Kitabı oku: «The Story of a New York House», sayfa 2

The panic was not only among the poor and ignorant. Merchants were moving their offices, and even the Post Office and the Custom House were to be transferred to Greenwich. There were some who remained faithful throughout all, and who labored for the stricken, and whose names are not even written in the memory of their fellow-men. But the city had been so often ravaged before, that at the first sight there was one mere animal impulse of flight that seized upon all alike.

At one o'clock, when some of the better streets had once more taken on their natural quiet, an ox-cart stood before the door of the Dolphs' old house. A little behind it stood the family carriage, its lamps unlit. The horses stirred uneasily, but the oxen waited in dull, indifferent patience. Presently the door opened, and two men came out and awkwardly bore a plain coffin to the cart. Then they mounted to the front of the cart, hiding between them a muffled lantern. They wore cloths over the lower part of their faces, and felt hats drawn low over their eyes. Something in their gait showed them to be seafaring men, or the like.

Then out of the open door came Jacob Dolph, moving with a feeble shuffle between his son and his old negro coachman – this man and his wife the only faithful of all the servants. The young man put his father in the carriage, and the negro went back and locked the doors and brought the keys to his young master. He mounted to the box, and through the darkness could be seen a white towel tied around his arm – the old badge of servitude's mourning.

The oxen were started up, and the two vehicles moved up into Broadway. They travelled with painful slowness; the horses had to be held in to keep them behind the cart, for the oxen could be only guided by the whip, and not by word of mouth. The old man moaned a little at the pace, and quivered when he heard the distant sound of hammers.

"What is it?" he asked, nervously.

"They are boarding up some of the streets," said his son; "do not fear, father. Everything is prepared; and if we make no noise, we shall not be troubled."

"If we can only keep her out of the Potter's Field – the Potter's Field!" cried the father; "I'll thank God – I'll ask no more – I'll ask no more!"

And then he broke down and cried a little, feebly, and got his son's hand in the darkness and put on his own shoulder.

It was nearly two when they came to St. Paul's and turned the corner to the gate. It was dark below, but some frenzied fools were burning tar-barrels far down Ann Street, and the light flickered on the top of the church spire. They crossed the churchyard to where a shallow grave had been dug, half way down the hill. The men lowered the body into it; the old negro gave them a little rouleau of coin, and they went hurriedly away into the night.

The clergyman came out by and by, with the sexton behind him. He stood high up above the grave, and drew his long cloak about him and lifted an old pomander-box to his face. He was not more foolish than his fellows; in that evil hour men took to charms and to saying of spells. Below the grave and apart, for the curse rested upon them, too, stood Jacob Dolph and his son, the old man leaning on the arm of the younger. Then the clergyman began to read the service for the burial of the dead, over the departed sister – and wife and mother. He spoke low; but his voice seemed to echo in the stillness. He came forward with a certain shrinking, and cast the handful of dust and ashes into the grave. When it was done, the sexton stepped forward and rapidly threw in the earth until he had filled the little hollow even with the ground. Then, with fearful precaution, he laid down the carefully cut sods, and smoothed them until there was no sign of what had been done. The clergyman turned to the two mourners, without moving nearer to them, and lifted up his hands. The old man tried to kneel; but his son held him up, for he was too feeble, and they bent their heads for a moment of silence. The clergyman went away as he had come; and Jacob Dolph and his son went back to the carriage. When his father was seated, young Jacob Dolph said to the coachman: "To the new house."

The heavy coach swung into Broadway, and climbed up the hill out into the open country. There were lights still burning in the farmhouses, bright gleams to east and west, but the silence of the damp summer night hung over the sparse suburbs, and the darkness seemed to grow more intense as they drove away from the city. The trees by the roadside were almost black in the gray mist; the raw, moist smell of the night, the damp air, chilly upon the high land, came in through the carriage windows. Young Jacob looked out and noted their progress by familiar landmarks on the road; but the old man sat with his head bent on his new black stock.

It was almost three, and the east was beginning to look dark, as though a storm were settling there in the grayness, when they turned down the straggling street and drew up before the great dark mass that was the new house. The carriage-wheels gritted against the loose stones at the edge of the roadway, and the great door of the house swung open. The light of one wavering candle-flame, held high above her head, fell on the black face of old Chloe, the coachman's wife. There were no candles burning on the high-pitched stairway; all was dark behind her in the empty house.

Young Jacob Dolph helped his father to the ground, and between the young man and the negro old Jacob Dolph wearily climbed the steps. Chloe lifted her apron to her face, and turned to lead them up the stair. Her husband went out to his horses, shutting the door softly after him, between Jacob Dolph's old life and the new life that was to begin in the new house.

II

When young Jacob Dolph came down to breakfast the next morning he found his father waiting for him in the breakfast-room. The meal was upon the table. Old Chloe stood with her black hands folded upon her white apron, and her pathetic negro eyes following the old gentleman as he moved wistfully about the room.

Father and son shook hands in silence, and turned to the table. There were three chairs in their accustomed places. They hesitated a half-second, looking at the third great arm-chair, as though they waited for the mistress of the house to take her place. Then they sat down. It was six years before any one took that third chair, but every morning Jacob Dolph the elder made that little pause before he put himself at the foot of the table.

On this first morning there was very little said and very little eaten. But when they had made an end of sitting at the table old Jacob Dolph said, with something almost like testiness in his husky voice:

"Jacob, I want to sell the house."

"Father!"

"The old house, I mean; I shall never go back there."

His son looked at him with a further inquiry. He felt a sudden new apprehension. The father sat back in his easy-chair, drumming on the arms with nervous fingers.

"I shall never go back there," he said again.

"Of course you know best, sir," said young Jacob, gently; "but would it be well to be precipitate? It is possible that you may feel differently some time – "

"There is no 'some time' for me!" broke in the old man, gripping the chair-arms, fiercely; "my time's done – done, sir!"

Then his voice broke and became plaintively kind.

"There, there! Forgive me, Jacob, boy. But it's true, my boy, true. The world's done, for me; but there's a world ahead for you, my son, thank God! I'll be patient – I'll be patient. God has been good to me, and I haven't many years to wait, in the course of nature."

He looked vacantly out of the window, trying to see the unforeseen with his mental sight.

"While I'm here, Jacob, let the old man have his way. It's a whimsey; I doubt 'tis hardly rational. But I have no heart to go home. Let me learn to live my life here. 'Twill be easier."

"But do you think it necessary to sell, sir? Could you not hold the house? Are you certain that you would like to have a stranger living there?"

"I care not a pin who lives within those four walls now, sir!" cried the elder, with a momentary return of his vehemence. "It's no house to me now. Sell it, sir, sell it! – if there's any one will give money for it at a time like this. Bring every stick of furniture and every stitch of carpet up here; and let me have my way, Jacob – it won't be for long."

He got up and went blindly out of the room, and his son heard him muttering, "Not for long – not for long, now," as he wandered about the house and went aimlessly into room after room.

Old Jacob Dolph had always been an indulgent parent, and none kinder ever lived. But we should hardly call him indulgent to-day. Good as he was to his boy, it had always been with the goodness of a superior. It was the way of his time. A half-century ago the child's position was equivocal. He lived by the grace of God and his parents, and their duty to him was rather a duty to society, born of an abstract morality. Love was given him, not as a right, but as an indulgence. And young Jacob Dolph, in all his grief and anxiety, was guiltily conscious of a secret thrill of pleasure – natural enough, poor boy! – in his sudden elevation to the full dignity of manhood, and his father's abdication of the headship of the house.

A little later in the day, urged again by the old gentleman, he put on his hat and went to see Abram Van Riper. Mr. Van Riper was now, despite his objections to the pernicious institution of country-houses, a near neighbor of the Dolphs. He had yielded, not to fashion, but to yellow fever, and at the very first of the outbreak had bought a house on the outskirts of Greenwich Village, and had moved there in unseemly haste. He had also registered an unnecessarily profane oath that he would never again live within the city limits.

When young Jacob Dolph came in front of the low, hip-roofed house, whose lower story of undressed stone shone with fresh whitewash, Mr. Van Riper stood on his stoop and checked his guest at the front gate, a dozen yards away. From this distance he jabbed his big gold-headed cane toward the young man, as though to keep him off.

"Stay there, sir – you, sir, you Jacob Dolph!" he roared, brandishing the big stick. "Stand back, I tell you! Don't come in, sir! Good-day, sir – good-day, good-day, good-day!" (This hurried excursus was in deference to a sense of social duty.) "Keep away, confound you, keep away – consume your body, sir, stay where you are!"

"I'm not coming any nearer, Mr. Van Riper," said Jacob Dolph, with a smile which he could not help.

"I can't have you in here, sir," went on Mr. Van Riper, with no abatement of his agitation. "I don't want to be inhospitable; but I've got a wife and a son, sir, and you're infectious – damn it, sir, you're infectious!"

"I'll stay where I am, Mr. Van Riper," said young Jacob, smiling again. "I only came with a message from my father."

"With a what?" screamed Mr. Van Riper. "I can't have – oh, ay, a message! Well, say it then and be off, like a sensible youngster. Consume it, man, can't you talk farther out in the street?"

When Mr. Van Riper learned his visitor's message, he flung his stick on the white pebbles of the clam-shell-bordered path, and swore that he, Van Riper, was the only sane man in a city of lunatics, and that if Jacob Dolph tried to carry out his plan he should be shipped straightway to Bloomingdale.

But young Jacob had something of his father's patience, and, despite the publicity of the interview, he contrived to make Mr. Van Riper understand how matters stood. To tell the truth, Van Riper grew quite sober and manageable when he realized that his extravagant imputation of insanity was not so wide of the mark as it might have seemed, and that there was a possibility that his old friend's mind might be growing weak. He even ventured a little way down the path and permitted Jacob to come to the gate while they discussed the situation.

"Poor old Dolph – poor old Jacob!" he groaned. "We must keep him out of the hands of the sharks, that we must!" He did not see young Jacob's irrepressible smile at this singular extension of metaphor. "He mustn't be allowed to sell that house in open market – never, sir! Confound it, I'll buy it myself before I'll see him fleeced!"

In the end he agreed, on certain strict conditions of precaution, to see young Jacob the next day and discuss ways and means to save the property.

"Come here, sir, at ten, and I'll see you in the sitting-room, and we'll find out what we can do for your father – curse it, it makes me feel bad; by gad, it does! Ten to-morrow, then – and come fumigated, young man, don't you forget that – come fumigated, sir!"

It was Van Riper who bought the property at last. He paid eighteen thousand dollars for it. This was much less than its value; but it was more than any one else would have given just at that time, and it was all that Van Riper could afford. The transaction weighed on the purchaser's mind, however. He had bought the house solely out of kindness, at some momentary inconvenience to himself; and yet it looked as though he were taking advantage of his friend's weakness. Abram Van Riper was a man who cultivated a clear conscience, of a plain, old-fashioned sort, and the necessity for self-examination was novel and disagreeable to him.

Life lived itself out at Jacob Dolph's new house whether he liked it or not. The furniture came up-town, and was somewhat awkwardly disposed about its new quarters; and in this unhomelike combination of two homes old Mr. Dolph sat himself down to finish his stint of life. He awoke each morning and found that twenty-four hours of sleep and waking lay before him, to be got through in their regular order, just as they were lived through by men who had an interest in living. He went to bed every night, and crossed off one from a tale of days of which he could not know the length.

Of course his son, in some measure, saved his existence from emptiness. He was proud of young Jacob – fond and proud. He looked upon him as a prince of men, which he was, indeed. He trusted absolutely in the young man, and his trust was well placed. And he knew that his boy loved him. But he had an old man's sad consciousness that he was not necessary to Jacob – that he was an adjunct, at the best, not an integral part of this younger existence. He saw Jacob the younger gradually recovering from his grief for the mother who had left them; and he knew that even so would Jacob some day recover from grief when his father should have gone.

He saw this; but it is doubtful if he felt it acutely. Nature was gradually dulling his sensibilities with that wonderful anæsthetic of hers, which is so much kinder to the patient than it is to his watching friends. After the first wild freak of selling the house, he showed, for a long time, no marked signs of mental impairment, beyond his lack of interest in the things which he had once cared about – even in the growth of the city he loved. And in a lonely and unoccupied man, sixty-five years of age, this was not unnatural. It was not unnatural, even, if now and then he was whimsical, and took odd fancies and prejudices. But nevertheless the work was going on within his brain, little by little, day by day.

He settled his life into an almost mechanical routine, of which the most active part was his daily walk down into the city. At first he would not go beyond St. Paul's churchyard; but after awhile he began to take timorous strolls among the old business streets where his life had been passed. He would drop into the offices of his old friends, and would read the market reports with a pretence of great interest, and then he would fold up his spectacles and put them in their worn leather case, and walk slowly out. He was always pleased when one of the younger clerks bowed to him and said, "Good-day, Mr. Dolph!"

It was in the fourth year of his widowhood that he bethought himself of young Jacob's need of a more liberal social life than he had been leading. The boy went about enough; he was a good deal of a beau, so his father heard; and there was no desirable house in the town that did not welcome handsome, amiable young Dolph. But he showed no signs of taking a wife unto himself, and in those days the bachelor had only a provisional status in society. He was expected to wed, and the whole circle of his friends chorused yearly a deeper regret for the lost sheep, as time made that detestable thing, an "old bachelor," of him.

Young Jacob was receiving many courtesies and was making no adequate return. He felt it himself, but he was too tender of his father's changeless grief to urge him to open the great empty house to their friends. The father, however, felt that it was his duty to sacrifice his own desire for solitude, and, when the winter of 1825 brought home the city's wandering children – there were not so many of the wandering sort in 1825 – he insisted that young Jacob should give a dinner to his friends among the gay young bachelors. That would be a beginning; and if all went well they would have an old maiden aunt from Philadelphia to spend the winter with them, and help them to give the dinner parties which do not encourage bachelorhood, but rather convert and reform the coy celibate.

The news went rapidly through the town. The Dolph hospitality had been famous, and this was taken for a signal that the Dolph doors were to open again. There was great excitement in Hudson Street and St. John's Park. Maidens, bending over their tambour-frames, working secret hopes and aspirations in with their blossoming silks and worsted, blushed, with faint speculative smiles, as they thought of the vast social possibilities of the mistress of the grand Dolph house. Young bachelors, and old bachelors, too, rolled memories of the Dolph Madeira over longing tongues.

The Dolph cellar, too, had been famous, and just at that period New Yorkers had a fine and fanciful taste in wine, if they had any self-respect whatever.

I think it must have been about then that Mr. Dominick Lynch began his missionary labors among the smokers and drinkers of this city; he who bought a vineyard in France and the Vuelta Abajo plantations in Cuba, solely to teach the people of his beloved New York what was the positively proper thing in wines and cigars. If it was not then, it could not have been much later that Mr. Dolph had got accustomed to receiving, every now and then, an unordered and unexpected consignment of wines or Havana cigars, sent up from Little Dock Street – or what we call Water Street now, the lower end of it. And I am sure that he paid Mr. Lynch's bill with glowing pride; for Mr. Lynch extended the evangelizing hand of culture to none but those of pre-eminent social position.

It was to be quite a large dinner; but it was noticeable that none of the young men who were invited had engagements of regrettable priority.

Jacob Dolph the elder looked more interested in life than he had looked in four years when he stood on the hearthrug in the drawing-room and received his son's guests. He was a bold figure among all the young men, not only because he was tall and white-haired, and for the moment erect, and of a noble and gracious cast of countenance, but because he clung to his old style of dress – his knee-breeches and silk stockings, and his long coat, black, for this great occasion, but of the "shadbelly" pattern. He wore his high black stock, too, and his snow-white hair was gathered behind into a loose peruke.

The young men wore trousers, or pantaloons, as they mostly called them, strapped under their varnished boots. Their coats were cut like our dress-coats, if you can fancy them with a wild amplitude of collar and lapel. They wore large cravats and gaudy waistcoats, and two or three of them who had been too much in England came with shawls or rugs around their shoulders.

They were a fashionable lot of people, and this was a late dinner, so they sat down at six o'clock in the great dining-room – not the little breakfast-room – with old Jacob Dolph at one end of the table and young Jacob Dolph at the other.

It was a pleasant dinner, and the wine was good, and the company duly appreciative, although individually critical.

Old Jacob Dolph had on his right an agreeable French count, just arrived in New York, who was creating a furor; and on his left was Mr. Philip Waters, the oldest of the young men, who, being thirty-five, had a certain consideration for old age. But old Jacob Dolph was not quite at his ease. He did not understand the remarkable decorum of the young men. He himself belonged to the age of "bumpers and no heel taps," and nobody at his board to-night seemed to care about drinking bumpers, even out of the poor, little, newfangled claret-glasses, that held only a thimbleful apiece. He had never known a lot of gentlemen, all by themselves, to be so discreet. Before the evening was over he became aware of the fact that he was the only man who was proposing toasts, and then he proposed them no more.

Things had changed since he was a young buck, and gave bachelor parties. Why, he could remember seeing his own good father – an irreproachable gentleman, surely – lock the door of his dining-room on the inside – ay, at just such a dinner as this – and swear that no guest of his should go out of that room sober. And his word had been kept. Times were changing. He thought, somehow, that these young men needed more good port in their veins.

Toward the end of the festivities he grew silent. He gave no more toasts, and drank no more bumpers, although he might safely have put another bottle or two under his broad waistcoat. But he leaned back in his chair, and rested one hand on the table, playing with his wineglass in an absent-minded way. There was a vague smile on his face; but every now and then he knit his heavy gray brows as if he were trying to work out some problem of memory. Mr. Philip Waters and the French count were talking across him; he had been in the conversation, but he had dropped out some time before. At last he rose, with his brows knit, and pulled out his huge watch, and looked at its face. Everybody turned toward him, and, at the other end of the table, his son half rose to his feet. He put the watch back in his pocket, and said, in his clear, deep voice: "Gentlemen, I think we will rejoin the ladies."

There was a little impulsive stir around the table, and then he seemed to understand that he had wandered, and a frightened look came over his face. He tottered backward, and swayed from side to side. Mr. Philip Waters and the Frenchman had their arms behind him before he could fall, and in a second or two he had straightened himself up. He made a stately, tremulous apology for what he called his "infelicitous absence of mind," and then he marched off to bed by himself, suffering no one to go with him.

A little while later in the evening, Mr. Philip Waters, walking down Broadway (which thoroughfare was getting to have a fairly suburban look), informed the French count that in his, Mr. Waters's, opinion, young Jacob Dolph would own that house before long.

Young Jacob Dolph's father insisted on repetitions of the bachelor dinner, but he never again appeared in the great dining-room. When there was a stag party he took his own simple dinner at five o'clock and went to bed early, and lay awake until his son had dismissed the last mild reveller, and he could hear the light, firm, young footstep mounting the stairs to the bedroom door opposite his own.

That was practically the end of it for old Jacob Dolph. The maiden aunt, who had been invited, was notified that she could not come, for Mr. Dolph was not well enough to open his house that winter. But it was delicately intimated to her that if he grew worse she might still be sent for, and that alleviated her natural disappointment. She liked to give parties; but there is also a chastened joy for some people in being at the head of a house of mourning.

Old Mr. Dolph grew no worse physically, except that he was inclined to make his daily walks shorter, and that he grew fonder of sitting at home in the little breakfast-room, where the sun shone almost all day long, and where Mrs. Dolph had once been fond of coming to sew. Her little square work-table of mahogany stood there still. There the old gentleman liked to dine, and often he dined alone. Young Jacob was in great demand all over town, and his father knew that he ought to go out and amuse himself. And the young man, although he was kind and loving, and never negligent in any office of respect or affection, had that strong youth in him which makes it impossible to sit every day of the week opposite an old man whose world had slipped by him, who knew nothing of youth except to love it and wonder at it.

In the morning, before he went out for his daily tramp into town, old Jacob would say to young Jacob:

"I suppose I shall see you at dinner, my boy?"

And young Jacob would say, "Yes, sir," or "No, sir, I think not. Mrs. Des Anges was in town yesterday, and she asked me to ride up there to-day and dine. And Diana" (Diana was his big black mare) "needs a little work; she's getting badly out of condition. So, if it doesn't matter to you, sir, I'll just run up there and get back before the moon sets."

And the father would answer that it didn't matter, and would send his best respects, through Mrs. Des Anges at King's Bridge, to Madam Des Anges at New Rochelle; and at night he would sit down alone to his dinner in the breakfast-room, served by old Chloe, who did her humble best to tempt his appetite, which was likely to be feeble when Master Jacob was away.

Master Jacob had taken to riding to King's Bridge of late. Sometimes he would start out early in the morning, just about the time when young Van Riper was plodding by on his way to the shop. Young Van Riper liked to be at the shop an hour earlier than his father. Old Mr. Dolph was always up, on these occasions, to see his son start off. He loved to look at the boy, in his English riding-boots and breeches, astride of black Diana, who pranced and curvetted up the unpaved road. Young Jacob had her well in hand, but he gave her her head and let her play until they reached Broadway, where he made her strike a rattling regular pace until they got well up the road; and then she might walk up Bloomingdale way or across to Hickory Lane.