Kitabı oku: «Mrs. Skagg's Husbands and Other Stories», sayfa 3

When at last, with his grim face turned toward the window, he sat silently with his clinched hands on his knees before him, Islington asked where his wife was now.

“Ask me no more, my boy,—no more. I’ve said my say.” With a gesture as of throwing down a pair of reins before him, he rose, and walked to the window.

“You kin understand, Tommy, why a little trip around the world ‘ud do me good. Ef you can’t go with me, well and good. But go I must.”

“Not before luncheon, I hope,” said a very sweet voice, as Blanche Masterman suddenly stood before them. “Father would never forgive me if in his absence I permitted one of Mr. Islington’s friends to go in this way. You will stay, won’t you? Do! And you will give me your arm now; and when Mr. Islington has done staring, he will follow us into the dining-room and introduce you.”

“I have quite fallen in love with your friend,” said Miss Blanche, as they stood in the drawing-room looking at the figure of Bill, strolling, with his short pipe in his mouth, through the distant shrubbery. “He asks very queer questions, though. He wanted to know my mother’s maiden name.”

“He is an honest fellow,” said Islington, gravely.

“You are very much subdued. You don’t thank me, I dare say, for keeping you and your friend here; but you couldn’t go, you know, until father returned.”

Islington smiled, but not very gayly.

“And then I think it much better for us to part here under these frescos, don’t you? Good by.”

She extended her long, slim hand.

“Out in the sunlight there, when my eyes were red, you were very anxious to look at me,” she added, in a dangerous voice.

Islington raised his sad eyes to hers. Something glittering upon her own sweet lashes trembled and fell.

“Blanche!”

She was rosy enough now, and would have withdrawn her hand, but Islington detained it. She was not quite certain but that her waist was also in jeopardy. Yet she could not help saying, “Are you sure that there isn’t anything in the way of a young woman that would keep you?”

“Blanche!” said Islington in reproachful horror.

“If gentlemen will roar out their secrets before an open window, with a young woman lying on a sofa on the veranda, reading a stupid French novel, they must not be surprised if she gives more attention to them than her book.”

“Then you know all, Blanche?”

“I know,” said Blanche, “let’s see—I know the partiklar style of—ahem!—fool you was, and expected no better. Good by.” And, gliding like a lovely and innocent milk snake out of his grasp, she slipped away.

To the pleasant ripple of waves, the sound of music and light voices, the yellow midsummer moon again rose over Greyport. It looked upon formless masses of rock and shrubbery, wide spaces of lawn and beach, and a shimmering expanse of water. It singled out particular objects,—a white sail in shore, a crystal globe upon the lawn, and flashed upon something held between the teeth of a crouching figure scaling the low wall of Cliffwood Lodge. Then, as a man and woman passed out from under the shadows of the foliage into the open moonlight of the garden path, the figure leaped from the wall, and stood erect and waiting in the shadow.

It was the figure of an old man, with rolling eyes, his trembling hand grasping a long, keen knife,—a figure more pitiable than pitiless, more pathetic than terrible. But the next moment the knife was stricken from his hand, and he struggled in the firm grasp of another figure that apparently sprang from the wall beside him.

“D—n you, Masterman!” cried the old man, hoarsely; “give me fair play, and I’ll kill you yet!”

“Which my name is Yuba Bill,” said Bill, quietly, “and it’s time this d—n fooling was stopped.”

The old man glared in Bill’s face savagely. “I know you. You’re one of Masterman’s friends,—d—n you,—let me go till I cut his heart out,—let me go! Where is my Mary?—where is my wife?—there she is! there!—there!—there! Mary!” He would have screamed, but Bill placed his powerful hand upon his mouth, as he turned in the direction of the old man’s glance. Distinct in the moonlight the figures of Islington and Blanche, arm in arm, stood out upon the garden path.

“Give me my wife!” muttered the old man hoarsely, between Bill’s fingers. “Where is she?”

A sudden fury passed over Yuba Bill’s face. “Where is your wife?” he echoed, pressing the old man back against the garden wall, and holding him there as in a vice. “Where is your wife?” he repeated, thrusting his grim sardonic jaw and savage eyes into the old man’s frightened face. “Where is Jack Adam’s wife? Where is MY wife? Where is the she-devil that drove one man mad, that sent another to hell by his own hand, that eternally broke and ruined me? Where! Where! Do you ask where? In jail in Sacramento,—in jail, do you hear?—in jail for murder, Johnson,—murder!”

The old man gasped, stiffened, and then, relaxing, suddenly slipped, a mere inanimate mass, at Yuba Bill’s feet. With a sudden revulsion of feeling, Yuba Bill dropped at his side, and, lifting him tenderly in his arms, whispered, “Look up, old man, Johnson! look up, for God’s sake!—it’s me,—Yuba Bill! and yonder is your daughter, and—Tommy!—don’t you know—Tommy, little Tommy Islington?”

Johnson’s eyes slowly opened. He whispered, “Tommy! yes, Tommy! Sit by me, Tommy. But don’t sit so near the bank. Don’t you see how the river is rising and beckoning to me,—hissing, and boilin’ over the rocks? It’s gittin higher!—hold me, Tommy,—hold me, and don’t let me go yet. We’ll live to cut his heart out, Tommy,—we’ll live—we’ll—” His head sank, and the rushing river, invisible to all eyes save his, leaped toward him out of the darkness, and bore him away, no longer to the darkness, but through it to the distant, peaceful shining sea.

HOW SANTA CLAUS CAME TO SIMPSON’S BAR

It had been raining in the valley of the Sacramento. The North Fork had overflowed its banks and Rattlesnake Creek was impassable. The few boulders that had marked the summer ford at Simpson’s Crossing were obliterated by a vast sheet of water stretching to the foothills. The up stage was stopped at Grangers; the last mail had been abandoned in the tules, the rider swimming for his life. “An area,” remarked the “Sierra Avalanche,” with pensive local pride, “as large as the State of Massachusetts is now under water.”

Nor was the weather any better in the foothills. The mud lay deep on the mountain road; wagons that neither physical force nor moral objurgation could move from the evil ways into which they had fallen, encumbered the track, and the way to Simpson’s Bar was indicated by broken-down teams and hard swearing. And farther on, cut off and inaccessible, rained upon and bedraggled, smitten by high winds and threatened by high water, Simpson’s Bar, on the eve of Christmas day, 1862, clung like a swallow’s nest to the rocky entablature and splintered capitals of Table Mountain, and shook in the blast.

As night shut down on the settlement, a few lights gleamed through the mist from the windows of cabins on either side of the highway now crossed and gullied by lawless streams and swept by marauding winds. Happily most of the population were gathered at Thompson’s store, clustered around a red-hot stove, at which they silently spat in some accepted sense of social communion that perhaps rendered conversation unnecessary. Indeed, most methods of diversion had long since been exhausted on Simpson’s Bar; high water had suspended the regular occupations on gulch and on river, and a consequent lack of money and whiskey had taken the zest from most illegitimate recreation. Even Mr. Hamlin was fain to leave the Bar with fifty dollars in his pocket,—the only amount actually realized of the large sums won by him in the successful exercise of his arduous profession. “Ef I was asked,” he remarked somewhat later,—“ef I was asked to pint out a purty little village where a retired sport as didn’t care for money could exercise hisself, frequent and lively, I’d say Simpson’s Bar; but for a young man with a large family depending on his exertions, it don’t pay.” As Mr. Hamlin’s family consisted mainly of female adults, this remark is quoted rather to show the breadth of his humor than the exact extent of his responsibilities.

Howbeit, the unconscious objects of this satire sat that evening in the listless apathy begotten of idleness and lack of excitement. Even the sudden splashing of hoofs before the door did not arouse them. Dick Bullen alone paused in the act of scraping out his pipe, and lifted his head, but no other one of the group indicated any interest in, or recognition of, the man who entered.

It was a figure familiar enough to the company, and known in Simpson’s Bar as “The Old Man.” A man of perhaps fifty years; grizzled and scant of hair, but still fresh and youthful of complexion. A face full of ready, but not very powerful sympathy, with a chameleon-like aptitude for taking on the shade and color of contiguous moods and feelings. He had evidently just left some hilarious companions, and did not at first notice the gravity of the group, but clapped the shoulder of the nearest man jocularly, and threw himself into a vacant chair.

“Jest heard the best thing out, boys! Ye know Smiley, over yar,—Jim Smiley,—funniest man in the Bar? Well, Jim was jest telling the richest yarn about—”

“Smiley’s a – fool,” interrupted a gloomy voice.

“A particular – skunk,” added another in sepulchral accents.

A silence followed these positive statements. The Old Man glanced quickly around the group. Then his face slowly changed. “That’s so,” he said reflectively, after a pause, “certingly a sort of a skunk and suthin of a fool. In course.” He was silent for a moment as in painful contemplation of the unsavoriness and folly of the unpopular Smiley. “Dismal weather, ain’t it?” he added, now fully embarked on the current of prevailing sentiment. “Mighty rough papers on the boys, and no show for money this season. And tomorrow’s Christmas.”

There was a movement among the men at this announcement, but whether of satisfaction or disgust was not plain. “Yes,” continued the Old Man in the lugubrious tone he had, within the last few moments, unconsciously adopted,—“yes, Christmas, and to-night’s Christmas eve. Ye see, boys, I kinder thought—that is, I sorter had an idee, jest passin’ like, you know—that may be ye’d all like to come over to my house to-night and have a sort of tear round. But I suppose, now, you wouldn’t? Don’t feel like it, may be?” he added with anxious sympathy, peering into the faces of his companions.

“Well, I don’t know,” responded Tom Flynn with some cheerfulness. “P’r’aps we may. But how about your wife, Old Man? What does SHE say to it?”

The Old Man hesitated. His conjugal experience had not been a happy one, and the fact was known to Simpson’s Bar. His first wife, a delicate, pretty little woman, had suffered keenly and secretly from the jealous suspicions of her husband, until one day he invited the whole Bar to his house to expose her infidelity. On arriving, the party found the shy, petite creature quietly engaged in her household duties, and retired abashed and discomfited. But the sensitive woman did not easily recover from the shock of this extraordinary outrage. It was with difficulty she regained her equanimity sufficiently to release her lover from the closet in which he was concealed and escape with him. She left a boy of three years to comfort her bereaved husband. The Old Man’s present wife had been his cook. She was large, loyal, and aggressive.

Before he could reply, Joe Dimmick suggested with great directness that it was the “Old Man’s house,” and that, invoking the Divine Power, if the case were his own, he would invite whom he pleased, even if in so doing he imperilled his salvation. The Powers of Evil, he further remarked, should contend against him vainly. All this delivered with a terseness and vigor lost in this necessary translation.

“In course. Certainly. Thet’s it,” said the Old Man with a sympathetic frown. “Thar’s no trouble about THET. It’s my own house, built every stick on it myself. Don’t you be afeard o’ her, boys. She MAY cut up a trifle rough,—ez wimmin do,—but she’ll come round.” Secretly the Old Man trusted to the exaltation of liquor and the power of courageous example to sustain him in such an emergency.

As yet, Dick Bullen, the oracle and leader of Simpson’s Bar, had not spoken. He now took his pipe from his lips. “Old Man, how’s that yer Johnny gettin’ on? Seems to me he didn’t look so peart last time I seed him on the bluff heavin’ rocks at Chinamen. Didn’t seem to take much interest in it. Thar was a gang of ‘em by yar yesterday,—drownded out up the river,—and I kinder thought o’ Johnny, and how he’d miss ‘em! May be now, we’d be in the way ef he wus sick?”

The father, evidently touched not only by this pathetic picture of Johnny’s deprivation, but by the considerate delicacy of the speaker, hastened to assure him that Johnny was better and that a “little fun might ‘liven him up.” Whereupon Dick arose, shook himself, and saying, “I’m ready. Lead the way, Old Man: here goes,” himself led the way with a leap, a characteristic howl, and darted out into the night. As he passed through the outer room he caught up a blazing brand from the hearth. The action was repeated by the rest of the party, closely following and elbowing each other, and before the astonished proprietor of Thompson’s grocery was aware of the intention of his guests, the room was deserted.

The night was pitchy dark. In the first gust of wind their temporary torches were extinguished, and only the red brands dancing and flitting in the gloom like drunken will-o’-the-wisps indicated their whereabouts. Their way led up Pine-Tree Canyon, at the head of which a broad, low, bark-thatched cabin burrowed in the mountain-side. It was the home of the Old Man, and the entrance to the tunnel in which he worked when he worked at all. Here the crowd paused for a moment, out of delicate deference to their host, who came up panting in the rear.

“P’r’aps ye’d better hold on a second out yer, whilst I go in and see thet things is all right,” said the Old Man, with an indifference he was far from feeling. The suggestion was graciously accepted, the door opened and closed on the host, and the crowd, leaning their backs against the wall and cowering under the eaves, waited and listened.

For a few moments there was no sound but the dripping of water from the eaves, and the stir and rustle of wrestling boughs above them. Then the men became uneasy, and whispered suggestion and suspicion passed from the one to the other. “Reckon she’s caved in his head the first lick!” “Decoyed him inter the tunnel and barred him up, likely.” “Got him down and sittin’ on him.” “Prob’ly bilin suthin to heave on us: stand clear the door, boys!” For just then the latch clicked, the door slowly opened, and a voice said, “Come in out o’ the wet.”

The voice was neither that of the Old Man nor of his wife. It was the voice of a small boy, its weak treble broken by that preternatural hoarseness which only vagabondage and the habit of premature self-assertion can give. It was the face of a small boy that looked up at theirs,—a face that might have been pretty and even refined but that it was darkened by evil knowledge from within, and dirt and hard experience from without. He had a blanket around his shoulders and had evidently just risen from his bed. “Come in,” he repeated, “and don’t make no noise. The Old Man’s in there talking to mar,” he continued, pointing to an adjacent room which seemed to be a kitchen, from which the Old Man’s voice came in deprecating accents. “Let me be,” he added, querulously, to Dick Bullen, who had caught him up, blanket and all, and was affecting to toss him into the fire, “let go o’ me, you d–d old fool, d’ye hear?”

Thus adjured, Dick Bullen lowered Johnny to the ground with a smothered laugh, while the men, entering quietly, ranged themselves around a long table of rough boards which occupied the centre of the room. Johnny then gravely proceeded to a cupboard and brought out several articles which he deposited on the table. “Thar’s whiskey. And crackers. And red herons. And cheese.” He took a bite of the latter on his way to the table. “And sugar.” He scooped up a mouthful en route with a small and very dirty hand. “And terbacker. Thar’s dried appils too on the shelf, but I don’t admire ‘em. Appils is swellin’. Thar,” he concluded, “now wade in, and don’t be afeard. I don’t mind the old woman. She don’t b’long to ME. S’long.”

He had stepped to the threshold of a small room, scarcely larger than a closet, partitioned off from the main apartment, and holding in its dim recess a small bed. He stood there a moment looking at the company, his bare feet peeping from the blanket, and nodded.

“Hello, Johnny! You ain’t goin’ to turn in agin, are ye?” said Dick.

“Yes, I are,” responded Johnny, decidedly.

“Why, wot’s up, old fellow?”

“I’m sick.”

“How sick!”

“I’ve got a fevier. And childblains. And roomatiz,” returned Johnny, and vanished within. After a moment’s pause, he added in the dark, apparently from under the bedclothes,—“And biles!”

There was an embarrassing silence. The men looked at each other, and at the fire. Even with the appetizing banquet before them, it seemed as if they might again fall into the despondency of Thompson’s grocery, when the voice of the Old Man, incautiously lifted, came deprecatingly from the kitchen.

“Certainly! Thet’s so. In course they is. A gang o’ lazy drunken loafers, and that ar Dick Bullen’s the ornariest of all. Didn’t hev no more sabe than to come round yar with sickness in the house and no provision. Thet’s what I said: ‘Bullen,’ sez I, ‘it’s crazy drunk you are, or a fool,’ sez I, ‘to think o’ such a thing.’ ‘Staples,’ I sez, ‘be you a man, Staples, and ‘spect to raise h-ll under my roof and invalids lyin’ round?’ But they would come,—they would. Thet’s wot you must ‘spect o’ such trash as lays round the Bar.”

A burst of laughter from the men followed this unfortunate exposure. Whether it was overheard in the kitchen, or whether the Old Man’s irate companion had just then exhausted all other modes of expressing her contemptuous indignation, I cannot say, but a back door was suddenly slammed with great violence. A moment later and the Old Man reappeared, haply unconscious of the cause of the late hilarious outburst, and smiled blandly.

“The old woman thought she’d jest run over to Mrs. McFadden’s for a sociable call,” he explained, with jaunty indifference, as he took a seat at the board.

Oddly enough it needed this untoward incident to relieve the embarrassment that was beginning to be felt by the party, and their natural audacity returned with their host. I do not propose to record the convivialities of that evening. The inquisitive reader will accept the statement that the conversation was characterized by the same intellectual exaltation, the same cautious reverence, the same fastidious delicacy, the same rhetorical precision, and the same logical and coherent discourse somewhat later in the evening, which distinguish similar gatherings of the masculine sex in more civilized localities and under more favorable auspices. No glasses were broken in the absence of any; no liquor was uselessly spilt on floor or table in the scarcity of that article.

It was nearly midnight when the festivities were interrupted. “Hush,” said Dick Bullen, holding up his hand. It was the querulous voice of Johnny from his adjacent closet: “O dad!”

The Old Man arose hurriedly and disappeared in the closet. Presently he reappeared. “His rheumatiz is coming on agin bad,” he explained, “and he wants rubbin’.” He lifted the demijohn of whiskey from the table and shook it. It was empty. Dick Bullen put down his tin cup with an embarrassed laugh. So did the others. The Old Man examined their contents and said hopefully, “I reckon that’s enough; he don’t need much. You hold on all o’ you for a spell, and I’ll be back”; and vanished in the closet with an old flannel shirt and the whiskey. The door closed but imperfectly, and the following dialogue was distinctly audible:—

“Now, Sonny, whar does she ache worst?”

“Sometimes over yar and sometimes under yer; but it’s most powerful from yer to yer. Rub yer, dad.”

A silence seemed to indicate a brisk rubbing. Then Johnny:

“Hevin’ a good time out yer, dad?”

“Yes, sonny.”

“To-morrer’s Chrismiss, ain’t it?”

“Yes, Sonny. How does she feel now?”

“Better rub a little furder down. Wot’s Chrismiss, anyway? Wot’s it all about?”

“O, it’s a day.”

This exhaustive definition was apparently satisfactory, for there was a silent interval of rubbing. Presently Johnny again:

“Mar sez that everywhere else but yer everybody gives things to everybody Chrismiss, and then she jist waded inter you. She sez thar’s a man they call Sandy Claws, not a white man, you know, but a kind o’ Chinemin, comes down the chimbley night afore Chrismiss and gives things to chillern,—boys like me. Puts ‘em in their butes! Thet’s what she tried to play upon me. Easy now, pop, whar are you rubbin’ to,—thet’s a mile from the place. She jest made that up, didn’t she, jest to aggrewate me and you? Don’t rub thar. . . . Why, dad!”

In the great quiet that seemed to have fallen upon the house the sigh of the near pines and the drip of leaves without was very distinct. Johnny’s voice, too, was lowered as he went on, “Don’t you take on now, fur I’m gettin’ all right fast. Wot’s the boys doin’ out thar?”

The Old Man partly opened the door and peered through. His guests were sitting there sociably enough, and there were a few silver coins and a lean buckskin purse on the table. “Bettin’ on suthin,—some little game or ‘nother. They’re all right,” he replied to Johnny, and recommenced his rubbing.

“I’d like to take a hand and win some money,” said Johnny, reflectively, after a pause.

The Old Man glibly repeated what was evidently a familiar formula, that if Johnny would wait until he struck it rich in the tunnel he’d have lots of money, etc., etc.

“Yes,” said Johnny, “but you don’t. And whether you strike it or I win it, it’s about the same. It’s all luck. But it’s mighty cur’o’s about Chrismiss,—ain’t it? Why do they call it Chrismiss?”

Perhaps from some instinctive deference to the overhearing of his guests, or from some vague sense of incongruity, the Old Man’s reply was so low as to be inaudible beyond the room.

“Yes,” said Johnny, with some slight abatement of interest, “I’ve heerd o’ HIM before. Thar, that’ll do, dad. I don’t ache near so bad as I did. Now wrap me tight in this yer blanket. So. Now,” he added in a muffled whisper, “sit down yer by me till I go asleep.” To assure himself of obedience, he disengaged one hand from the blanket and, grasping his father’s sleeve, again composed himself to rest.

For some moments the Old Man waited patiently. Then the unwonted stillness of the house excited his curiosity, and without moving from the bed, he cautiously opened the door with his disengaged hand, and looked into the main room. To his infinite surprise it was dark and deserted. But even then a smouldering log on the hearth broke, and by the upspringing blaze he saw the figure of Dick Bullen sitting by the dying embers.

“Hello!”

Dick started, rose, and came somewhat unsteadily toward him.

“Whar’s the boys?” said the Old Man.

“Gone up the canyon on a little pasear. They’re coming back for me in a minit. I’m waitin’ round for ‘em. What are you starin’ at, Old Man?” he added with a forced laugh; “do you think I’m drunk?”

The Old Man might have been pardoned the supposition, for Dick’s eyes were humid and his face flushed. He loitered and lounged back to the chimney, yawned, shook himself, buttoned up his coat and laughed. “Liquor ain’t so plenty as that, Old Man. Now don’t you git up,” he continued, as the Old Man made a movement to release his sleeve from Johnny’s hand. “Don’t you mind manners. Sit jest whar you be; I’m goin’ in a jiffy. Thar, that’s them now.”

There was a low tap at the door. Dick Bullen opened it quickly, nodded “Good night” to his host, and disappeared. The Old Man would have followed him but for the hand that still unconsciously grasped his sleeve. He could have easily disengaged it: it was small, weak, and emaciated. But perhaps because it WAS small, weak, and emaciated, he changed his mind, and, drawing his chair closer to the bed, rested his head upon it. In this defenceless attitude the potency of his earlier potations surprised him. The room flickered and faded before his eyes, reappeared, faded again, went out, and left him—asleep.

Meantime Dick Bullen, closing the door, confronted his companions. “Are you ready?” said Staples. “Ready,” said Dick; “what’s the time?” “Past twelve,” was the reply; “can you make it?—it’s nigh on fifty miles, the round trip hither and yon.” “I reckon,” returned Dick, shortly. “Whar’s the mare?” “Bill and Jack’s holdin’ her at the crossin’.” “Let ‘em hold on a minit longer,” said Dick.

He turned and re-entered the house softly. By the light of the guttering candle and dying fire he saw that the door of the little room was open. He stepped toward it on tiptoe and looked in. The Old Man had fallen back in his chair, snoring, his helpless feet thrust out in a line with his collapsed shoulders, and his hat pulled over his eyes. Beside him, on a narrow wooden bedstead, lay Johnny, muffled tightly in a blanket that hid all save a strip of forehead and a few curls damp with perspiration. Dick Bullen made a step forward, hesitated, and glanced over his shoulder into the deserted room. Everything was quiet. With a sudden resolution he parted his huge mustaches with both hands and stooped over the sleeping boy. But even as he did so a mischievous blast, lying in wait, swooped down the chimney, rekindled the hearth, and lit up the room with a shameless glow from which Dick fled in bashful terror.

His companions were already waiting for him at the crossing. Two of them were struggling in the darkness with some strange misshapen bulk, which as Dick came nearer took the semblance of a great yellow horse.

It was the mare. She was not a pretty picture. From her Roman nose to her rising haunches, from her arched spine hidden by the stiff machillas of a Mexican saddle, to her thick, straight, bony legs, there was not a line of equine grace. In her half-blind but wholly vicious white eyes, in her protruding under lip, in her monstrous color, there was nothing but ugliness and vice.

“Now then,” said Staples, “stand cl’ar of her heels, boys, and up with you. Don’t miss your first holt of her mane, and mind ye get your off stirrup QUICK. Ready!”

There was a leap, a scrambling struggle, a bound, a wild retreat of the crowd, a circle of flying hoofs, two springless leaps that jarred the earth, a rapid play and jingle of spurs, a plunge, and then the voice of Dick somewhere in the darkness, “All right!”

“Don’t take the lower road back onless you’re hard pushed for time! Don’t hold her in down hill! We’ll be at the ford at five. G’lang! Hoopa! Mula! GO!”

A splash, a spark struck from the ledge in the road, a clatter in the rocky cut beyond, and Dick was gone.

Sing, O Muse, the ride of Richard Bullen! Sing, O Muse of chivalrous men! the sacred quest, the doughty deeds, the battery of low churls, the fearsome ride and grewsome perils of the Flower of Simpson’s Bar! Alack! she is dainty, this Muse! She will have none of this bucking brute and swaggering, ragged rider, and I must fain follow him in prose, afoot!

It was one o’clock, and yet he had only gained Rattlesnake Hill. For in that time Jovita had rehearsed to him all her imperfections and practised all her vices. Thrice had she stumbled. Twice had she thrown up her Roman nose in a straight line with the reins, and, resisting bit and spur, struck out madly across country. Twice had she reared, and, rearing, fallen backward; and twice had the agile Dick, unharmed, regained his seat before she found her vicious legs again. And a mile beyond them, at the foot of a long hill, was Rattlesnake Creek. Dick knew that here was the crucial test of his ability to perform his enterprise, set his teeth grimly, put his knees well into her flanks, and changed his defensive tactics to brisk aggression. Bullied and maddened, Jovita began the descent of the hill. Here the artful Richard pretended to hold her in with ostentatious objurgation and well-feigned cries of alarm. It is unnecessary to add that Jovita instantly ran away. Nor need I state the time made in the descent; it is written in the chronicles of Simpson’s Bar. Enough that in another moment, as it seemed to Dick, she was splashing on the overflowed banks of Rattlesnake Creek. As Dick expected, the momentum she had acquired carried her beyond the point of balking, and, holding her well together for a mighty leap, they dashed into the middle of the swiftly flowing current. A few moments of kicking, wading, and swimming, and Dick drew a long breath on the opposite bank.

The road from Rattlesnake Creek to Red Mountain was tolerably level. Either the plunge in Rattlesnake Creek had dampened her baleful fire, or the art which led to it had shown her the superior wickedness of her rider, for Jovita no longer wasted her surplus energy in wanton conceits. Once she bucked, but it was from force of habit; once she shied, but it was from a new freshly painted meeting-house at the crossing of the county road. Hollows, ditches, gravelly deposits, patches of freshly springing grasses, flew from beneath her rattling hoofs. She began to smell unpleasantly, once or twice she coughed slightly, but there was no abatement of her strength or speed. By two o’clock he had passed Red Mountain and begun the descent to the plain. Ten minutes later the driver of the fast Pioneer coach was overtaken and passed by a “man on a Pinto hoss,”—an event sufficiently notable for remark. At half past two Dick rose in his stirrups with a great shout. Stars were glittering through the rifted clouds, and beyond him, out of the plain, rose two spires, a flagstaff, and a straggling line of black objects. Dick jingled his spurs and swung his riata, Jovita bounded forward, and in another moment they swept into Tuttleville and drew up before the wooden piazza of “The Hotel of All Nations.”