Kitabı oku: «Plays by Anton Chekhov, Second Series», sayfa 10
IRINA. She’s somewhere in the garden. I’ll go and look for her.
VERSHININ. If you’ll be so kind. I haven’t time.
ANFISA. I’ll go and look, too. [Shouts] Little Masha, co-ee! [Goes out with IRINA down into the garden] Co-ee, co-ee!
VERSHININ. Everything comes to an end. And so we, too, must part. [Looks at his watch] The town gave us a sort of farewell breakfast, we had champagne to drink and the mayor made a speech, and I ate and listened, but my soul was here all the time… [Looks round the garden] I’m so used to you now.
OLGA. Shall we ever meet again?
VERSHININ. Probably not. [Pause] My wife and both my daughters will stay here another two months. If anything happens, or if anything has to be done…
OLGA. Yes, yes, of course. You need not worry. [Pause] To-morrow there won’t be a single soldier left in the town, it will all be a memory, and, of course, for us a new life will begin… [Pause] None of our plans are coming right. I didn’t want to be a head-mistress, but they made me one, all the same. It means there’s no chance of Moscow…
VERSHININ. Well… thank you for everything. Forgive me if I’ve… I’ve said such an awful lot – forgive me for that too, don’t think badly of me.
OLGA. [Wipes her eyes] Why isn’t Masha coming…
VERSHININ. What else can I say in parting? Can I philosophize about anything? [Laughs] Life is heavy. To many of us it seems dull and hopeless, but still, it must be acknowledged that it is getting lighter and clearer, and it seems that the time is not far off when it will be quite clear. [Looks at his watch] It’s time I went! Mankind used to be absorbed in wars, and all its existence was filled with campaigns, attacks, defeats, now we’ve outlived all that, leaving after us a great waste place, which there is nothing to fill with at present; but mankind is looking for something, and will certainly find it. Oh, if it only happened more quickly. [Pause] If only education could be added to industry, and industry to education. [Looks at his watch] It’s time I went…
OLGA. Here she comes.
[Enter MASHA.]
VERSHININ. I came to say good-bye…
[OLGA steps aside a little, so as not to be in their way.]
MASHA. [Looking him in the face] Good-bye. [Prolonged kiss.]
OLGA. Don’t, don’t. [MASHA is crying bitterly]
VERSHININ. Write to me… Don’t forget! Let me go… It’s time. Take her, Olga Sergeyevna… it’s time… I’m late…
[He kisses OLGA’S hand in evident emotion, then embraces MASHA once more and goes out quickly.]
OLGA. Don’t, Masha! Stop, dear… [KULIGIN enters.]
KULIGIN. [Confused] Never mind, let her cry, let her… My dear Masha, my good Masha… You’re my wife, and I’m happy, whatever happens… I’m not complaining, I don’t reproach you at all… Olga is a witness to it. Let’s begin to live again as we used to, and not by a single word, or hint…
MASHA.
[Restraining her sobs] “There stands a green oak by the sea,
And a chain of bright gold is around it…
And a chain of bright gold is around it…”
I’m going off my head… “There stands… a green oak… by the sea.”…
OLGA. Don’t, Masha, don’t… give her some water…
MASHA. I’m not crying any more…
KULIGIN. She’s not crying any more… she’s a good… [A shot is heard from a distance.]
MASHA.
“There stands a green oak by the sea,
And a chain of bright gold is around it…
An oak of green gold…”
I’m mixing it up… [Drinks some water] Life is dull… I don’t want anything more now… I’ll be all right in a moment… It doesn’t matter… What do those lines mean? Why do they run in my head? My thoughts are all tangled.
[IRINA enters.]
OLGA. Be quiet, Masha. There’s a good girl… Let’s go in.
MASHA. [Angrily] I shan’t go in there. [Sobs, but controls herself at once] I’m not going to go into the house, I won’t go…
IRINA. Let’s sit here together and say nothing. I’m going away to-morrow… [Pause.]
KULIGIN. Yesterday I took away these whiskers and this beard from a boy in the third class… [He puts on the whiskers and beard] Don’t I look like the German master… [Laughs] Don’t I? The boys are amusing.
MASHA. You really do look like that German of yours.
OLGA. [Laughs] Yes. [MASHA weeps.]
IRINA. Don’t, Masha!
KULIGIN. It’s a very good likeness…
[Enter NATASHA.]
NATASHA. [To the maid] What? Mihail Ivanitch Protopopov will sit with little Sophie, and Andrey Sergeyevitch can take little Bobby out. Children are such a bother… [To IRINA] Irina, it’s such a pity you’re going away to-morrow. Do stop just another week. [Sees KULIGIN and screams; he laughs and takes off his beard and whiskers] How you frightened me! [To IRINA] I’ve grown used to you and do you think it will be easy for me to part from you? I’m going to have Andrey and his violin put into your room – let him fiddle away in there! – and we’ll put little Sophie into his room. The beautiful, lovely child! What a little girlie! To-day she looked at me with such pretty eyes and said “Mamma!”
KULIGIN. A beautiful child, it’s quite true.
NATASHA. That means I shall have the place to myself to-morrow. [Sighs] In the first place I shall have that avenue of fir-trees cut down, then that maple. It’s so ugly at nights… [To IRINA] That belt doesn’t suit you at all, dear… It’s an error of taste. And I’ll give orders to have lots and lots of little flowers planted here, and they’ll smell… [Severely] Why is there a fork lying about here on the seat? [Going towards the house, to the maid] Why is there a fork lying about here on the seat, I say? [Shouts] Don’t you dare to answer me!
KULIGIN. Temper! temper! [A march is played off; they all listen.]
OLGA. They’re going.
[CHEBUTIKIN comes in.]
MASHA. They’re going. Well, well… Bon voyage! [To her husband] We must be going home… Where’s my coat and hat?
KULIGIN. I took them in… I’ll bring them, in a moment.
OLGA. Yes, now we can all go home. It’s time.
CHEBUTIKIN. Olga Sergeyevna!
OLGA. What is it? [Pause] What is it?
CHEBUTIKIN. Nothing… I don’t know how to tell you… [Whispers to her.]
OLGA. [Frightened] It can’t be true!
CHEBUTIKIN. Yes… such a story… I’m tired out, exhausted, I won’t say any more… [Sadly] Still, it’s all the same!
MASHA. What’s happened?
OLGA. [Embraces IRINA] This is a terrible day… I don’t know how to tell you, dear…
IRINA. What is it? Tell me quickly, what is it? For God’s sake! [Cries.]
CHEBUTIKIN. The Baron was killed in the duel just now.
IRINA. [Cries softly] I knew it, I knew it…
CHEBUTIKIN. [Sits on a bench at the back of the stage] I’m tired… [Takes a paper from his pocket] Let ‘em cry… [Sings softly] “Tarara-boom-deay, it is my washing day…” Isn’t it all the same!
[The three sisters are standing, pressing against one another.]
MASHA. Oh, how the music plays! They are leaving us, one has quite left us, quite and for ever. We remain alone, to begin our life over again. We must live… we must live…
IRINA. [Puts her head on OLGA’s bosom] There will come a time when everybody will know why, for what purpose, there is all this suffering, and there will be no more mysteries. But now we must live… we must work, just work! To-morrow, I’ll go away alone, and I’ll teach and give my whole life to those who, perhaps, need it. It’s autumn now, soon it will be winter, the snow will cover everything, and I shall be working, working…
OLGA. [Embraces both her sisters] The bands are playing so gaily, so bravely, and one does so want to live! Oh, my God! Time will pass on, and we shall depart for ever, we shall be forgotten; they will forget our faces, voices, and even how many there were of us, but our sufferings will turn into joy for those who will live after us, happiness and peace will reign on earth, and people will remember with kindly words, and bless those who are living now. Oh dear sisters, our life is not yet at an end. Let us live. The music is so gay, so joyful, and, it seems that in a little while we shall know why we are living, why we are suffering… If we could only know, if we could only know!
[The music has been growing softer and softer; KULIGIN, smiling happily, brings out the hat and coat; ANDREY wheels out the perambulator in which BOBBY is sitting.]
CHEBUTIKIN. [Sings softly] “Tara… ra-boom-deay… It is my washing-day.”… [Reads a paper] It’s all the same! It’s all the same!
OLGA. If only we could know, if only we could know!
Curtain
THE CHERRY ORCHARD
A COMEDY IN FOUR ACTS
CHARACTERS
LUBOV ANDREYEVNA RANEVSKY (Mme. RANEVSKY), a landowner
ANYA, her daughter, aged seventeen
VARYA (BARBARA), her adopted daughter, aged twenty-seven
LEONID ANDREYEVITCH GAEV, Mme. Ranevsky’s brother
ERMOLAI ALEXEYEVITCH LOPAKHIN, a merchant
PETER SERGEYEVITCH TROFIMOV, a student
BORIS BORISOVITCH SIMEONOV-PISCHIN, a landowner
CHARLOTTA IVANOVNA, a governess
SIMEON PANTELEYEVITCH EPIKHODOV, a clerk
DUNYASHA (AVDOTYA FEDOROVNA), a maidservant
FIERS, an old footman, aged eighty-seven
YASHA, a young footman
A TRAMP
A STATION-MASTER
POST-OFFICE CLERK
GUESTS
A SERVANT
The action takes place on Mme. RANEVSKY’S estate
ACT ONE
[A room which is still called the nursery. One of the doors leads into ANYA’S room. It is close on sunrise. It is May. The cherry-trees are in flower but it is chilly in the garden. There is an early frost. The windows of the room are shut. DUNYASHA comes in with a candle, and LOPAKHIN with a book in his hand.]
LOPAKHIN. The train’s arrived, thank God. What’s the time?
DUNYASHA. It will soon be two. [Blows out candle] It is light already.
LOPAKHIN. How much was the train late? Two hours at least. [Yawns and stretches himself] I have made a rotten mess of it! I came here on purpose to meet them at the station, and then overslept myself… in my chair. It’s a pity. I wish you’d wakened me.
DUNYASHA. I thought you’d gone away. [Listening] I think I hear them coming.
LOPAKHIN. [Listens] No… They’ve got to collect their luggage and so on… [Pause] Lubov Andreyevna has been living abroad for five years; I don’t know what she’ll be like now… She’s a good sort – an easy, simple person. I remember when I was a boy of fifteen, my father, who is dead – he used to keep a shop in the village here – hit me on the face with his fist, and my nose bled… We had gone into the yard together for something or other, and he was a little drunk. Lubov Andreyevna, as I remember her now, was still young, and very thin, and she took me to the washstand here in this very room, the nursery. She said, “Don’t cry, little man, it’ll be all right in time for your wedding.” [Pause] “Little man”… My father was a peasant, it’s true, but here I am in a white waistcoat and yellow shoes… a pearl out of an oyster. I’m rich now, with lots of money, but just think about it and examine me, and you’ll find I’m still a peasant down to the marrow of my bones. [Turns over the pages of his book] Here I’ve been reading this book, but I understood nothing. I read and fell asleep. [Pause.]
DUNYASHA. The dogs didn’t sleep all night; they know that they’re coming.
LOPAKHIN. What’s up with you, Dunyasha…?
DUNYASHA. My hands are shaking. I shall faint.
LOPAKHIN. You’re too sensitive, Dunyasha. You dress just like a lady, and you do your hair like one too. You oughtn’t. You should know your place.
EPIKHODOV. [Enters with a bouquet. He wears a short jacket and brilliantly polished boots which squeak audibly. He drops the bouquet as he enters, then picks it up] The gardener sent these; says they’re to go into the dining-room. [Gives the bouquet to DUNYASHA.]
LOPAKHIN. And you’ll bring me some kvass.
DUNYASHA. Very well. [Exit.]
EPIKHODOV. There’s a frost this morning – three degrees, and the cherry-trees are all in flower. I can’t approve of our climate. [Sighs] I can’t. Our climate is indisposed to favour us even this once. And, Ermolai Alexeyevitch, allow me to say to you, in addition, that I bought myself some boots two days ago, and I beg to assure you that they squeak in a perfectly unbearable manner. What shall I put on them?
LOPAKHIN. Go away. You bore me.
EPIKHODOV. Some misfortune happens to me every day. But I don’t complain; I’m used to it, and I can smile. [DUNYASHA comes in and brings LOPAKHIN some kvass] I shall go. [Knocks over a chair] There… [Triumphantly] There, you see, if I may use the word, what circumstances I am in, so to speak. It is even simply marvellous. [Exit.]
DUNYASHA. I may confess to you, Ermolai Alexeyevitch, that Epikhodov has proposed to me.
LOPAKHIN. Ah!
DUNYASHA. I don’t know what to do about it. He’s a nice young man, but every now and again, when he begins talking, you can’t understand a word he’s saying. I think I like him. He’s madly in love with me. He’s an unlucky man; every day something happens. We tease him about it. They call him “Two-and-twenty troubles.”
LOPAKHIN. [Listens] There they come, I think.
DUNYASHA. They’re coming! What’s the matter with me? I’m cold all over.
LOPAKHIN. There they are, right enough. Let’s go and meet them. Will she know me? We haven’t seen each other for five years.
DUNYASHA. [Excited] I shall faint in a minute… Oh, I’m fainting!
[Two carriages are heard driving up to the house. LOPAKHIN and DUNYASHA quickly go out. The stage is empty. A noise begins in the next room. FIERS, leaning on a stick, walks quickly across the stage; he has just been to meet LUBOV ANDREYEVNA. He wears an old-fashioned livery and a tall hat. He is saying something to himself, but not a word of it can be made out. The noise behind the stage gets louder and louder. A voice is heard: “Let’s go in there.” Enter LUBOV ANDREYEVNA, ANYA, and CHARLOTTA IVANOVNA with a little dog on a chain, and all dressed in travelling clothes, VARYA in a long coat and with a kerchief on her head. GAEV, SIMEONOV-PISCHIN, LOPAKHIN, DUNYASHA with a parcel and an umbrella, and a servant with luggage – all cross the room.]
ANYA. Let’s come through here. Do you remember what this room is, mother?
LUBOV. [Joyfully, through her tears] The nursery!
VARYA. How cold it is! My hands are quite numb. [To LUBOV ANDREYEVNA] Your rooms, the white one and the violet one, are just as they used to be, mother.
LUBOV. My dear nursery, oh, you beautiful room… I used to sleep here when I was a baby. [Weeps] And here I am like a little girl again. [Kisses her brother, VARYA, then her brother again] And Varya is just as she used to be, just like a nun. And I knew Dunyasha. [Kisses her.]
GAEV. The train was two hours late. There now; how’s that for punctuality?
CHARLOTTA. [To PISCHIN] My dog eats nuts too.
PISCHIN. [Astonished] To think of that, now!
[All go out except ANYA and DUNYASHA.]
DUNYASHA. We did have to wait for you!
[Takes off ANYA’S cloak and hat.]
ANYA. I didn’t get any sleep for four nights on the journey… I’m awfully cold.
DUNYASHA. You went away during Lent, when it was snowing and frosty, but now? Darling! [Laughs and kisses her] We did have to wait for you, my joy, my pet… I must tell you at once, I can’t bear to wait a minute.
ANYA. [Tired] Something else now…?
DUNYASHA. The clerk, Epikhodov, proposed to me after Easter.
ANYA. Always the same… [Puts her hair straight] I’ve lost all my hairpins… [She is very tired, and even staggers as she walks.]
DUNYASHA. I don’t know what to think about it. He loves me, he loves me so much!
ANYA. [Looks into her room; in a gentle voice] My room, my windows, as if I’d never gone away. I’m at home! To-morrow morning I’ll get up and have a run in the garden…Oh, if I could only get to sleep! I didn’t sleep the whole journey, I was so bothered.
DUNYASHA. Peter Sergeyevitch came two days ago.
ANYA. [Joyfully] Peter!
DUNYASHA. He sleeps in the bath-house, he lives there. He said he was afraid he’d be in the way. [Looks at her pocket-watch] I ought to wake him, but Barbara Mihailovna told me not to. “Don’t wake him,” she said.
[Enter VARYA, a bunch of keys on her belt.]
VARYA. Dunyasha, some coffee, quick. Mother wants some.
DUNYASHA. This minute. [Exit.]
VARYA. Well, you’ve come, glory be to God. Home again. [Caressing her] My darling is back again! My pretty one is back again!
ANYA. I did have an awful time, I tell you.
VARYA. I can just imagine it!
ANYA. I went away in Holy Week; it was very cold then. Charlotta talked the whole way and would go on performing her tricks. Why did you tie Charlotta on to me?
VARYA. You couldn’t go alone, darling, at seventeen!
ANYA. We went to Paris; it’s cold there and snowing. I talk French perfectly horribly. My mother lives on the fifth floor. I go to her, and find her there with various Frenchmen, women, an old abbé with a book, and everything in tobacco smoke and with no comfort at all. I suddenly became very sorry for mother – so sorry that I took her head in my arms and hugged her and wouldn’t let her go. Then mother started hugging me and crying…
VARYA. [Weeping] Don’t say any more, don’t say any more…
ANYA. She’s already sold her villa near Mentone; she’s nothing left, nothing. And I haven’t a copeck left either; we only just managed to get here. And mother won’t understand! We had dinner at a station; she asked for all the expensive things, and tipped the waiters one rouble each. And Charlotta too. Yasha wants his share too – it’s too bad. Mother’s got a footman now, Yasha; we’ve brought him here.
VARYA. I saw the wretch.
ANYA. How’s business? Has the interest been paid?
VARYA. Not much chance of that.
ANYA. Oh God, oh God…
VARYA. The place will be sold in August.
ANYA. O God…
LOPAKHIN. [Looks in at the door and moos] Moo!.. [Exit.]
VARYA. [Through her tears] I’d like to… [Shakes her fist.]
ANYA. [Embraces VARYA, softly] Varya, has he proposed to you? [VARYA shakes head] But he loves you… Why don’t you make up your minds? Why do you keep on waiting?
VARYA. I think that it will all come to nothing. He’s a busy man. I’m not his affair… he pays no attention to me. Bless the man, I don’t want to see him… But everybody talks about our marriage, everybody congratulates me, and there’s nothing in it at all, it’s all like a dream. [In another tone] You’ve got a brooch like a bee.
ANYA. [Sadly] Mother bought it. [Goes into her room, and talks lightly, like a child] In Paris I went up in a balloon!
VARYA. My darling’s come back, my pretty one’s come back! [DUNYASHA has already returned with the coffee-pot and is making the coffee, VARYA stands near the door] I go about all day, looking after the house, and I think all the time, if only you could marry a rich man, then I’d be happy and would go away somewhere by myself, then to Kiev… to Moscow, and so on, from one holy place to another. I’d tramp and tramp. That would be splendid!
ANYA. The birds are singing in the garden. What time is it now?
VARYA. It must be getting on for three. Time you went to sleep, darling. [Goes into ANYA’S room] Splendid!
[Enter YASHA with a plaid shawl and a travelling bag.]
YASHA. [Crossing the stage: Politely] May I go this way?
DUNYASHA. I hardly knew you, Yasha. You have changed abroad.
YASHA. Hm… and who are you?
DUNYASHA. When you went away I was only so high. [Showing with her hand] I’m Dunyasha, the daughter of Theodore Kozoyedov. You don’t remember!
YASHA. Oh, you little cucumber!
[Looks round and embraces her. She screams and drops a saucer. YASHA goes out quickly.]
VARYA. [In the doorway: In an angry voice] What’s that?
DUNYASHA. [Through her tears] I’ve broken a saucer.
VARYA. It may bring luck.
ANYA. [Coming out of her room] We must tell mother that Peter’s here.
VARYA. I told them not to wake him.
ANYA. [Thoughtfully] Father died six years ago, and a month later my brother Grisha was drowned in the river – such a dear little boy of seven! Mother couldn’t bear it; she went away, away, without looking round… [Shudders] How I understand her; if only she knew! [Pause] And Peter Trofimov was Grisha’s tutor, he might tell her…
[Enter FIERS in a short jacket and white waistcoat.]
FIERS. [Goes to the coffee-pot, nervously] The mistress is going to have some food here… [Puts on white gloves] Is the coffee ready? [To DUNYASHA, severely] You! Where’s the cream?
DUNYASHA. Oh, dear me…! [Rapid exit.]
FIERS. [Fussing round the coffee-pot] Oh, you bungler… [Murmurs to himself] Back from Paris… the master went to Paris once… in a carriage… [Laughs.]
VARYA. What are you talking about, Fiers?
FIERS. I beg your pardon? [Joyfully] The mistress is home again. I’ve lived to see her! Don’t care if I die now… [Weeps with joy.]
[Enter LUBOV ANDREYEVNA, GAEV, LOPAKHIN, and SIMEONOV-PISCHIN, the latter in a long jacket of thin cloth and loose trousers. GAEV, coming in, moves his arms and body about as if he is playing billiards.]
LUBOV. Let me remember now. Red into the corner! Twice into the centre!
GAEV. Right into the pocket! Once upon a time you and I used both to sleep in this room, and now I’m fifty-one; it does seem strange.
LOPAKHIN. Yes, time does go.
GAEV. Who does?
LOPAKHIN. I said that time does go.
GAEV. It smells of patchouli here.
ANYA. I’m going to bed. Good-night, mother. [Kisses her.]
LUBOV. My lovely little one. [Kisses her hand] Glad to be at home? I can’t get over it.
ANYA. Good-night, uncle.
GAEV. [Kisses her face and hands] God be with you. How you do resemble your mother! [To his sister] You were just like her at her age, Luba.
[ANYA gives her hand to LOPAKHIN and PISCHIN and goes out, shutting the door behind her.]
LUBOV. She’s awfully tired.
PISCHIN. It’s a very long journey.
VARYA. [To LOPAKHIN and PISCHIN] Well, sirs, it’s getting on for three, quite time you went.
LUBOV. [Laughs] You’re just the same as ever, Varya. [Draws her close and kisses her] I’ll have some coffee now, then we’ll all go. [FIERS lays a cushion under her feet] Thank you, dear. I’m used to coffee. I drink it day and night. Thank you, dear old man. [Kisses FIERS.]
VARYA. I’ll go and see if they’ve brought in all the luggage. [Exit.]
LUBOV. Is it really I who am sitting here? [Laughs] I want to jump about and wave my arms. [Covers her face with her hands] But suppose I’m dreaming! God knows I love my own country, I love it deeply; I couldn’t look out of the railway carriage, I cried so much. [Through her tears] Still, I must have my coffee. Thank you, Fiers. Thank you, dear old man. I’m so glad you’re still with us.
FIERS. The day before yesterday.
GAEV. He doesn’t hear well.
LOPAKHIN. I’ve got to go off to Kharkov by the five o’clock train. I’m awfully sorry! I should like to have a look at you, to gossip a little. You’re as fine-looking as ever.
PISCHIN. [Breathes heavily] Even finer-looking… dressed in Paris fashions… confound it all.
LOPAKHIN. Your brother, Leonid Andreyevitch, says I’m a snob, a usurer, but that is absolutely nothing to me. Let him talk. Only I do wish you would believe in me as you once did, that your wonderful, touching eyes would look at me as they did before. Merciful God! My father was the serf of your grandfather and your own father, but you – you more than anybody else – did so much for me once upon a time that I’ve forgotten everything and love you as if you belonged to my family… and even more.
LUBOV. I can’t sit still, I’m not in a state to do it. [Jumps up and walks about in great excitement] I’ll never survive this happiness… You can laugh at me; I’m a silly woman… My dear little cupboard. [Kisses cupboard] My little table.
GAEV. Nurse has died in your absence.
LUBOV. [Sits and drinks coffee] Yes, bless her soul. I heard by letter.
GAEV. And Anastasius has died too. Peter Kosoy has left me and now lives in town with the Commissioner of Police. [Takes a box of sugar-candy out of his pocket and sucks a piece.]
PISCHIN. My daughter, Dashenka, sends her love.
LOPAKHIN. I want to say something very pleasant, very delightful, to you. [Looks at his watch] I’m going away at once, I haven’t much time… but I’ll tell you all about it in two or three words. As you already know, your cherry orchard is to be sold to pay your debts, and the sale is fixed for August 22; but you needn’t be alarmed, dear madam, you may sleep in peace; there’s a way out. Here’s my plan. Please attend carefully! Your estate is only thirteen miles from the town, the railway runs by, and if the cherry orchard and the land by the river are broken up into building lots and are then leased off for villas you’ll get at least twenty-five thousand roubles a year profit out of it.
GAEV. How utterly absurd!
LUBOV. I don’t understand you at all, Ermolai Alexeyevitch.
LOPAKHIN. You will get twenty-five roubles a year for each dessiatin from the leaseholders at the very least, and if you advertise now I’m willing to bet that you won’t have a vacant plot left by the autumn; they’ll all go. In a word, you’re saved. I congratulate you. Only, of course, you’ll have to put things straight, and clean up… For instance, you’ll have to pull down all the old buildings, this house, which isn’t any use to anybody now, and cut down the old cherry orchard…
LUBOV. Cut it down? My dear man, you must excuse me, but you don’t understand anything at all. If there’s anything interesting or remarkable in the whole province, it’s this cherry orchard of ours.
LOPAKHIN. The only remarkable thing about the orchard is that it’s very large. It only bears fruit every other year, and even then you don’t know what to do with them; nobody buys any.
GAEV. This orchard is mentioned in the “Encyclopaedic Dictionary.”
LOPAKHIN. [Looks at his watch] If we can’t think of anything and don’t make up our minds to anything, then on August 22, both the cherry orchard and the whole estate will be up for auction. Make up your mind! I swear there’s no other way out, I’ll swear it again.
FIERS. In the old days, forty or fifty years back, they dried the cherries, soaked them and pickled them, and made jam of them, and it used to happen that…
GAEV. Be quiet, Fiers.
FIERS. And then we’d send the dried cherries off in carts to Moscow and Kharkov. And money! And the dried cherries were soft, juicy, sweet, and nicely scented… They knew the way…
LUBOV. What was the way?
FIERS. They’ve forgotten. Nobody remembers.
PISCHIN. [To LUBOV ANDREYEVNA] What about Paris? Eh? Did you eat frogs?
LUBOV. I ate crocodiles.
PISCHIN. To think of that, now.
LOPAKHIN. Up to now in the villages there were only the gentry and the labourers, and now the people who live in villas have arrived. All towns now, even small ones, are surrounded by villas. And it’s safe to say that in twenty years’ time the villa resident will be all over the place. At present he sits on his balcony and drinks tea, but it may well come to pass that he’ll begin to cultivate his patch of land, and then your cherry orchard will be happy, rich, splendid…
GAEV. [Angry] What rot!
[Enter VARYA and YASHA.]
VARYA. There are two telegrams for you, little mother. [Picks out a key and noisily unlocks an antique cupboard] Here they are.
LUBOV. They’re from Paris… [Tears them up without reading them] I’ve done with Paris.
GAEV. And do you know, Luba, how old this case is? A week ago I took out the bottom drawer; I looked and saw figures burnt out in it. That case was made exactly a hundred years ago. What do you think of that? What? We could celebrate its jubilee. It hasn’t a soul of its own, but still, say what you will, it’s a fine bookcase.
PISCHIN. [Astonished] A hundred years… Think of that!
GAEV. Yes… it’s a real thing. [Handling it] My dear and honoured case! I congratulate you on your existence, which has already for more than a hundred years been directed towards the bright ideals of good and justice; your silent call to productive labour has not grown less in the hundred years [Weeping] during which you have upheld virtue and faith in a better future to the generations of our race, educating us up to ideals of goodness and to the knowledge of a common consciousness. [Pause.]
LOPAKHIN. Yes…
LUBOV. You’re just the same as ever, Leon.
GAEV. [A little confused] Off the white on the right, into the corner pocket. Red ball goes into the middle pocket!
LOPAKHIN. [Looks at his watch] It’s time I went.
YASHA. [Giving LUBOV ANDREYEVNA her medicine] Will you take your pills now?
PISCHIN. You oughtn’t to take medicines, dear madam; they do you neither harm nor good… Give them here, dear madam. [Takes the pills, turns them out into the palm of his hand, blows on them, puts them into his mouth, and drinks some kvass] There!
LUBOV. [Frightened] You’re off your head!
PISCHIN. I’ve taken all the pills.
LOPAKHIN. Gormandizer! [All laugh.]
FIERS. They were here in Easter week and ate half a pailful of cucumbers… [Mumbles.]
LUBOV. What’s he driving at?
VARYA. He’s been mumbling away for three years. We’re used to that.
YASHA. Senile decay.
[CHARLOTTA IVANOVNA crosses the stage, dressed in white: she is very thin and tightly laced; has a lorgnette at her waist.]
LOPAKHIN. Excuse me, Charlotta Ivanovna, I haven’t said “How do you do” to you yet. [Tries to kiss her hand.]
CHARLOTTA. [Takes her hand away] If you let people kiss your hand, then they’ll want your elbow, then your shoulder, and then…
LOPAKHIN. My luck’s out to-day! [All laugh] Show us a trick, Charlotta Ivanovna!
LUBOV ANDREYEVNA. Charlotta, do us a trick.
CHARLOTTA. It’s not necessary. I want to go to bed. [Exit.]
LOPAKHIN. We shall see each other in three weeks. [Kisses LUBOV ANDREYEVNA’S hand] Now, good-bye. It’s time to go. [To GAEV] See you again. [Kisses PISCHIN] Au revoir. [Gives his hand to VARYA, then to FIERS and to YASHA] I don’t want to go away. [To LUBOV ANDREYEVNA]. If you think about the villas and make up your mind, then just let me know, and I’ll raise a loan of 50,000 roubles at once. Think about it seriously.
VARYA. [Angrily] Do go, now!
LOPAKHIN. I’m going, I’m going… [Exit.]
GAEV. Snob. Still, I beg pardon… Varya’s going to marry him, he’s Varya’s young man.
VARYA. Don’t talk too much, uncle.
LUBOV. Why not, Varya? I should be very glad. He’s a good man.
PISCHIN. To speak the honest truth… he’s a worthy man… And my Dashenka… also says that… she says lots of things. [Snores, but wakes up again at once] But still, dear madam, if you could lend me… 240 roubles… to pay the interest on my mortgage to-morrow…
VARYA. [Frightened] We haven’t got it, we haven’t got it!
LUBOV. It’s quite true. I’ve nothing at all.
