Kitabı oku: «Bleak House», sayfa 11

The red bit, the black bit, the inkstand top, the other inkstand top, the little sand-box. So! You to the middle, you to the right, you to the left. This train of indecision must surely be worked out now or never. Now! Mr. Tulkinghorn gets up, adjusts his spectacles, puts on his hat, puts the manuscript in his pocket, goes out, tells the middle-aged man out at elbows, “I shall be back presently.” Very rarely tells him anything more explicit.

Mr. Tulkinghorn goes, as the crow came – not quite so straight, but nearly – to Cook's Court, Cursitor Street. To Snagsby's, Law-Stationer's, Deeds engrossed and copied, Law-Writing executed in all its branches, amp;c., amp;c., amp;c.

It is somewhere about five or six o'clock in the afternoon, and a balmy fragrance of warm tea hovers in Cook's Court. It hovers about Snagsby's door. The hours are early there: dinner at half-past one and supper at half-past nine. Mr. Snagsby was about to descend into the subterranean regions to take tea when he looked out of his door just now and saw the crow who was out late.

“Master at home?”

Guster is minding the shop, for the 'prentices take tea in the kitchen with Mr. and Mrs. Snagsby; consequently, the robe-maker's two daughters, combing their curls at the two glasses in the two second-floor windows of the opposite house, are not driving the two 'prentices to distraction as they fondly suppose, but are merely awakening the unprofitable admiration of Guster, whose hair won't grow, and never would, and it is confidently thought, never will.

“Master at home?” says Mr. Tulkinghorn.

Master is at home, and Guster will fetch him. Guster disappears, glad to get out of the shop, which she regards with mingled dread and veneration as a storehouse of awful implements of the great torture of the law – a place not to be entered after the gas is turned off.

Mr. Snagsby appears, greasy, warm, herbaceous, and chewing. Bolts a bit of bread and butter. Says, “Bless my soul, sir! Mr. Tulkinghorn!”

“I want half a word with you, Snagsby.”

“Certainly, sir! Dear me, sir, why didn't you send your young man round for me? Pray walk into the back shop, sir.” Snagsby has brightened in a moment.

The confined room, strong of parchment-grease, is warehouse, counting-house, and copying-office. Mr. Tulkinghorn sits, facing round, on a stool at the desk.

“Jarndyce and Jarndyce, Snagsby.”

“Yes, sir.” Mr. Snagsby turns up the gas and coughs behind his hand, modestly anticipating profit. Mr. Snagsby, as a timid man, is accustomed to cough with a variety of expressions, and so to save words.

“You copied some affidavits in that cause for me lately.”

“Yes, sir, we did.”

“There was one of them,” says Mr. Tulkinghorn, carelessly feeling – tight, unopenable oyster of the old school! – in the wrong coat-pocket, “the handwriting of which is peculiar, and I rather like. As I happened to be passing, and thought I had it about me, I looked in to ask you – but I haven't got it. No matter, any other time will do. Ah! here it is! I looked in to ask you who copied this.”

“Who copied this, sir?” says Mr. Snagsby, taking it, laying it flat on the desk, and separating all the sheets at once with a twirl and a twist of the left hand peculiar to lawstationers. “We gave this out, sir. We were giving out rather a large quantity of work just at that time. I can tell you in a moment who copied it, sir, by referring to my book.”

Mr. Snagsby takes his book down from the safe, makes another bolt of the bit of bread and butter which seemed to have stopped short, eyes the affidavit aside, and brings his right forefinger travelling down a page of the book, “Jewby – Packer – Jarndyce.”

“Jarndyce! Here we are, sir,” says Mr. Snagsby. “To be sure! I might have remembered it. This was given out, sir, to a writer who lodges just over on the opposite side of the lane.”

Mr. Tulkinghorn has seen the entry, found it before the law-stationer, read it while the forefinger was coming down the hill.

“WHAT do you call him? Nemo?” says Mr. Tulkinghorn. “Nemo, sir. Here it is. Forty-two folio. Given out on the Wednesday night at eight o'clock, brought in on the Thursday morning at half after nine.”

“Nemo!” repeats Mr. Tulkinghorn. “Nemo is Latin for no one.”

“It must be English for some one, sir, I think,” Mr. Snagsby submits with his deferential cough. “It is a person's name. Here it is, you see, sir! Forty-two folio. Given out Wednesday night, eight o'clock; brought in Thursday morning, half after nine.”

The tail of Mr. Snagsby's eye becomes conscious of the head of Mrs. Snagsby looking in at the shop-door to know what he means by deserting his tea. Mr. Snagsby addresses an explanatory cough to Mrs. Snagsby, as who should say, “My dear, a customer!”

“Half after nine, sir,” repeats Mr. Snagsby. “Our law-writers, who live by job-work, are a queer lot; and this may not be his name, but it's the name he goes by. I remember now, sir, that he gives it in a written advertisement he sticks up down at the Rule Office, and the King's Bench Office, and the Judges' Chambers, and so forth. You know the kind of document, sir – wanting employ?”

Mr. Tulkinghorn glances through the little window at the back of Coavinses', the sheriff's officer's, where lights shine in Coavinses' windows. Coavinses' coffee-room is at the back, and the shadows of several gentlemen under a cloud loom cloudily upon the blinds. Mr. Snagsby takes the opportunity of slightly turning his head to glance over his shoulder at his little woman and to make apologetic motions with his mouth to this effect: “Tul-king-horn – rich – in-flu-en-tial!”

“Have you given this man work before?” asks Mr. Tulkinghorn.

“Oh, dear, yes, sir! Work of yours.”

“Thinking of more important matters, I forget where you said he lived?”

“Across the lane, sir. In fact, he lodges at a – ” Mr. Snagsby makes another bolt, as if the bit of bread and butter were insurmountable “ – at a rag and bottle shop.”

“Can you show me the place as I go back?”

“With the greatest pleasure, sir!”

Mr. Snagsby pulls off his sleeves and his grey coat, pulls on his black coat, takes his hat from its peg. “Oh! Here is my little woman!” he says aloud. “My dear, will you be so kind as to tell one of the lads to look after the shop while I step across the lane with Mr. Tulkinghorn? Mrs. Snagsby, sir – I shan't be two minutes, my love!”

Mrs. Snagsby bends to the lawyer, retires behind the counter, peeps at them through the window-blind, goes softly into the back office, refers to the entries in the book still lying open. Is evidently curious.

“You will find that the place is rough, sir,” says Mr. Snagsby, walking deferentially in the road and leaving the narrow pavement to the lawyer; “and the party is very rough. But they're a wild lot in general, sir. The advantage of this particular man is that he never wants sleep. He'll go at it right on end if you want him to, as long as ever you like.”

It is quite dark now, and the gas-lamps have acquired their full effect. Jostling against clerks going to post the day's letters, and against counsel and attorneys going home to dinner, and against plaintiffs and defendants and suitors of all sorts, and against the general crowd, in whose way the forensic wisdom of ages has interposed a million of obstacles to the transaction of the commonest business of life; diving through law and equity, and through that kindred mystery, the street mud, which is made of nobody knows what and collects about us nobody knows whence or how – we only knowing in general that when there is too much of it we find it necessary to shovel it away – the lawyer and the law-stationer come to a rag and bottle shop and general emporium of much disregarded merchandise, lying and being in the shadow of the wall of Lincoln's Inn, and kept, as is announced in paint, to all whom it may concern, by one Krook.

“This is where he lives, sir,” says the law-stationer.

“This is where he lives, is it?” says the lawyer unconcernedly. “Thank you.”

“Are you not going in, sir?”

“No, thank you, no; I am going on to the Fields at present. Good evening. Thank you!” Mr. Snagsby lifts his hat and returns to his little woman and his tea.

But Mr. Tulkinghorn does not go on to the Fields at present. He goes a short way, turns back, comes again to the shop of Mr. Krook, and enters it straight. It is dim enough, with a blot-headed candle or so in the windows, and an old man and a cat sitting in the back part by a fire. The old man rises and comes forward, with another blot-headed candle in his hand.

“Pray is your lodger within?”

“Male or female, sir?” says Mr. Krook.

“Male. The person who does copying.”

Mr. Krook has eyed his man narrowly. Knows him by sight. Has an indistinct impression of his aristocratic repute.

“Did you wish to see him, sir?”

“Yes.”

“It's what I seldom do myself,” says Mr. Krook with a grin. “Shall I call him down? But it's a weak chance if he'd come, sir!”

“I'll go up to him, then,” says Mr. Tulkinghorn.

“Second floor, sir. Take the candle. Up there!” Mr. Krook, with his cat beside him, stands at the bottom of the staircase, looking after Mr. Tulkinghorn. “Hi-hi!” he says when Mr. Tulkinghorn has nearly disappeared. The lawyer looks down over the hand-rail. The cat expands her wicked mouth and snarls at him.

“Order, Lady Jane! Behave yourself to visitors, my lady! You know what they say of my lodger?” whispers Krook, going up a step or two.

“What do they say of him?”

“They say he has sold himself to the enemy, but you and I know better – he don't buy. I'll tell you what, though; my lodger is so black-humoured and gloomy that I believe he'd as soon make that bargain as any other. Don't put him out, sir. That's my advice!”

Mr. Tulkinghorn with a nod goes on his way. He comes to the dark door on the second floor. He knocks, receives no answer, opens it, and accidentally extinguishes his candle in doing so.

The air of the room is almost bad enough to have extinguished it if he had not. It is a small room, nearly black with soot, and grease, and dirt. In the rusty skeleton of a grate, pinched at the middle as if poverty had gripped it, a red coke fire burns low. In the corner by the chimney stand a deal table and a broken desk, a wilderness marked with a rain of ink. In another corner a ragged old portmanteau on one of the two chairs serves for cabinet or wardrobe; no larger one is needed, for it collapses like the cheeks of a starved man. The floor is bare, except that one old mat, trodden to shreds of rope-yarn, lies perishing upon the hearth. No curtain veils the darkness of the night, but the discoloured shutters are drawn together, and through the two gaunt holes pierced in them, famine might be staring in – the banshee of the man upon the bed.

For, on a low bed opposite the fire, a confusion of dirty patchwork, lean-ribbed ticking, and coarse sacking, the lawyer, hesitating just within the doorway, sees a man. He lies there, dressed in shirt and trousers, with bare feet. He has a yellow look in the spectral darkness of a candle that has guttered down until the whole length of its wick (still burning) has doubled over and left a tower of winding-sheet above it. His hair is ragged, mingling with his whiskers and his beard – the latter, ragged too, and grown, like the scum and mist around him, in neglect. Foul and filthy as the room is, foul and filthy as the air is, it is not easy to perceive what fumes those are which most oppress the senses in it; but through the general sickliness and faintness, and the odour of stale tobacco, there comes into the lawyer's mouth the bitter, vapid taste of opium.

“Hallo, my friend!” he cries, and strikes his iron candlestick against the door.

He thinks he has awakened his friend. He lies a little turned away, but his eyes are surely open.

“Hallo, my friend!” he cries again. “Hallo! Hallo!”

As he rattles on the door, the candle which has drooped so long goes out and leaves him in the dark, with the gaunt eyes in the shutters staring down upon the bed.

Chapter XI
Our Dear Brother

A touch on the lawyer's wrinkled hand as he stands in the dark room, irresolute, makes him start and say, “What's that?”

“It's me,” returns the old man of the house, whose breath is in his ear. “Can't you wake him?”

“No.”

“What have you done with your candle?”

“It's gone out. Here it is.”

Krook takes it, goes to the fire, stoops over the red embers, and tries to get a light. The dying ashes have no light to spare, and his endeavours are vain. Muttering, after an ineffectual call to his lodger, that he will go downstairs and bring a lighted candle from the shop, the old man departs. Mr. Tulkinghorn, for some new reason that he has, does not await his return in the room, but on the stairs outside.

The welcome light soon shines upon the wall, as Krook comes slowly up with his green-eyed cat following at his heels. “Does the man generally sleep like this?” inquired the lawyer in a low voice. “Hi! I don't know,” says Krook, shaking his head and lifting his eyebrows. “I know next to nothing of his habits except that he keeps himself very close.”

Thus whispering, they both go in together. As the light goes in, the great eyes in the shutters, darkening, seem to close. Not so the eyes upon the bed.

“God save us!” exclaims Mr. Tulkinghorn. “He is dead!” Krook drops the heavy hand he has taken up so suddenly that the arm swings over the bedside.

They look at one another for a moment.

“Send for some doctor! Call for Miss Flite up the stairs, sir. Here's poison by the bed! Call out for Flite, will you?” says Krook, with his lean hands spread out above the body like a vampire's wings.

Mr. Tulkinghorn hurries to the landing and calls, “Miss Flite! Flite! Make haste, here, whoever you are! Flite!” Krook follows him with his eyes, and while he is calling, finds opportunity to steal to the old portmanteau and steal back again.

“Run, Flite, run! The nearest doctor! Run!” So Mr. Krook addresses a crazy little woman who is his female lodger, who appears and vanishes in a breath, who soon returns accompanied by a testy medical man brought from his dinner, with a broad, snuffy upper lip and a broad Scotch tongue.

“Ey! Bless the hearts o' ye,” says the medical man, looking up at them after a moment's examination. “He's just as dead as Phairy!”

Mr. Tulkinghorn (standing by the old portmanteau) inquires if he has been dead any time.

“Any time, sir?” says the medical gentleman. “It's probable he wull have been dead aboot three hours.”

“About that time, I should say,” observes a dark young man on the other side of the bed.

“Air you in the maydickle prayfession yourself, sir?” inquires the first.

The dark young man says yes.

“Then I'll just tak' my depairture,” replies the other, “for I'm nae gude here!” With which remark he finishes his brief attendance and returns to finish his dinner.

The dark young surgeon passes the candle across and across the face and carefully examines the law-writer, who has established his pretensions to his name by becoming indeed No one.

“I knew this person by sight very well,” says he. “He has purchased opium of me for the last year and a half. Was anybody present related to him?” glancing round upon the three bystanders.

“I was his landlord,” grimly answers Krook, taking the candle from the surgeon's outstretched hand. “He told me once I was the nearest relation he had.”

“He has died,” says the surgeon, “of an over-dose of opium, there is no doubt. The room is strongly flavoured with it. There is enough here now,” taking an old tea-pot from Mr. Krook, “to kill a dozen people.”

“Do you think he did it on purpose?” asks Krook.

“Took the over-dose?”

“Yes!” Krook almost smacks his lips with the unction of a horrible interest.

“I can't say. I should think it unlikely, as he has been in the habit of taking so much. But nobody can tell. He was very poor, I suppose?”

“I suppose he was. His room – don't look rich,” says Krook, who might have changed eyes with his cat, as he casts his sharp glance around. “But I have never been in it since he had it, and he was too close to name his circumstances to me.”

“Did he owe you any rent?”

“Six weeks.”

“He will never pay it!” says the young man, resuming his examination. “It is beyond a doubt that he is indeed as dead as Pharaoh; and to judge from his appearance and condition, I should think it a happy release. Yet he must have been a good figure when a youth, and I dare say, good-looking.” He says this, not unfeelingly, while sitting on the bedstead's edge with his face towards that other face and his hand upon the region of the heart. “I recollect once thinking there was something in his manner, uncouth as it was, that denoted a fall in life. Was that so?” he continues, looking round.

Krook replies, “You might as well ask me to describe the ladies whose heads of hair I have got in sacks downstairs. Than that he was my lodger for a year and a half and lived – or didn't live – by law-writing, I know no more of him.”

During this dialogue Mr. Tulkinghorn has stood aloof by the old portmanteau, with his hands behind him, equally removed, to all appearance, from all three kinds of interest exhibited near the bed – from the young surgeon's professional interest in death, noticeable as being quite apart from his remarks on the deceased as an individual; from the old man's unction; and the little crazy woman's awe. His imperturbable face has been as inexpressive as his rusty clothes. One could not even say he has been thinking all this while. He has shown neither patience nor impatience, nor attention nor abstraction. He has shown nothing but his shell. As easily might the tone of a delicate musical instrument be inferred from its case, as the tone of Mr. Tulkinghorn from his case.

He now interposes, addressing the young surgeon in his unmoved, professional way.

“I looked in here,” he observes, “just before you, with the intention of giving this deceased man, whom I never saw alive, some employment at his trade of copying. I had heard of him from my stationer – Snagsby of Cook's Court. Since no one here knows anything about him, it might be as well to send for Snagsby. Ah!” to the little crazy woman, who has often seen him in court, and whom he has often seen, and who proposes, in frightened dumb-show, to go for the law-stationer. “Suppose you do!”

While she is gone, the surgeon abandons his hopeless investigation and covers its subject with the patchwork counterpane. Mr. Krook and he interchange a word or two. Mr. Tulkinghorn says nothing, but stands, ever, near the old portmanteau.

Mr. Snagsby arrives hastily in his grey coat and his black sleeves. “Dear me, dear me,” he says; “and it has come to this, has it! Bless my soul!”

“Can you give the person of the house any information about this unfortunate creature, Snagsby?” inquires Mr. Tulkinghorn. “He was in arrears with his rent, it seems. And he must be buried, you know.”

“Well, sir,” says Mr. Snagsby, coughing his apologetic cough behind his hand, “I really don't know what advice I could offer, except sending for the beadle.”

“I don't speak of advice,” returns Mr. Tulkinghorn. “I could advise – ”

“No one better, sir, I am sure,” says Mr. Snagsby, with his deferential cough.

“I speak of affording some clue to his connexions, or to where he came from, or to anything concerning him.”

“I assure you, sir,” says Mr. Snagsby after prefacing his reply with his cough of general propitiation, “that I no more know where he came from than I know – ”

“Where he has gone to, perhaps,” suggests the surgeon to help him out.

A pause. Mr. Tulkinghorn looking at the law-stationer. Mr. Krook, with his mouth open, looking for somebody to speak next.

“As to his connexions, sir,” says Mr. Snagsby, “if a person was to say to me, 'Snagsby, here's twenty thousand pound down, ready for you in the Bank of England if you'll only name one of 'em,' I couldn't do it, sir! About a year and a half ago – to the best of my belief, at the time when he first came to lodge at the present rag and bottle shop – ”

“That was the time!” says Krook with a nod.

“About a year and a half ago,” says Mr. Snagsby, strengthened, “he came into our place one morning after breakfast, and finding my little woman (which I name Mrs. Snagsby when I use that appellation) in our shop, produced a specimen of his handwriting and gave her to understand that he was in want of copying work to do and was, not to put too fine a point upon it,” a favourite apology for plain speaking with Mr. Snagsby, which he always offers with a sort of argumentative frankness, “hard up! My little woman is not in general partial to strangers, particular – not to put too fine a point upon it – when they want anything. But she was rather took by something about this person, whether by his being unshaved, or by his hair being in want of attention, or by what other ladies' reasons, I leave you to judge; and she accepted of the specimen, and likewise of the address. My little woman hasn't a good ear for names,” proceeds Mr. Snagsby after consulting his cough of consideration behind his hand, “and she considered Nemo equally the same as Nimrod. In consequence of which, she got into a habit of saying to me at meals, 'Mr. Snagsby, you haven't found Nimrod any work yet!' or 'Mr. Snagsby, why didn't you give that eight and thirty Chancery folio in Jarndyce to Nimrod?' or such like. And that is the way he gradually fell into job-work at our place; and that is the most I know of him except that he was a quick hand, and a hand not sparing of night-work, and that if you gave him out, say, five and forty folio on the Wednesday night, you would have it brought in on the Thursday morning. All of which – ” Mr. Snagsby concludes by politely motioning with his hat towards the bed, as much as to add, “I have no doubt my honourable friend would confirm if he were in a condition to do it.”

“Hadn't you better see,” says Mr. Tulkinghorn to Krook, “whether he had any papers that may enlighten you? There will be an inquest, and you will be asked the question. You can read?”

“No, I can't,” returns the old man with a sudden grin.

“Snagsby,” says Mr. Tulkinghorn, “look over the room for him. He will get into some trouble or difficulty otherwise. Being here, I'll wait if you make haste, and then I can testify on his behalf, if it should ever be necessary, that all was fair and right. If you will hold the candle for Mr. Snagsby, my friend, he'll soon see whether there is anything to help you.”

“In the first place, here's an old portmanteau, sir,” says Snagsby.

Ah, to be sure, so there is! Mr. Tulkinghorn does not appear to have seen it before, though he is standing so close to it, and though there is very little else, heaven knows.

The marine-store merchant holds the light, and the law-stationer conducts the search. The surgeon leans against the corner of the chimney-piece; Miss Flite peeps and trembles just within the door. The apt old scholar of the old school, with his dull black breeches tied with ribbons at the knees, his large black waistcoat, his long-sleeved black coat, and his wisp of limp white neckerchief tied in the bow the peerage knows so well, stands in exactly the same place and attitude.

There are some worthless articles of clothing in the old portmanteau; there is a bundle of pawnbrokers' duplicates, those turnpike tickets on the road of poverty; there is a crumpled paper, smelling of opium, on which are scrawled rough memoranda – as, took, such a day, so many grains; took, such another day, so many more – begun some time ago, as if with the intention of being regularly continued, but soon left off. There are a few dirty scraps of newspapers, all referring to coroners' inquests; there is nothing else. They search the cupboard and the drawer of the ink-splashed table. There is not a morsel of an old letter or of any other writing in either. The young surgeon examines the dress on the law-writer. A knife and some odd halfpence are all he finds. Mr. Snagsby's suggestion is the practical suggestion after all, and the beadle must be called in.

So the little crazy lodger goes for the beadle, and the rest come out of the room. “Don't leave the cat there!” says the surgeon; “that won't do!” Mr. Krook therefore drives her out before him, and she goes furtively downstairs, winding her lithe tail and licking her lips.

“Good night!” says Mr. Tulkinghorn, and goes home to Allegory and meditation.

By this time the news has got into the court. Groups of its inhabitants assemble to discuss the thing, and the outposts of the army of observation (principally boys) are pushed forward to Mr. Krook's window, which they closely invest. A policeman has already walked up to the room, and walked down again to the door, where he stands like a tower, only condescending to see the boys at his base occasionally; but whenever he does see them, they quail and fall back. Mrs. Perkins, who has not been for some weeks on speaking terms with Mrs. Piper in consequence for an unpleasantness originating in young Perkins' having “fetched” young Piper “a crack,” renews her friendly intercourse on this auspicious occasion. The potboy at the corner, who is a privileged amateur, as possessing official knowledge of life and having to deal with drunken men occasionally, exchanges confidential communications with the policeman and has the appearance of an impregnable youth, unassailable by truncheons and unconfinable in station-houses. People talk across the court out of window, and bare-headed scouts come hurrying in from Chancery Lane to know what's the matter. The general feeling seems to be that it's a blessing Mr. Krook warn't made away with first, mingled with a little natural disappointment that he was not. In the midst of this sensation, the beadle arrives.

The beadle, though generally understood in the neighbourhood to be a ridiculous institution, is not without a certain popularity for the moment, if it were only as a man who is going to see the body. The policeman considers him an imbecile civilian, a remnant of the barbarous watchmen times, but gives him admission as something that must be borne with until government shall abolish him. The sensation is heightened as the tidings spread from mouth to mouth that the beadle is on the ground and has gone in.

By and by the beadle comes out, once more intensifying the sensation, which has rather languished in the interval. He is understood to be in want of witnesses for the inquest to-morrow who can tell the coroner and jury anything whatever respecting the deceased. Is immediately referred to innumerable people who can tell nothing whatever. Is made more imbecile by being constantly informed that Mrs. Green's son “was a law-writer his-self and knowed him better than anybody,” which son of Mrs. Green's appears, on inquiry, to be at the present time aboard a vessel bound for China, three months out, but considered accessible by telegraph on application to the Lords of the Admiralty. Beadle goes into various shops and parlours, examining the inhabitants, always shutting the door first, and by exclusion, delay, and general idiotcy exasperating the public. Policeman seen to smile to potboy. Public loses interest and undergoes reaction. Taunts the beadle in shrill youthful voices with having boiled a boy, choruses fragments of a popular song to that effect and importing that the boy was made into soup for the workhouse. Policeman at last finds it necessary to support the law and seize a vocalist, who is released upon the flight of the rest on condition of his getting out of this then, come, and cutting it – a condition he immediately observes. So the sensation dies off for the time; and the unmoved policeman (to whom a little opium, more or less, is nothing), with his shining hat, stiff stock, inflexible great-coat, stout belt and bracelet, and all things fitting, pursues his lounging way with a heavy tread, beating the palms of his white gloves one against the other and stopping now and then at a street-corner to look casually about for anything between a lost child and a murder.

Under cover of the night, the feeble-minded beadle comes flitting about Chancery Lane with his summonses, in which every juror's name is wrongly spelt, and nothing rightly spelt but the beadle's own name, which nobody can read or wants to know. The summonses served and his witnesses forewarned, the beadle goes to Mr. Krook's to keep a small appointment he has made with certain paupers, who, presently arriving, are conducted upstairs, where they leave the great eyes in the shutter something new to stare at, in that last shape which earthly lodgings take for No one – and for Every one.

And all that night the coffin stands ready by the old portmanteau; and the lonely figure on the bed, whose path in life has lain through five and forty years, lies there with no more track behind him that any one can trace than a deserted infant.

Next day the court is all alive – is like a fair, as Mrs. Perkins, more than reconciled to Mrs. Piper, says in amicable conversation with that excellent woman. The coroner is to sit in the first-floor room at the Sol's Arms, where the Harmonic Meetings take place twice a week and where the chair is filled by a gentleman of professional celebrity, faced by Little Swills, the comic vocalist, who hopes (according to the bill in the window) that his friends will rally round him and support first-rate talent. The Sol's Arms does a brisk stroke of business all the morning. Even children so require sustaining under the general excitement that a pieman who has established himself for the occasion at the corner of the court says his brandy-balls go off like smoke. What time the beadle, hovering between the door of Mr. Krook's establishment and the door of the Sol's Arms, shows the curiosity in his keeping to a few discreet spirits and accepts the compliment of a glass of ale or so in return.

At the appointed hour arrives the coroner, for whom the jurymen are waiting and who is received with a salute of skittles from the good dry skittle-ground attached to the Sol's Arms. The coroner frequents more public-houses than any man alive. The smell of sawdust, beer, tobacco-smoke, and spirits is inseparable in his vocation from death in its most awful shapes. He is conducted by the beadle and the landlord to the Harmonic Meeting Room, where he puts his hat on the piano and takes a Windsor-chair at the head of a long table formed of several short tables put together and ornamented with glutinous rings in endless involutions, made by pots and glasses. As many of the jury as can crowd together at the table sit there. The rest get among the spittoons and pipes or lean against the piano. Over the coroner's head is a small iron garland, the pendant handle of a bell, which rather gives the majesty of the court the appearance of going to be hanged presently.