Kitabı oku: «In Vanity Fair: A Tale of Frocks and Femininity», sayfa 9
And apropos of dogs, the pet dog show is always one of the events of the spring season, an occasion that calls for artistic effect in mistress as well as dog, produces scores of effective tableaux, offers testimony concerning feminine folly. There are good dogs shown, dog aristocrats of unimpeachable birth and breeding, but their exhibition is enveloped in such a flurry of chiffons, such a hysteria of pride, ambition, emotion. Nowhere in the world has the dog endured such insults to his sturdy, canine simplicity as in Paris. Nowhere else has he been so dandified, so coddled, so spoiled. The pet dog of the Parisienne of high degree is likely to be a sybarite, and the pet dog of the famous cocotte leads a luxurious existence that demands prodigal expenditure.
One Parisian dog tailor has a most flourishing and successful business. He is the Paquin of dogdom, and let no one think that he is not an artist. When Madame brings her little angel to him for a spring outfit, there is an impressive paraphrase of Madame's own sessions with her couturier, – a serious conference concerning materials, colours, trimmings, models. In New York a dog blanket is a dog blanket. It may be cheap or expensive, but it is probably bought ready made and approximately fitted. The Parisian dog tailor considers his client's figure, complexion, air.
"But no, Madame. I find that he has not the breadth of chest to wear that model – and the colour! He is not of a type for the blue and silver. A warm violet, now, with the embroidery in more tender shades, and a touch of gold? Bon! And the curving line on the shoulder? It gives an air of slenderness, that shoulder seam. Madame has samples of the other costumes she wishes to match?"
Absurd? Of course it is all ineffably absurd, but the mania for dress extends even to the lapdog in Paris.
The little angel has also his boots – of fur for the cold, of oilskin for the dampness. He has his tiny kerchiefs of cobweb fineness, embroidered with his name or monogram, and tucked into the pockets of his handsome coats. He wears jewelry, more or less costly, collars, bangles, even bracelets. One notorious Parisienne has a collection of jewelry for her dog that is worth a fortune, collars of cabuchon emeralds and diamonds, of pink pearls, of cunningly wrought gold and lucky jade. It is a hobby of the mistress, this dog jewelry, and when one's specialty is the speedy bankrupting of Grand Dukes and wealthy American fledglings and rich Portuguese Jews, one has the money for one's hobbies.
The pet dog show is not a dog clothes exhibit. The entries are judged upon their canine merits, but it is amusing all the same, this event, and the mistresses pose most charmingly with their pets. Nothing that happens in Paris lacks its theatrical note.
The Fête des Fleurs belongs to the spring season, but it does not belong to the smart Parisian set, though every one turns out to see the show. The fête is given in the name of charity, and doubtless charity covers its sin, but there is more than a little vulgarity and horse-play mixed with the picturesque beauty of the scene. A part of the Bois is roped off, and an entrance fee is charged for all sight-seers and equipages passing the barriers. So much for charity. The rest is merry-making of a somewhat promiscuous sort. Every seat along the avenues is taken, masses of flowers are banked high along the curb, to be sold as ammunition for the battle of flowers. Bands are playing, flags are fluttering, garlands are swinging from decorated poles, and past the judges' stand by the pigeon-shooting club files an endless line of carriages, carts, automobiles, fiacres, conveyances of all types, from the butcher's cart, bearing the honest butcher and his wife and children, to the electric victoria of the most famous dancer of Paris. Only the chic society woman is conspicuous by her absence. One seldom sees, in the Fête des Fleurs procession, faces familiar in the exclusive salons.
But the sight is an interesting one, for all that. A Parisian fête does not need the indorsement of the Faubourg St. Germain in order to be gay, and the public celebrities and demi-mondaines turn out in all their glory for the Fête des Fleurs.
Pretty women look out from the riot of flowers that covers hansom, victoria, dog-cart, phaeton, automobile, and money has been spent like water to furnish some of the beauties with their setting. One phaeton is literally hidden under purple orchids, and holds two blondes elaborately arrayed in white and violet. Behind comes a victoria trimmed in thousands of yellow and red roses and bearing a noted Spanish dancer. A popular opera singer has made her motor car a moving bank of pink roses and violets.
Bunches of forget-me-nots and daisies and pinks are hurtling through the air. A popular lionne of the day is so pelted with fragrant ammunition that she springs up in her carriage bower and stands, a slender mousseline-draped beauty, laughing under the rain of nosegays, and with gay abandon returning her assailants' fire.
In the carriage just behind hers are two gorgeously gowned women, old and haggard and hideous under their cosmetics, derelicts, favourites who have outlived their day, and are fighting the hopeless fight against defeat and misery and oblivion; but the beauty of the flower battle does not look behind her and read the memento mori. She is having her day now. What has yesterday or to-morrow to do with a Fête des Fleurs?
There are other public fêtes on the floodtide of the Paris spring, – plebeian, many of them, and the Fête de Neuilly is one of the most plebeian; yet it is chic to go to Neuilly at least once while the van dwellers from all the highways and byways of France are in camp along the Avenue de Neuilly. From every direction the vagabonds have gathered, – a motley crew of gipsy wanderers, strolling entertainers who, after a winter in the provinces, have found their way back to the borders of the Paris they love.
Ramshackle booths, tents, shooting-galleries, carousels, acrobats, fortune-tellers, snake-charmers, lion tamers, ventriloquists, fat ladies, magicians, vendors of every imaginable cheap and tawdry thing – the old Coney Island multiplied by ten and invested with a Gallic lightness and sparkle in place of its own dull vulgarity. That is the Neuilly Fair.
Smart folk give jolly little dinners and, after, take their guests out to Neuilly for a lark. They visit the side shows, and shoot at the balls, and buy ridiculous souvenirs, and ride on the carousel, and throw confetti, and give themselves up to vulgar amusements with the infantile joyousness that is a characteristic Parisian mood.
Madame is very charming in all her elegant perfection against the tawdry background of Neuilly, and she knows that she is charming – all of which helps to make the "Neuilly evening" a popular item on the June programme.
There was once a crown prince who went to the Neuilly Fête, and who saw a gipsy girl there. He was bon garçon, this crown prince, and he was doing the fête incognito and with a thoroughness that included making friends with many of the van folk. The gipsy girl was beautiful. She killed herself afterward, far from Paris, in the country of the Prince, but one expects comedy, not tragedy, of the fête de Neuilly.
Princes and kings are frequent visitors in Paris, and when they come officially, everyone, from the President of the Republic to the street-sweeper of the boulevards, conspires to do them honour. But his Royal Highness loves better to visit Paris incog. and amuse himself according to his own will. He has even been known to make an official visit, to endure with cheerful resignation the formal entertaining lavished upon him, to be escorted to the station by a guard of honour and high officials, to wave a courteous adieu from his car window, and, within forty-eight hours, to be back in Paris, incognito, with only one or two members of his suite for attendants and only his own tastes to be consulted in the matter of entertainment. Even royalty is human.
Paris dances and sings and fiddles her way through the spring days – as she has danced and sung and fiddled her way through history; and when July comes and the blinds are drawn down in the fashionable residence quarters, still Paris is not dull.
Swarms of visitors from the Colonies, from Southern Europe, from America, fill the gaps left by departing Parisians. Restaurant tables are crowded. Les Ambassadeurs, l'Horloge and their rivals do a flourishing business. Only the onlooker who knows the real Paris misses the gayest element of the Parisian world from its accustomed haunts, and finds the Parisian summer a dreary interregnum twixt season and season.
CHAPTER IX
THE HUNTING SEASON AT THE CHÂTEAUX
With September, Parisians renounce their allegiance to Neptune. For that matter, Neptune has little to do even with the seashore season of the Parisian world. The hoary old fellow is but a detail of the stage setting. Whatever sovereignty he may have claimed at Trouville, Dieppe, Dinard, he long ago made over to Venus Anadyomene, and even she cannot hold her courtiers. There comes a day when the sands that have for months bloomed riotously in Parisian gowns and sunshades and millinery, stretch away, yellow and lone, before deserted casinos and empty hotels.
The seashore season is over. The hunting season is on.
Venus Anadyomene has given way to Diana, goddess of the chase. Pagan Neptune has handed the fashionable crowd over to Christian St. Hubert, patron saint of venery.
There is an element of farce in certain phases of French hunting, for the Frenchman is born to theatrical effects as the sparks fly upward, and the good shopkeeper of Paris goes a-hunting in a fashion that has been the delight of Punch artists for many years. He is so round and rosy and valiant and important this French sportsman of Punch, his hunting costume is so elaborate, he is so lavishly equipped with hunting paraphernalia. The railway stations of Paris are crowded with hunters of this class when the falling leaves are aswirl in the forests of France; but Monsieur is only one of many French hunting types, and the English go far astray when they make the caricature inclusive, just as they strain the truth when they picture the French follower of hounds as a dapper and rotund little fop clinging frantically round his horse's neck and shouting – "Stop ze hunt! Stop zat fox! I tomble! I faloff! Stop ze fox!"
If the London cockney should arise en masse each October and go forth to hunt as does the bourgeois of Paris, there would doubtless be amusing sights in the railway stations of London; and though the fox hunting of France does not compare favourably with that of England, there's many a fox-hunting English squire who would fall by the way if he attempted to ride with a wiry French marquis on an all day and night wolf hunt through the woods and plains of Poitou.
The chase is a passion with the French, and all classes save those to which a day's holiday, a gun, and a dog are unattainable joys hail the advent of the shooting season with enthusiasm. One sees the solitary hunter in the marshes near the city, or searching patiently for birds on ground where no placards warn trespassers away. The toy estates that fringe the woods near Paris are carefully enclosed in high fences of wire net, and there, on clear autumn mornings, there is a mighty fusillade among the thickets while Monsieur in his English tweeds, and Madame in her newest and most impractical shooting costume, and their equally decorative friends, play at la chasse.
Since the greater part of the French land is subdivided to a remarkable degree, and the average proprietor cannot shoot over his own place without danger of killing the owner or the game on adjoining property, many shooting alliances are made between groups of men owning adjacent lands, and the privilege of hunting over the whole territory is accorded to each of the group, while the game killed is apportioned according to fixed rules. There are other hunting syndicates more ambitious, renting or owning expensive preserves in country far from Paris, and, of course, there are the fortunate owners of large estates who have on their own preserves enough good shooting to satisfy even the most exacting of English sportsmen.
Millionaire bourgeois own a majority of the important preserves of Seine et Marne, Seine et Oise, and Oise, and the Rothschilds have the finest shooting estate in France, at Vaux-de-Cernay. Kings and princes from all quarters of Europe have shot the birds of the famous banker, who is a power behind many thrones, and some of the fêtes that have followed great hunts in the Rothschild coverts have been memorable ones. Four thousand pheasants were slaughtered to make a holiday for the last royal guest, and after the hunt came an evening of dazzling fête and spectacular illumination of all the country round.
There are other estates where the chasses à tir are famous and where sumptuous entertaining is done during shooting season; but it is in the chasse à cour that France lives up to its old traditions and can show the disdainful Englishman sport not known on the English country side.
The area of the French hunting districts is comparatively small, for over half of the hounds of France are found in Vendee, Anjou, Touraine, and Poitou, but the packs are many and admirable and the sport is good. In the remote regions there is boar hunting, that for an exciting run and a dangerous finish beats anything England has to offer. The Frenchman will go far for a boar hunt, but he will not take many of his favourite hounds with him. English foxhounds are cheaper and the boar is sure to make short work of any dog that runs in on him when he stands at bay, bristles erect, little eyes red with rage, foam flying from his champing tusks; so, as a rule, the French dog is used only to locate the boar, and English dogs are offered up, if sacrifice there must be.
For wolf hunting the French hounds are called into service, though it is difficult to break any hound to wolf scent, and nothing wears a dog out more effectually than a wolf chase. Good horses are required, too, for a wolf hunt is likely to mean a night out and a tremendous straight-away run over a wide area, and even when dogs and horses and hunters are of the best, an old wolf will usually give them all the slip. The beast has phenomenal endurance and cunning. For hours he will idle along just in front of the hounds, knowing they dare not attack him while he is fresh. Then, when the pack is beginning to breathe hard and labour a little, Monsieur le loup shows what he can do in the way of speed when he really gives his mind to it. Away he flies, a streak of yellow grey, leaving his pursuers far behind, and the chances are that pack and hunters have but a magnificent run for their pains. One of the most famous sportsmen of France, who keeps a pack devoted altogether to wolf hunting, says that he has killed less than a half dozen old wolves in his hunting career.
Louveteaux – young wolves – furnish most of the sport, and here the story is a different one; for the year-old wolf provides a long and brilliant but usually successful run, and frequently a kill in the night when flaming torches held by huntsmen in picturesque livery throw weird lights and shadows over the scene.
Small wonder that the Frenchman who chases wolf and boar returns the Briton's scorn in kind, and calls the English fox hunt a "promenade à cheval." There is a certain amount of justice in the phrase, for the Englishman of fox-hunting fame hunts to ride instead of riding to hunt.
The French sportsman shrugs his shoulders, too, at the stag hunt of old England.
"To bring a tame deer in a box and push it under the noses of the hounds – Ce n'est pas la chasse, mon ami," says the Marquis, with fine contempt, and while his description doesn't apply accurately to all English deer hunting, it is true that tracking the deer comes nearer deserving its title of royal sport in France than in England.
Contrary to Punch tradition, the gentleman of France is usually a good shot. Shooting has been an essential part of his education and even the veriest dandy of Paris may be uncommonly handy with a revolver or gun. Such prowess is a part of the traditions of his race. Duelling was a passion and a diversion with his ancestors; and while serious duelling is, even in France, a trifle obsolete to-day, the customs due to it still exist. Monsieur le Marquis fences cleverly and shoots as well. Possibly he has his private shooting-gallery and practices there for a while each morning; but, whether or no he has this private practice, he is fairly sure to turn up at some one of the public shooting rendezvous during the day. The Tir au Pigeon Club in the Bois is the nucleus from which all of the open-air clubs of Paris have developed, and is one of the most popular rendezvous for the smart Parisian set. The same is true at Deauville, at Nice, and wherever fashionable Parisian colonies are to be found, and the events at the exclusive shooting clubs in these places will always bring together a notable collection of society folk and an impressive exhibit of Parisian chiffons.
There are many Frenchwomen who can hold their own with the men when it comes to the handling of a gun, and a few who can follow hounds as pluckily as any English Diana; while, as for the wearing of charming shooting costumes, for the covert, or for luncheon with the guns, of dressing effectively for the meet, of donning exquisite negligées for the tea hour when the huntsmen may be expected to straggle in, tired, valiant, and loquacious, – there the Parisienne leads the world. The tea gowns and shooting costumes of the Place Vendôme and the Rue de la Paix are the true triumphs of the French hunting season and the wearing of them is to the average château guest a thing much more important than the killing of game – is, in fact, her method of following the chase. Nimrod may enjoy having his adored one by his side in the covert or running neck and neck with him behind the hounds, but he has little time for admiring her then. His heart is with pheasant or hare or deer. The story is a different one when he goes back to the château in the gathering twilight and finds daintily gowned women waiting, in the glow of fire and candle-light, to greet him with enthusiasm and listen with rapt attention while he fights his battles over again. Then is the hour of the sportswoman, for there's more truth than fiction in the theory so audaciously exploited in "Man and Superman." The form of the chase which appeals most keenly to women the world over is the pursuit of man, and the Parisienne in particular is a zealous devotee of the sport.
A Frenchwoman famous for her advanced ideas, – the "new woman" translated into French – went to Berlin some years ago, and a conference of the emancipated was called to do her honour. She came into the audience hall, exquisitely gowned, the most delightfully feminine of figures. She looked aghast at the band of strong-minded, atrociously dressed women assembled to hear her; and then, throwing aside her premeditated address upon woman's suffrage, she plunged into an eloquent plea for the union of becoming dress and emancipated womanhood, winding up with a fervent appeal to her sisters to remember always that they must dress to please the men.
There spoke the true Frenchwoman, new or old; and the fair guests at the châteaux, whatever may be their feeling about the chase of stag or the shooting of birds, never are so lacking in sporting spirit that they neglect dressing to please the men.
For the Parisienne in general the hunting season means only an excuse for châteaux visits, and a château visit means only picturesque meets at which one may wear one's smartest morning frock, chat with friends from other châteaux, flirt with gallant huntsmen, and, perhaps, follow the hunt at a discreet distance in cart or automobile; it means luncheon with the guns in English fashion, and another opportunity for a smart costume; it means the tea hour of coquetry and chiffons; it means superb dinners to which come fashionable folk from the country round about; it means evening festivities of all kinds. Oh, an excellent opportunity for the displaying of one's wardrobe resources, is the château visit, and a super-excellent opportunity for les affaires de cœur is offered by the informal intimacy of a great house party.
The pretentiousness of château entertainment depends, of course, upon the financial condition of the owner, and it is at the country places of the rich bourgeois, rather than in the most famous historic houses of France, that money is spent most freely during the château season, though American millions have made some aristocratic house parties famous for prodigal extravagance.
Where money need not stand in the way, the programme of entertainment is often a costly one. Perhaps, as has happened before now, theatricals are the order of the day, and the entire company of one of the Parisian theatres is brought down from Paris for the occasion. Or a costume ball is on the tapis and the great dressmakers of the Rue de la Paix are called upon for dazzling costumes. Or a popular diseuse or chanteuse or dancer may be lured away from her café chantant for the evening in order to enliven the lovers of nature who have fled to sylvan haunts.
And always one can play bridge. Ye gods, how they play bridge during the autumn days and nights, those transplanted Parisians!
All through the long days when the men are off after bird or deer, the women, arrayed in the daintiest of bridge coats or frocks, sit around the card tables playing for stakes that are not always low; and indeed there are many days when even the men themselves forsake the coverts for the card tables. During the last château season, rumours ran concerning eighteen-hour sessions of bridge when mesdames and messieurs did not lay down their cards save for hasty luncheon and dinner. Stories were told, too, of immense losses sustained by guests at several famous houses, and games at a louis a point have ceased to be rare in the fashionable Parisian set. Some devotees of the game have, it is said, even installed little bridge tables in the salons of their loges at the opera and spirited games are played there in the intervals of the music, or to the neglect of the music.
There are fashionable hostesses who deplore the craze, but the chief accusation brought against the game is characteristically French. One hears little protest against the ethics of bridge, but it appears that the new fad is killing conversation. If this is true, say the critics, something must indeed be done to save France. Conversation is, with the French, a religion, a heritage, an acquirement, an art, and this fine product of the centuries must not be allowed to perish in an epidemic of gambling.
Even after a night spent at bridge, at least a large percentage of the château party is up and off to the meet in the grey of the morning. Madame may, perhaps, sleep later on, but the meet is an occasion, a social function, a golden opportunity for coquetry; and even if one does not expect to follow the hounds one must be in evidence at the reunion. So my lady is up betimes and at work upon her toilette, a toilette to the planning of which she has devoted anxious hours before leaving Paris. One must be très chic at the meet, for les messieurs will be out in force and the sporting scene with its forest setting will admit of a touch of audacity in dress.
Even the true sportswoman of France does not forget to be coquette, and her interest in habit or shooting costume does not interfere with her sporting zeal. There are Frenchwomen who go boar hunting and wolf hunting with their husbands. Others, like the Baronne de Brandt or the Marquise de Bois-Hebert, visit the out-of-the-way corners of Europe in search of exciting sport, and a long list of Parisian society leaders like the Marquise de Beauvoir, the Comtesse de Fels, the young Duchesses de Luynes, de Noailles, and d'Uzes, make excellent records in the home forests.
The name of d'Uzes is important in modern French hunting annals, though its claims do not rest on modernity. On the contrary the equipage d'Uzes stands for all that is traditional and historic in French venery, and the dowager Duchesse d'Uzes, holding fast to the customs and traditions of the old régime, keeps up the hunt in her forests as the Ducs d'Uzes have kept it up through many a generation and many a change in the affairs of France.
Sixty thousand acres of the forest of Rambouillet are leased by the Duchess for her hunting-grounds, and, though the favourite château of the President of France lies across the woodland from her own hunting château of Bonnelles, and his excellency the President of the French Republic may, if he chooses, shoot birds and rabbits in the forest, which is the property of the state, it is the Duchess who reigns in Rambouillet forest and the republican ruler may not chase the stag there, unless this great lady of old France graciously extends an invitation to him.
What has Rambouillet to do with presidents and republics? It has always been the forest of kings, and its memories reach back through the dim years so far that modern history can but cling to its fingers, while old story and romance haunt every bosky depth and sunlit glade.
It was the heart of the ancient forest of Yveline, this forest of Rambouillet, the country of the Druids, a place of mystery and of fable. Cæsar tells how the Gauls hunted the wild bull in those forest fastnesses. Charlemagne went a-hunting under the great oaks and beeches, and by his side rode his empress, Luitgard the beautiful, while in their train came many a mighty warrior and prince; came, too, fair princesses whose names alone are keys to old romance, – Hiltrud and Rhodaid, Gisela and Theodrada and Bertha, each in robe of green velvet and with silken locks floating free from beneath a golden diadem. For the lover of pictures they still go riding down the forest aisles, those princesses of the far away, "swaying the reins with dainty finger-tips" and smiling on the gallants who rode beside them.
Many a fair lady has ridden in the shades of Rambouillet, with a courtier at her bridle rein, since Charlemagne's day. Each king of France in turn has followed the stag there. Some kings have loved there, some have died there; some, like Louis XIV, have merely been bored there; but it was when Louis XIII ruled in France that venery flourished in its greatest pomp and glory. Many hundreds of officials belonged to the royal hunting equipage in the time of this prodigal Louis, and all the court followed the king when, with sounding horns and baying hounds, he coursed through the woods of Rambouillet.
The princes of the blood had their equipages, too, and there is a story of a long-ago day when three stags broke cover simultaneously on the sides of St. Hubert's pond, and behind each streamed a brilliant hunting cortège sporting the gay colours of a princely house. One can see them there on the banks of the woodland pool – the stags at bay, the swarming hounds, the liveried huntsmen, the princes and courtiers in gorgeous array, the background of forest green and the water mirroring the whole. Extravagant folly, of course, those royal hunts, but a brave show. Your good republican loves better to see the president go forth in his tweeds and his slouch hat, with his guides and beaters and his tweed-clad guests, to shoot the timid little wood creatures that are driven into the range of the guns and killed by thousands in the name of sport. It costs less than Louis' hunting, this democratic battue, and, to-day, the peasants of France have bread, – but for the lover of romance, Rambouillet is filled with ghosts that make a finer show than the estimable republican president and his equally estimable but far from picturesque guests.
Pompous venery went down with all things regal in the Revolutionary flood, but Napoleon, ever theatrical at heart, appreciated the dramatic opportunities of the chase, and once more Rambouillet echoed to the bay of hounds and the call of horns, while the little great man rode in Charlemagne's paths.
Since then, the career of hunting in France has been a chequered one. After the revolution of 1848, the forests were leased to the great nobles, but Napoleon III had the vast domains confiscated after his coup d'état, and it was then that the Ducs d'Uzes and de Luynes held a great final hunt before abandoning the forests to the usurper, and made a kill that is mentioned with awe by latter-day hunters.
But Napoleon cared little for the chase, and in 1868 the dukes were hunting again in their old haunts. The Duc de Luynes died and the Duc d'Uzes took over his pack. When he, too, went the way of all flesh, his widow refused to give up the famous hounds and the traditional equipage. She re-leased the forest, held tenaciously traditions of the chase as they had been upheld by a long line of Ducs d'Uzes. While she lives, at least, the hounds of St. Hubert will occupy their kennels at La Celle les Bordes, and the red and blue and gold of the equipage d'Uzes will flash through the leafy lanes of the forest of Rambouillet.
The Bonnelles season begins on the first of September, but only intimate friends and zealous sportsmen are gathered together in the château at the opening of the season. Later there will be guests of ceremony, royal visitors, and all of the gay Parisian crowd whom the family d'Uzes deigns to entertain.
The dowager Duchess, grande dame of the old school, is mistress of the château, but she has able assistants in her daughter-in-law, the young Duchesse d'Uzes, and in her daughters, the great ladies of de Luynes and de Brissac. They fit in oddly with the venerable customs of Bonnelles, these typical products of a society essentially modern, but the combination of new and old is a piquant one, and the excessively up-to-date young Duchesse d'Uzes never appears to better advantage than when she kneels in the little church of Bonnelles on St. Hubert's Day, or, in bravery of blue and scarlet and gold, follows the hounds of Bonnelles through the forest of Rambouillet.
