Kitabı oku: «The Bronze Eagle: A Story of the Hundred Days», sayfa 18

V

Like elfin music—tender, fitful, dreamy!—an exquisite languor stole into Crystal's limbs. She was not asleep, yet she was in dreamland—all alone in semi-darkness, that was restful and soothing, and with the fragrance of crimson roses in her nostrils and their velvety petals brushing against her cheek.

Like elfin music!—sweet strains of infinite sadness—the tune of the Infinite mingling with the semblance of reality!

Like elfin music—or like the voice of a human being in pain—the note of sadness became the only real note now!

What really happened after this Crystal never rightly knew. Whenever in the future her memory went back to this hour, she could not be sure whether in truth she had been waking or dreaming, or at what precise moment she became fully conscious of a presence close beside her—just behind the bank of roses—and of a voice—low, earnest, quivering with passionate emotion—that reached her ear as if through the tender melodies played by the orchestra.

It almost seemed to her—when she thought over all the circumstances in her mind—that she must have been subtly conscious of the presence all along—all the while that Maurice was still with her and she felt so curiously languid, longing only for darkness and solitude.

Something encompassed her now that she could not define: the warmth of Love, the sense of protection and security—almost as if unseen arms, that were strong and devoted and selfless, held her closely, shielding her from evil and from the taint of selfish human passions.

And presently she heard her name—whispered low and with a note of tender appeal.

Her eyes were closed and she paid no heed: but the appeal was once more whispered—this time more insistently, and almost against her will she murmured:

"Who calls?"

"An unfortunate whom you hate and despise, and who would have given his life to serve you."

"Who is it?" she reiterated.

"A poor heart-broken wretch who could not keep away from your side, and longed for one more sound of your voice even though it uttered words more cruel than man can stand."

"What would you like to hear?"

"One word of comfort to ease that terrible sting of hate which has burned into my very soul, till every minute of life has become unendurable agony."

"How could I know," she asked, and now her eyes were wide open, gazing out into nothingness, not turned yet in the direction whence that dream-voice came: "how could I know that my hatred made you suffer or that you cared for comfort from me?"

"How could you know, Crystal?" the voice replied. "You could know that, my dear, just as surely as you know that in a stormy night the sky is dark, just as you know that when heavy clouds obscure the blue ether above, no ray of sunshine warms the shivering earth. Just as you know that you are beautiful and exquisite, so you knew, Crystal, that I loved you from the deepest depths of my soul."

"How could I guess?"

"By that subtle sense which every human being has. And you did guess it, Crystal, else you would not have hated me as you did."

"I hated you because I thought you a traitor."

"Is it too late to swear to you that my only thought was to serve you? . . ."

"By working against my King and country?" she retorted with just this one brief flash of her old vehemence.

"By working for my country and for yours. This I swear by your sweet eyes—by your dear mouth that hurt me so cruelly that evening—I swear it by the damnable agony which you made me endure . . . by the abject cowardice which dragged me to your side now like a whining wretch that craves for a crumb of comfort . . . by all that you have made me suffer. . . . Crystal, I swear to you that I was never false . . . false, great God! when with every drop of my blood, with every fibre of my heart, with every nerve, every sinew, every thought I love you."

The voice was so low, never above a whisper, and all around her Crystal felt again that delicious sense of warmth—the breath of Love that brings man's heart so near to God—the sense of security in a man's all-encompassing Love which women prize above everything else on earth.

The music was just an accompaniment to that low, earnest whispering; the soft strains of the violins made it still seem like a voice that comes through a veil of dreams. Instinctively Crystal began to hum the waltz-tune and her little head with its quaint coronet of fair curls beat time to the languid lilt.

"Will you dance with me, Crystal?"

"No! no!" she protested.

"Just once—to-night. To-morrow we fight—let us dance to-night."

And before she could protest further, her will seemed to fall away from her: she knew that her father, her aunt would be angry, that—as like as not—Maurice would make a scene. She knew that Maurice—to whom she had plighted her troth—had branded this man as a liar and a traitor: her father believed him to be a traitor, and she . . . Well! what had he done to disprove Maurice's accusations? A few words of passionate protestations! . . . Did they count? . . . He wore his King's uniform—many careless adventurers did that these strenuous times! . . .

And he wanted her to dance . . . ! how could she—Crystal de Cambray, the future wife of the Marquis de St. Genis, the cynosure of a great many eyes to-night—how could she show herself in public on his arm, in a crowded ballroom?

Yet she could not refuse. She could not. Surely it was all a dream, and in a dream man is but the slave of circumstance and has no will of his own.

She was very young and loved to dance: and she had heard that Englishmen danced well. Besides, it was all a dream. She would wake in a moment or two and find herself sitting quietly among the roses with Maurice beside her, telling her of his love, and of their happy future together.

VI

But in the meanwhile the dream was lasting. Her partner was a perfect dancer, and this new, delicious waltz—inspiriting yet languorous, rhythmical and half barbaric—sent a keen feeling of joy and of zest into Crystal's whole being.

She was not conscious of the many stares that were levelled at her as she suddenly appeared among the crowd in the ballroom, her face flushed with excitement, her perfect figure moving with exquisite grace to the measure of the dance.

The last dance together!

A few moments before, Clyffurde had made his way to the small boudoir in search of fresh air, and had withdrawn to a window embrasure away from a throng that maddened him in his misery of loneliness: then he realised that Crystal was sitting quite close to him, that St. Genis, who had been in constant attendance on her, presently left her to herself and that without even moving from where he was he could whisper into her ear that which had lain so heavily on his heart that at times he had felt that it must break under the intolerable load.

Then as the soft strains of the music from the orchestra struck upon his ear, the insistent whim seized him to make her dance with him, just once—to-night. To-morrow the cannon would roar once more—to-morrow Europe would make yet another stand against the bold adventurer whom seemingly nothing could crush.

To-morrow a bullet—a bayonet—a sword-thrust—but to-night a last dance together.

Those whims come at times to those who are doomed to die. Clyffurde's one hope of peace lay in death upon the battlefield. Life was empty now. He had fought against the burden of loneliness left upon him when Crystal passed finally out of his life. But the burden had proved unconquerable. Only death could ease him of the load: for life like this was stupid and intolerable.

Men would die within the next few days in their hundreds and in their thousands: men who were happy, who had wives and children, men on whose lives Love shed its happy radiance. Then why not he? who was more lonely than any man on earth—left lonely because the one woman who filled all the world for him, hated him and was gone from him for ever.

But a last dance with her to-night! The right to hold her in his arms! this he had never done, though his muscles had often ached with the longing to hold her. But dancing with her he could feel her against him, clasp her closely, feel her breath against his cheek.

She was not very tall and her head—had she chosen—could just have rested in the hollow of his shoulder. The thought of it sent the blood rushing hotly to his head and with his two strong hands he would at that moment have bent a bar of iron, or smashed something to atoms, in order to crush that longing to curse against Fate, against his destiny that had so wantonly dangled happiness before him, only to thrust him into utter loneliness again.

Then he spoke to her—and finally asked for the dance.

And now he held her, and guided her through the throng, her tiny feet moving in unison with his. And all the world had vanished: he had her to himself, for these few happy moments he could hold her and refuse to let her go. He did not care—nor did she—that many curious and some angry glances followed their every movement. Till the last bar was played, till the final chord was struck she was absolutely his—for she had given up her will to him.

The last dance together! He sent his heart to her, all his heart—and the music helped him, and the rhythm; the very atmosphere of the room—rose-scented—helped him to make her understand. He could have kissed her hair, so close were the heaped-up fair curls to his mouth; he could have whispered to her, and nobody would hear: he could have told her something at any rate, of that love which had filled his heart since all time, not months or years since he had known her, but since all time filling every minute of his life. He could have taught her what love meant, thrilled her heart with thoughts of might-have-been; he could have roused sweet pity in her soul, love's gentle mother that has the power to give birth to Love.

But he did not kiss her, nor did he speak: because though he was quite sure that she would understand, he was equally sure that she could not respond. She was not his—not his in the world of realities, at any rate. Her heart belonged to the friend of her childhood, the only man whom she would ever love—the man by whom he—poor Bobby!—had been content to be defamed and vilified in order that she should remain happy in her ideals and in her choice. So he was content only to hold her, his arm round her waist, one hand holding hers imprisoned—she herself becoming more and more the creature of his dreams, the angel that haunted him in wakefulness and in sleep: immortally his bride, yet never to be wholly his again as she was now in this heavenly moment where they stood together within the pale of eternity.

In this, their last dance together!

VII

Far into the night, into the small hours of the morning, Crystal de Cambray sat by the open window of her tiny bedroom in the small apartment which her father had taken for himself and his family in the rue du Marais.

She sat, with one elbow resting on the window-sill, her right hand fingering, with nervy, febrile movements, a letter which she held. Jeanne had handed it to her when she came home from the ball: M. de St. Genis, Jeanne explained, had given it to her earlier in the evening . . . soon after ten o'clock it must have been . . . M. le Marquis seemed in a great hurry, but he made Jeanne swear most solemnly that Mademoiselle Crystal should have the letter as soon as she came home . . . also M. le Marquis had insisted that the letter should be given to Mademoiselle when she was alone.

Not a little puzzled—for had she not taken fond leave of Maurice shortly before ten o'clock, when he had told her that his orders were to quit the ball then and report himself at once at headquarters. He had seemed very despondent, Crystal thought, and the words which he spoke when finally he kissed her, had in them all the sadness of a last farewell. Crystal even had felt a tinge of remorse—when she saw how sad he was—that she had not responded more warmly to his kiss. It almost seemed as if her heart rebelled against it, and when he pressed her with his accustomed passionate ardour to his breast, she had felt a curious shrinking within herself, a desire to push him away, even though her whole heart went out to him with pity and with sorrow.

And now here was this letter. Crystal was a long time before she made up her mind to open it: the paper—damp with the rain—seemed to hold a certain fatefulness within its folds. At last she read the letter, and long after she had read it she sat at the open window, listening to the dreary, monotonous patter of the rain, and to the distant sounds of moving horses and men, the rattle of wheels, the bugle calls, the departure of the allied troops to meet the armies of the great adventurer on the billowing plains of Belgium.

This is what Maurice had written to her a few moments before he left; and it must have taken him some time to pen the lengthy epistle.

"My beautiful Crystal,

"I may never come back. Something tells me that my life, such as it is—empty and worthless enough, God knows—has nearly run its full course. But if I do come back to claim the happiness which your love holds out for me,—I will not face you again with so deep a stain upon mine honour. I did not tell you before because I was too great a coward. I could not bear to think that you would despise me—I could not encounter the look of contempt in your eyes: so I remained silent to the call of honour. And now I speak because the next few hours will atone for everything. If I come back you will forgive. If I fall you will mourn. In either case I shall be happy that you know. Crystal! in all my life I spoke only one lie, and that was three months ago, when I set out to reclaim the King's money, which had been filched from you on the high road, and returned empty-handed. I found the money and I found the thief. No thief he, Crystal, but just a quixotic man, who desired to serve his country, our cause and you. That man was your friend Mr. Clyffurde. I don't think that I was ever jealous of him. I am not jealous of him now. Our love, Crystal, is too great and too strong to fear rivalry from anyone. He had taken the money from you because he knew that Victor de Marmont, with a strong body of men to help him, would have filched it from you for the benefit of the Corsican. He took the money from you because he knew that neither you nor the Comte would have listened to any warnings from him. He took the money from you with the sole purpose of conveying it to the King. Then I found him and taunted him, until the temptation came to me to act the part of a coward and a traitor. And this I did, Crystal, only because I loved you—because I knew that I could never win you while I was poor and in humble circumstances. I soon found out that Clyffurde was a friend. I begged him to let me have the money so that I might take it to the King and earn consideration and a reward thereby. That was my sin, Crystal, and also that I lied to you to disguise the sorry rôle which I had played. Clyffurde gave me the money because I told him how we loved one another—you and I—and that happiness could only come to you through our mutual love. He acted well, though in truth I meant to do him no wrong. Later Victor de Marmont came upon me, and wrested the money from me, and I was helpless to guard that for which I had played the part of a coward.

"I have eased my soul by telling you this, Crystal, and I know that no hard thoughts of me will dwell in your mind whilst I do all that a man can do for honour, King and country.

"Remember that the next few hours, perhaps, will atone for everything, and that Love excuses all things.

"Yours in love and sorrow,

"Maurice."

The letter, crumpled and damp, remained in Crystal's hand all the while that she sat by the open window, and the sound of moving horses and men in the distance conjured up before her eyes mental visions of all that to-morrow might mean. The letter was damp with her tears now, they had fallen incessantly on the paper while she re-read it a second time and then re-read it again.

A quixotic man! Maurice said airily. How little he understood! How well she—Crystal—knew what had been the motive of that quixotic action. She had learned so much to-night in the mazes of a waltz. Now, when she closed her eyes, she could still feel the dreamy motion with that strong arm round her, and she could hear the sweet, languid lilt of the music, and all the delicious elvish whisperings that reached her ear through the monotonous cadence of the dance. Of what her heart had felt then, she need now no longer be ashamed: all that should shame her now were her thoughts in the past, the belief that the hand which had held hers on that evening—long ago—in Brestalou could possibly have been the hand of a traitor: that the low-toned voice that spoke to her so earnestly of friendship then could ever be raised for the utterance of a lie.

Of such thoughts indeed she could be ashamed, and of her cruelty that other night in Paris, when she had made him suffer so abominably through her injustice and her contempt.

"The next few hours, perhaps, will atone for everything," Maurice had added. Ah, well! perhaps! But they could not erase the past; they could not control the more distant future. Maurice would come back—Crystal prayed earnestly that he should—but Clyffurde was gone out of her life for ever. God alone knew how this renewed war would end! How could she hope ever to meet a friend who had gone away determined never to see her again?

A last dance together! Well! they had had it! and that was the end. The end of a sweet romance that had had no beginning. He had gone now, as Maurice had gone, as all the men had gone who had listened to their country's call, and she, Crystal, could not convey to him even by a message, by a word, that she understood all that he had done for her, all that his actions had meant of devotion, of self-effacement, of pure and tender Love.

A last dance together, and that had been the end. Even thoughts of him would be forbidden her after this: for her thoughts were no longer free of him, her heart was no longer free; her promise belonged to Maurice, but her heart, her thoughts were no longer hers to give.

It was all too late! too late! the next few hours might atone for the past but they could not call it back.

Weary and heart-sick Crystal crawled into bed when the grey light of dawn peeped cold and shy into her room. She could not sleep, but she lay quite still while one by one those distant sounds died away in the misty morning. In this semi-dreamlike state it seemed to her as if she must be able to distinguish the sound of his horse's hoofs from among a thousand others: it seemed as if something in herself must tell her quite plainly where he was, what he did, when he got to horse, which way he went. And presently she closed her eyes against the grey, monotonous light, and during one brief moment she felt deliciously conscious of a sweet, protecting presence somewhere near her, of soft whisperings of fondness and of friendship: the sound of a dream-voice reached her ear and once again as in the sweet-scented alcove she felt herself murmuring: "Who calls?" and once more she heard the tender wailing as of a stricken soul in pain: "A poor heart-broken wretch who could not keep away from your side."

And memory-echoes lingered round her, bringing back every sound of his mellow voice, every look in his eyes, the touch of his hand—oh! that exquisite touch!—and his last words before he asked her to dance: "With every drop of my blood, with every nerve, every sinew, every thought I love you."

And her heart with a long-drawn-out moan of unconquerable sorrow sent out into the still morning air its agonised call in reply:

"Come back, my love, come back! I cannot live without you! You have taught me what Love is—pure, selfless and protecting—you cannot go from me now—you cannot. In the name of that Love which your tender voice has brought into being, come back to me. Do not leave me desolate!"