Kitabı oku: «The World as Will and Idea (Vol. 2 of 3)», sayfa 17

That in practical philosophy also no wisdom is brought to light from mere abstract conceptions is the one thing to be learnt from the ethical dissertations of the theologian Schleiermacher, with the delivery of which he has wearied the Berlin Academy for a number of years, and which are shortly to appear in a collected form. In them only abstract conceptions, such as duty, virtue, highest good, moral law, &c., are taken as the starting-point, without further introduction than that they commonly occur in ethical systems, and are now treated as given realities. He then discusses these from all sides with great subtilty, but, on the other hand, never makes for the source of these conceptions, for the thing itself, the actual human life, to which alone they are related, from which they ought to be drawn, and with which morality has, properly speaking, to do. On this account these diatribes are just as unfruitful and useless as they are tedious, which is saying a great deal. At all times we find persons, like this theologian, who is too fond of philosophising, famous while they are alive, afterwards soon forgotten. My advice is rather to read those whose fate has been the opposite of this, for time is short and valuable.

Now although, in accordance with all that has been said, wide, abstract conceptions, which can be realised in no perception, must never be the source of knowledge, the starting-point or the proper material of philosophy, yet sometimes particular results of philosophy are such as can only be thought in the abstract, and cannot be proved by any perception. Knowledge of this kind will certainly only be half knowledge; it will, as it were, only point out the place where what is to be known lies; but this remains concealed. Therefore we should only be satisfied with such conceptions in the most extreme case, and when we have reached the limit of the knowledge possible to our faculties. An example of this might perhaps be the conception of a being out of time; such as the proposition: the indestructibility of our true being by death is not a continued existence of it. With conceptions of this sort the firm ground which supports our whole knowledge, the perceptible, seems to waver. Therefore philosophy may certainly at times, and in case of necessity, extend to such knowledge, but it must never begin with it.

The working with wide abstractions, which is condemned above, to the entire neglect of the perceptive knowledge from which they are drawn, and which is therefore their permanent and natural controller, was at all times the principal source of the errors of dogmatic philosophy. A science constructed from the mere comparison of conceptions, that is, from general principles, could only be certain if all its principles were synthetical a priori, as is the case in mathematics: for only such admit of no exceptions. If, on the other hand, the principles have any empirical content, we must keep this constantly at hand, to control the general principles. For no truths which are in any way drawn from experience are ever unconditionally true. They have therefore only an approximately universal validity; for here there is no rule without an exception. If now I link these principles together by means of the intersection of their concept-spheres, one conception might very easily touch the other precisely where the exception lies. But if this happens even only once in the course of a long train of reasoning, the whole structure is loosed from its foundation and moves in the air. If, for example, I say, “The ruminants have no front incisors,” and apply this and what follows from it to the camel, it all becomes false, for it only holds good of horned ruminants. What Kant calls das Vernünfteln, mere abstract reasoning, and so often condemns, is just of this sort. For it consists simply in subsuming conceptions under conceptions, without reference to their origin, and without proof of the correctness and exclusiveness of such subsumption – a method whereby we can arrive by longer or shorter circuits at almost any result we choose to set before us as our goal. Hence this mere abstract reasoning differs only in degree from sophistication strictly so called. But sophistication is in the theoretical sphere exactly what chicanery is in the practical. Yet even Plato himself has very frequently permitted such mere abstract reasoning; and Proclus, as we have already mentioned, has, after the manner of all imitators, carried this fault of his model much further. Dionysius the Areopagite, “De Divinis Nominibus,” is also strongly affected with this. But even in the fragments of the Eleatic Melissus we already find distinct examples of such mere abstract reasoning (especially § 2-5 in Brandis' Comment. Eleat.) His procedure with the conceptions, which never touch the reality from which they have their content, but, moving in the atmosphere of abstract universality, pass away beyond it, resembles blows which never hit the mark. A good pattern of such mere abstract reasoning is the “De Diis et Mundo” of the philosopher Sallustius Büchelchen; especially chaps. 7, 12, and 17. But a perfect gem of philosophical mere abstract reasoning passing into decided sophistication is the following reasoning of the Platonist, Maximus of Tyre, which I shall quote, as it is short: “Every injustice is the taking away of a good. There is no other good than virtue: but virtue cannot be taken away: thus it is not possible that the virtuous can suffer injustice from the wicked. It now remains either that no injustice can be suffered, or that it is suffered by the wicked from the wicked. But the wicked man possesses no good at all, for only virtue is a good; therefore none can be taken from him. Thus he also can suffer no injustice. Thus injustice is an impossible thing.” The original, which is less concise through repetitions, runs thus: “Αδικια εστι αφαιρεσις αγαθου; το δε αγαθον τι αν ειη αλλο η αρετη? – ἡ δε αρετη αναφαιρετον. Ουκ αδικησεται τοινυν ὁ την αρετην εχων, η ουκ εστιν αδικια αφαιρεσις αγαθου; ουδεν γαρ αγαθον αφαιρετον, ουδ᾽ χαποβλητον, ουδ ἑλετον, ουδε ληιστον. Ειεν ουν, ουδ᾽ αδικειται ὁ χρηστος, ουδ ὑπο του μοχθηρου; αναφαιρετος γαρ. Λειπεται τοινυν η μηδενα αδικεισθαι καθαπαξ, η τον μοχθηρον ὑπο του ὁμοιου; αλλα τῳ μοχθηρῳ ουδενος μετεστιν αγαθου; ἡ δε αδικια ην αγαθου αφαιρεσις; ὁ δε μη εχων ὁ, τι αφαιρεσθη, ουδε εις ὁ, τι αδικησθη, εχει” (Sermo 2). I shall add further a modern example of such proofs from abstract conceptions, by means of which an obviously absurd proposition is set up as the truth, and I shall take it from the works of a great man, Giordano Bruno. In his book, “Del Infinito Universo e Mondi” (p. 87 of the edition of A. Wagner), he makes an Aristotelian prove (with the assistance and exaggeration of the passage of Aristotle's De Cœlo, i. 5) that there can be no space beyond the world. The world is enclosed by the eight spheres of Aristotle, and beyond these there can be no space. For if beyond these there were still a body, it must either be simple or compound. It is now proved sophistically, from principles which are obviously begged, that no simple body could be there; and therefore, also, no compound body, for it would necessarily be composed of simple ones. Thus in general there can be no body there – but if not, then no space. For space is defined as “that in which bodies can be;” and it has just been proved that no body can be there. Thus there is also there no space. This last is the final stroke of this proof from abstract conceptions. It ultimately rests on the fact that the proposition, “Where no space is, there can be no body” is taken as a universal negative, and therefore converted simply, “Where no body can be there is no space.” But the former proposition, when properly regarded, is a universal affirmative: “Everything that has no space has no body,” thus it must not be converted simply. Yet it is not every proof from abstract conceptions, with a conclusion which clearly contradicts perception (as here the finiteness of space), that can thus be referred to a logical error. For the sophistry does not always lie in the form, but often in the matter, in the premisses, and in the indefiniteness of the conceptions and their extension. We find numerous examples of this in Spinoza, whose method indeed it is to prove from conceptions. See, for example, the miserable sophisms in his “Ethics,” P. iv., prop. 29-31, by means of the ambiguity of the uncertain conceptions convenire and commune habere. Yet this does not prevent the neo-Spinozists of our own day from taking all that he has said for gospel. Of these the Hegelians, of whom there are actually still a few, are specially amusing on account of their traditional reverence for his principle, omnis determinatio est negatio, at which, according to the charlatan spirit of the school, they put on a face as if it was able to unhinge the world; whereas it is of no use at all, for even the simplest can see for himself that if I limit anything by determinations, I thereby exclude and thus negate what lies beyond these limits.

Thus in all mere reasonings of the above kind it becomes very apparent what errors that algebra with mere conceptions, uncontrolled by perception, is exposed to, and that therefore perception is for our intellect what the firm ground upon which it stands is for our body: if we forsake perception everything is instabilis tellus, innabilis unda. The reader will pardon the fulness of these expositions and examples on account of their instructiveness. I have sought by means of them to bring forward and support the difference, indeed the opposition, between perceptive and abstract or reflected knowledge, which has hitherto been too little regarded, and the establishment of which is a fundamental characteristic of my philosophy. For many phenomena of our mental life are only explicable through this distinction. The connecting link between these two such different kinds of knowledge is the faculty of judgment, as I have shown in § 14 of the first volume. This faculty is certainly also active in the province of mere abstract knowledge, in which it compares conceptions only with conceptions; therefore every judgment, in the logical sense of the word, is certainly a work of the faculty of judgment, for it always consists in the subsumption of a narrower conception under a wider one. Yet this activity of the faculty of judgment, in which it merely compares conceptions with each other, is a simpler and easier task than when it makes the transition from what is quite particular, the perception, to the essentially general, the conception. For by the analysis of conceptions into their essential predicates it must be possible to decide upon purely logical grounds whether they are capable of being united or not, and for this the mere reason which every one possesses is sufficient. The faculty of judgment is therefore only active here in shortening this process, for he who is gifted with it sees at a glance what others only arrive at through a series of reflections. But its activity in the narrower sense really only appears when what is known through perception, thus the real experience, has to be carried over into distinct abstract knowledge, subsumed under accurately corresponding conceptions, and thus translated into reflected rational knowledge. It is therefore this faculty which has to establish the firm basis of all sciences, which always consists of what is known directly and cannot be further denied. Therefore here, in the fundamental judgments, lies the difficulty of the sciences, not in the inferences from these. To infer is easy, to judge is difficult. False inferences are rare, false judgments are always the order of the day. Not less in practical life has the faculty of judgment to give the decision in all fundamental conclusions and important determinations. Its office is in the main like that of the judicial sentence. As the burning-glass brings to a focus all the sun's rays, so when the understanding works, the intellect has to bring together all the data which it has upon the subject so closely that the understanding comprehends them at a glance, which it now rightly fixes, and then carefully makes the result distinct to itself. Further, the great difficulty of judging in most cases depends upon the fact that we have to proceed from the consequent to the reason, a path which is always uncertain; indeed I have shown that the source of all error lies here. Yet in all the empirical sciences, and also in the affairs of real life, this way is for the most part the only one open to us. The experiment is an attempt to go over it again the other way; therefore it is decisive, and at least brings out error clearly; provided always that it is rightly chosen and honestly carried out; not like Newton's experiments in connection with the theory of colours. But the experiment itself must also again be judged. The complete certainty of the a priori sciences, logic and mathematics, depends principally upon the fact that in them the path from the reason to the consequent is open to us, and it is always certain. This gives them the character of purely objective sciences, i. e., sciences with regard to whose truths all who understand them must judge alike; and this is all the more remarkable as they are the very sciences which rest on the subjective forms of the intellect, while the empirical sciences alone have to do with what is palpably objective.

Wit and ingenuity are also manifestations of the faculty of judgment; in the former its activity is reflective, in the latter subsuming. In most men the faculty of judgment is only nominally present; it is a kind of irony that it is reckoned with the normal faculties of the mind, instead of being only attributed to the monstris per excessum. Ordinary men show even in the smallest affairs want of confidence in their own judgment, just because they know from experience that it is of no service. With them prejudice and imitation take its place; and thus they are kept in a state of continual non-age, from which scarcely one in many hundreds is delivered. Certainly this is not avowed, for even to themselves they appear to judge; but all the time they are glancing stealthily at the opinion of others, which is their secret standard. While each one would be ashamed to go about in a borrowed coat, hat, or mantle, they all have nothing but borrowed opinions, which they eagerly collect wherever they can find them, and then strut about giving them out as their own. Others borrow them again from them and do the same thing. This explains the rapid and wide spread of errors, and also the fame of what is bad; for the professional purveyors of opinion, such as journalists and the like, give as a rule only false wares, as those who hire out masquerading dresses give only false jewels.

Chapter VIII.²⁰ On The Theory Of The Ludicrous

My theory of the ludicrous also depends upon the opposition explained in the preceding chapters between perceptible and abstract ideas, which I have brought into such marked prominence. Therefore what has still to be said in explanation of this theory finds its proper place here, although according to the order of the text it would have to come later.

The problem of the origin, which is everywhere the same, and hence of the peculiar significance of laughter, was already known to Cicero, but only to be at once dismissed as insoluble (De Orat., ii. 58). The oldest attempt known to me at a psychological explanation of laughter is to be found in Hutcheson's “Introduction into Moral Philosophy,” Bk. I., ch. i. § 14. A somewhat later anonymous work, “Traité des Causes Physiques et Morals du Rire,” 1768, is not without merit as a ventilation of the subject. Platner, in his “Anthropology,” § 894, has collected the opinions of the philosophers from Hume to Kant who have attempted an explanation of this phenomenon peculiar to human nature. Kant's and Jean Paul's theories of the ludicrous are well known. I regard it as unnecessary to prove their incorrectness, for whoever tries to refer given cases of the ludicrous to them will in the great majority of instances be at once convinced of their insufficiency.

According to my explanation given in the first volume, the source of the ludicrous is always the paradoxical, and therefore unexpected, subsumption of an object under a conception which in other respects is different from it, and accordingly the phenomenon of laughter always signifies the sudden apprehension of an incongruity between such a conception and the real object thought under it, thus between the abstract and the concrete object of perception. The greater and more unexpected, in the apprehension of the laughter, this incongruity is, the more violent will be his laughter. Therefore in everything that excites laughter it must always be possible to show a conception and a particular, that is, a thing or event, which certainly can be subsumed under that conception, and therefore thought through it, yet in another and more predominating aspect does not belong to it at all, but is strikingly different from everything else that is thought through that conception. If, as often occurs, especially in witticisms, instead of such a real object of perception, the conception of a subordinate species is brought under the higher conception of the genus, it will yet excite laughter only through the fact that the imagination realises it, i. e., makes a perceptible representative stand for it, and thus the conflict between what is thought and what is perceived takes place. Indeed if we wish to understand this perfectly explicitly, it is possible to trace everything ludicrous to a syllogism in the first figure, with an undisputed major and an unexpected minor, which to a certain extent is only sophistically valid, in consequence of which connection the conclusion partakes of the quality of the ludicrous.

In the first volume I regarded it as superfluous to illustrate this theory by examples, for every one can do this for himself by a little reflection upon cases of the ludicrous which he remembers. Yet, in order to come to the assistance of the mental inertness of those readers who prefer always to remain in a passive condition, I will accommodate myself to them. Indeed in this third edition I wish to multiply and accumulate examples, so that it may be indisputable that here, after so many fruitless earlier attempts, the true theory of the ludicrous is given, and the problem which was proposed and also given up by Cicero is definitely solved.

If we consider that an angle requires two lines meeting so that if they are produced they will intersect each other; on the other hand, that the tangent of a circle only touches it at one point, but at this point is really parallel to it; and accordingly have present to our minds the abstract conviction of the impossibility of an angle between the circumference of a circle and its tangent; and if now such an angle lies visibly before us upon paper, this will easily excite a smile. The ludicrousness in this case is exceedingly weak; but yet the source of it in the incongruity of what is thought and perceived appears in it with exceptional distinctness. When we discover such an incongruity, the occasion for laughter that thereby arises is, according as we pass from the real, i. e., the perceptible, to the conception, or conversely from the conception to the real, either a witticism or an absurdity, which in a higher degree, and especially in the practical sphere, is folly, as was explained in the text. Now to consider examples of the first case, thus of wit, we shall first of all take the familiar anecdote of the Gascon at whom the king laughed when he saw him in light summer clothing in the depth of winter, and who thereupon said to the king: “If your Majesty had put on what I have, you would find it very warm;” and on being asked what he had put on, replied: “My whole wardrobe!” Under this last conception we have to think both the unlimited wardrobe of a king and the single summer coat of a poor devil, the sight of which upon his freezing body shows its great incongruity with the conception. The audience in a theatre in Paris once called for the “Marseillaise” to be played, and as this was not done, began shrieking and howling, so that at last a commissary of police in uniform came upon the stage and explained that it was not allowed that anything should be given in the theatre except what was in the playbill. Upon this a voice cried: “Et vous, Monsieur, êtes-vous aussi sur l'affiche?” – a hit which was received with universal laughter. For here the subsumption of what is heterogeneous is at once distinct and unforced. The epigramme:

 
“Bav is the true shepherd of whom the Bible spake:
Though his flock be all asleep, he alone remains awake:”
 

subsumes, under the conception of a sleeping flock and a waking shepherd, the tedious preacher who still bellows on unheard when he has sent all the people to sleep. Analogous to this is the epitaph on a doctor: “Here lies he like a hero, and those he has slain lie around him;” it subsumes under the conception, honourable to the hero, of “lying surrounded by dead bodies,” the doctor, who is supposed to preserve life. Very commonly the witticism consists in a single expression, through which only the conception is given, under which the case presented can be subsumed, though it is very different from everything else that is thought under it. So is it in “Romeo” when the vivacious Mercutio answers his friends who promise to visit him on the morrow: “Ask for me to-morrow, and you shall find me a grave man.” Under this conception a dead man is here subsumed; but in English there is also a play upon the words, for “a grave man” means both a serious man and a man of the grave. Of this kind is also the well-known anecdote of the actor Unzelmann. In the Berlin theatre he was strictly forbidden to improvise. Soon afterwards he had to appear on the stage on horseback, and just as he came on the stage the horse dunged, at which the audience began to laugh, but laughed much more when Unzelmann said to the horse: “What are you doing? Don't you know we are forbidden to improvise?” Here the subsumption of the heterogeneous under the more general conception is very distinct, but the witticism is exceedingly happy, and the ludicrous effect produced by it excessively strong. To this class also belongs the following announcement from Hall in a newspaper of March 1851: “The band of Jewish swindlers to which we have referred were again delivered over to us with obligato accompaniment.” This subsuming of a police escort under a musical term is very happy, though it approaches the mere play upon words. On the other hand, it is exactly a case of the kind we are considering when Saphir, in a paper-war with the actor Angeli, describes him as “Angeli, who is equally great in mind and body.” The small statue of the actor was known to the whole town, and thus under the conception “great” unusual smallness was presented to the mind. Also when the same Saphir calls the airs of a new opera “good old friends,” and so brings the quality which is most to be condemned under a conception which is usually employed to commend. Also, if we should say of a lady whose favour could be influenced by presents, that she knew how to combine the utile with the dulci. For here we bring the moral life under the conception of a rule which Horace has recommended in an æsthetical reference. Also if to signify a brothel we should call it the “modest abode of quiet joys.” Good society, in order to be thoroughly insipid, has forbidden all decided utterances, and therefore all strong expressions. Therefore it is wont, when it has to signify scandalous or in any way indecent things, to mitigate or extenuate them by expressing them through general conceptions. But in this way it happens that they are more or less incongruously subsumed, and in a corresponding degree the effect of the ludicrous is produced. To this class belongs the use of utile dulci referred to above, and also such expressions as the following: “He had unpleasantness at the ball” when he was thrashed and kicked out; or, “He has done too well” when he is drunk; and also, “The woman has weak moments” if she is unfaithful to her husband, &c. Equivocal sayings also belong to the same class. They are conceptions which in themselves contain nothing improper, but yet the case brought under them leads to an improper idea. They are very common in society. But a perfect example of a full and magnificent equivocation is Shenstone's incomparable epitaph on a justice of the peace, which, in its high-flown lapidary style, seems to speak of noble and sublime things, while under each of their conceptions something quite different is to be subsumed, which only appears in the very last word as the unexpected key to the whole, and the reader discovers with loud laughter that he has only read a very obscene equivocation. In this smooth-combed age it is altogether impossible to quote this here, not to speak of translating it; it will be found in Shenstone's poetical works, under the title “Inscription.” Equivocations sometimes pass over into mere puns, about which all that is necessary has been said in the text.

Further, the ultimate subsumption, ludicrous to all, of what in one respect is heterogeneous, under a conception which in other respects agrees with it, may take place contrary to our intention. For example, one of the free negroes in North America, who take pains to imitate the whites in everything, quite recently placed an epitaph over his dead child which begins, “Lovely, early broken lily.” If, on the contrary, something real and perceptible is, with direct intention, brought under the conception of its opposite, the result is plain, common irony. For example, if when it is raining hard we say, “Nice weather we are having to-day;” or if we say of an ugly bride, “That man has found a charming treasure;” or of a knave, “This honest man,” &c. &c. Only children and quite uneducated people will laugh at such things; for here the incongruity between what is thought and what is perceived is total. Yet just in this direct exaggeration in the production of the ludicrous its fundamental character, incongruity, appears very distinctly. This species of the ludicrous is, on account of its exaggeration and distinct intention, in some respects related to parody. The procedure of the latter consists in this. It substitutes for the incidents and words of a serious poem or drama insignificant low persons or trifling motives and actions. It thus subsumes the commonplace realities which it sets forth under the lofty conceptions given in the theme, under which in a certain respect they must come, while in other respects they are very incongruous; and thereby the contrast between what is perceived and what is thought appears very glaring. There is no lack of familiar examples of this, and therefore I shall only give one, from the “Zobeide” of Carlo Gozzi, act iv., scene 3, where the famous stanza of Ariosto (Orl. Fur., i. 22), “Oh gran bontà de' cavalieri antichi,” &c., is put word for word into the mouth of two clowns who have just been thrashing each other, and tired with this, lie quietly side by side. This is also the nature of the application so popular in Germany of serious verses, especially of Schiller, to trivial events, which clearly contains a subsumption of heterogeneous things under the general conception which the verse expresses. Thus, for example, when any one has displayed a very characteristic trait, there will rarely be wanting some one to say, “From that I know with whom I have to do.” But it was original and very witty of a man who was in love with a young bride to quote to the newly married couple (I know not how loudly) the concluding words of Schiller's ballad, “The Surety:”

 
“Let me be, I pray you,
In your bond the third.”
 

The effect of the ludicrous is here strong and inevitable, because under the conceptions through which Schiller presents to the mind a moral and noble relation, a forbidden and immoral relation is subsumed, and yet correctly and without change, thus is thought through it. In all the examples of wit given here we find that under a conception, or in general an abstract thought, a real thing is, directly, or by means of a narrower conception, subsumed, which indeed, strictly speaking, comes under it, and yet is as different as possible from the proper and original intention and tendency of the thought. Accordingly wit, as a mental capacity, consists entirely in a facility for finding for every object that appears a conception under which it certainly can be thought, though it is very different from all the other objects which come under this conception.

The second species of the ludicrous follows, as we have mentioned, the opposite path from the abstract conception to the real or perceptible things thought through it. But this now brings to light any incongruity with the conception which was overlooked, and hence arises an absurdity, and therefore in the practical sphere a foolish action. Since the play requires action, this species of the ludicrous is essential to comedy. Upon this depends the observation of Voltaire: “J'ai cru remarquer aux spectacles, qu'il ne s'élève presque jamais de ces éclats de rire universels, qu'à l'occasion d'une méprise” (Preface de L'Enfant Prodigue). The following may serve as examples of this species of the ludicrous. When some one had declared that he was fond of walking alone, an Austrian said to him: “You like walking alone; so do I: therefore we can go together.” He starts from the conception, “A pleasure which two love they can enjoy in common,” and subsumes under it the very case which excludes community. Further, the servant who rubbed a worn sealskin in his master's box with Macassar oil, so that it might become covered with hair again; in doing which he started from the conception, “Macassar oil makes hair grow.” The soldiers in the guard-room who allowed a prisoner who was brought in to join in their game of cards, then quarrelled with him for cheating, and turned him out. They let themselves be led by the general conception, “Bad companions are turned out,” and forget that he is also a prisoner, i. e., one whom they ought to hold fast. Two young peasants had loaded their gun with coarse shot, which they wished to extract, in order to substitute fine, without losing the powder. So one of them put the mouth of the barrel in his hat, which he took between his legs, and said to the other: “Now you pull the trigger slowly, slowly, slowly; then the shot will come first.” He starts from the conception, “Prolonging the cause prolongs the effect.” Most of the actions of Don Quixote are also cases in point, for he subsumes the realities he encounters under conceptions drawn from the romances of chivalry, from which they are very different. For example, in order to support the oppressed he frees the galley slaves. Properly all Münchhausenisms are also of this nature, only they are not actions which are performed, but impossibilities, which are passed off upon the hearer as having really happened. In them the fact is always so conceived that when it is thought merely in the abstract, and therefore comparatively a priori, it appears possible and plausible; but afterwards, if we come down to the perception of the particular case, thus a posteriori the impossibility of the thing, indeed the absurdity of the assumption, is brought into prominence, and excites laughter through the evident incongruity of what is perceived and what is thought. For example, when the melodies frozen up in the post-horn are thawed in the warm room – when Münchhausen, sitting upon a tree during a hard frost, draws up his knife which has dropped to the ground by the frozen jet of his own water, &c. Such is also the story of the two lions who broke down the partition between them during the night and devoured each other in their rage, so that in the morning there was nothing to be found but the two tails.