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"Well, you're a nice chap!" said Edward Henry, avoiding Nellie's glance, but trying to face his son as one innocent man may face another, and not perfectly succeeding. He never could feel like a real father somehow.

"My temperature's above normal," announced Robert proudly, and then added with regret, "but not much!"

There was the clinical thermometer-instrument which Edward Henry despised and detested as being an inciter of illnesses-in a glass of water on the table between the two beds.

"Father!" Robert began again.

"Well, Robert?" said Edward Henry cheerfully.

He was glad that the child was in one of his rare loquacious moods, because the chatter not only proved that the dog had done no serious damage, – it also eased the silent strain between himself and Nellie.

"Why did you play the Funeral March, Father?" asked Robert; and the question fell into the tranquillity of the room rather like a bomb that had not quite decided whether or not to burst.

For the second time that evening Edward Henry was dashed.

"Have you been meddling with my music-rolls?"

"No, Father. I only read the labels."

This child simply read everything.

"How did you know I was playing a funeral march?" Edward Henry demanded.

"Oh, I didn't tell him!" Nellie put in, excusing herself before she was accused. She smiled benignly, as an angel woman, capable of forgiving all. But there were moments when Edward Henry hated moral superiority and Christian meekness in a wife. Moreover, Nellie somewhat spoiled her own effect by adding with an artificial continuation of the smile, "You needn't look at me!"

Edward Henry considered the remark otiose. Though he had indeed ventured to look at her, he had not looked at her in the manner which she implied.

"It made a noise like funerals and things," Robert explained.

"Well, it seems to me, you have been playing a funeral march," said Edward Henry to the child.

He thought this rather funny, rather worthy of himself, but the child answered with ruthless gravity and a touch of disdain, for he was a disdainful child, without bowels:

"I don't know what you mean, Father." The curve of his lips (he had his grandmother's lips) appeared to say, "I wish you wouldn't try to be silly, Father." However, youth forgets very quickly, and the next instant Robert was beginning once more, "Father!"

"Well, Robert?"

By mutual agreement of the parents, the child was never addressed as "Bob" or "Bobby," or by any other diminutive. In their practical opinion a child's name was his name, and ought not to be mauled or dismembered on the pretext of fondness. Similarly, the child had not been baptised after his father, or after any male member of either the Machin or the Cotterill family. Why should family names be perpetuated merely because they were family names? A natural human reaction, this, against the excessive sentimentalism of the Victorian era!

"What does 'stamped out' mean?" Robert enquired.

Now Robert, among other activities, busied himself in the collection of postage-stamps, and in consequence his father's mind, under the impulse of the question, ran immediately to postage-stamps.

"Stamped out?" said Edward Henry, with the air of omniscience that a father is bound to assume. "Postage-stamps are stamped-out-by a machine-you see."

Robert's scorn of this explanation was manifest.

"Well," Edward Henry, piqued, made another attempt, "you stamp a fire out with your feet." And he stamped illustratively on the floor. After all, the child was only eight.

"I knew all that before," said Robert coldly. "You don't understand."

"What makes you ask, dear? Let us show Father your leg." Nellie's voice was soothing.

"Yes," Robert murmured, staring reflectively at the ceiling. "That's it. It says in the encyclopedia that hydrophobia is stamped out in this country-by Mr. Long's muzzling order. Who is Mr. Long?"

A second bomb had fallen on exactly the same spot as the first, and the two exploded simultaneously. And the explosion was none the less terrible because it was silent and invisible. The tidy domestic chamber was strewn in a moment with an awful mass of wounded susceptibilities. Beyond the screen the nick-nick of grandmother's steel needles stopped and started again. It was characteristic of her temperament that she should recover before the younger generations could recover. Edward Henry, as befitted his sex, regained his nerve a little earlier than Nellie.

"I told you never to touch my encyclopedia," said he sternly. Robert had twice been caught on his stomach on the floor with a vast volume open under his chin, and his studies had been traced by vile thumb-marks.

"I know," said Robert.

Whenever anybody gave that child a piece of unsolicited information, he almost invariably replied, "I know."

"But hydrophobia!" cried Nellie. "How did you know about hydrophobia?"

"We had it in spellings last week," Robert explained.

"The deuce you did!" muttered Edward Henry.

The one bright fact of the many-sided and gloomy crisis was the very obvious truth that Robert was the most extraordinary child that ever lived.

"But when on earth did you get at the encyclopedia, Robert?" his mother exclaimed, completely at a loss.

"It was before you came in from Hillport," the wondrous infant answered. "After my leg had stopped hurting me a bit."

"But when I came in Nurse said it had only just happened!"

"Shows how much she knew!" said Robert, with contempt.

"Does your leg hurt you now?" Edward Henry enquired.

"A bit. That's why I can't go to sleep, of course."

"Well, let's have a look at it." Edward Henry attempted jollity.

"Mother's wrapped it all up in boracic wool."

The bed-clothes were drawn down and the leg gradually revealed. And the sight of the little soft leg, so fragile and defenceless, really did touch Edward Henry. It made him feel more like an authentic father than he had felt for a long time. And the sight of the red wound hurt him. Still, it was a beautifully clean wound, and it was not a large wound.

"It's a clean wound," he observed judiciously. In spite of himself, he could not keep a certain flippant harsh quality out of his tone.

"Well, I've naturally washed it with carbolic," Nellie returned sharply.

He illogically resented this sharpness.

"Of course he was bitten through his stocking?"

"Of course," said Nellie, re-enveloping the wound hastily, as though Edward Henry was not worthy to regard it.

"Well, then, by the time they got through the stocking, the animal's teeth couldn't be dirty. Every one knows that."

Nellie shut her lips.

"Were you teasing Carlo?" Edward Henry demanded curtly of his son.

"I don't know."

Whenever anybody asked that child for a piece of information, he almost invariably replied, "I don't know."

"How, you don't know? You must know whether you were teasing the dog or not!" Edward Henry was nettled.

The renewed spectacle of his own wound had predisposed Robert to feel a great and tearful sympathy for himself. His mouth now began to take strange shapes and to increase magically in area, and beads appeared in the corners of his large eyes.

"I-I was only measuring his tail by his hind leg," he blubbered, and then sobbed.

Edward Henry did his best to save his dignity.

"Come, come!" he reasoned, less menacingly. "Boys who can read enyclopedias mustn't be cry-babies. You'd no business measuring Carlo's tail by his hind leg. You ought to remember that that dog's older than you." And this remark, too, he thought rather funny, but apparently he was alone in his opinion.

Then he felt something against his calf. And it was Carlo's nose. Carlo was a large, very shaggy and unkempt Northern terrier, but owing to vagueness of his principal points, due doubtless to a vagueness in his immediate ancestry, it was impossible to decide whether he had come from the north or the south side of the Tweed. This aging friend of Edward Henry's, surmising that something unusual was afoot in his house, and having entirely forgotten the trifling episode of the bite, had unobtrusively come to make enquiries.

"Poor old boy!" said Edward Henry, stooping to pat the dog. "Did they try to measure his tail with his hind leg?"

The gesture was partly instinctive, for he loved Carlo; but it also had its origin in sheer nervousness, in sheer ignorance of what was the best thing to do. However, he was at once aware that he had done the worst thing. Had not Nellie announced that the dog must be got rid of? And here he was fondly caressing the bloodthirsty dog! With a hysterical movement of the lower part of her leg, Nellie pushed violently against the dog, – she did not kick, but she nearly kicked, – and Carlo, faintly howling a protest, fled.

Edward Henry was hurt. He escaped from between the beds, and from that close, enervating domestic atmosphere where he was misunderstood by women and disdained by infants. He wanted fresh air; he wanted bars, whiskies, billiard-rooms, and the society of masculine men about town. The whole of his own world was against him.

As he passed by his knitting mother, she ignored him and moved not. She had a great gift of holding aloof from conjugal complications.

On the landing he decided that he would go out at once into the major world. Half-way down the stairs he saw his overcoat on the hall-stand, beckoning to him and offering release.

Then he heard the bedroom door and his wife's footsteps.

"Edward Henry!"

"Well?"

He stopped and looked up inimically at her face, which overhung the banisters. It was the face of a woman outraged in her most profound feelings, but amazingly determined to be sweet.

"What do you think of it?"

"What do I think of what? The wound?"

"Yes."

"Why, it's simply nothing. Nothing at all. You know how that kid always heals up quickly. You won't be able to find the wound in a day or two."

"Don't you think it ought to be cauterised at once?"

He moved downwards.

"No, I don't. I've been bitten three times in my life by dogs, and I was never cauterised."

"Well, I do think it ought to be cauterised." She raised her voice slightly as he retreated from her. "And I shall be glad if you'll call in at Dr. Stirling's and ask him to come round."

He made no reply, but put on his overcoat and his hat, and took his stick. Glancing up the stairs, he saw Nellie was now standing at the head of them, under the electric light there, and watching him. He knew that she thought he was cravenly obeying her command. She could have no idea that before she spoke to him he had already decided to put on his overcoat and hat and take his stick and go forth into the major world. However, that was no affair of his.

He hesitated a second. Then the nurse appeared out of the kitchen with a squalling Maisie in her arms, and ran up-stairs. Why Maisie was squalling, and why she should have been in the kitchen at such an hour instead of in bed, he could not guess; but he could guess that if he remained one second longer in that exasperating minor world he would begin to smash furniture, and so he quitted it.

V

It was raining slightly, but he dared not return to the house for his umbrella. In the haze and wet of the shivering October night, the clock of Bleakridge Church glowed like a fiery disk suspended in the sky; and, mysteriously hanging there, without visible means of support, it seemed to him somehow to symbolise the enigma of the universe and intensify his inward gloom. Never before had he had such feelings to such a degree. It is scarcely an exaggeration to say that never before had the enigma of the universe occurred to him. The side gates clicked as he stood hesitant under the shelter of the wall, and a figure emerged from his domain. It was Bellfield, the new chauffeur, going across to his home in the little square in front of the church. Bellfield touched his cap with an eager and willing hand, as new chauffeurs will.

"Want the car, sir? Setting in for a wet night!"

"No, thanks."

It was a lie. He did want the car. He wanted the car so that he might ride right away into a new and more interesting world, or at any rate into Hanbridge, centre of the pleasures, the wickedness, and the commerce of the Five Towns. But he dared not have the car. He dared not have his own car. He must slip off, noiseless and unassuming. Even to go to Dr. Stirling's he dared not have the car. Besides, he could have walked down the hill to Dr. Stirling's in three minutes. Not that he had the least intention of going to Dr. Stirling's. No! His wife imagined that he was going; but she was mistaken. Within an hour, when Dr. Stirling had failed to arrive, she would doubtless telephone, and get her Dr. Stirling. Not, however, with Edward Henry's assistance!

He reviewed his conduct throughout the evening. In what particular had it been sinful? In no particular. True, the accident to the boy was a misfortune, but had he not borne that misfortune lightly, minimised it, and endeavoured to teach others to bear it lightly? His blithe humour ought surely to have been an example to Nellie! And as for the episode of the funeral march on the "Pianisto," really, really, the tiresome little thing ought to have better appreciated his whimsical drollery!

But Nellie was altered; he was altered; everything was altered. He remembered the ecstasy of their excursion to Switzerland. He remembered the rapture with which, on their honeymoon, he had clasped a new opal bracelet on her exciting arm. He could not possibly have such sensations now. What was the meaning of life? Was life worth living? The fact was, he was growing old. Useless to pretend to himself that it was not so. Both he and she were growing old. Only, she seemed to be placidly content, and he was not content. And more and more the domestic atmosphere and the atmosphere of the district fretted and even annoyed him. To-night's affair was not unique, but it was a culmination. He gazed pessimistically north and south along the slimy expanse of Trafalgar Road, which sank northwards in the direction of Dr. Stirling's, and southwards in the direction of joyous Hanbridge. He loathed and despised Trafalgar Road. What was the use of making three hundred and forty-one pounds by a shrewd speculation? None. He could not employ three hundred and forty-one pounds to increase his happiness. Money had become futile for him. Astounding thought! He desired no more of it. He had a considerable income from investments, and also at least four thousand a year from the Five Towns Universal Thrift Club, that wonderful but unpretentious organisation which now embraced every corner of the Five Towns; that gorgeous invention for profitably taking care of the pennies of the working classes; that excellent device, his own, for selling the working classes every kind of goods at credit prices after having received part of the money in advance!

"I want a change!" he said to himself, and threw away his cigar.

After all, the bitterest thought in his heart was perhaps that on that evening he had tried to be a "card," and, for the first time in his brilliant career as a "card," had failed. He, Henry Machin, who had been the youngest mayor of Bursley years and years ago; he, the recognised amuser of the Five Towns; he, one of the greatest "characters" that the Five Towns had ever produced-he had failed of an effect!

He slipped out on to the pavement, and saw, under the gas-lamp, on the new hoarding of the football-ground, a poster intimating that during that particular week there was a gigantic attraction at the Empire Music Hall at Hanbridge. According to the posters, there was a gigantic attraction every week at the Empire, but Edward Henry happened to know that this week the attraction was indeed somewhat out of the common. And to-night was Friday, the fashionable night for the bloods and the modishness of the Five Towns. He looked at the church clock, and then at his watch. He would be in time for the "second house," which started at nine o'clock. At the same moment an electric tram-car came thundering up out of Bursley. He boarded it, and was saluted by the conductor. Remaining on the platform, he lit a cigarette, and tried to feel cheerful; but he could not conquer his depression.

"Yes," he thought, "what I want is change-and a lot of it too!"

CHAPTER II
THE BANK-NOTE

I

Alderman Machin had to stand at the back, and somewhat towards the side, of that part of the auditorium known as the Grand Circle at the Empire Music Hall, Hanbridge. The attendants at the entrance and in the lounge, where the salutation "Welcome" shone in electricity over a large Cupid-surrounded mirror, had compassionately and yet exultingly told him that there was not a seat left in the house. He had shared their exultation. He had said to himself, full of honest pride in the Five Towns: "This music-hall, admitted by the press to be one of the finest in the provinces, holds over two thousand five hundred people. And yet we can fill it to overflowing twice every night! And only a few years ago there wasn't a decent music-hall in the entire district!"

The word "progress" flitted through his head.

It was not strictly true that the Empire was or could be filled to overflowing twice every night, but it was true that at that particular moment not a seat was unsold; and the aspect of a crowded auditorium is apt to give an optimistic quality to broad generalisations. Alderman Machin began instinctively to calculate the amount of money in the house, and to wonder whether there would be a chance for a second music-hall in the dissipated town of Hanbridge. He also wondered why the idea of a second music-hall in Hanbridge had never occurred to him before.

The Grand Circle was so-called because it was grand. Its plush fauteuils cost a shilling, no mean price for a community where seven pounds of potatoes can be bought for sixpence, and the view of the stage therefrom was perfect. But the alderman's view was far from perfect, since he had to peer as best he could between and above the shoulders of several men, each apparently, but not really, taller than himself. By constant slight movements to comply with the movements of the rampart of shoulders, he could discern fragments of various advertisements of soap, motor-cars, whisky, shirts, perfume, pills, bricks, and tea, for the drop-curtain was down. And, curiously, he felt obliged to keep his eyes on the drop-curtain, and across the long intervening vista of hats and heads and smoke, to explore its most difficult corners again and again, lest, when it went up, he might not be in proper practice for seeing what was behind it.

Nevertheless, despite the marked inconveniences of his situation, he felt brighter, he felt almost happy in this dense atmosphere of success. He even found a certain peculiar and perverse satisfaction in the fact that he had as yet been recognised by nobody. Once or twice the owners of shoulders had turned and deliberately glared at the worrying fellow who had the impudence to be all the time peeping over them and between them; they had not distinguished the fellow from any ordinary fellow. Could they have known that he was the famous Alderman Edward Henry Machin, founder and sole proprietor of the Thrift Club, into which their wives were probably paying so much a week, they would most assuredly have glared to another tune, and they would have said with pride afterwards, "That chap Machin o' Bursley was standing behind me at the Empire to-night." And though Machin is amongst the commonest names in the Five Towns, all would have known that the great and admired Denry was meant. It was astonishing that a personage so notorious should not have been instantly "spotted" in such a resort as the Empire. More proof that the Five Towns was a vast and seething concentration of cities, and no longer a mere district where everybody knew everybody.

The curtain rose, and, as it did so, a thunderous, crashing applause of greeting broke forth-applause that thrilled and impressed and inspired; applause that made every individual in the place feel right glad that he was there. For the curtain had risen on the gigantic attraction which many members of the audience were about to see for the fifth time that week; in fact, it was rumoured that certain men of fashion, whose habit was to refuse themselves nothing, had attended every performance of the gigantic attraction since the second house on Monday.

The scene represented a restaurant of quiet aspect, into which entered a waiter bearing a pile of plates some two feet high. The waiter being intoxicated, the tower of plates leaned this way and that as he staggered about, and the whole house really did hold its breath in the simultaneous hope and fear of an enormous and resounding smash. Then entered a second intoxicated waiter, also bearing a pile of plates some two feet high; and the risk of destruction was thus more than doubled-it was quadrupled, for each waiter, in addition to the risks of his own inebriety, was now subject to the dreadful peril of colliding with the other. However, there was no catastrophe.

Then arrived two customers, one in a dress suit and an eye-glass, and the other in a large violet hat, a diamond necklace, and a yellow satin skirt. The which customers, seemingly well used to the sight of drunken waiters tottering to and fro with towers of plates, sat down at a table and waited calmly for attention. The popular audience, with that quick mental grasp for which popular audiences are so renowned, soon perceived that the table was in close proximity to a lofty sideboard, and that on either hand of the sideboard were two chairs, upon which the two waiters were trying to climb in order to deposit their plates on the top-most shelf of the sideboard. The waiters successfully mounted the chairs, and successfully lifted their towers of plates to within half an inch of the desired shelf, and then the chairs began to show signs of insecurity. By this time the audience was stimulated to an ecstasy of expectation, whose painfulness was only equalled by its extreme delectability. The sole unmoved persons in the building were the customers awaiting attention at the restaurant table.

One tower was safely lodged on the shelf. But was it? It was not! Yes? No! It curved; it straightened; it curved again. The excitement was as keen as that of watching a drowning man attempt to reach the shore. It was simply excruciating. It could not be borne any longer, and when it could not be borne any longer, the tower sprawled irrevocably, and seven dozen plates fell in a cascade on the violet hat, and so, with an inconceivable clatter, to the floor. Almost at the same moment the being in the dress suit and the eye-glass-becoming aware of the phenomena-slightly unusual even in a restaurant, dropped his eye-glass, turned round to the sideboard, and received the other waiter's seven dozen plates in the face and on the crown of his head.

No such effect had ever been seen in the Five Towns, and the felicity of the audience exceeded all previous felicities. The audience yelled, roared, shrieked, gasped, trembled, and punched itself in a furious passion of pleasure. They make plates in the Five Towns. They live by making plates. They understand plates. In the Five Towns a man will carry not seven but twenty-seven dozen plates on a swaying plank for eight hours a day, up steps and down steps, and in doorways and out of doorways, and not break one plate in seven years! Judge, therefore, the simple but terrific satisfaction of a Five Towns' audience in the hugeness of the calamity. Moreover, every plate smashed means a demand for a new plate and increased prosperity for the Five Towns. The grateful crowd in the auditorium of the Empire would have covered the stage with wreaths if it had known that wreaths were used for other occasions than funerals; which it did not know.

Fresh complications instantly ensued which cruelly cut short the agreeable exercise of uncontrolled laughter. It was obvious that one of the waiters was about to fall. And in the enforced tranquillity of a new dread, every dyspeptic person in the house was deliciously conscious of a sudden freedom from indigestion, due to the agreeable exercise of uncontrolled laughter, and wished fervently that he could laugh like that after every meal. The waiter fell; he fell through the large violet hat and disappeared beneath the surface of a sea of crockery. The other waiter fell too, but the sea was not deep enough to drown a couple of them. Then the customers, recovering themselves, decided that they must not be outclassed in this competition of havoc, and they overthrew the table and everything on it, and all the other tables, and everything on all the other tables. The audience was now a field of artillery which nothing could silence. The waiters arose, and, opening the sideboard, disclosed many hundreds of unsuspected plates of all kinds, ripe for smashing. Niagaras of plates surged on to the stage. All four performers revelled and wallowed in smashed plates. New supplies of plates were constantly being produced from strange concealments, and finally the tables and chairs were broken to pieces, and each object on the walls was torn down and flung in bits on to the gorgeous general debris, to the top of which clambered the violet hat, necklace, and yellow petticoat, brandishing one single little plate, whose life had been miraculously spared. Shrieks of joy in that little plate played over the din like lightning in a thunder-storm. And the curtain fell.

It was rung up fifteen times, and fifteen times the quartette of artists, breathless, bowed in acknowledgment of the frenzied and boisterous testimony to their unique talents. No singer, no tragedian, no comedian, no wit, could have had such a triumph, could have given such intense pleasure. And yet none of the four had spoken a word. Such is genius!

At the end of the fifteenth call the stage-manager came before the curtain and guaranteed that two thousand four hundred plates had been broken.

The lights went up. Strong men were seen to be wiping tears from their eyes. Complete strangers were seen addressing each other in the manner of old friends. Such is art!

"Well, that was worth a bob, that was!" muttered Edward Henry to himself. And it was. Edward Henry had not escaped the general fate. Nobody, being present, could have escaped it. He was enchanted. He had utterly forgotten every care.

"Good evening, Mr. Machin," said a voice at his side. Not only he turned, but nearly every one in the vicinity turned. The voice was the voice of the stout and splendid managing director of the Empire, and it sounded with the ring of authority above the rising tinkle of the bar behind the Grand Circle.

"Oh! How d'ye do, Mr. Dakins?" Edward Henry held out a cordial hand, for even the greatest men are pleased to be greeted in a place of entertainment by the managing director thereof. Further, his identity was now recognised.

"Haven't you seen those gentlemen in that box beckoning to you?" said Mr. Dakins, proudly deprecating complimentary remarks on the show.

"Which box?"

Mr. Dakins' hand indicated the stage-box. And Henry, looking, saw three men, one unknown to him; the second, Robert Brindley, the architect, of Bursley; and the third, Dr. Stirling.

Instantly his conscience leapt up within him. He thought of rabies. Yes, sobered in the fraction of a second, he thought of rabies. Supposing that, after all, in spite of Mr. Long's muzzling order, as cited by his infant son, an odd case of rabies should have lingered in the British Isles, and supposing that Carlo had been infected! Not impossible! Was it providential that Dr. Stirling was in the auditorium?

"You know two of them?" said Mr. Dakins.

"Yes."

"Well, the third's a Mr. Bryany. He's manager to Mr. Seven Sachs." Mr. Dakins' tone was respectful.

"And who's Mr. Seven Sachs?" asked Edward Henry absently. It was a stupid question.

He was impressively informed that Mr. Seven Sachs was the arch-famous American actor-playwright, now nearing the end of a provincial tour which had surpassed all records of provincial tours, and that he would be at the Theatre Royal, Hanbridge, next week. Edward Henry then remembered that the hoardings had been full of Mr. Seven Sachs for some time past.

"They keep on making signs to you," said Mr. Dakins, referring to the occupants of the stage-box.

Edward Henry waved a reply to the box.

"Here! I'll take you there the shortest way," said Mr. Dakins.

II

"Welcome to Stirling's box, Machin!" Robert Brindley greeted the alderman with an almost imperceptible wink. Edward Henry had encountered this wink once or twice before; he could not decide precisely what it meant; it was apt to make him reflective. He did not dislike Robert Brindley, his habit was not to dislike people; he admitted Brindley to be a clever architect, though he objected to the "modern" style of the fronts of his houses and schools. But he did take exception to the man's attitude towards the Five Towns, of which, by the way, Brindley was just as much a native as himself. Brindley seemed to live in the Five Towns like a highly cultured stranger in a savage land, and to derive rather too much sardonic amusement from the spectacle of existence therein. Brindley was a very special crony of Stirling's, and had influenced Stirling. But Stirling was too clever to submit unduly to the influence. Besides, Stirling was not a native; he was only a Scotchman, and Edward Henry considered that what Stirling thought of the district did not matter. Other details about Brindley which Edward Henry deprecated were his necktie, which, for Edward Henry's taste, was too flowing, his scorn of the "Pianisto" (despite the man's tremendous interest in music), and his incipient madness on the subject of books-a madness shared by Stirling. Brindley and the doctor were forever chattering about books, and buying them.

So that, on the whole, Dr. Stirling's box was not a place where Edward Henry felt entirely at home. Nevertheless, the two men, having presented Mr. Bryany, did their best, each in his own way, to make him feel at home.