

‘Don’t know,’ Jewell said, hands like clusters of carrots, shaking pepper out of the glass dog, straight in the chair, the flesh of her arms firm and solid. ‘But I’ll tell you something. Anybody that’s late to supper can go without. I cook supper to be eat hot. And nobody bothers to take the trouble to set down when it’s ready. Don’t care who it is, they’re not here they can forget it. Don’t care if it’s Saint Peter. Don’t care if Dub’s gone off again. Thinks he can come and go as he pleases. He don’t care for nobody’s work. I don’t care if it’s Winston Churchill with his big greasy cigar wants to set down to dinner, we’re not waitin’ for nobody. If there’s something left he can have it, but don’t expect nothing to be saved.’

‘I don’t expect it,’ said Mernelle, squinting her eyes. Her braids were doubled in loops bound with rubber bands that pulled painfully when they were worked loose at night, the teeth too big for the face. She had the family hands with crooked fingers and flat nails. She had Mink’s diffident slouch.

‘Nobody is talking to you, miss. You make some money on the milkweed pods and you’ve got to put your two cents in on every subject. How money does change a person. Glad I haven’t got any to spoil me.’

‘I got more good stuff goin’ on than milkweed pods,‘ said Mernelle scornfully. ‘I got three big things this week. I got six dollars for the milkweed pods, I got a letter from Sergeant Frederick Hale Bottum in New Guinea because he read my note with the Sunday school cigarettes, and our class is goin’ to see the robber show in Barton. On Friday.’

‘How many milkweed pods you picked for that six dollars?’ Mink pulled off his barn cap and hung it on the chair’s ear. A feak of hair hung down and he continually jerked his head to the left to get it out of his way.

‘Hundreds. Thousands. Thirty bags. And guess what, Da, some of the kids turned in milkweeds that was still green, and they only give ‘em ten cents a bag. I let mine get all nice and dry up in the hayloft first. The only one picked more than me was a old man from Topunder. Seventy-two bags, but he didn’t have to go to school. He could just fool around pickin’ milkweed all day long.’

‘I wondered what in the hell all them milkweed pods was doin’ spread out over the floor up there. First I thought it was some idea Loyal had for cheap cowfeed. Then I thought they was goin’ to be some kind of a decoration.’

‘Da, they don’t make decorations out of milkweed pods.’

‘Hell they don’t. Milkweed pods, pinecones, spook, popcorn, apples, throw some paint on it, that’s it. I seen women and girls make a goddamn hay rake into a decoration with crepe paper and poison ivy.’

The door opened a few inches and Dub’s florid big-cheeked face thrust into the kitchen. In the thicket of his curly hair a bald spot appeared like a clearing in the woods. He pretended to look around guiltily. When his eyes came to Jewell’s he twisted up his mouth in mock fear, sidling into the room with his arm crooked across his face as if to ward off blows. His thighs were heavy and he had the short man’s scissory walk. He knew he was the fool of the family.

‘Don’t hit me, Ma, I’ll never be late again. Couldn’t help it this time. Hey, I got talkin’ with a fella, said his wife was one of the ones that was up on Camel’s Hump where that bomber went down, looking for the survivors of the crash?’

‘For pity’s sake,’ said Jewell.

Dub turned his chair around and straddled it, his good arm across the back, the empty left sleeve, usually tucked in his jacket pocket, hanging slack. A Camel cigarette balanced behind his right ear. For an instant Jewell remembered how shapely his forearms had been, the swelling flexors and the man’s veins like tight fine branchwood. Mink cut a dice of ham into pieces and scraped them onto Dub’s plate.

The kitchen seemed to Loyal to be falling outward like a perspective painting, showing the grain of the ham, the two shades of green of the wallpaper ivy, the ears of drying popcorn joined together in a twist of wire hanging over the stove, the word COMFORT on the oven door, Jewell’s old purse nailed to the wall to hold bills and letters, the pencil stubs in the spice can hanging from a string looped over a nail, Mernelle’s drawing of a flag tacked to the pantry door, the glass doorknob, the brass hook and eye, the sagging string and stained cretonne covering the cavity under the sink, the wet footprints on the linoleum, all flat and detailed, but receding from him like torn leaves in a flooding river. It seemed he had never before noticed his mother’s floral print apron, the solid way she leaned forward, her beaky nose and round ears. They had those ears, he thought, every one of them, forcing his mind away from what was up under the wall, and Mink’s black Irish hair, so fine you couldn’t see the single hairs.

Dub heaped the mashed potato on his plate, poured the yellow gravy over it and worked it in with his fork. He stuck a lump of chewing gum on the edge of the plate.

‘Plane was all over the mountain. One wing clipped a part of the lion, and then it just end-overed, wings broke off here, tail farther down, cockpit belly-bunted half a mile down. Tell you what, they don’t see how that guy lived through it, guy from Florida, just layin’ on the snow, guts and arms and legs from nine dead men all around him, and all he had was a couple cuts and scrapes, nothing even broke. Guy never even see snow before.’

‘What lion?’ asked Mernelle, picturing the beast behind snowy rocks.

‘Ah, the top of the mountain, looks like a lion gettin’ ready to jump, other guys thinks it looks like a part of a camel. The lion party wanted to call it “crouchin’ lion” but the camel lovers got their way. Camel’s Hump. It’s just stone up there, grade A granite. Looks like a pile of rock. Hey, don’t look like a camel or a lion or a porcupine. Don’t they learn you nothin’ in school!’

‘Seems like it’s been a terrible time the last year or so for terrible things. The War. The Chowder Girl subbing that needle in her eye. That was terrible. That poor woman in the bathtub in the hotel.’ Jewell unleashed one of her gusty sighs and stared away into the sad things that happen, that she guiltily savored. Her eyes were half closed, her thick wrists resting on the edge of the table, fork lying across her plate.

‘What about the fool things,’ said Mink, the words tangled in his mouth with potato and ham, the stubbled cheeks flexing as he chewed, ‘what about that fool that brought the can of blasting powder into the kitchen and put a match to it to see if it would burn. A fool thing, and half the town on fire on account of it and him and his brother’s whole family dead or torn up.’

‘What the hell is this?’ said Dub, pulling something from the mashed potato on his plate. ‘What the hell is this?’ holding up a bloodied Band-Aid.

‘Oh my lord,’ said Jewell, ‘throw it out. Take some new potato. I cut my finger peelin’ potatoes, then when I was settin’ the table I see I lost the Band-Aid somewhere. Must of fell in the potatoes when I was mashin’ ’em. Give it here,’ she said, getting up and scraping the potato in the pig’s slop bucket. She moved with a quick step, her lace-up oxfords with the stacked heels showing off her small feet.

‘Thought for a minute there,’ said Dub, ‘that the taters had the rag on.’

‘Dub,’ said Jewell.

‘I don’t get it,’ said Mernelle. ‘I don’t get what a bomber was doin’ near the Camel’s Hump. Is there Germans on the Camel’s Hump?’

Dub roared in his stupid way. Mernelle could see the thing at the back of his throat hanging down, the black parts of his teeth and the empty gums on the left where the train men had knocked his teeth out.

‘Don’t worry about the Germans. Even if they made it across the ocean what the hell would they do up on Camel’s Hump? “Ach, Heinz, I am seeink der Blood farm und der dangerous Mernelle collecting ze milkveed pods.” ’ Dub’s grin hung in his face like an end of wet rope.

The food lay on Loyal’s plate as Mink had sent it along, the ham hanging a little over the edge, the cone of potato rising, a single iceberg from a frozen sea.

Loyal stood up, the yellow kerosene light reaching as high as his breast, his face shadowed. His leaf-stained fingers bunched, braced against the table. ‘Got something to say. Billy and me has had enough of this place. We’re pullin’ out tonight. She’s waitin’ for me right now. We’re pullin’ out and going out west, someplace out there, buy a farm, make a new sun. She got the right idea. She says “I’m not even goin’ to try to see my folks. Suit me good if I never have to see one of them again.” She’s just goin’. I wanted to set it straight with you, give you some idea. I didn’t come back for no goddamn dinner. Didn’t come back to listen to horseshit about Germans and potatoes. I come back to get my money and my car. Ask you to tell her folks she’s gone. She don’t care to see them.’ As he said it he knew that’s what they should have done. It seemed so easy now he couldn’t understand why he’d fought the idea.

There was a silence. A discordance spread around the table as though he had blindly hit piano keys with a length of pipe.

Mink half-stood, the hair hung down over his eyes. ‘What in hell are you sayin’! This your idea of a joke? All I ever hear from you for ten years is how you think this place oughta be run, now you say just like you was talkin’ about changin’ your shirt that you’re pullin’ out? For ten years I been hearin’ about what you wanted to do with this place, how you wanted to switch off the Jerseys over to Holsteins, “get a milkin’ machine after the War as soon’s we get electricity in, specialize in dairy.” Get the pastures and hayfields up, alfalfa, build a silo, grow more corn, concentrate on commercial dairy farmin’. Profit. Put the time into dairyin’, don’t bother with no big garden, or pigs or turkeys, it’s quicker and efficienter to buy your food. I can hear you sayin’ it now. You said it until my ears turned blue. Now this. You expect me to swallow this like sweet cake?

‘Hey, mister, tell you what else you said. You bitched and whined about the juniper movin’ into the fields, talk half an hour about the orchard, suckers, deadwood, the bull spruce is chokin’ out the spring in the pine tree corner you said, west hayfields ain’t been cut in three year, full of cherry trash. That’s what you said. Said you wished the day had forty hours of light so’s you could get somethin’ done.’

Loyal hardly heard him, but saw the rubbery folds from the wings of his nostrils to the corners of his mouth, saw the cords in Mink’s neck, thought of the glistening strings just under the skin, thought of the arteries swelled with ropes of blood the size of his finger, thought of the crackling sound of rib bones when he kicked in a fox’s chest.

‘You can’t leave us run this farm alone,’ said Mink in his buzzing voice, the self-pity getting into his rage. ‘Jesus Christ, your brother’s only got the one arm and my health is down since the damn tractor laid on my chest. I was up to my health I’d beat the shit out of you. You’re not worth a pig’s patootie. You tell me how in the hell Dub and me can hand-milk nineteen cow alone, two of them damn Holsteins of yours, the one holds her milk back, and kicks. Christ I hate that cow’s eyes. You son of a bitch, we just can’t do it.’

‘Goddamnit, the Holsteins are good-natured cows, better than them little Jerseys you got. They give damn near twice as much milk as any Jersey.’ He tumbled into the relief of the old argument.

‘Yes, and look how much they eat. And half the butterfat of the Jerseys. The Jerseys is made for this country. They can make out on thin pasture and keep a farm going. They’re rugged. Tell you another thing. You just try walkin’ off the farm they’ll have your ass in uniform so fast it’ll take your breath away. There’s a War on, in case you forget. Farm work is essential work. Forget out west. Don’t you read no papers? Don’t you hear no radio programs? Them out west farms dried up and blowed away in the Dust Bowl. You’re stayin’.’

Dub popped a wooden match with his thumbnail and lit his cigarette.

‘I got to go,’ said Loyal. ‘I got to. Oregon or Montana – somewhere.’

‘Put the record on again, Charlie,’ said Dub, ‘everybody likes to dance to that one.’ The smoke streamed out of his nose.

Jewell put her hands to her cheeks and drew down on them, stretching her face and exposing the red inner lids of her eyes behind her glasses. ‘I don’t know,’ she said. ‘What about the Army Dinner, we’re puttin’ on the Army Dinner Saturday night, the big beef stew dinner in the cafeteria style, Army style. I was expectin’ you to take me down to the church on Saturday mornin’. You can stay for that. Billy’s one of the ones that wears the chefs hats and ladles out the food. She has to stay for that.’

‘It’s on Billy’s account we got to go tonight. There’s certain reasons. No good to talk about it. I’m goin’.’ He leaned wildly at them, the black hair curling at the opening of his shirt where the blue-white skin showed.

‘Well Jesus Christ, I see the whole thing. You knocked her up. She wants to clear out so nobody don’t know. There’s a word to describe a fella like you lets himself get backed into a rutty corner where he can’t turn around,’ the voice squeezed along, ‘but I won’t say it in front of your mother and sister.’

‘Hey, you leave, Loyal,’ said Dub, ‘you’re finishin’ off this farm.’

‘Well I knew this was goin’ to be like takin’ a bath in boiled shit, but I didn’t know it was goin’ to be this bad. Can’t you understand nothin’? I’m goin’.’

He ran up to the slant-ceilinged room he shared with Dub, leaving the ham on his plate, leaving his chair turned away from the table, leaving the fly-spotted mirror reflecting Mernelle’s face. He hauled out the old valise, opened it and threw it onto the bed. And stood a long minute with the shirts bunched up in his hands, the valise gaping like a shout. Down there Mink was firing up, bellowing now, something smashing and rattling – door to the pantry. Loyal dropped the shirts into the valise, and afterwards believed that was the moment when everything shifted, when the route of his life veered away from the main line, not when Billy dumped beneath his blind rutting, but as the shirts collapsed in their cotton limpness.

He found Dub’s bottle in a boot in the closet, tightened the cap and tossed it in, working the stiff strap through the valise buckle as he came down the stairs double-stride, hearing Mink hammering now, seeing the son of a bitch nailing the kitchen door shut. So he couldn’t get out.

He was across the room in a few seconds. He kicked out the window and stepped over the raking glass onto the porch, leaving it all, the trapline, the rough little Jerseys, the two Holsteins with their heavy flesh-colored udders. Dub’s oily rags, and the smell of old iron in the back of the barn, the wall up by the woods. That part of things was over. It was over in a rush.

Down on the town road he thought it was a sour joke how things had turned out. Billy, always yapping about moving away, getting out, making a new start, was staying on the farm. He, who’d never thought beyond the farm, never wanted anything but the farm, was on his way. Clenching the steering wheel.

Something was sticking in his backside, and he felt around, grasped Mernelle’s ocarina, the swirled novelty pattern of the Bakelite scarred from kicking around the floor. On the sides were decals of donkeys carrying panniers of cactus. He started to crank down the window to throw it out, but the window slipped off the rail again when it was only a crack open, and he threw the ocarina into the backseat.

It was almost dusk, but at the low place where the meadows swept the trees off to the sides he pulled over to take a last look. But jammed the spurting flashes of what had happened. Had happened and was done.

The place was as fixed as a picture on a postcard, the house and barn like black ships in an ocean of fields, the sky a membrane holding the final light, and there were the blurred kitchen windows, and up behind the buildings the field, the rich twenty-acre field propped open toward the south like a Bible, the crease of the water vein almost exactly in the center of the ten-acre pages. He fished in the valise and got Dub’s bottle, swallowed the cold whiskey. Beautiful pasture, four or five years of his work to bring that field up, none of Mink’s labor, his, draining the boggy place, liming and seeding to clover, plowing under the clover three years running to build up the soil, get the sourness out, then planting alfalfa and keeping it going, look at it, sweet good stuff, nutty, full of nourishment. That’s what made those cows give the butterfat, nothing Mink did, but him. Loyal, the best pasture in the county. That was why he had wanted to go up above the junipers, even though Billy didn’t care about the field and couldn’t tell good fields from bad, not to do what she thought he wanted, but to look at his pasture from above.

‘I heard it all, now,’ she said. ‘Looks like any stupid old field to me.’ She shook her head. ‘I don’t know if I can make something out of you or not. Loyal.’

The field looked like black-green fur in the dull light.

‘That’s your last look,’ he said, laid Dub’s bottle in the glove compartment and threw the car into first. Out of the corner of his eye he half-marked a white dot up in the field. Too big for a fox, wrong shape for a deer. And no stumps in that field.

But he was fourteen miles away from home and half across the bridge, stepping gingerly on the brake to keep from hitting a burrcovered stray, before he figured it out. The dog. The dog was up in the field right where he’d told him to sit. Still waiting. Jesus Christ.

2 Mink’s Revenge


MINK, PANTING IN unsatisfied rage, limped through the house throwing down Loyal’s things, a model airplane impaled on a nail in the front hall, school photos in warped folders edged with gold – Loyal the only one in his class with wavy hair, handsome – standing in a crowd of frames and button boxes on the piecrust cherry table in the front room. The 4-H ribbons, red, white and blue for calves, pasted on a piece of propped cardboard, the high school diploma with its black pointed letters proving Loyal had completed courses in Agriculture and Agronomy and Manual Training, the Dairy Management book from his single year at the agricultural school, dark blue and heavy, the certificate for pasture improvement, a newspaper clipping with a photo of Mr. Fuller, the County Agent, handing the certificate to Loyal, all these things he threw on the floor.

He crammed Loyal’s barn coat into the kitchen stove, scraped the untouched food on his plate in after it. Smoke swelled out of a hundred stove cracks and eddied along the ceiling before curling into the stream of warm air pouring out through the smashed window. Dub fumbled behind the pantry door for cardboard to tack over the window and Jewell, her face red and her eyes narrowed to slits, juggled the stove damper. A roaring came from the stovepipe as the creosote in the bend of the elbow caught and heated the stinking metal to a dull red.

‘Christ, Ma, you’re workin’ on a chimbley fire, damper the goddamn thing down,’ shouted Dub.

Here came Mink, cool now, but with vicious eyes, coming downstairs with Loyal’s .30–.30, limping through the kitchen, leaving the door open. Dub guessed the old man would throw it in the pond. Later he could drag through the mud with a potato fork and maybe get lucky. Probably take a day of cleaning and oiling to get it back in shape, but it was a good rifle and worth the trouble. Laid across the windowsill of the hayloft he could shoot it, get his deer like anybody else. He pieced and tacked cardboard boxes, all dots and creases, to the window frame, holding the cardboard in place with his left knee while he hammered.

‘I’ll cut some glass, put it in tomorrow if somebody’ll give me a hand puttin’ in the points.’ But he was pale.

Jewell swept up the curving slivers, putty chunks and dust, stoutly bending over, her print dress riding up, exposing the ribbed cotton stockings, the flesh-pink dip from Montgomery Ward.

‘There’s glass in the food, Ma, there’s glass all over the table,’ said Mernelle. ‘There’s big pieces on the porch, too.’

‘You can start by scrapin’ the plates, and don’t put it in the pig pail. Have to take it out and heave it. I don’t know about the hens, if they’d pick up the glass, but I suppose they would. Heave it out back of the garden.’

There was the slamming sound of a shot from the barn, then another, and, after a long interval, a third. The cows were bawling like alligators, flat roars, stamping, rattling their stanchions. They could hear Father Abraham’s bellow above all the others.

‘That is a hell of a thing to do,’ said Dub. ‘That is a hell of a thing to do.’ Jewell shuddered, her fingers across her mouth, watched Dub go out to the entry, jerk his coat off the nail. Back through the kitchen to the woodshed door.

‘Be careful,’ she said, hoping he knew what he should be careful about. Mernelle started to snivel, not over the cows, but because of Mink’s rage that was spurting out of him like jets of water from a kinked hose. He could chop them all with the axe.

‘Get hold of yourself and go up to bed,’ said Jewell gathering the plates from the table. ‘Go on now, I got enough trouble without you blubberin’ around the place.’

She was sitting at the table when Mink came in. She saw how a little burst of greyed hairs had grown on his cheek since morning. He threw the rifle up on top of the cupboard without cleaning it and sat across from her. His hands were steady. The streaked hair stuck out from under his cap, the bill like a menacing horn over his eyes.

‘By god, that’s two of them we don’t have to milk.’ There were fine drops of blood across the front of his overalls.

Mist rose from the brook like a stage curtain. In midmorning the trees still bent wet and silent. Every surface was coated with beaded drops that paled bark, wood, paint, soil. The coming and going of Dub and Mink made dark paths across the porch, through the grass like stiff hairs with seed pearls at the tips. The top of the barn dissolved, the pigs rooted in the manure pile, heaving bubbles on the surface of a black swamp.

Mink was out before daylight. Jewell struggled from sleep to the sound of the tractor dragging the Holsteins down to the swamp where the dogs and foxes and crows would find them. The engine echoed and dotted through the fog.

‘We could of at least took the meat,’ she thought, and Mink’s anger seemed to her so wasteful he would have to burn for it in a hell as crimson as the landscape seen through the red cellophane strip on cigarette packs. Not a new thought.

He had done a hundred things. She could not forget all of them. The knock-down slaps, the whalings he gave the boys, same as he’d had himself. Loyal, maybe three years old, stumbling across the muddy barnyard in his little red boots, bellowing like a lost calf but still hanging onto his empty milk bucket. It was a quart cream can, really. The milk all spilled when he did in fresh manure. Mink had slapped him halfway across the barn. ‘I’ll learn you to watch your goddamn step! Don’t spill the milk!’ Loyal’s broken nose had swelled up to the size of a hen’s egg by the time he got to the porch steps, the cream can hanging, and for two weeks the kid had slunk around dodging Mink, looking like a raccoon with his double black eyes. When she’d run out to the barn in her own fury Mink’d been astonished. ‘Listen here. We got to start him young. We got to. It’s for his own good. I went through it. And guarantee you he won’t spill no more milk.’ Nor had he.

And Dub, too, who’d got to eating under the table with the dog when he was what, five or six, until Mink hauled him up by his hair and held him screaming in the air, ‘Will you eat off’n your plate or not! Will you?’

But she couldn’t hold it against him because he came off the fire as fast as he heated up. The Blood temper. Loyal had the same flash temper. And mild as milk afterwards.

Mink and Dub were late coming in from the barn. It was nine by the kitchen clock when Dub went for the speckled coffeepot on the back of the stove, relishing the hot chicory taste. He poured some into a chipped cup for Mink. Shifting weights and counterweights of regard shot back and forth between them like abacus beads on wires. Animosity and bridling softened. Mink tried to smother his contempt for Dub’s wandering habits, hopeless taste for nigger music, those sly records by Raw Boy Harry he brought back from distant places. He went for the Kong Chow restaurant in Rutland, too, where he’d eat three dollars’ worth of vegetables in a ratbrown sauce at one sitting and the Comet Roadhouse where he got drunk on Saturday and pawed the women with his grimy hand.

Dub, in his turn, swallowed the remarks under his breath about Mink’s monotonous ideas and narrow corridors of toil, his pathetic belief that cattle auctions were the height of entertainment. Dub could even choke down the way the old man had shot the Holsteins.

Working in the dim lantern light, their calloused hands touched like pieces of wood as Dub dipped for the handle of the full milk pad and passed a new one to Mink, as Dub went ahead, wiping down the flanks and udder of the next cow, soothing Myrna Loy who tossed her head, still nervy. They fell into the companionship of work. The weight of the work without Loyal pressed them close. Dub hustled; Mink milked on and on, fourteen, seventeen cows, his forearms aching, his back cracking, and Dub saw it was a prodigious job. For the first time he felt sorry on Mink’s account that he’d lost his arm.

Now that Loyal was gone some kind of hunger for his father’s affection came up in Dub, an appetite he hadn’t known he had, that had lain quiet and flat under his joking and travels, and that could never be satisfied at this late date. It did not displace the ancient hatred and what he murmured like a charm against fate, ‘won’t never be like he is.’

They worked without speaking, listening to the farm report and egg prices and War news coming from the crackling, chaff-coated radio that ran off the big farm battery, on its shelf beside the milk room door. For a while, in those hours of carrying, of spurting milk, they passed from being father and youngest son, became two equals subordinate to the endless labor. ‘We’ll get it tuned up, all right,’ Mink said, the muscles in his arms swelling, falling, as he milked.

‘Three and a half hours of milkin’. I done the milkin’. Dub lugged the goddamn milk, and it adds up to seven hours a day on milkin’ alone, add in grainin’ and hayin’ ’em, clean out the barn, got to spread some of that manure before the snow comes, tomorrow we got to get the cream down to the road by seven, plus the rest of life’s little chores like diggin’ the potatoes we got to get dug, we ain’t got the wood hauled down yet. The butcherin’s got to be did this week if we stay up all night doin’ it. If I was to make a list of the things that got to be did right now it would take every piece of paper in the house. I don’t know if I could hold a pencil, don’t know if I can get my hands around anything but cow teats. You and Mernelle will have to take care of them chickens and get in what apples you can, dig the potatoes. Mernelle will have to stay out of school for a week or so until we get on top of it. There ain’t no way we can do it unless we give up sleepin’.’ What he said was true. But the set of his furious mouth got Jewell’s back up.

‘You’ll put up with scratch suppers if we got to do outside work. I can’t kill and pluck chickens and lug potatoes and apples and then come in and make a big dinner. Can’t you get one of your brother’s boys there, Ernest or Norman, to help?’ She knew he could not.

‘Be nice if I could slack off on the milkin’ just because I got to haul wood. Goddamn it, I need a good dinner and I expect you to fix it for me.’ Now he was shouting. ‘And no, I can’t get Ott’s boys to help. First place, Norman’s only eleven and got about as much strength as wet hay. Ernie’s already helpin’ Ott and Ott says he puts about as much into it as he would into takin’ poison.’

She’d like to see him take poison, he knew it.

There was the threshing sound of a car coming up the lane. Jewell went to the window.

‘Might of known she’d be along; it’s old Mrs. Nipple and Ronnie.’

‘Be out in the barn,’ said Mink, hitching at his overalls. The argument had brought up his color, and Jewell had a flash of how he’d been when he was young, the milky skin under the shirt, the blue flashing eyes and the fine hair. The vigor of him, the swaggering way he walked and hitched at his overalls to free his private parts from the chafing cloth.

He and Dub went out the door to the woodshed, moving like a matched team. The porch door hissed. Mrs. Nipple’s heavy fingers crooked around the door edge.

‘Don’t just stand there, Mrs. Nipple, come on in and Ronnie too,’ shouted Jewell, putting on water for tea. The old lady had burned her mouth with hot coffee as a baby and never touched it again, let her tea stand until it went tepid. ‘Thought we might be seein’ you pretty soon.’ Mrs. Nipple had an instinct for discovering trouble as keen as the wild goose’s need to take flight in the shortening days. She was sensitive to the faintest janglings of discord from miles away.

‘After what she had been through,’ Jewell once told Mernelle in a dark tone, ‘she probably knows what ain’t right in Cuba.’

‘What’s she been through, then?’ asked Mernelle.

‘Nothin’ I can tell you until you’re a grown woman. You wouldn’t understand it.’

‘I’ll understand it,’ whined Mernelle, ‘so tell me.’

‘Not likely,’ said Jewell.

‘Ronnie’s gone out to the barn to talk to Loyal and them,’ said Mrs. Nipple sidling through the door, taking in the broken window, the potato peelings in the sink, the woodshed door half open, Jewell’s twisted smile. She smelled the rage, the smoke, sensed some departure. In Mink’s chair she felt the warmth of the seat even through her heavy brown skirt. Nobody had to tell her something had happened. She knew Mink had gone out to the barn when he saw her coming.

The old lady had the look of a hen who had laid a thousand eggs, from her frizzled white hair permed at Corinne Claunch’s Home Beauty Parlor, to her bright moist eye, plump breast, thrusting rear end that no corset could ever bend in and the bowed legs set so far out on her pelvis that when she walked it was like a rocking chair rocking. Dub had snickered to Loyal once that the space between her thighs had to be three hands across, that she could sit on the back of a Clydesdale like a slotted clothes-pin on the line.

She sighed, touched a needle of glass on the oilcloth. ‘Seems like there’s trouble everywhere,’ she said, building up a platform for the news Jewell must tell. ‘It’s a nuisance you have to bring your own paper bags to the stores, and just last month Ronnie got a letter from the milk truck, said they are consolidating the route. Can’t come up to the farm no more. If we want to sell them cream we got to lug it down to the roadside. He’s been doing it, but it’s pretty irksome work, takes a good deal of time. I suppose he’ll lose heavy on it. Don’t know how they expect us to manage. Then my niece Ida’s sister-in-law, you remember Ida, she stayed with us when Toot was still alive, helped me in the garden all one summer, picked berries, apples, I don’t know what, helped Toot and Ronnie with the hay. She was the one got stung by yellow jackets had a nest under a pumpkin. Well, now she’s livin’ over in Shoreham, I hear from her that her sister-in-law, Mrs. Charles Renfrew, runs the U-Auta lunchroom in Barton, her husband’s at the War in the Air Force, and she been arrested. I have never ate there and I don’t believe I ever will. She shot this feller, Jim somebody, worked for the electric light over there, with his own shotgun. Seems he come sneakin’ around, peepin’ in the windows to see what she was doin’ and he saw plenty. She got this cook in to help her run the lunchroom, a colored fellow from South America, she didn’t say what his name was, but Mrs. Charles Renfrew was seen by the electric company man kissin’ the cook, and in he comes with the shotgun. See, he was sweet on her himself. She’s a good-lookin’ woman, they say. She gets the shotgun away from him and shoots him. And he died. When they arrested her she admitted it all, but said everything was an accident. Got six children, the youngest one isn’t but four. Them poor little children. It was all in the paper. Terrible, ain’t it.’ She waited for Jewell to begin. Few things could be worse than Mrs. Charles Renfrew’s multiple crimes laid out in public view, and she’d told the story to give Jewell a chance to whittle her own troubles down to size. She leaned forward.

Jewell slid the cup of tea over to her, the string dangling over the edge of the cup. ‘We had a little surprise here last night. Loyal comes in for supper, stands up in the middle of it and says that Billy and him is goin’ out west. They left last night. Kind of took us by surprise, but that’s the way the kids are these days.’

‘Is that right,’ said Mrs. Nipple. ‘Takes my breath away. Ronnie will be upset. Him and Loyal was tight as ticks.’ There was something awry, she thought, told straight out like that, no details of who had said what. She knew there was something deeper. Mink must have been crazy mad. The way Jewell told it now it didn’t seem like the kind of story that would gather with time, but instead would retract, condense, turn into one of those things that nobody talked about, and in a year or so it would all be forgotten. There were plenty of those stories. She knew one or two herself. It was all serious business. She never understood why Ronnie liked Loyal, no standout, even in the crowd of Bloods with their knack for doing the wrong thing, except for his strength and his sinewy hunger for work. But one man couldn’t bring that farm up again, it had too much against it. Look how it had gone down since the grandfather’s time when it was tight-fenced for the convenience of trotting horses and fine merinos, only three cows then for family butter and cheese on the place. She liked Jewell well enough, but the woman was a dirty housekeeper, letting the men in with their barn clothes on, letting the dust and spiders take over, and too proud for milk room work.

‘Well, Billy was smarting to get out, and I can’t say I blame her. But I’m surprised Loyal would go. He’s a country boy from the word go. She’ll find you can take the boy out of the country but you can’t take the country out of the boy. It won’t be easy to milk all them cows, just Mink and Dub. Dub’s still here or is he off somewhere again?’ Her voice so custard smooth now it would cure a sore throat.

‘Been here pretty steady since his accident. But you know how he is. The two of them can’t do it all. Not run this farm, just the two of them. We’ll have to hire somebody to come in, I imagine.’

‘You won’t find nobody. Ronnie tried all last winter, this spring and summer, and I guess he got to know everybody for twenty mile around that could hold a pitchfork, and I’ll tell you, the best he could find was school kids and hundred-year-old grandpas with wooden legs and canes. Some places they’re takin’ on girls. How about Mernelle? She could milk, maybe. She’s comin’ on what, twelve or thirteen now? She get the curse yet? I used to milk when I was eight. Or you could milk while she takes over the house. Some say it makes the cows restless when a woman’s got the curse milks ’em. I never noticed it myself.’ The old lady sucked at her tea.

‘No ma’am. I don’t work to the barn and my girl don’t work to the barn. Barns is men’s work. If they can’t handle it they can hire. I give two boys to the barn, that’s enough. Mink’s already set me and Mernelle up to take on what seems like half his outside work.’

‘I’ve noticed that with the help so hard to get and the boys off to the War they’s quite a few of the farms for sale. And the way the cream prices moves around. Course it’s good now, with the War, but it could go down again. I notice that the Darter farm is been sold. The three boys is in the service, the other one’s in the shipyards, the girl’s gone into nurse’s training, and Clyde says, “I don’t know why we’re hangin’ around here when we could be makin’ good money instead of killin’ ourself.” They say he went over to Bath, Maine where the other boy is, they learnt him how to weld and he’s got a high-payin’ job now. They say she got one, too, and between what they get from the wages and what they got from sellin’ the farm to a teacher from Pennsylvania who’s just comin’ up for summers, they are fixed up good. Seems funny that Loyal and Billy would go off so sudden like that. He didn’t say nothin’ to Ronnie. Ronnie and him was plannin’ to go goose huntin’ one day this week. That’s the main reason we come by, so’s Ronnie and Loyal could set their time. I says they ought to try and get some of them hen hawks that have been takin’ my hens and now there’s a turkey gone. I don’t know as a hen hawk could lift a turkey, but I suppose they could eat it where they brought it low. But maybe it was a fox took the turkey. I don’t know how Ronnie’ll get along without Loyal, they was that close. You’ll find it quite a chore without Loyal. A worker.’

‘I suppose we’ll figure somethin’ out. But I don’t know what. One thing, I’m not goin’ in any barn and neither is Mernelle.’

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Türler ve etiketler

Yaş sınırı:
0+
Litres'teki yayın tarihi:
28 aralık 2018
Hacim:
400 s. 51 illüstrasyon
ISBN:
9780007385553
Telif hakkı:
HarperCollins

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