Kitabı oku: «Kentucky Poems», sayfa 4

THE HEART O' SPRING

 
Whiten, oh whiten, O clouds of lawn!
Lily-like clouds that whiten above,
Now like a dove, and now like a swan,
But never, oh never – pass on! pass on!
Never so white as the throat of my love.
 
 
Blue-black night on the mountain peaks
Is not so black as the locks o' my love!
Stars that shine through the evening streaks
Over the torrent that flashes and breaks,
Are not so bright as the eyes o' my love!
 
 
Moon in a cloud, a cloud of snow,
Mist in the vale where the rivulet sounds,
Dropping from ledge to ledge below,
Turning to gold in the sunset's glow,
Are not so soft as her footstep sounds.
 
 
Sound o' May winds in the blossoming trees,
Is not so sweet as her laugh that rings;
Song o' wild birds on the morning breeze,
Birds and brooks and murmur o' bees,
Are harsh to her voice when she laughs or sings.
 
 
The rose of my heart is she, my dawn!
My star o' the east, my moon above!
My soul takes ship for the Avalon
Of her heart of hearts, and shall sail on
Till it anchors safe in its haven of love.
 

'A BROKEN RAINBOW ON THE SKIES OF MAY'

 
A broken rainbow on the skies of May,
Touching the dripping roses and low clouds,
And in wet clouds its scattered glories lost: —
So in the sorrow of her soul the ghost
Of one great love, of iridescent ray,
Spanning the roses dim of memory,
Against the tumult of life's rushing crowds —
A broken rainbow on the skies of May.
 
 
A flashing humming-bird among the flowers,
Deep-coloured blooms; its slender tongue and bill
Sucking the syrups and the calyxed myrrhs,
Till, being full of sweets, away it whirrs: —
Such was his love that won her heart's rich bowers
To give to him their all, their honied showers,
The bloom from which he drank his body's fill —
A flashing humming-bird among the flowers.
 
 
A moon, moth-white, that through long mists of fleece
Moves amber-girt into a bulk of black,
And, lost to vision, rims the black with froth: —
A love that swept its moon, like some great moth,
Across the heaven of her soul's young peace;
And, smoothly passing, in the clouds did cease
Of time, through which its burning light comes back —
A moon, moth-white, that moves through mists of fleece.
 
 
A bolt of living thunder downward hurled,
Momental blazing from the piled-up storm,
That instants out the mountains and the ocean,
The towering crag, then blots the sight's commotion: —
Love, love that swiftly coming bared the world,
The deeps of life, 'round which fate's clouds are curled,
And, ceasing, left all night and black alarm —
A bolt of living thunder downward hurled.
 

ORGIE

 
On nights like this, when bayou and lagoon
Dream in the moonlight's mystic radiance,
I seem to walk like one deep in a trance
With old-world myths born of the mist and moon.
 
 
Lascivious eyes and mouths of sensual rose
Smile into mine; and breasts of luring light,
And tresses streaming golden to the night,
Persuade me onward where the forest glows.
 
 
And then it seems along the haunted hills
There falls a flutter as of beautiful feet,
As if tempestuous troops of Mænads meet
To drain deep bowls and shout and have their wills.
 
 
And then I feel her limbs will be revealed
Like some great snow-white moth among the trees;
Her vampire beauty, waiting there to seize
And dance me downward where my doom is sealed.
 

REVERIE

 
What ogive gates from gold of Ophir wrought,
What walls of Parian, whiter than a rose,
What towers of crystal, for the eyes of thought,
Hast builded on far Islands of Repose?
Thy cloudy columns, vast, Corinthian,
Or huge, Ionic, colonnade the heights
Of dreamland, looming o'er the soul's deep seas;
Built melodies of marble, that no man
Has ever reached, except in fancy's flights,
Templing the presence of perpetual ease.
 
 
Oft, where o'er plastic frieze and plinths of spar, —
In glimmering solitudes of pillared stone, —
The twilight blossoms with one violet star,
With thee, O Reverie, I have stood alone,
And there beheld, from out the Mythic Age,
The rosy breasts of Cytherea – fair,
Full-cestused, and suggestive of what loves
Immortal – rise; and heard the lyric rage
Of sun-burnt Poesy, whose throat breathes bare
O'er leopard skins, fluting among his groves.
 
 
Oft, where thy castled peaks and templed vales
Cloud – like convulsive sunsets – shores that dream,
Myrrh-fragrant, over siren seas whose sails
Gleam white as lilies on a lilied stream,
My soul has dreamed. Or by thy sapphire sea,
In thy arcaded gardens, in the shade
Of breathing sculpture, oft has walked with thought,
And bent, in shadowy attitude, its knee
Before the shrine of Beauty that must fade
And leave no memory of the mind that wrought.
 
 
Who hath beheld thy caverns where, in heaps,
The wines of Lethe and Love's witchery,
In sealéd Amphoræ a sibyl keeps,
World-old, for ever guarded secretly? —
No wine of Xeres or of Syracuse!
No fine Falernian and no vile Sabine! —
The stolen fire of a demigod,
Whose bubbled purple goddess feet did bruise
In crusted vats of vintage, where the green
Flames with wild poppies, on the Samian sod.
 
 
Oh, for the deep enchantment of one draught!
The reckless ecstasy of classic earth! —
With godlike eyes to laugh as gods have laughed
In eyes of mortal brown, a mighty mirth.
Of deity delirious with desire!
To breathe the dropping roses of the shrines,
The splashing wine-libation and the blood,
And all the young priest's dreaming! To inspire
My eager soul with beauty, 'til it shines
An utt'rance of life's loftier brotherhood!
 
 
So would I slumber in the old-world shades,
And Poesy should touch me, as some bold
Wild bee a pulpy lily of the glades,
Barbaric-covered with the kernelled gold;
And feel the glory of the Golden Age
Less godly than my purpose, strong to dare
Death with the pure immortal lips of love:
Less lovely than my soul's ideal rage
To mate itself with Music and declare
Itself part meaning of the stars above.
 

LETHE

I

 
There is a scent of roses and spilt wine
Between the moonlight and the laurel coppice;
The marble idol glimmers on its shrine,
White as a star, among a heaven of poppies.
Here all my life lies like a spilth of wine.
There is a mouth of music like a lute,
A nightingale that singeth to one flower;
Between the falling flower and the fruit,
Where love hath died, the music of an hour.
 

II

 
To sit alone with memory and a rose;
To dwell with shadows of whilom romances;
To make one hour of a year of woes
And walk on starlight, in ethereal trances,
With love's lost face fair as a moon-white rose.
To shape from music and the scent of buds
Love's spirit and its presence of sweet fire,
Between the heart's wild burning and the blood's,
Is part of life and of the soul's desire.
 

III

 
There is a song to silence and the stars,
Between the forest and the temple's arches;
And down the stream of night, like nenuphars,
The tossing fires of the revellers' torches. —
Here all my life waits lonely as the stars. —
Shall not one hour of all those hours suffice
For resignation God hath given as dower?
Between the summons and the sacrifice
One hour of love, th' eternity of an hour?
 

IV

 
The shrine is shattered and the bird is gone;
Dark is the house of music and of bridal;
The stars are stricken and the storm comes on;
Lost in a wreck of roses lies the idol,
Sad as the memory of a joy that's gone. —
To dream of perished gladness and a kiss,
Waking the last chord of love's broken lyre,
Between remembering and forgetting, this
Is part of life and of the soul's desire.
 

DIONYSIA

 
The day is dead; and in the west
The slender crescent of the moon —
Diana's crystal-kindled crest —
Sinks hillward in a silvery swoon.
What is the murmur in the dell?
The stealthy whisper and the drip?
A Dryad with her leaf-light trip?
A Naiad o'er her fountain well? —
Who with white fingers for her comb,
Sleeks her blue hair, and from its curls
Showers slim minnows and pale pearls,
And hollow music of the foam.
What is it in the vistaed ways
That leans and springs, and stoops and sways? —
The naked limbs of one who flees?
An Oread who hesitates
Before the Satyr form that waits,
Crouching to leap, that there she sees?
Or under boughs, reclining cool,
A Hamadryad, like a pool
Of moonlight, palely beautiful?
Or Limnad, with her lilied face,
More lovely than the misty lace
That haunts a star and gives it grace?
Or is it some Leimoniad
In wildwood flowers dimly clad?
Oblong blossoms white as froth,
Or mottled like the tiger-moth;
Or brindled as the brows of death,
Wild of hue and wild of breath:
Here ethereal flame and milk
Blent with velvet and with silk;
Here an iridescent glow
Mixed with satin and with snow:
Pansy, poppy and the pale
Serpolet and galingale;
Mandrake and anemone,
Honey-reservoirs o' the bee;
Cistus and the cyclamen, —
Cheeked like blushing Hebe this,
And the other white as is
Bubbled milk of Venus when
Cupid's baby mouth is pressed,
Rosy to her rosy breast.
And, besides, all flowers that mate
With aroma, and in hue
Stars and rainbows duplicate
Here on earth for me and you.
 
 
Yea! at last mine eyes can see!
'Tis no shadow of the tree
Swaying softly there, but she! —
Mænad, Bassarid, Bacchant,
What you will, who doth enchant
Night with sensuous nudity.
Lo! again I hear her pant
Breasting through the dewy glooms —
Through the glow-worm gleams and glowers
Of the starlight; – wood-perfumes
Swoon around her and frail showers
Of the leaflet-tilted rain.
Lo! like love, she comes again
Through the pale voluptuous dusk,
Sweet of limb with breasts of musk.
With her lips, like blossoms, breathing
Honeyed pungence of her kiss,
And her auburn tresses wreathing
Like umbrageous helichrys,
There she stands, like fire and snow,
In the moon's ambrosial glow,
Both her shapely loins low-looped
With the balmy blossoms, drooped,
Of the deep amaracus.
Spiritual, yet sensual,
Lo, she ever greets me thus
In my vision; white and tall,
Her delicious body there, —
Raimented with amorous air, —
To my mind expresses all
The allurements of the world.
And once more I seem to feel
On my soul, like frenzy, hurled
All the passionate past. – I reel,
Greek again in ancient Greece,
In the Pyrrhic revelries;
In the mad and Mænad dance;
Onward dragged with violence;
Pan and old Silenus and
Faunus and a Bacchant band
Round me. Wild my wine-stained hand
O'er tumultuous hair is lifted;
While the flushed and Phallic orgies
Whirl around me; and the marges
Of the wood are torn and rifted
With lascivious laugh and shout.
And barbarian there again, —
Shameless with the shameless rout,
Bacchus lusting in each vein, —
With her pagan lips on mine,
Like a god made drunk with wine,
On I reel; and in the revels
Her loose hair, the dance dishevels,
Blows, and 'thwart my vision swims
All the splendour of her limbs…
 
 
So it seems. Yet woods are lonely.
And when I again awake,
I shall find their faces only
Moonbeams in the boughs that shake;
And their revels, but the rush
Of night-winds through bough and brush.
Yet my dreaming – is it more
Than mere dreaming? Is a door
Opened in my soul? a curtain
Raised? to let me see for certain
I have lived that life before?
 

THE NAIAD

 
She sits among the iris stalks
Of babbling brooks; and leans for hours
Among the river's lily flowers,
Or on their whiteness walks:
Above dark forest pools, gray rocks
Wall in, she leans with dripping locks,
And listening to the echo, talks
With her own face – Iothera.
 
 
There is no forest of the hills,
No valley of the solitude,
Nor fern nor moss, that may elude
Her searching step that stills:
She dreams among the wild-rose brakes
Of fountains that the ripple shakes,
And, dreaming of herself, she fills
The silence with 'Iothera.'
 
 
And every wind that haunts the ways
Of leaf and bough, once having kissed
Her virgin nudity, goes whist
With wonder and amaze.
There blows no breeze which hath not learned
Her name's sweet melody, and yearned
To kiss her mouth that laughs and says,
'Iothera, Iothera.'
 
 
No wild thing of the wood, no bird,
Or brown or blue, or gold or gray,
Beneath the sun's or moonlight's ray,
That hath not loved and heard;
They are her pupils; she can say
No new thing but, within a day,
They have its music, word for word,
Harmonious as Iothera.
 
 
No man who lives and is not wise
With love for common flowers and trees,
Bee, bird, and beast, and brook, and breeze,
And rocks and hills and skies, —
Search where he will, – shall ever see
One flutter of her drapery,
One glimpse of limbs, or hair, or eyes
Of beautiful Iothera.
 

THE LIMNAD

I

 
The lake she haunts gleams dreamily
'Twixt sleepy boughs of melody,
Set 'mid the hills beside the sea,
In tangled bush and brier;
Where the ghostly sunsets write
Wondrous things in golden light;
And above the pine-crowned height,
Clouds of twilight, rosy white,
Build their towers of fire.
 

II

 
'Mid the rushes there that swing,
Flowering flags where voices sing
When low winds are murmuring,
Murmuring to stars that glitter;
Blossom-white, with purple locks,
Underneath the stars' still flocks,
In the dusky waves she rocks,
Rocks, and all the landscape mocks
With a song most sweet and bitter.
 

III

 
Soft it sounds, at first, as dreams
Filled with tears that fall in streams;
Then it soars, until it seems
Beauty's very self hath spoken;
And the woods grow silent quite,
Stars wax faint and flowers turn white;
And the nightingales that light
Near, or hear her through the night,
Die, their hearts with longing broken.
 

IV

 
Dark, dim and sad o'er mournful lands,
White-throated stars heaped in her hands,
Like wildwood buds, the Twilight stands,
The Twilight dreaming lingers;
Listening where the Limnad sings
Witcheries, whose beauty brings
A great moon from hidden springs,
Pale with amorous quiverings
Feet of fire and silvery fingers.
 

V

 
In the vales Auloniads,
On the mountains Oreads,
On the leas Leimoniads,
Naked as the stars that glisten,
Pan, the Satyrs, Dryades,
Fountain-lovely Naiades,
Foam-lipped Oceanides,
Breathless 'mid their seas and trees,
Stay and stop and lean and listen.
 

VI

 
Large-eyed, Siren-like she stands,
In the lake or on its sands,
And with rapture from the hands
Of the Night some stars are shaken;
To her song the rushes swing,
Lilies nod and ripples ring,
Lost in helpless listening —
These will wake that hear her sing,
But one mortal will not waken.
 

INTIMATIONS

I

 
Is it uneasy moonlight
On the restless field, that stirs?
Or wild white meadow-blossoms
The night-wind bends and blurs?
 
 
Is it the dolorous water,
That sobs in the woods and sighs?
Or heart of an ancient oak-tree,
That breaks and, sighing, dies?
 
 
The wind is vague with the shadows
That wander in No-Man's Land;
The water is dark with the voices
That weep on the Unknown strand.
 
 
O ghosts of the winds that call me!
O ghosts of the whispering waves!
As sad as forgotten flowers
That die upon nameless graves!
 
 
What is this thing you tell me
In tongues of a twilight race,
Of death, with the vanished features,
Mantled, of my own face?
 

II

 
The old enigmas of the deathless dawns
And riddles of the all immortal eves, —
That still o'er Delphic lawns
Speak as the gods spoke through oracular leaves —
I read with new-born eyes,
Remembering how, a slave;
They buried me, a living sacrifice,
Once in a dead king's grave.
 
 
Or crowned with hyacinth and helichrys,
How, towards the altar in the marble gloom, —
Hearing the magadis
Dirge through the pale amaracine perfume, —
'Mid chanting priests I trod,
With never a sigh or pause,
To give my life to pacify a god,
And save my country's cause.
 
 
Again: Cyrenian roses on wild hair,
And oil and purple smeared on breasts and cheeks,
How, with mad torches there, —
Reddening the cedars of Cithæron's peaks, —
With gesture and fierce glance,
Lascivious Mænad bands
Once drew and slew me in the Pyrrhic dance,
With Bacchanalian hands.
 

III

 
In eons of the senses,
My spirit knew of yore,
I found the Isle of Circe
And felt her magic lore;
And still the soul remembers
What I was once before.
 
 
She gave me flowers to smell of
That wizard branches bore,
Of weird and sorcerous beauty,
Whose stems dripped human gore —
Their scent when I remember
I know that world once more.
 
 
She gave me fruits to eat of
That grew upon the shore,
Of necromantic ripeness,
With human flesh at core —
Their taste when I remember
I know that life once more.
 
 
And then, behold! a serpent,
That glides my face before,
With eyes of tears and fire
That glare me o'er and o'er —
I look into its eyeballs,
And know myself once more.
 

BEFORE THE TEMPLE

I

 
All desolate she sate her down
Upon the marble of the temple's stair.
You would have thought her, with her eyes of brown,
Flushed cheeks and hazel hair,
A dryad dreaming there.
 

II

 
A priest of Bacchus passed, nor stopped
To chide her; deeming her – whose chiton hid
But half her bosom, and whose girdle dropped —
Some grief-drowned Bassarid,
The god of wine had chid.
 

III

 
With wreaths of woodland cyclamen
For Dian's shrine, a shepherdess drew near,
All her young thoughts on vestal beauty, when —
She dare not look for fear —
Behold the goddess here!
 

IV

 
Fierce lights on shields of bossy brass
And helms of gold, next from the hills deploy
Tall youths of Argos. And she sees him pass,
Flushed with heroic joy,
On towards the siege of Troy.