Kitabı oku: «Vice Versa: or, A Lesson to Fathers», sayfa 7

There was a rustle of dresses down the stairs outside, and two thin little girls, looking excessively proper and prim, came in with an elderly gentlewoman who was their governess and wore a pince-nez to impart the necessary suggestion of a superior intellect. They were the Miss Mutlows, sisters of one of the day-boarders, and attended the course by special favour as friends of Dulcie's, who followed them in with a little gleam of shy anticipation in her eyes.

The Miss Mutlows sat stiffly down on a form, one on each side of her governess, and all three stared solemnly at the boys, who began to blush vividly under the inspection, to unbutton and rebutton their gloves with great care, and to shift from leg to leg in an embarrassed manner.

Dulcie soon singled out poor Mr. Bultitude, who, mindful of Tipping's warning, was doing his very best to avoid her.

She ran straight to him, laid her hand on his arm and looked into his face pleadingly. "Dick," she said, "you're not sulky still, are you?"

Mr. Bultitude had borne a good deal already, and, not being remarkably sweet-natured, he shook the little hand away, half petulant and half alarmed. "I do wish you wouldn't do this sort of thing in public. You'll compromise me, you know!" he said nervously.

Dulcie opened her grey eyes wide, and then a flush came into her cheeks, and she made a little disdainful upward movement of her chin.

"You didn't mind it once," she said. "I thought you might want to dance with me. You liked to last term. But I'm sure I don't care if you choose to be disagreeable. Go and dance with Mary Mutlow if you want to, though you did say she danced like a pair of compasses, and I shall tell her you said so, too. And you know you're not a good dancer yourself. Are you going to dance with Mary?"

Paul stamped. "I tell you I never dance," he said. "I can't dance any more than a lamp-post. You don't seem an ill-natured little girl, but why on earth can't you let me alone?"

Dulcie's eyes flashed. "You're a nasty sulky boy," she said in an angry undertone (all the conversation had, of course, been carried on in whispers). "I'll never speak to you or look at you again. You're the most horrid boy in the school – and the ugliest!"

And she turned proudly away, though anyone who looked might have seen the fire in her eyes extinguished as she did so. Perhaps Tipping did see it, for he scowled at them from his corner.

There was another sound outside, as of fiddlestrings being twanged by the finger, and, as the boys hastily formed up in two lines down the centre of the room and the Miss Mutlows and Dulcie prepared themselves for the curtsey of state, there came in a little fat man, with mutton-chop whiskers and a white face, upon which was written an unalterable conviction that his manner and deportment were perfection itself.

The two rows of boys bent themselves stiffly from the back, and Mr. Burdekin returned the compliment by an inclusive and stately inclination.

"Good afternoon, madam. Young ladies, I trust I find you well. (The curtsey just a leetle lower, Miss Mutlow – the right foot less drawn back. Beautiful! Feet closer at the recovery. Perfect!) Young gentlemen, good evening. Take your usual places, please, all of you, for our preliminary exercises. Now, the chassée round the room. Will you lead off, please, Dummer; the hands just lightly touching the shoulders, the head thrown negligently back to balance the figure; the whole deportment easy, but not careless. Now, please!"

And, talking all the time with a metrical fluency, he scraped a little jig on the violin, while Dummer led off a procession which solemnly capered round the room in sundry stages of conscious awkwardness. Mr. Bultitude shuffled along somehow after the rest, with rebellion at his heart and a deep sense of degradation. "If my clerks were to see me now!" he thought.

After some minutes of this, Mr. Burdekin stopped them and directed sets to be formed for "The Lancers."

"Bultitude," said Mr. Burdekin, "you will take Miss Mutlow, please."

"Thank you," said Paul, "but – ah – I don't dance."

"Nonsense, nonsense, sir, you are one of my most promising pupils. You mustn't tell me that. Not another word! Come, select your partners."

Paul had no option. He was paired off with the tall and rather angular young lady mentioned, while Dulcie looked on pouting, and snubbed Tipping, who humbly asked for the pleasure of dancing with her, by declaring that she meant to dance with Tom.

The dance began to a sort of rhythmical accompaniment by Mr. Burdekin, who intoned "Tops advance, retire and cross. Balance at corners. (Very nice, Miss Grimstone!) More 'abandon,' Chawner! Lift the feet more from the floor. Not so high as that! Oh, dear me! that last figure over again. And slide the feet, oh, slide the feet! (Bultitude, you're leaving out all the steps!")

Paul was dragged, unwilling but unresisting, through it all by his partner, who jerked and pushed him into his place without a word, being apparently under strict orders from the governess not on any account to speak to the boys.

After the dance the couples promenaded in a stiff but stately manner round the room to a dirge-like march scraped upon the violin, the boys taking the parts of ladies jibbing away from their partners in a highly unlady-like fashion, and the boy burdened with the companionship of the younger Miss Mutlow walking along in a very agony of bashfulness.

"I suppose," thought Paul, as he led the way with Miss Mary Mutlow, "if Dick were ever to hear of this, he'd think it funny. Oh, if I ever get the upper hand of him again – . How much longer, I wonder, shall I have to play the fool to this infernal fiddle!"

But, if this was bad, worse was to come.

There was another pause, in which Mr. Burdekin said blandly, "I wonder now if we have forgotten our sailor's hornpipe. Perhaps Bultitude will prove the contrary. If I remember right, he used to perform it with singular correctness. And, let me tell you, there are a great number of spurious hornpipe steps in circulation. Come, sir, oblige me by dancing it alone!"

This was the final straw. It was not to be supposed for one moment that Mr. Bultitude would lower his dignity in such a preposterous manner. Besides, he did not know how to dance the hornpipe.

So he said, "I shall do nothing of the sort. I've had quite enough of this – ah – tomfoolery!"

"That is a very impolite manner of declining, Bultitude; highly discourteous and unpolished. I must insist now – really, as a personal matter – upon your going through the sailor's hornpipe. Come, you won't make a scene, I'm sure. You'll oblige me, as a gentleman?"

"I tell you I can't!" said Mr. Bultitude sullenly. "I never did such a thing in my life; it would be enough to kill me at my age!"

"This is untrue, sir. Do you mean to say you will not dance the hornpipe?"

"No," said Paul, "I'll be damned if I do!"

There was unfortunately no possible doubt about the nature of the word used – he said it so very distinctly. The governess screamed and called her charges to her. Dulcie hid her face, and some of the boys tittered.

Mr. Burdekin turned pink. "After that disgraceful language, sir, in the presence of the fairer sex, I have no more to do with you. You will have the goodness to stand in the centre of that form. Gentlemen, select your partners for the Highland schottische!"

Mr. Bultitude, by no means sorry to be freed from the irksome necessity of dancing with a heart ill-attuned for enjoyment, got up on the form and stood looking, sullenly enough, upon the proceedings. The governess glowered at him now and then as a monster of youthful depravity; the Miss Mutlows glanced up at him as they tripped past, with curiosity not unmixed with admiration, but Dulcie steadily avoided looking in his direction.

Paul was just congratulating himself upon his escape when the door opened wide, and the Doctor marched slowly and imposingly into the room.

He did this occasionally, partly to superintend matters, and partly as an encouraging mark of approbation. He looked round the class at first with benignant toleration, until his glance took in the bench upon which Mr. Bultitude was set up. Then his eye slowly travelled up to the level of Paul's head, his expression changing meanwhile to a petrifying glare.

It was not, as Paul instinctively felt, exactly the position in which a gentleman who wished to stand well with those in authority over him would prefer to be found. He felt his heart turn to water within him, and stared limp and helpless at the Doctor.

There was an awful silence (Dr. Grimstone was addicted to awful silences; and, indeed, if seldom strictly "golden," silence may often be called "iron"), but at last he inquired, "And pray what may you be doing up there, sir?"

"Upon my soul I can't say," said Mr. Bultitude feebly. "Ask that gentleman there with the fiddle – he knows."

Mr. Burdekin was a good-natured, easy-tempered little man, and had already forgotten the affront to his dignity. He was anxious not to get the boy into more trouble.

"Bultitude was a little inattentive and, I may say, wanting in respect, Dr. Grimstone," he said, putting it as mildly as he could with any accuracy; "so I ventured to place him there as a punishment."

"Quite right, Mr. Burdekin," said the Doctor: "quite right. I am sorry that any boy of mine should have caused you to do so. You are again beginning your career of disorder and rebellion, are you, sir? Go up into the schoolroom at once, and write a dozen copies before tea-time! A very little more eccentricity and insubordination from you, Bultitude, and you will reap a full reward – a full reward, sir!"

So Mr. Bultitude was driven out of the dancing class in dire disgrace – which would not have distressed him particularly, being only one more drop in his bitter cup – but that he recognised that now his hopes of approaching the Doctor with his burden of woe were fallen like a card castle. They were fiddled and danced away for at least twenty-four hours – perhaps for ever!

Bitterly did he brood over this as he slowly and laboriously copied out sundry vain repetitions of such axioms as, "Cultivate Habits of Courtesy and Self-control," and "True Happiness is to be sought in Contentment." He saw the prospect of a tolerably severe flogging growing more and more distinct, and felt that he could not present himself to his family with the consciousness of having suffered such an indelible disgrace. His family! What would become of them in his absence? Would he ever see his comfortable home in Bayswater again?

Tea-time came, and after it evening preparation, when Mr. Tinkler presided in a feeble and ineffective manner, perpetually suspecting that the faint sniggers he heard were indulged in at his own expense, and calling perfectly innocent victims to account for them.

Paul sat next to Jolland and, in his desperate anxiety to avoid further unpleasantness, found himself, as he could not for his life have written a Latin or a German composition, reduced to copy down his neighbour's exercises. This Jolland (who had looked forward to an arrangement of a very opposite kind) nevertheless cheerfully allowed him to do, though he expressed doubts as to the wisdom of a servile imitation – more, perhaps, from prudence than conscientiousness.

Jolland, in the intervals of study, was deeply engaged in the production of a small illustrated work of fiction, which he was pleased to call The Adventures of Ben Buterkin at Scool. It was in a great measure an autobiography, and the cuts depicting the hero's flagellations – which were frequent in the course of the narrative – were executed with much vigour and feeling.

He turned out a great number of these works in the course of the term, as well as faces in pen and ink with moving tongues and rolling eyes, and these he would present to a few favoured friends with a secretive and self-depreciatory giggle.

Amidst scenes and companions like these, Paul sat out the evening hours on his hard seat, which was just at the junction of two forms – an exquisitely uncomfortable position, as all who have tried it will acknowledge – until the time for going to bed came round again. He dreaded the hours of darkness, but there was no help for it – to protest would have been madness just then, and, once more, he was forced to pass a night under the roof of Crichton House.

It was even worse than the first, though this was greatly owing to his own obstinacy.

The boys, if less subdued, were in better temper than the evening before, and found it troublesome to keep up a feud when the first flush of resentment had died out. There was a general disposition to forget his departure from the code of schoolboy honour, and give him an opportunity of retrieving the past.

But he would not meet them half-way; his repeated repulses by the Doctor and all the difficulties that beset his return to freedom had made him very sulky and snappish. He had not patience or adaptability enough to respond to their advances, and only shrank from their rough good nature – which naturally checked the current of good feeling.

Then, when the lights were put out, some one demanded a story. Most of the bedrooms possessed a professional story-teller, and in one there was a young romancist who began a stirring history the very first night of the term, which always ran on until the night before the holidays, and, if his hearers were apt to yawn at the sixth week of it, he himself enjoyed and believed in it keenly from beginning to end.

Dick Bultitude had been a valued raconteur, it appeared, and his father found accordingly, to his disgust, that he was expected to amuse them with a story. When he clearly understood the idea, he rejected it with so savage a snarl, that he soon found it necessary to retire under the bedclothes to escape the general indignation that followed.

Finding that he did not actively resent it (the real Dick would have had the occupant of the nearest bed out by the ears in a minute!), they profited by his prudence to come to his bedside, where they pillowed his weary head (with their own pillows) till the slight offered them was more than avenged.

After that, Mr. Bultitude, with the breath half beaten out of his body, lay writhing and spluttering on his hard, rough bed till long after silence had fallen over the adjoining beds, and the sleepy hum of talk in the other bedrooms had died away.

Then he, too, drifted off into wild and troubled dreams, which, at their maddest, were scattered into blankness by a sudden and violent shock, which jerked him, clutching and grasping at nothing, on to the cold, bare boards, where he rolled, shivering.

"An earthquake!" he thought, "an explosion … gas – or dynamite! He must go and call the children … Boaler … the plate!"

But the reality to which he woke was worse still. Tipping and Coker had been patiently pinching themselves to keep awake until their enemy should be soundly asleep, in order to enjoy the exquisite pleasure of letting down the mattress; and, too dazed and frightened even to swear, Paul gathered up his bedclothes and tried to draw them about him as well as he might, and seek sleep, which had lost its security.

The Garudâ Stone had done one grim and cruel piece of work at least in its time.

7. Cutting the Knot

"A Crowd is not Company; And Faces are but a Gallery of Pictures;

And Talke but a Tinckling Cymball, where there is no Love."

– Bacon.

Once more Mr. Bultitude rose betimes, dressed noiselessly, and stole down to the cold schoolroom, where one gas-jet was burning palely – for the morning was raw and foggy.

This time, however, he was not alone. Mr. Blinkhorn was sitting at his little table in the corner, correcting exercises, with his chilly hands cased in worsted mittens. He looked up as Paul came in, and nodded kindly.

Paul went straight to the fire, and stood staring into it with lack-lustre eye, too apathetic even to be hopeless, for the work of enlightening the Doctor seemed more terrible and impossible than ever, and he began to see that, if the only way of escape lay there, he had better make up his mind with what philosophy he could to adapt himself to his altered circumstances, and stay on for the rest of the term.

But the prospect was so doleful and so blank, that he drew a heavy sigh as he thought of it. Mr. Blinkhorn heard it, and rose awkwardly from the rickety little writing-table, knocking over a pile of marble-covered copy-books as he did so.

Then he crossed over to Paul and laid a hand gently on his shoulder. "Look here," he said: "why don't you confide in me? Do you think I'm blind to what has happened to you? I can see the change in you – if others cannot. Why not trust me?"

Mr. Bultitude looked up into his face, which had an honest interest and kindliness in it, and his heart warmed with a faint hope. If this young man had been shrewd enough to guess at his unhappy secret, might he not be willing to intercede with the Doctor for him? He looked good-natured – he would trust him.

"Do you mean to say really," he asked, with more cordiality than he had spoken for a long time, "that you – see – the – a – the difference?"

"I saw it almost directly," said Mr. Blinkhorn, with mild triumph.

"That's the most extraordinary thing," said Paul, "and yet it ought to be evident enough, to be sure. But no, you can't have guessed the real state of things!"

"Listen, and stop me if I'm wrong. Within the last few days a great change has been at work within you. You are not the idle, thoughtless, mischievous boy who left here for his holidays – "

"No," said Paul, "I'll swear I'm not!"

"There is no occasion for such strong expressions. But, at all events, you come back here an altogether different being. Am I right in saying so?"

"Perfectly," said Paul, overjoyed at being so thoroughly understood, "perfectly. You're a very intelligent young man, sir. Shake hands. Why, I shouldn't be surprised, after that, if you knew how it all happened?"

"That too," said Mr. Blinkhorn smiling, "I can guess. It arose, I doubt not, in a wish?"

"Yes," cried Paul, "you've hit it again. You're a conjurer, sir, by Gad you are!"

"Don't say 'by Gad,' Bultitude; it's inconsistent. It began, I was saying, in a wish, half unconscious perhaps, to be something other than what you had been – "

"I was a fool," groaned Mr. Bultitude, "yes, that was the way it began!"

"Then insensibly the wish worked a gradual transformation in your nature (you are old enough to follow me?)."

"Old enough for him to follow me!" thought Paul; but he was too pleased to be annoyed. "Hardly gradual I should say," he said aloud. "But go on, sir, pray go on. I see you know all about it."

"At first the other part of you struggled against the new feelings. You strove to forget them – you even tried to resume your old habits, your former way of life – but to no purpose; and when you came here, you found no fellowship amongst your companions – "

"Quite out of the question!" said Paul.

"Their pleasures give you no delight – "

"Not a bit!"

"They, on their side, perhaps misunderstand your lack of interest in their pursuits. They cannot see – how should they? – that you have altered your mode of life, and when they catch the difference between you and the Richard Bultitude they knew, why, they are apt to resent it."

"They are," agreed Mr. Bultitude: "they resent it in a confounded disagreeable way, you know. Why, I assure you, that only last night I was – "

"Hush," said Mr. Blinkhorn, holding up one hand, "complaints are unmanly. But I see you wonder at my knowing all this?"

"Well," said Paul, "I am rather surprised."

"What would you say if I told you I had undergone it myself in my time?"

"You don't mean to tell me there are two Garudâ Stones in this miserable world!" cried Paul, thoroughly astonished.

"I don't know what you mean now, but I can say with truth that I too have had my experiences – my trials. Months ago, from certain signs, I noticed, I foresaw that this was coming upon you."

"Then," said Mr. Bultitude, "I think, in common decency, you might have warned me. A post-card would have done it. I should have been better prepared to meet this, then!"

"It would have been worse than fruitless to attempt to hurry on the crisis. It might have even prevented what I fondly hoped would come to pass."

"Fondly hoped!" said Paul, "upon my word you speak plainly, sir."

"Yes," said Mr. Blinkhorn. "You see I knew the Dick Bultitude that was, so well; he was frolicksome, impulsive, mischievous even, but under it all there lay a nature of sterling worth."

"Sterling worth!" cried Paul. "A scoundrel, I tell you, a heartless, selfish young scoundrel. Call things by their right names, if you please."

"No, no," said Mr. Blinkhorn, "this extreme self-depreciation is morbid, very morbid. There was no actual vice."

"No actual vice! Why, God bless my soul, do you call ingratitude – the basest, most unfilial, most treacherous ingratitude – no vice, sir? You may be a very excellent young man, but if you gloss over things in that fashion, your moral sense must be perverted, sir – strangely perverted."

"There were faults on both sides, I fear," said Mr. Blinkhorn, growing a little scandalised by the boy's odd warmth of expression. "I have heard something of what you had to bear with. On the one hand, a father, undemonstrative, stern, easily provoked; on the other, a son, thoughtless, forgetful, and at times it may be even wilful. But you are too sensitive; you think too much of what seems to me a not unnatural (although of course improper) protest against coldness and injustice. I should be the last to encourage a child against a parent, but, to comfort your self-reproach, I think it right to assure you that, in my judgment, the outburst you refer to was very excusable."

"Oh," said Paul, "you do? You call that comfort? Excusable! Why, what the dooce do you mean, sir? You're taking the other side now!"

"This is not the language of penitence, Bultitude," said poor Mr. Blinkhorn, disheartened and bewildered. "Remember, you have put off the Old Man now!"

"I'm not likely to forget that," said Paul; "I only wish I could see my way to putting him on again!"

"You want to be your old self again?" gasped Mr. Blinkhorn.

"Why, of course I do," said Paul angrily; "I'm not an idiot!"

"You are weary of the struggle so soon?" said the other with reproach.

"Weary? I tell you I'm sick of it! If I had only known what was in store for me before I had made such a fool of myself!"

"This is horrible!" said Mr. Blinkhorn – "I ought not to listen to you."

"But you must," urged Paul; "I tell you I can't stand it any longer. I'm not fit for it at my age. You must see that yourself, and you must make Grimstone see it too!"

"Never!" said Mr. Blinkhorn firmly. "Nor do I see how that would help you. I will not let you go back in this deplorable way. You must nerve yourself to go on now in the path you have chosen; you must force your schoolfellows to love and respect you in your new character. Come, take courage! After all, in spite of your altered life, there is no reason why you should not be a frank and happy-hearted boy, you know."

"A frank and happy-hearted fiddlestick!" cried Paul rudely (he was so disgusted at the suggestion); "don't talk rubbish, sir! I thought you were going to show me some way out of all this, and instead of that, knowing the shameful way I've been treated, you can stand there and calmly recommend me to stay on here and be happy-hearted and frank!"

"You must be calm, Bultitude, or I shall leave you. Listen to reason. You are here for your good. Youth, it has been beautifully said, is the springtime of life. Though you may not believe it, you will never be happier than you are now. Our schooldays are – "

But Mr. Bultitude could not tamely be mocked with the very platitudes that had brought him all his misery – he cut the master short in a violent passion. "This is too much!" he cried – "you shall not palm off that miserable rubbish on me. I see through it. It's a plot to keep me here, and you're in it. It's false imprisonment, and I'll write to the Times. I'll expose the whole thing!"

"This violence is only ridiculous," said Mr. Blinkhorn. "If I were not too pained by it, I should feel it my duty to report your language to the Doctor. As it is, you have bitterly disappointed me; I can't understand it at all. You seemed so subdued, so softened lately. But until you come to me and say you regret this, I must decline to have anything more to say to you. Take your book and sit down in your place!"

And he went back to his exercises, looking puzzled and pained. The fact was, he was an ardent believer in the Good Boy of a certain order of school tales – the boy who is seized with a sudden conviction of the intrinsic baseness of boyhood, and does all in his power to get rid of the harmful taint; the boy who renounces his old comrades and his natural tastes (which after all seldom have any serious harm in them), to don a panoply of priggishness which is too often kick-proof.

This kind of boy is rare enough at most English schools, but Mr. Blinkhorn had been educated at a large Nonconformist College, where "Revivals" and "Awakenings" were periodical, and undoubtedly did produce changes of character violent enough, but sadly short in duration.

He was always waiting for some such boy to come to him with his confession of moral worthlessness and vows of unnatural perfection, and was too simple and earnest and good himself to realise that such states of the youthful mind are not unfrequently merely morbid and hysterical, and too often degenerate into Pharisaism, or worse still, hypocrisy.

So when he noticed Mr. Bultitude's silence and depression, his studied withdrawal from the others and his evident want of sympathy with them, he believed he saw the symptoms of a conscience at work, and that he had found his reformed boy at last.

It was a very unfortunate misunderstanding, for it separated Paul from, perhaps, the only person who would have had the guilelessness to believe his incredible story, and the good nature to help him to find escape from his misfortunes.

Mr. Bultitude on his part was more angry and disgusted than ever. He began to see that there was a muddle somewhere, and that his identity was unsuspected still. This young man, for all his fair speaking and pretended shrewdness, was no conjurer after all. He was left to rely on his own resources, and he had begun to lose all confidence in their power to extricate him.

As he brooded over this, the boys straggled down as before, and looked over their lessons for the day in a dull, lifeless manner. The cold, unsatisfying breakfast, and the half-hour assigned to "chevy," followed in due course, and after that Paul found himself set down with a class to await the German master, Herr Stohwasser.

He had again tried to pull himself together and approach the Doctor with his protest, but no sooner did he find himself near his presence than his heart began to leap wildly and then retired down towards his boots, leaving him hoarse, palpitating, and utterly blank of ideas.

It was no use – and he resigned himself for yet another day of unwelcome instruction.

The class was in a little room on the basement floor, with a linen-press taking up one side, some bare white deal tables and forms, and, on the walls, a few coloured German prints. They sat there talking and laughing, taking no notice of Mr. Bultitude, until the German master made his appearance.

He was by no means a formidable person, though stout and tall. He wore big round owlish spectacles, and his pale broad face and long nose, combined with a wild crop of light hair and a fierce beard, gave him the incongruous appearance of a sheep looking out of a gun-port.

He took his place with an air of tremendous determination to enforce a hard morning's work on the book they were reading – a play of Schiller's, of the plot of which, it is needless to say, no one of his pupils had or cared to have the vaguest notion, having long since condemned the whole subject, with insular prejudice, as "rot."

"Now, please," said Herr Stohwasser, "where we left off last term. Third act, first scene – Court before Tell's house. Tell is vid the carpenter axe, Hedwig vid a domestig labour occupied. Walter and Wilhelm in the depth sport with a liddle gross-bow. Biddlegom, you begin. Walter (sings)."

But Biddlecomb was in a conversational mood, and willing to postpone the task of translation, so he merely inquired, with an air of extreme interest, how Herr Stohwasser's German Grammar was getting on.

This was a subject on which (as he perhaps knew) the German never could resist enlarging, for in common with most German masters, he was giving birth to a new Grammar, which, from the daring originality of its plan, and its extreme simplicity, was destined to supersede all other similar works.

"Ach," he said, "it is brogressing. I haf just gompleted a gomprehensive table of ze irregular virps, vith ze eggserzizes upon zem. And zere is further an appendeeks which in itself gontains a goncise view of all ze vort-blays possible in the Charman tong. But, come, let us gontinue vith our Tell!"

"What are vort-blays?" persisted Biddlecomb insidiously, having no idea of continuing with his Tell just yet.

"A vort-blay," exclaimed Herr Stohwasser; "it is English, nicht so? A sporting vid vorts – a 'galembour' – a – Gott pless me, vat you call a 'pon.'"

"Like the one you made when you were a young man?" Jolland called out from the lower end of the table.

"Yes; tell us the one you made when you were a young man," the class entreated, with flattering eagerness.

Herr Stohwasser began to laugh with slow, deep satisfaction; the satisfaction of a successful achievement. "Hah, you remember dat!" he said, "ah, yes, I make him when a yong man; but, mind you, he was not a pon – he was a 'choke.' I haf told you all about him before."

"We've forgotten it," said Biddlecomb: "tell it us again."