Kitabı oku: «Doctor Cupid: A Novel»

DOCTOR CUPID

 
Ich komme, Ich weiss nicht woher;
Ich gehe, Ich weiss nicht wohin;
Ich bin, Ich weiss nicht was;
Mich wundert dass Ich so fröhlich bin
 

'Oh, Doctor Cupid, thou for me reply'

Sir Philip Sidney

CHAPTER I

'There! I do not think that the joys and sorrows of living in a little house under the shadow of a big one were ever more lucidly set forth,' says an elder sister, holding up the slate on which she has just been totting up this ingenious debit and credit account to a pink junior, kneeling, head on hand, beside her; a junior who, not so long ago, did sums on that very slate, and the straggle of briony round whose sailor-hat tells that she has only just left the sunburnt harvest-fields and the overgrown August hedgerows behind her.

'We have had a good deal of fun out of it too,' says she, rather remorsefully. 'Do you remember' – with a sigh of recollected enjoyment – 'the day that we all blackened our faces with soot, and could not get the soot off again afterwards?'

To what but a mind of seventeen could such a reminiscence have appeared in the light of a departed joy?

'I have left out an item, I see,' says Margaret, running her eye once again over her work; 'an unlimited quantity of the society of Freddy Ducane, when nothing better turns up for him! Under which head, profit or loss' – glancing with a not more than semi-amused smile at her sister – 'am I to enter it, eh, Prue?'

'Loss, loss!' replies Prue, with a suspiciously rosy precipitation. 'No question about it; no one makes us lose so much time as he! Loss, loss!'

Margaret's eyes rest for an instant on her sister's face, and then return not quite comfortably to the slate, upon which she painstakingly inscribes the final entry, 'An unlimited quantity of Freddy Ducane's society, when nothing better turns up for him!'

'"The acquaintance of several damaged fine ladies!"' reads Prue over her sister's shoulder. 'I suppose that means Lady Betty?'

'I name no names,' replies Margaret gravely. 'I keep to a discreet generality —

 
'"If it do her right,
Then she hath wrong'd herself; if she be free,
Why, then, my taxing like a wild-goose flies,
Unclaimed of any man."'
 

'Dear me!' repeats Prue, under her breath, in a rather awed voice; 'I wonder what it feels like to be damaged!'

'You had better ask her,' drily.

'I suppose she says dreadful things,' continues the young girl, still with that same awed curiosity. 'I heard Mrs. Evans telling you that she "stuck at nothing." I wonder how she does it.'

'You had better ask her,' more drily.

'Damaged or not damaged,' cries Prue, springing up from her knees and beginning to caper about the room, and sing to her own capering, 'we shall meet her to-night —

 
'"For I'm to be married to-day, to-day,
  For I'm to be married to-day."
 

Or if I am not to be married, I am to go to my first dinner-party, which is a step in the right direction. Do you remember your first dinner-party, Peggy? How did you feel? How did you look?'

'I looked very plain, I believe,' replies Peggy sedately. 'At least, I was told so afterwards. I remember that I felt very swollen. I had a cold, and was shy, and I think both combined to make me feel swelled.'

'It is a pity that shyness has not the same effect upon me,' says Prue, stretching out a long girlish arm, whose thinness is apparent even through its chintz muslin covering. 'The one thing that would really improve my appearance' – stopping before the only looking-glass that the little room boasts, and putting her finger and thumb in the hollows of cheeks scarcely rounded enough to match the rest of the pansy-textured child face – 'the one thing that would really improve my appearance would be to have the mumps.'

Peggy laughs.

'Unberufen! I should catch them, and you cannot say that they would improve me.'

'Never mind!' cries Prue, turning away with a joyous whirl from the mirror. 'I shall do very well. There are people who admire bones! I shall pass in a crowd.

 
'"For I'm to be married to-day, to-day,
  For I'm to be married to-day."'
 

Her dance and her song have carried her out into the garden – the small but now opulent garden; and, partly to look at her, partly to pasture her eyes upon a yet more admired object, Peggy has followed her as far as to the French window, and now stands leaning one handsome shoulder against the door-post, and looking out upon her kingdom of flowers.

'We owe the Big House one good thing, at all events,' she says, a smile of satisfaction stealing into her comely eyes. 'I never knew what peace of mind was until I had a garden-hose.'

At this moment, in the hands of Jacob the gardener, it is playing comfortably on the faces of the tea-roses, and a luxurious drip and patter testify to their appreciation.

Prue has come back panting, and sunk out of breath on the window-sill. The briony garland has fallen from her hat, and a little hairy dog is now galloping about the lawn boastfully with it, his head held very high. Something in his attitude gets on the nerves of the other animals; for the parrot, brought out to sun himself upon the sward, raps out his mysterious marine oath, which he generally keeps for a crisis; and the white cat forgets herself so far as to deal him a swingeing box on the ear as he passes her.

'I met the brougham from the Big House as I came up the lane,' says Prue, trying to cool herself with the inadequate fan of a small pocket-handkerchief; 'it was on its way back from the station. How tired those poor horses must be of the road to the station! It had three people inside it – Lady Betty, Mr. Harborough, and some third person.'

'Her maid, probably.'

Prue shakes her head.

'No; the maid followed in a fly with the nurses and children. Dear me, Peggy, what a number of servants they take about with them – maid, one; valet, two; footman, three; two nurses, five!'

'Nurses, five!' repeats Margaret inattentively, not thinking of what she is saying, and with her eyes still riveted on the hose; 'surely that is a very unusual number, isn't it?'

'I could not see the third person distinctly,' continues Prue narratively; 'but I think it was the man whom Lady Betty brought with her last year. She seems always to bring him with her.'

'More shame for her!' replies Peggy severely.

'Mr. Harborough was very fond of him, too,' says Prue reflectively. 'He called him "John."'

'More fool he!' still severelier; then, with a sudden and happy change of key, 'That is right, Jacob. Give it a good souse; it is covered with fly.'

'Do not you wonder what we shall do to-night?' cries Prue, her mind galloping gaily away from the blackness of Lady Betty's deeds to the splendid whiteness of her own immediate prospect. 'Charades? dancing? I prophesy dancing.'

 
'"For Willy will dance with Jane,"'
 

bursting out into song again —

 
'"And Betty has got her John."'
 

She breaks off, laughing. Margaret laughs too.

'Betty may have got her John, but I am sure I do not know who Peggy and Prue will have, unless Freddy can split himself up into several young gentlemen at once. He can do most things' – with a touch of bitterness – 'possibly he can do that too.'

'Or perhaps we shall go out star-gazing in the walled garden,' interrupts Prue, hurriedly and redly shying away from the name thus introduced. 'I always think that the stars look bigger from the walled garden than anywhere else in the world.'

'Was it there that you and Freddy went to look for Cassiopeia's Chair?' inquires Peggy drily; 'and were more than an hour and a half before you could find her?'

'It is so odd that I had never noticed her before,' cries Prue hastily. 'She is such a queer shape, more like a long straggling W than a chair.'

'And, after all,' continues Margaret slowly, with an uneasy smile, and not paying any heed to her sister's interpolation, 'she turned out to be in the kiosk.'

Prue is silent. The little hairy dog has brought her ruined garland back to her feet; and, holding it between his fore-paws, is painstakingly biting off each leaf and tendril, and strewing them over the close-shaven sward. The parrot is going to sleep, standing on one leg, and making a clacking noise with his beak; not a posture that one would have thought à priori conducive to slumber.

'It was not a place in which one would have expected to find a large constellation, was it?' asks Peggy, still with that same rather rueful smile, and stroking her sister's childish head as she speaks – 'the darkest corner of a kiosk.'

But at that Prue leaps to her feet; and having, in the twinkling of an eye, twitched the hose out of Jacob's hand, she points it at her sister.

'Mention the word kiosk once more,' cries she desperately, and winking away a couple of tears, 'and you will not have a dry stitch upon you.'

CHAPTER II

 
'Ave Maria! 'Tis the hour of prayer!
 Ave Maria! 'Tis the hour of love!'
 

Ave Maria! 'tis the hour of dinner, too; and towards that dinner, about to be spread at the Big House, the inmates of the little one are hastening on foot through the park. Brougham have they none; goloshes and a lanthorn their only substitute. The apricot sunset and the harvest moon will be their two lanthorns to-night; but upon the goloshes Peggy has, in the case of her sister, sternly insisted. Hastening through the park – alternately hastening, that is to say – and loitering, as Prue's fear of being too late, and Peggy's better-grounded apprehension of being too early, get the upper hand.

'How calm you are!' cries the young girl feverishly, as Margaret stops for a moment to

 
'Suck the liquid air'
 

of the ripe harvest evening, and admire the velvet-coated stags springing through the bracken. 'How can you be so calm? Were you calm at your first dinner-party?'

'I cannot recollect,' replies Peggy, honestly trying to recall the now five-years-old dead banquet referred to. 'I can only remember that I felt swelled.'

'Do not you think that we might go on now?' asks Prue, anxiously kicking one golosh against the other. 'We cannot be much too soon; our clocks are always slow. It would be awkward, would not it, if we sailed in last of all?'

Though inwardly convinced that there is very little fear of this catastrophe, Peggy good-humouredly complies; and still more good-humouredly refrains from any 'told-you-so' observation upon their finding themselves sole occupants of the flamboyant Louis Quatorze chairs and Gobelin sofas in the large drawing-room, where the housemaids have evidently only just ceased patting cushions and replacing chair-backs.

'Never mind!' says Prue joyfully; 'we shall have all the more of it, and we shall see everybody come in. I shall love to see everybody come in. Who will be first? Guess! Not Lady Betty! she will be last. I remember your saying last year that she was always late, and that she never apologised.'

'That was very ill bred of her,' replies Margaret austerely.

'And that one night Mr. Harborough scolded her, and you saw her making a face at him behind his back. Oh! how I wish' – breaking out into delighted laughter – 'that she would make a face at him to-night, and that he could catch her doing it!'

Her laughter is checked by the thrilling sound of the folding-doors being rolled back to admit some new arrivals. It is nobody very exciting, however; only Mr. Evans, the clergyman of the parish, whom they see every day, and that household angel of his, upon whose testimony lies the weight of Lady Betty Harborough's conversational laxities.

A stranger would be thunderstruck to hear that Mrs. Evans is in her wedding-dress, as the sable rook is less black from head to heel than she; but to those who know and love her, it is le secret de Polichinelle that her gown – through having since taken an insignificant trip or two to the dye-pot, and been eked out with a selection of funeral scarves and hat-bands – is verily and indeed the one in which she stood in virgin modesty beside Mr. Evans at the altar, fifteen rolling years ago. During a transition stage of red, it has visited the Infirmary Ball for five years; it had an unpopular interval of snuffy-brown, during which it did nothing remarkable; and in its present inky phase it has mourned for several dead Evanses, and for every crowned head in Europe.

'I am so glad we are not last,' says Mrs. Evans, relaxing her entrance smile, and sinking into an easy conversational manner, as she sees that she has only her two young parishioners to accost; 'not that there is ever much fear of that in this house, but Mr. Evans could not get the horse along. Have you any idea' – looking curiously round – 'whom we are to meet? Lady Roupell's note merely said, "Dear Mrs. Evans," or "My dear Mrs. Evans" – I forget which – "will you and Mr. Evans come and help us to eat a haunch of venison?" She knows that Mr. Evans would go any distance for a haunch of venison.'

To this somewhat extravagant statement of his appreciation of the pleasures of the table the pastor is heard to make a captious demurrer; but his wife goes on without heeding him.

'Of course that gave one no clue. I think people ought to give one some clue that one may know what to put on. However, I thought I could not go far wrong in black; never too smart, and always smart enough, you know.'

Peggy assents, and, as she does so, a trivial unbelieving wonder crosses her mind as to what the alternative 'toilette,' which Mrs. Evans implies, but upon which the eye of man has never looked, may be.

'And you are no wiser than we?' pursues the vicar's wife interrogatively. 'I wonder at that, living so near as you do. Have not you heard of anybody at all?' with a rather discouraged intonation.

'I am not sure – I think – the Harboroughs – '

'The Harboroughs?' cries the other eagerly. 'Mr. and Lady Betty? Her father died last winter; he was the second duke; succeeded by his eldest son, her brother. The Harboroughs! – and Mr. Talbot, of course?' with a knowing look.

'I do not know,' replies Margaret cautiously; 'perhaps.'

'I am afraid it is more than perhaps,' rejoins Mrs. Evans significantly. 'I am afraid it is – '

But her sentence dies unfinished, killed by the frou-frou of silk that announces the approach of a smart woman, and of the white-waistcoated gentleman who has bought the privilege of paying for the silk. Then follows an unencumbered man, whose speech bewrayeth him to be a diplomate, and who has a great deal to say to the smart woman.

After five minutes more frou-frou is audible, heralding the approach of a second smart woman – Lady Betty herself this time – with her lawful Harborough stepping somewhat insignificantly behind her.

Lady Betty is so exceedingly glad to see the two girls that Peggy asks herself whether her memory has played her false as to the amount of intimacy that existed between them last year. She has not overheard the aside that passed between her ladyship and her husband as she sailed up the long room:

'Who are they? Have we ever met them here before? Are they all one lot?'

Nor, indeed, would it ever have entered into the guileless Peggy's mind as possible that a woman who took her by both hands, and smiled into both eyes, could have clean forgotten, not only her name, but her very existence.

Once more the folding-doors roll wide, to admit this time, at last, the hostess, Lady Roupell, and her nephew, Freddy Ducane, who – both chronically late for everything – arrive simultaneously; the one still fastening his sleeve-link, and the other hastily clasping her bracelets.

'I beg you all a thousand pardons, good people,' cries the old lady, going round and dealing out hearty handshakes to her injured guests. 'I am sure you must all have been blessing me; but if you had seen me five minutes ago, you would wonder that I am here now – ha! ha! Well, at all events we are all assembled at last, are not we? No! Surely we are short of somebody; who is it? John Talbot, of course! Where is John Talbot?' looking round, first at the general company, who are quite unable to answer her; and turning, secondly, as if involuntarily, towards Lady Betty. 'Where is John Talbot?'

But at this instant, in time to save Lady Betty's blushes, which indeed are in no great hurry to show themselves, John Talbot appears to answer for himself – John Talbot, the third occupant of the brougham, the 'man whom Lady Betty always takes about with her.'

His entry is not quite what is expected, as he enters by no means alone. Clasped in his embrace, with her fat arms fastened round his neck, and her face buried – a good deal to its detriment – in his collar, is a young person in her nightgown; while running by his side is a little barefoot gentleman, with a long dressing-gown trailing behind him.

'We hope that you will forgive us,' says the young man, advancing towards his hostess; 'but we have come to say good-night. I suggested that our costume was not quite what is usual, but I was overruled.'

As he speaks his fair burden makes it clear by a wriggling movement that she wishes to be set down; and, being obliged in this particular, instantly makes for her mother, and, climbing up into Lady Betty's splendid lap, begins to whisper in her ear. The boy stands shamefaced, clutching his protector's hand, and evidently painfully conscious that no other gentleman but himself in the room is in a dressing-gown.

'Do you know what she is asking me?' cries Lady Betty, bursting into a fit of laughter. 'Freddy, I must congratulate you upon a new bonne fortune. She is asking whether she may kiss Freddy Ducane! There, be off with you! Since' – with a look of casual careless coquetry at Talbot – 'you have introduced my family, perhaps you will be good enough to remove them.'

Mr. Talbot complies; and, having recaptured Miss Harborough – a feat of some difficulty, as, unlike her brother, she enjoys her déshabillé, and announces a loud intention of kissing everybody – departs in the same order in which he arrived, and the pretty little couple are seen no more.

CHAPTER III

It is obvious that, whatever else he may be, John Talbot is, with the exception of Mr. Evans, the man of smallest rank in the room, since to him is assigned the honour of leading Peggy into the dining-room. She had not at all anticipated it; but had somehow expected fully to see him, in defiance of precedence, bearing off his Betty. Nor is she by any means more pleased at, than prepared for, the provision made for her entertainment. John Talbot, the man whose name she has never heard except in connection with that of another man's wife! John Talbot, 'the man whom Lady Betty always takes about with her!' In Heaven's name, why does not she take him about with her now, and not devolve the onus of his entertainment upon other innocent and unwilling persons?

With thoughts such as these, that augur but ill for the amusingness of his dinner, running through her mind, Margaret lays her hand as lightly as it is possible to do, without absolutely not touching it, upon the coat-sleeve presented to her, and marches silently by its side into the dining-room, inwardly resolving to be as laconic, as forbidding, and as unlike Lady Betty to its owner as politeness towards her hostess will allow, and to devote as nearly as possible the whole of her conversation to her neighbour on the other side. Nor does her resolution flinch, even when that other neighbour reveals himself as Mr. Evans. It is certain that no duty compels her to take the initiative. Until John Talbot begins, she may preserve that silence which she would like to maintain intact, until she rises from the feast to which she has but just sat down. Doubtlessly he is of the same mind as she; and, maddened by separation from his idol, irritated against her, who, for even an hour, has taken that idol's place, he will ask nothing better than to sit mute in resentful pining for her, from whom Lady Roupell has so inhumanly parted him. As to his intentions to be mute, she is soon undeceived; for she has not yet finished unbuttoning her gloves when she finds herself addressed by him.

'I think I had the pleasure of meeting you here last year?'

Nothing can be more banal than the observation; more serenely civil, less maddened than the tone in which it is conveyed. He is not going to leave her in peace then? She is so surprised and annoyed at this discovery that for a moment she forgets to answer him. It is not until reminded of her omission by an expectant look on his face that she recollects to drop a curt 'Yes.'

'I came' – thinking from her manner that the incident has escaped her memory, and that he will recall it by becoming more circumstantial – 'I came with the Harboroughs.'

Another 'Yes,' still more curt and bald than the last. H'm! not flattering for him, certainly; but she has obviously not yet overtaken the reminiscence.

'It was about this time of year.'

'Yes.'

What is the matter with the girl? there is certainly something very odd about her. He has noticed her but cursorily so far, but now gives her an attentively examining look. She appears to be perfectly sane, and not in the least shy. Is that handsome mouth, fresh and well cut, absolutely incapable of framing any syllable but 'Yes'? He gives himself some little trouble so to compose his next question that the answer, 'Yes,' to it shall be impossible.

'Do you happen to recollect whether it was this month or September? Lady Betty Harborough and I had an argument about it as we came up from the station.'

Lady Betty Harborough! With what a brazen front he himself has introduced her! She, Peggy, would as soon have thought of flying in the air as of mentioning that name which he has just so matter-of-factly pronounced.

'I am afraid that I do not remember,' she answers frostily.

He looks at her again, in growing wonder. What does ail her? Is it, after all, a mysterious form of shyness? He knows under how many odd disguises that strange malady of civilisation hides itself. Despite his thirty-two years, is not he shy himself sometimes? Poor girl, he can feel for her!

'Not only did we meet here,' pursues he, with a pleasant friendly smile, 'but Lady Roupell was good enough to take me down to call upon you at your own house.'

'Yes?'

Well, it is uphill work! If he has to labour at the oar like this from now until dessert, there will not be much left of him at the end. Well, never mind! it is all in the day's work; only he will ask Lady Roupell quietly not to inflict this impossible dummy upon him again.

'We came down upon you in great force, I remember – it was on a Sunday – Lady Roupell, Freddy, the Bentincks, the Harboroughs.'

He pauses, discouraged, despite himself. She has been leisurely sipping her soup, and now lays down her spoon, looking straight before her. He heaves a loud sigh, but not even that induces her to look round at him.

'Lady Roupell often brings people down on Sunday afternoons,' she says, in an indifferent voice, which implies that it is a quite impossible feat for her memory to separate the one insignificant Sunday to which he alludes from all or any others. In point of fact, she remembers it perfectly, and the recollection of it adds a double chill to her tone.

On that very Sunday afternoon did not this man and his Lady Betty flagrantly lose themselves for an hour in an orchard six yards square? Did not Lady Betty, without leave asked or given, eat all the mulberries that were ripe on Peggy's one tree? Did not she, in rude horse-play pelting a foolish guardsman with green apples, break a bell-glass that sheltered the picotee cuttings cherished of Jacob's and of Peggy's souls?

Ignorant of the offensive reminiscences he has stirred up, Mr. Talbot blunders on:

'I remember you had a tame – '

He stops. He cannot for the life of him recollect what the tame animal was that he was taken to see. He can only recall that it was some beast not usually kept as a pet, and that it lived in a house in the stable-yard. Of course if he pauses she will supply the word, and his lapse of memory need never be perceived.

But he has reckoned without his host. She has indeed turned her face a little towards him, and says 'Yes?' expectantly.

It is clear that she has not the least intention of helping him; and is it, or is it not, his fancy that there is a slight ill-natured tremor about that corner of her mouth which is nearest him?

'A tame – badger,' suggests he desperately.

But the moment that he has uttered the word he knows that it was not a badger.

'A tame badger!' repeats she slowly, and again gazing straight before her; 'yes, what a nice pet!'

She is not shy at all, nor even stupid. She is only rude and malevolent. But he will not give her the satisfaction of letting her see that he perceives it.

'Perhaps Lady Roupell will have your permission to bring us down to see you next Sunday, when I may have an opportunity of stroking my old friend the badger's' (he smiles, as if he had known all along that it was not a badger) 'head once again.'

'I do not know what Lady Roupell's plans for next Sunday are,' replies she snubbingly; and so turns, with a decided movement of head and shoulder, towards her other neighbour, Mr. Evans, who, however, is not nearly so grateful for her attentions as he should be.

Mr. Evans has the poor and Peggy Lambton always with him, but he has not a haunch of fat buck-venison more than three times a year. In everyday life he is more than willing to give his share of the Vicarage dinner to such among the sick and afflicted of his flock as can be consoled and supported by underdone shoulders of mutton and batter-puddings; but on the rare occasions when the opportunity offers of having his palate titillated by the delicate cates of the higher civilisation, he had very much rather be left in peace to enjoy them. He has no fault to find in this respect with Prue Lambton, to whom, as having taken her in to dinner, he might be supposed to have some conversational obligations.

Why, then, cannot Peggy, to whom he owes nothing, be equally considerate? Perhaps Peggy's heart speaks for him. At all events, after one or two vain shots at the harvest-home and the Workhouse tea, she desists from the futile effort to lead him into chat; but subtly remains sitting half turned towards him, as if talking to him, so as to baffle any further ventures – if, indeed, he have the spirit to make such – on the part of her other neighbour. Her tongue being idle, she allows her eyes to travel. It is true that the thick forest of oats and poppies which waves over the board renders the sight of the table's other side about as difficult as that of the coast of France; but at least she can see her fat hostess at the head of the table, and her slim host at the foot. Freddy Ducane is in his glory – something fair and female on either hand. On his right Lady Betty, who, being a duke's daughter, takes precedence of the other smart woman, who was only a miss before she blossomed into a viscountess; on his left, to ensure himself against the least risk of having any dull or vacuous moments during his dinner, he has arranged Prue Lambton – 'his little friend Prue.' Beyond the mere fact of proximity – in itself, of course, a splendid boon – she does not, so far, seem to be much the gainer by her position.

However, he snatches a moment every now and then to explain to her – Peggy knows it as well as if she heard his words – how entirely a matter of irksome duty and hospitality are his whispers to Lady Betty, his tender comments upon her clothes, and long bunglings with the clasp of her pearls. And, judging by her red-stained cheeks, her empty plate (which of us in his day has not been too superbly happy to eat?), and the trembling smiles that rush out to meet his lame explanations, Prue believes him. Poor little Prue!

Margaret sighs sadly and impatiently, and looks away – looks away to find John Talbot's eyes fastened upon her with an expression of such innocent and genuine curiosity that she asks involuntarily:

'Why do you look at me?'

'I beg your pardon a thousand times!' he answers apologetically. 'I was only wondering, to be quite sincere – by the bye, do you like people to be quite sincere?'

'That depends,' replies Peggy cautiously.

'Well, then, I must risk it. I was wondering why on earth you had thought it worth your while to snub me in the way you have been doing.'

She does not answer, but again looks straight before her.

How very offensive in a woman to look straight before her! She ought to be quite certain of the perfection of her profile before she presents it so persistently to you.

Shall he tell her so? That would make her look round pretty quickly.

'I was trying to see whether I could not regard it in the light of a compliment,' continues he audaciously.

'That would not be easy,' replies she drily.

'It was something that you should have thought me worth wasting your powder and shot upon,' he answers.

Certainly her profile is anything but perfect; her chin projects too much. In her old age, if she had a hook nose (which she has not), she would be a mere nut-cracker.

Shall he tell her that? How many disagreeable things he might tell her! It puts him into quite a good humour with her to think of them.

'Now, about that badger, for instance,' says he.

But at that, against her will, she laughs outright.

'Dear little beast!' she cries maliciously; 'so playful and affectionate! such a pet!'

She has laughed. That is something gained, at all events. It is not a nice friendly laugh. On the contrary, it is a very rude, ill-natured one: she is obviously a rude, ill-natured girl; but it is a laugh.

'You can see for yourself,' pursues he, holding out one of the menus for her inspection, 'that we are only at the first entrée; we shall have to sit beside each other for a good hour more. Lady Roupell does not want to talk to me; and your neighbour – I do not know who he is, and I will not ask you, because I know you would not answer me civilly – but whoever he is, he will not talk to you. I saw you try to make him, and he would not; he snubbed you. I was avenged! I was very glad!'