Kitabı oku: «The Feast of Love», sayfa 2
TWO
EVERY RELATIONSHIP HAS at least one really good day. What I mean is, no matter how sour things go, there’s always that day. That day is always in your possession. That’s the day you remember. You get old and you think: well, at least I had that day. It happened once. You think all the variables might just line up again. But they don’t. Not always. I once talked to a woman who said, “Yeah, that’s the day we had an angel around.”
I DON’T THINK that Kathryn and I had been married more than about two months when this event I’m about to describe occurred. About five years ago, we were living in a little basement apartment, and we both were working two jobs. She had a part-time job at the library during the day and she was waiting tables at night. I was the day manager at a coffee shop—not the place where I am now—and getting headaches from the overhead lighting, and I was also doing some house painting, but it was late autumn and the work came in fits and starts.
Kathryn was strong and spirited, she once even threw a chair at me, but she had one fear. She was profoundly afraid of dogs. And not because she had ever been bitten. She claimed she hadn’t been bitten. No: it was just that when she saw one of these animals, on or off a leash, walking toward her, the hair on the back of her neck stood up. What you might call primal terror. She had no idea of the source of this fear. She just wanted to run away. I once saw her gallop down a steep hill in the Arboretum to escape a dog, a German shepherd puppy that had trotted up to her, its tail wagging, for a head pat. When I caught up to her, she was crying. “I don’t ever want to come back here again,” she said. “I can’t bear it.”
“It was a puppy, Kathryn,” I told her.
“I don’t care what it was. None of that matters,” she said. I had my arms around her, but then she turned so that she broke free of my embrace. She ran back to our car and locked herself inside, and I had to beg her to let me in. Man, I had to beg. And I ain’t too proud to beg. She had had her hair pinned up, but in her panic it had fallen down around her face, little tendrils, and her face was blotched with her crying. God, you know I hate to say it, but she was gorgeous like that, and I would have liked to help her. You need to do something for people when they get terrified, but terror is usually so vague, you can’t talk it out of anyone. What are you going to do when it doesn’t matter what you say?
But it’s a funny thing about other people’s phobias, when you don’t share them: you pick at them, like a scab. You want to remove them.
So on this day I’m telling you about, we were both free of our jobs, Kathryn and I, one of those late autumn midwestern Sundays, with a few golden leaves still attached to the trees, you know, last remnants, leaves soaked with cold rain and sticking to the car windshield or clinging to the branches they came from. She woke up and we made love and I said, I’ll make you breakfast, and I did, my specialty, scrambled eggs with onions and hot sauce, and then I made coffee, while she sat at the table, smiling, with her legs tucked under her. That was something she did. She sat in chairs with her legs tucked under her like that.
We lazed around and read the Sunday paper and I massaged her neck and then we made love again, and then she said, “I want to go somewhere. Toadie, take me somewhere today, please?” So I said, Okay, sure. We got dressed for the second or third time that day, and we cleared off the pizza boxes from the front seat of my car, do you remember it? that old Ford Escort with the bad clutch? and we drove off. By this time it was about noon, maybe a bit after that.
Without considering what I was doing, I found myself driving up toward the Humane Society, and I thought, the Humane Society? No, I really shouldn’t be doing this, but I kept driving because I was distracted by the leaves and by a knocking noise from the engine, which turned out to be the lifters, though I only discovered that later.
“Uh, excuse me, but where’re we going?” Kathryn asked.
“Up there,” I said in my cryptic secretive way. I did have those kennels and cages in mind but thought I should keep quiet about it. You can’t tell some women everything. You just can’t. Once we arrived, we parked in the lot, close to this animal bunker that the Humane Society is housed in, and you could hear the barking echoing off the walls and the trees. My God, could you hear it. A deaf person could hear it. It’s constant and unrelenting. When they’re in that condition, dogs have a kind of howl that’s close to human, and it makes your body grip up; your nerves get restless and uneasy, listening to dogs crying out, carrying on. The old alarms seep down into your bones, right into the marrow where fear is lodged. And what I did in the car was, I sneezed, and Kathryn watched me sneeze without saying anything. No gesundheit, no God bless you, no nothing. She let me sneeze. Then she waited some more. I waited, too.
“Is this what I think it is?” she asked. “Is this your great idea of where to take me on Sunday, our day off? Because, the thing is, I’m not going in there.”
“Kathryn,” I said, “it’s the Humane Society. They’re in cages.”
“No, Bradley,” she said. “I won’t. You probably mean well, probably, I’ll give you credit, but, no, I won’t go in there.”
“I’ll hold you,” I said.
“Hold me?”
“Honey, I’ll hold you around the shoulders. And I have an idea. Kathryn, I have an idea about what you should do when you get inside.”
“I don’t care what your idea is.”
“I know it. I know you don’t care. But let’s try. Come on, honey,” I said, and I took her hand for a moment. After we got out of the car, I could tell she was terrified because her knees were shaking. Have you ever seen a woman’s knees in a spasm? From fear? It is not a sight that lifts you up.
In the anteroom, which I remember because the floor was covered with green-mottled linoleum and also because the air was fragrant with a mixture of Lysol and Mr. Clean, the receptionist asked us what we were there for, and I said, well, we, that is, Kathryn and I, thought it was a little early to start a child, but maybe we could manage a dog. We were contemplating adopting a dog, I said, and Kathryn made a little sound, a sort of glottal grunt of apprehension, or a groan, but quietly, so that only I heard it. Guttural. And the receptionist, this young red-haired woman in a yellow jumpsuit, said, Well, it’s fortunate for you that these are visiting hours, so you can just go through that door there, and then turn to the left, and proceed down the hallway, and you’ll see them, the dogs I mean, because they’ll be on both sides. And if you want anything, you just come back and let me know.
So I put my right arm around Kathryn’s shoulders, and we went in through that door and down the hallway. It wasn’t very well lit. Bare bulbs screwed into the ceiling showered raw light downward so that the place looked like an aging army barracks. I don’t know what I was expecting. The floors were cement, so they could clean them easily of waste matter, and our shoes, our running shoes, were squeaking over that surface.
You can’t imagine the noise. They were all barking and howling and yapping, these dogs of every size, pure dog-desperation, muttmania, an army of refugee dogs, and we marched down that hallway between the cages, being roared at, like these dogs were screaming Save us save us, and I held on to Kathryn, and then we walked back, with me still holding on, and then we walked down the hallway a third time, and Kathryn said, “You can let go of me now,” so I did. I let go of her.
We kept walking back and forth. We weren’t about to get a dog. No. That wasn’t ever the idea, despite what I had said. We were just there, walking up and down that aisle at the Humane Society, for Kathryn’s benefit, and after about the fifth time it felt as if we were on inspection, in the dog barracks. Not all the dogs quieted down, but some of them did, and when they did, we began to peer at them, which we really hadn’t done before when they were making a racket and they were just generic dogs.
It’s when you start looking at dogs that you begin to notice their faces. Is that the word? Faces? Muzzles? And after all in a Humane Society they’re mostly mutts, so you don’t have anything like a breed to distract you, except for Dalmatians, because people are always buying Dalmatians, thinking that they’re cute, and then they get rid of them because they can’t stand how difficult and dumb they are. You do notice all the Dalmatians in the Humane Society.
Kathryn was still a bit scared, but by this time she was noticing their expressions. I didn’t prompt her. I didn’t say anything. And soon she said, I’ll bet that one likes a party. And I’d bet that one’s a bully. That one’s kind of stupid but has a good sense of humor. And that one, he’s a recluse. That one’s a pack animal. That one there, she’s stubborn and independent. That one likes to ride in cars. That one thinks all day about food.
She had her index finger pointed at them. And then she started to name them.
You’re Otis.
You’re Sophie.
You’re Lester.
You’re Duffy.
You’re Gordon.
You’re Daisy.
You’re Waverly.
And you, you handsome fellow, she said, pointing down at a dog on the other side of the bars, you, you’re Bradley.
There was a dog there, I admit it, that looked a lot like me, like my brother or cousin, these sort of eyes I have, and its voice was just like mine, a rumble, phlegmy, you know, but strong and commanding like my voice is. Brownish fur like mine, and friendly, like me, but prone to harmless manias, also like me, you could just tell.
And the thing was, as Kathryn was doing this, as she was naming the dogs, going up and down the aisles, something quite amazing happened. One by one, the dogs stopped barking. They just quit. At first I didn’t think it was happening, I thought it had to do with my hearing, you know, what do they call it, tinnitus, but it wasn’t that. The dogs were really going quiet. Kathryn would point at them, one at a time, at one dog, and give it a name—you’re Inez—and the dog would look at her, and after a moment or two it—Inez the dog—would clam up. And before very long, it grew really quiet in there, maybe a yip or two now and then, but otherwise no sound. As if, all that time, all they had wanted was a name. It was spooky.
“I think we had better leave now,” Kathryn said. I took her hand and we went back out to the car.
But before we got to the car the red-haired receptionist in the jumpsuit said, “What happened? What the hell did you do in there?” and she went rushing back toward the kennels, and the dogs started howling again, crying out to heaven as we unlocked the car and backed out of the parking lot and pulled out onto the road. We were gone, we were erased from the Humane Society. Meanwhile, the sky had mottled over with clouds.
We lived in a cheap place in one of those student neighborhoods, an old building, really antiquated, one cigarette would have set it afire instantly. I was driving, rushing back to our old building and that apartment, feeling gleeful, and at first Kathryn was annoyed that I had taken her there to see the dogs, you know, paternalistic or patriarchal or something equally criminal, but then she changed her mind, and in her excitement was actually bouncing on the seat, her legs tucked under her, and she said, “I’m still scared of them, but, Jesus, Brad, I was inspired. Those were really their names! I gave them the right names. I knew exactly what to call them.”
“There’s no such thing as the right name for a dog,” I said. “It’s all arbitrary. A name is arbitrary.”
“No, it isn’t,” she insisted. “There are okay names, approximate names, but there’s one correct one, and I hit it every time.”
And I thought: Well, I dunno, who cares, maybe she’s right, why argue. We got home, and we sat down on the sofa together, and she looked so beautiful in the blue sweatshirt and the blue jeans she was wearing, no socks, just her sneakers, these rags, these gorgeous rags that she had made beautiful by wearing them, and the cap she had on, her gray eyes, the delicate way she moved, and in a sudden heedless rush I said, “Kathryn, I love you,” and she nodded, she acknowledged it, she didn’t say she loved me but I didn’t care and didn’t even notice that she hadn’t said anything in return until about four weeks later when she moved out. But on that day, she leaned into me. We held on to each other. Clutching. We must have stayed together in one posture just holding each other, there on the sofa, for maybe an hour. When you’re in love you don’t have to do a damn thing. You can just be. You can just stay quiet in the world. You don’t have to move an inch.
Then eventually she said, “Look. It’s snowing.”
We disentangled ourselves and got up together and walked over to the window. The air had been abruptly filled, every square inch, with snowflakes, and I thought of how peaceful it was, even though the snow was just this humble artifact. “This is our first snow,” I said aloud, thinking that we would have many more years of seeing it together, that we would stand in front of windows year after year, watching the first snow, the two of us, watching the wind swirl it, then watching the spring storms, watching the snow melting and the water rushing down into the storm drains. From now and then onward into forever, this would happen. We would watch our children playing in the melting snow, splashing in the puddles. After we died, we would still be seeing everything together, Kathryn and me. Into eternity, I thought. Death would be a trivial event as long as I loved her.
She must have thought she loved me, too, because she wanted to cook a dinner for me, which she did, a quick Stroganoff, and then afterward, while I was doing the dishes, she was still sitting at the table, and she started to sing.
I had never heard her sing before. I didn’t know she could sing. I don’t think she knew that she could sing. She had a small, a very small, but a sweet voice, and in this small sweet voice she sang two songs, I guess the only ones she could think of at that moment, very slow and sultry, “You Are My Sunshine” and “Stairway to Heaven.”
Then in bed, later, she sang the Michigan fight song, “Hail to the Victors.” Softly and slowed down, in my ear. As a love song. You know: the way you’d sing to a winner. Because after all, I had won her, somehow.
Outside, the snow went on falling.
For days afterward I went back secretly to the Humane Society. I went back there and gazed at the dogs in their pens. I would look at all the dogs that Kathryn had named. Also I was looking for the Labrador-retriever-collie mix she had named Bradley. After me. Finally I went in and said I wanted him, and they turned him over to me, but only after they neutered him and gave him his shots. I persuaded my sister, Agatha, and her husband, Harold, to keep him for a while until I had convinced Kathryn about the wisdom of having a dog. I just knew I could talk her into it. I took Bradley up north, wagging and slobbering in the backseat, and left him with Agatha.
Back at the Humane Society week by week the other dogs were gone, one by one they disappeared, replaced by new dogs. The old dogs—the dogs that Kathryn had named—had found homes, I liked to think, where they were fed and housed and taken care of, but where they were occasionally unhappy about one thing, which was that they had the wrong name. The name they were supposed to have had been lost, and their owners had given them bogus names, childish names, lousy standard-issue dog names like Buster and Rover and Rex. The only dog who had the right name was Bradley, a name that he and I had to share.
Once in a while I would see a dog out on the street, and I would recognize it from the Humane Society, and I knew that it had seen us, Kathryn and me, two people in love, walking up and down between the cages, holding each other. It had seen that but didn’t or couldn’t remember. I was the person who remembered.
Now there’s Bradley the person, me, and Bradley the dog, him.
You know, that day was perfect. A breath of sweetness. That’s a phrase I would never use in real life, but I just used it. You can laugh at my wording if you want to, you can laugh at the names I have for things, I know you do that, but I’ll think of that day from now on as a perfect day. A breath of sweetness.
What I’m saying is: that day was here and then it was gone, but I remember it, so it exists here somewhere, and somewhere all those events are still happening and still going on forever. I believe that.
THREE
“DID HE TELL YOU about the dogs?”
“Well, yes. He did.”
“And he said that I was afraid of dogs and that he drove me to the Humane Society?”
“That was the gist of it.”
“Did he make fun of me?”
“Oh no, Kathryn, he didn’t. Certainly not. No—he didn’t do anything like that at all.”
“Well, you wouldn’t tell me if he had. Anything else? Did he tell you anything else about us?”
“He said you two were broke in those days. You worked in a library part-time. He said that you gave names to the dogs, the ones at the Humane Society. You named the dogs one by one, he said. The way he described it, what you did sounded like a blessing.”
“He told you that? I don’t remember naming anybody or anything. I believe that he may have imagined the entire episode. We did go to the Humane Society once. I do remember all those animals. The barking. But I think we just walked in and then walked out without anything like an event, any sort of story, happening there. We had both been at the Botanical Gardens and we heard the dogs making a ruckus nearby, and we went over to investigate. The rest is probably imaginary. I’m certain he made it up.”
“I suppose he might have,” I tell her.
“This is all so weird,” she says. “Your calling me out of the blue and asking me about some encounter that Bradley and I had years ago. Aren’t those matters personal? I think maybe they should be. I realize that nothing stays hidden anymore but I’d still like to keep a few domestic particulars private. Especially when it comes to my love life. Such as it is. I can’t imagine why anybody else would be interested in who I love or how I loved them.”
“Oh, everyone’s interested in that. Besides, I’d change your name. You could retain your privacy.”
“That’s not quite what I’m getting at,” she says. “My marriage with him failed. So it’s not a matter of pride exactly. I switched partners, but doing that is very difficult and taxing in ways you don’t anticipate. Especially when you do it the way I did. It changes your views of yourself and who you are. You said you’re a writer. Have you ever read Schnitzler’s La Ronde?”
“Yes, sure.”
“Then you remember what it’s about. Changing partners. You should reread it. I acted in it once when I was a sophomore.” She waits for a moment, as if imagining it. “I played a housemaid. There was a pantomime lovemaking scene on stage between me and ‘the young gentleman.’ That was fun.”
“Well, maybe you have a story of your own,” I suggest. “About what happened to you.”
“I have lots of stories,” she says. “But they’re not the sort you give away, you know … and I don’t tell them to just anybody. What did you say your name was again?”
I tell her.
“I honestly don’t remember ever meeting you. I’ve never heard of you. Did we ever meet? And this is for a book you’re writing, Charlie?”
“Sort of.”
“You aren’t going to post this whole deal on the Internet, are you?”
“No.”
“Thank God. Who are you anyway? Could you please explain that again, that who-you-are thing?”
I try to spell out to her who I am. It’s not easy, summarizing yourself on the telephone to a stranger. Before I’m finished, she breaks in. “All right. I think I get the idea,” she says. “Okay. That’s enough. You want a story? I’ll give you one. But then you have to promise me not to bother me anymore. Are you writing this down?”
“Yes.”
“Oh. The thing is, you’re appealing to my vanity. I suppose I always wanted to appear in someone’s book, and I guess this is my chance. I can be a literary entity. Up there with Mrs. Danvers and Huck Finn and imaginary people like that. But you’ll just have to understand that I’ll only do this once. Then you can’t call me again. I’m going to check on you before I talk to you again to make sure that you really are who you say you are. A woman in my position has to be careful. To start with, I don’t remember you from my Bradley days. You could be anybody.”
“Of course. That’s right. I could be anybody.”
“But if you check out, this is where I’ll meet you.” And she gives me the name of the coffee shop where Bradley is the manager, Jitters, and she also gives me a time.
When I get there, I am served by a woman whose name tag identifies her as Chloé. Kathryn orders a café latte, sizes me up, then begins to speak.
CHARLIE, I’LL START with a generalization here that maybe only applies to me. Maybe. Please don’t be too offended. I always found it a challenge to love men. At first I just thought I had to, that I had no choice. I thought that men in general—I’d really rather not say this—were unlovable. But I mean, look at them. If you’re a man you probably may not realize how they are. Amazing when any woman can stay married to one of them. Most of the ones I’ve known are bossy, or passive and obsessive, the men I mean, and after the age of twenty-five or so they are by most standards not beautiful. If one of them happens to be easy on the eyes, he gets hired by the photogenic industry. Beauty is not part of the show they do, most of the ones I’ve known. So you have to cross that off the list of accountables right away. And you’re left with their behavior.
They sulk, men, so many of them. They bear grudges and they get violent almost as a hobby, the ones I’ve known. Didn’t you realize this? Ask around. As a gender they’re—you’re—always scheming or at least they seem to be scheming because they never ever tell you what’s on their minds. The sample I’ve had. They just sit there day after day and they brood. After the brooding, then the firepower. Well, I know these are generalizations, but I don’t care, because they’re my generalizations, so I don’t have to prove them, which is exciting.
I will say that the one feature I like about men is that they can usually figure out how small appliances work. They’re good at fixing this and that. But that competence doesn’t lead to passion, just to gainful employment. Of course I’m only using the case studies here of the men I have happened to know in my brief lifetime. But a sample is a sample and what I’m describing to you is what I have observed.
They get to you in the small ways. They have their little bag of tricks. You take Bradley. In high school he sat behind me or next to me in English and biology. He was above average whenever he studied, which wasn’t that often because Bradley wasn’t and isn’t particularly studious. While everybody else was taking notes or being rowdy, Bradley was drawing sketches in his notebooks. Of me. Day in and day out he did pencil drawings of me in detail on paper. Even if his eyes were too large or too direct, he was a good-looking boy in those days when he remembered to comb his hair and to shave, and you should have seen the sketches he did of me. A few of them were confiscated by the teachers. Whenever they managed to steal a peek at what he was doing, the other girls were agog that he loved me so much. Everyone thought we were terrible sweethearts. Jesus. I never knew what I had done to attract his attention. In his hands a picture of a woman could often be more beautiful or arresting than the woman herself. It was hurtful, how beautiful he made me. I thought: that’s me? I was just Kathryn before but in his sketches of me I was a miracle. I was extraordinary. I just couldn’t get over what he did to me.
Do you understand what I’m saying? He confused me in the way that a lot of women get confused. He had a system going with these sketches so that if he happened to be distorting my beauty by making me more attractive than I actually was, I never had the brains or the wit to notice it. These pictures pretended to be mere records of my looks, standing or sitting or gazing downward in thought, but they undermined me. If somebody makes you beautiful or says you’re pretty and then repeats it insistently, you become his victim. He wasn’t always detailed about my eyes but I didn’t notice that at the time. That was my mistake. I should have noticed. Remember Picasso’s trouble with Gertrude Stein’s eyes in that portrait he did of her? Rembrandt’s portrait of himself in old age—I saw it in London—is as terrific as it is because of what he knew about his own eyes. Go look. Bradley didn’t know anything about my eyes and therefore avoided them. They’re not really in the pictures.
But because these Bradley-drawn pictures were celebrating me I fell in love with the pictures and then in a standard move I fell in love with the guy himself as the creator of the images in which a beautified version of me appeared. He drew one very elaborate sketch of me riding a horse that just about took the breath out of me. I was both beautiful and muscled, like the horse. A naked woman on a horse, two animals. I thought: if he can see me this way, then what else would I ever need?
Well, much else is necessary, believe me. He only loved his love for me and the pictures he was drawing. He loved those two. He loved the feeling he was having. I was a mere accessory to the feeling.
Loving him was extremely tricky because he was inaccessible in a sort of wacky way. Like so many of these twenty-something guys he was a perpetual traveler in outer space. What are you guys looking for out there? Trysts with aliens? I don’t get it. Never have. He was one of those men who could talk articulately about anything—food or movies or music or current events—but you could discern in the middle of his conversation that he had commenced to brood about something else that was not making its way into the mix. Right at the table he’d disappear on you and you couldn’t get him back. When he made love to me, he had this absentminded sex mannerism going on that eventually drove me crazy. And I don’t mean how, with sex, personality has to give way to your desire. That’s why it’s so hard to talk when you’re engaged physically.
Silent physical passion would have been just fine. But I felt insulted after a while: he made love the way you would drive a car to work. Autopilot stuff. Short-little-span-of-attention stuff. What I mean is that he was hardly in the same room with me when we were in bed together. He didn’t notice enough how I was reacting. It was boorish. He hummed while he was doing it, as if he were changing a light bulb. If he could concentrate on me in the pictures, then why couldn’t he concentrate on me in person when I was naked for him between the sheets? It made no sense. I assumed that this elemental problem with his absentminded love would improve, would go away, would dissolve.
I kept reaching for his heart and finding nothing there to hold on to.
Gradually I lost my confidence. That was about when he proposed to me and I said yes. Some mistakes are both simple and huge. The worst mistakes I’ve made have been the ones directed by sweet-natured hopefulness.
After we were married I realized that I had no particular idea who he was. I once called him the Lon Chaney of Ann Arbor, and instead of being hurt, he was pleased. At least I’m a star, he said. Days would go by without an endearment. He was too young to be a sleepwalker, so I’d try to wake him up. We’d have a nice dinner and we’d rent a movie and then we’d go to bed. We’d kick back the sheets and frolic like a good modern couple, and he would gradually fade on me, he’d look like he was thinking about the stock market. His distance took the wind out of me. And then I got this idea that the trouble I was having wasn’t just with Bradley but was a generic trouble. It was with men. He wouldn’t share his heart with me. He was preoccupied with the unspoken and would be all his life.
Believe me, most women know what I’m talking about.
AND THEN SOMEONE walks into your life and takes control of the situation.
This was a few weeks before he took me to the dog pound, this episode I’m about to describe. About at the end of the summer, the last week of August. He was correct about the two jobs I had and that he and I were married by then.
Oh, I should tell you one other story about that period. My grandfather was dying. He was getting Alzheimer’s and living in an assisted-care facility. I’d go over there to visit him. And one summer afternoon I drove over to see him and went up to his apartment and knocked and went in, because the door wasn’t locked. I heard the water turned on in the shower.
“Grandpa?” I asked. He wasn’t in the living room.
“I’m in here,” he said, calling from the bathroom.
“Okay,” I said.
So I waited for him. But he stayed in there. Stayed and stayed. So eventually I stood up, because I was worried and anxious about him, and I went into the bathroom where he had said he was. I looked in through the translucent glass of the shower stall and saw my grandfather in there, and I could also see that he had all his clothes on. Naturally, I was alarmed. I reached over and pulled aside the glass divider.
There—inside the shower—was my grandfather wearing his three-piece suit. He was standing under the spray of water, his wet hair hanging like seaweed down the sides of his head. Even his shoes were on. “Grandpa,” I said, “what are you doing in there?”
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