Kitabı oku: «Reprinted Pieces», sayfa 15

PRINCE BULL. A FAIRY TALE

Once upon a time, and of course it was in the Golden Age, and I hope you may know when that was, for I am sure I don’t, though I have tried hard to find out, there lived in a rich and fertile country, a powerful Prince whose name was Bull. He had gone through a great deal of fighting, in his time, about all sorts of things, including nothing; but, had gradually settled down to be a steady, peaceable, good-natured, corpulent, rather sleepy Prince.

This Puissant Prince was married to a lovely Princess whose name was Fair Freedom. She had brought him a large fortune, and had borne him an immense number of children, and had set them to spinning, and farming, and engineering, and soldiering, and sailoring, and doctoring, and lawyering, and preaching, and all kinds of trades. The coffers of Prince Bull were full of treasure, his cellars were crammed with delicious wines from all parts of the world, the richest gold and silver plate that ever was seen adorned his sideboards, his sons were strong, his daughters were handsome, and in short you might have supposed that if there ever lived upon earth a fortunate and happy Prince, the name of that Prince, take him for all in all, was assuredly Prince Bull.

But, appearances, as we all know, are not always to be trusted – far from it; and if they had led you to this conclusion respecting Prince Bull, they would have led you wrong as they often have led me.

For, this good Prince had two sharp thorns in his pillow, two hard knobs in his crown, two heavy loads on his mind, two unbridled nightmares in his sleep, two rocks ahead in his course. He could not by any means get servants to suit him, and he had a tyrannical old godmother, whose name was Tape.

She was a Fairy, this Tape, and was a bright red all over. She was disgustingly prim and formal, and could never bend herself a hair’s breadth this way or that way, out of her naturally crooked shape. But, she was very potent in her wicked art. She could stop the fastest thing in the world, change the strongest thing into the weakest, and the most useful into the most useless. To do this she had only to put her cold hand upon it, and repeat her own name, Tape. Then it withered away.

At the Court of Prince Bull – at least I don’t mean literally at his court, because he was a very genteel Prince, and readily yielded to his godmother when she always reserved that for his hereditary Lords and Ladies – in the dominions of Prince Bull, among the great mass of the community who were called in the language of that polite country the Mobs and the Snobs, were a number of very ingenious men, who were always busy with some invention or other, for promoting the prosperity of the Prince’s subjects, and augmenting the Prince’s power. But, whenever they submitted their models for the Prince’s approval, his godmother stepped forward, laid her hand upon them, and said ‘Tape.’ Hence it came to pass, that when any particularly good discovery was made, the discoverer usually carried it off to some other Prince, in foreign parts, who had no old godmother who said Tape. This was not on the whole an advantageous state of things for Prince Bull, to the best of my understanding.

The worst of it was, that Prince Bull had in course of years lapsed into such a state of subjection to this unlucky godmother, that he never made any serious effort to rid himself of her tyranny. I have said this was the worst of it, but there I was wrong, because there is a worse consequence still, behind. The Prince’s numerous family became so downright sick and tired of Tape, that when they should have helped the Prince out of the difficulties into which that evil creature led him, they fell into a dangerous habit of moodily keeping away from him in an impassive and indifferent manner, as though they had quite forgotten that no harm could happen to the Prince their father, without its inevitably affecting themselves.

Such was the aspect of affairs at the court of Prince Bull, when this great Prince found it necessary to go to war with Prince Bear. He had been for some time very doubtful of his servants, who, besides being indolent and addicted to enriching their families at his expense, domineered over him dreadfully; threatening to discharge themselves if they were found the least fault with, pretending that they had done a wonderful amount of work when they had done nothing, making the most unmeaning speeches that ever were heard in the Prince’s name, and uniformly showing themselves to be very inefficient indeed. Though, that some of them had excellent characters from previous situations is not to be denied. Well; Prince Bull called his servants together, and said to them one and all, ‘Send out my army against Prince Bear. Clothe it, arm it, feed it, provide it with all necessaries and contingencies, and I will pay the piper! Do your duty by my brave troops,’ said the Prince, ‘and do it well, and I will pour my treasure out like water, to defray the cost. Who ever heard ME complain of money well laid out!’ Which indeed he had reason for saying, inasmuch as he was well known to be a truly generous and munificent Prince.

When the servants heard those words, they sent out the army against Prince Bear, and they set the army tailors to work, and the army provision merchants, and the makers of guns both great and small, and the gunpowder makers, and the makers of ball, shell, and shot; and they bought up all manner of stores and ships, without troubling their heads about the price, and appeared to be so busy that the good Prince rubbed his hands, and (using a favourite expression of his), said, ‘It’s all right!’ But, while they were thus employed, the Prince’s godmother, who was a great favourite with those servants, looked in upon them continually all day long, and whenever she popped in her head at the door said, How do you do, my children? What are you doing here?’ ‘Official business, godmother.’ ‘Oho!’ says this wicked Fairy. ‘ – Tape!’ And then the business all went wrong, whatever it was, and the servants’ heads became so addled and muddled that they thought they were doing wonders.

Now, this was very bad conduct on the part of the vicious old nuisance, and she ought to have been strangled, even if she had stopped here; but, she didn’t stop here, as you shall learn. For, a number of the Prince’s subjects, being very fond of the Prince’s army who were the bravest of men, assembled together and provided all manner of eatables and drinkables, and books to read, and clothes to wear, and tobacco to smoke, and candies to burn, and nailed them up in great packing-cases, and put them aboard a great many ships, to be carried out to that brave army in the cold and inclement country where they were fighting Prince Bear. Then, up comes this wicked Fairy as the ships were weighing anchor, and says, ‘How do you do, my children? What are you doing here?’ – ‘We are going with all these comforts to the army, godmother.’ – ‘Oho!’ says she. ‘A pleasant voyage, my darlings. – Tape!’ And from that time forth, those enchanting ships went sailing, against wind and tide and rhyme and reason, round and round the world, and whenever they touched at any port were ordered off immediately, and could never deliver their cargoes anywhere.

This, again, was very bad conduct on the part of the vicious old nuisance, and she ought to have been strangled for it if she had done nothing worse; but, she did something worse still, as you shall learn. For, she got astride of an official broomstick, and muttered as a spell these two sentences, ‘On Her Majesty’s service,’ and ‘I have the honour to be, sir, your most obedient servant,’ and presently alighted in the cold and inclement country where the army of Prince Bull were encamped to fight the army of Prince Bear. On the sea-shore of that country, she found piled together, a number of houses for the army to live in, and a quantity of provisions for the army to live upon, and a quantity of clothes for the army to wear: while, sitting in the mud gazing at them, were a group of officers as red to look at as the wicked old woman herself. So, she said to one of them, ‘Who are you, my darling, and how do you do?’ – ‘I am the Quartermaster General’s Department, godmother, and I am pretty well.’ Then she said to another, ‘Who are you, my darling, and how do you do?’ – ‘I am the Commissariat Department, godmother, and I am pretty well! Then she said to another, ‘Who are you, my darling, and how do you do?’ – ‘I am the Head of the Medical Department, godmother, and I am pretty well.’ Then, she said to some gentlemen scented with lavender, who kept themselves at a great distance from the rest, ‘And who are you, my pretty pets, and how do you do?’ And they answered, ‘We-aw-are-the-aw-Staff-aw-Department, godmother, and we are very well indeed.’ – ‘I am delighted to see you all, my beauties,’ says this wicked old Fairy, ‘ – Tape!’ Upon that, the houses, clothes, and provisions, all mouldered away; and the soldiers who were sound, fell sick; and the soldiers who were sick, died miserably: and the noble army of Prince Bull perished.

When the dismal news of his great loss was carried to the Prince, he suspected his godmother very much indeed; but, he knew that his servants must have kept company with the malicious beldame, and must have given way to her, and therefore he resolved to turn those servants out of their places. So, he called to him a Roebuck who had the gift of speech, and he said, ‘Good Roebuck, tell them they must go.’ So, the good Roebuck delivered his message, so like a man that you might have supposed him to be nothing but a man, and they were turned out – but, not without warning, for that they had had a long time.

And now comes the most extraordinary part of the history of this Prince. When he had turned out those servants, of course he wanted others. What was his astonishment to find that in all his dominions, which contained no less than twenty-seven millions of people, there were not above five-and-twenty servants altogether! They were so lofty about it, too, that instead of discussing whether they should hire themselves as servants to Prince Bull, they turned things topsy-turvy, and considered whether as a favour they should hire Prince Bull to be their master! While they were arguing this point among themselves quite at their leisure, the wicked old red Fairy was incessantly going up and down, knocking at the doors of twelve of the oldest of the five-and-twenty, who were the oldest inhabitants in all that country, and whose united ages amounted to one thousand, saying, ‘Will you hire Prince Bull for your master? – Will you hire Prince Bull for your master?’ To which one answered, ‘I will if next door will;’ and another, ‘I won’t if over the way does;’ and another, ‘I can’t if he, she, or they, might, could, would, or should.’ And all this time Prince Bull’s affairs were going to rack and ruin.

At last, Prince Bull in the height of his perplexity assumed a thoughtful face, as if he were struck by an entirely new idea. The wicked old Fairy, seeing this, was at his elbow directly, and said, ‘How do you do, my Prince, and what are you thinking of?’ – ‘I am thinking, godmother,’ says he, ‘that among all the seven-and-twenty millions of my subjects who have never been in service, there are men of intellect and business who have made me very famous both among my friends and enemies.’ – ‘Aye, truly?’ says the Fairy. – ‘Aye, truly,’ says the Prince. – ‘And what then?’ says the Fairy. – ‘Why, then,’ says he, ‘since the regular old class of servants do so ill, are so hard to get, and carry it with so high a hand, perhaps I might try to make good servants of some of these.’ The words had no sooner passed his lips than she returned, chuckling, ‘You think so, do you? Indeed, my Prince? – Tape!’ Thereupon he directly forgot what he was thinking of, and cried out lamentably to the old servants, ‘O, do come and hire your poor old master! Pray do! On any terms!’

And this, for the present, finishes the story of Prince Bull. I wish I could wind it up by saying that he lived happy ever afterwards, but I cannot in my conscience do so; for, with Tape at his elbow, and his estranged children fatally repelled by her from coming near him, I do not, to tell you the plain truth, believe in the possibility of such an end to it.

A PLATED ARTICLE

Putting up for the night in one of the chiefest towns of Staffordshire, I find it to be by no means a lively town. In fact, it is as dull and dead a town as any one could desire not to see. It seems as if its whole population might be imprisoned in its Railway Station. The Refreshment Room at that Station is a vortex of dissipation compared with the extinct town-inn, the Dodo, in the dull High Street.

Why High Street? Why not rather Low Street, Flat Street, Low-Spirited Street, Used-up Street? Where are the people who belong to the High Street? Can they all be dispersed over the face of the country, seeking the unfortunate Strolling Manager who decamped from the mouldy little Theatre last week, in the beginning of his season (as his play-bills testify), repentantly resolved to bring him back, and feed him, and be entertained? Or, can they all be gathered to their fathers in the two old churchyards near to the High Street – retirement into which churchyards appears to be a mere ceremony, there is so very little life outside their confines, and such small discernible difference between being buried alive in the town, and buried dead in the town tombs? Over the way, opposite to the staring blank bow windows of the Dodo, are a little ironmonger’s shop, a little tailor’s shop (with a picture of the Fashions in the small window and a bandy-legged baby on the pavement staring at it) – a watchmakers shop, where all the clocks and watches must be stopped, I am sure, for they could never have the courage to go, with the town in general, and the Dodo in particular, looking at them. Shade of Miss Linwood, erst of Leicester Square, London, thou art welcome here, and thy retreat is fitly chosen! I myself was one of the last visitors to that awful storehouse of thy life’s work, where an anchorite old man and woman took my shilling with a solemn wonder, and conducting me to a gloomy sepulchre of needlework dropping to pieces with dust and age and shrouded in twilight at high noon, left me there, chilled, frightened, and alone. And now, in ghostly letters on all the dead walls of this dead town, I read thy honoured name, and find that thy Last Supper, worked in Berlin Wool, invites inspection as a powerful excitement!

Where are the people who are bidden with so much cry to this feast of little wool? Where are they? Who are they? They are not the bandy-legged baby studying the fashions in the tailor’s window. They are not the two earthy ploughmen lounging outside the saddler’s shop, in the stiff square where the Town Hall stands, like a brick and mortar private on parade. They are not the landlady of the Dodo in the empty bar, whose eye had trouble in it and no welcome, when I asked for dinner. They are not the turnkeys of the Town Jail, looking out of the gateway in their uniforms, as if they had locked up all the balance (as my American friends would say) of the inhabitants, and could now rest a little. They are not the two dusty millers in the white mill down by the river, where the great water-wheel goes heavily round and round, like the monotonous days and nights in this forgotten place. Then who are they, for there is no one else? No; this deponent maketh oath and saith that there is no one else, save and except the waiter at the Dodo, now laying the cloth. I have paced the streets, and stared at the houses, and am come back to the blank bow window of the Dodo; and the town clocks strike seven, and the reluctant echoes seem to cry, ‘Don’t wake us!’ and the bandy-legged baby has gone home to bed.

If the Dodo were only a gregarious bird – if he had only some confused idea of making a comfortable nest – I could hope to get through the hours between this and bed-time, without being consumed by devouring melancholy. But, the Dodo’s habits are all wrong. It provides me with a trackless desert of sitting-room, with a chair for every day in the year, a table for every month, and a waste of sideboard where a lonely China vase pines in a corner for its mate long departed, and will never make a match with the candlestick in the opposite corner if it live till Doomsday. The Dodo has nothing in the larder. Even now, I behold the Boots returning with my sole in a piece of paper; and with that portion of my dinner, the Boots, perceiving me at the blank bow window, slaps his leg as he comes across the road, pretending it is something else. The Dodo excludes the outer air. When I mount up to my bedroom, a smell of closeness and flue gets lazily up my nose like sleepy snuff. The loose little bits of carpet writhe under my tread, and take wormy shapes. I don’t know the ridiculous man in the looking-glass, beyond having met him once or twice in a dish-cover – and I can never shave him to-morrow morning! The Dodo is narrow-minded as to towels; expects me to wash on a freemason’s apron without the trimming: when I asked for soap, gives me a stony-hearted something white, with no more lather in it than the Elgin marbles. The Dodo has seen better days, and possesses interminable stables at the back – silent, grass-grown, broken-windowed, horseless.

This mournful bird can fry a sole, however, which is much. Can cook a steak, too, which is more. I wonder where it gets its Sherry? If I were to send my pint of wine to some famous chemist to be analysed, what would it turn out to be made of? It tastes of pepper, sugar, bitter-almonds, vinegar, warm knives, any flat drinks, and a little brandy. Would it unman a Spanish exile by reminding him of his native land at all? I think not. If there really be any townspeople out of the churchyards, and if a caravan of them ever do dine, with a bottle of wine per man, in this desert of the Dodo, it must make good for the doctor next day!

Where was the waiter born? How did he come here? Has he any hope of getting away from here? Does he ever receive a letter, or take a ride upon the railway, or see anything but the Dodo? Perhaps he has seen the Berlin Wool. He appears to have a silent sorrow on him, and it may be that. He clears the table; draws the dingy curtains of the great bow window, which so unwillingly consent to meet, that they must be pinned together; leaves me by the fire with my pint decanter, and a little thin funnel-shaped wine-glass, and a plate of pale biscuits – in themselves engendering desperation.

No book, no newspaper! I left the Arabian Nights in the railway carriage, and have nothing to read but Bradshaw, and ‘that way madness lies.’ Remembering what prisoners and ship-wrecked mariners have done to exercise their minds in solitude, I repeat the multiplication table, the pence table, and the shilling table: which are all the tables I happen to know. What if I write something? The Dodo keeps no pens but steel pens; and those I always stick through the paper, and can turn to no other account.

What am I to do? Even if I could have the bandy-legged baby knocked up and brought here, I could offer him nothing but sherry, and that would be the death of him. He would never hold up his head again if he touched it. I can’t go to bed, because I have conceived a mortal hatred for my bedroom; and I can’t go away, because there is no train for my place of destination until morning. To burn the biscuits will be but a fleeting joy; still it is a temporary relief, and here they go on the fire! Shall I break the plate? First let me look at the back, and see who made it. Copeland.

Copeland! Stop a moment. Was it yesterday I visited Copeland’s works, and saw them making plates? In the confusion of travelling about, it might be yesterday or it might be yesterday month; but I think it was yesterday. I appeal to the plate. The plate says, decidedly, yesterday. I find the plate, as I look at it, growing into a companion.

Don’t you remember (says the plate) how you steamed away, yesterday morning, in the bright sun and the east wind, along the valley of the sparkling Trent? Don’t you recollect how many kilns you flew past, looking like the bowls of gigantic tobacco-pipes, cut short off from the stem and turned upside down? And the fires – and the smoke – and the roads made with bits of crockery, as if all the plates and dishes in the civilised world had been Macadamised, expressly for the laming of all the horses? Of course I do!

And don’t you remember (says the plate) how you alighted at Stoke – a picturesque heap of houses, kilns, smoke, wharfs, canals, and river, lying (as was most appropriate) in a basin – and how, after climbing up the sides of the basin to look at the prospect, you trundled down again at a walking-match pace, and straight proceeded to my father’s, Copeland’s, where the whole of my family, high and low, rich and poor, are turned out upon the world from our nursery and seminary, covering some fourteen acres of ground? And don’t you remember what we spring from: – heaps of lumps of clay, partially prepared and cleaned in Devonshire and Dorsetshire, whence said clay principally comes – and hills of flint, without which we should want our ringing sound, and should never be musical? And as to the flint, don’t you recollect that it is first burnt in kilns, and is then laid under the four iron feet of a demon slave, subject to violent stamping fits, who, when they come on, stamps away insanely with his four iron legs, and would crush all the flint in the Isle of Thanet to powder, without leaving off? And as to the clay, don’t you recollect how it is put into mills or teazers, and is sliced, and dug, and cut at, by endless knives, clogged and sticky, but persistent – and is pressed out of that machine through a square trough, whose form it takes – and is cut off in square lumps and thrown into a vat, and there mixed with water, and beaten to a pulp by paddle-wheels – and is then run into a rough house, all rugged beams and ladders splashed with white, – superintended by Grindoff the Miller in his working clothes, all splashed with white, – where it passes through no end of machinery-moved sieves all splashed with white, arranged in an ascending scale of fineness (some so fine, that three hundred silk threads cross each other in a single square inch of their surface), and all in a violent state of ague with their teeth for ever chattering, and their bodies for ever shivering! And as to the flint again, isn’t it mashed and mollified and troubled and soothed, exactly as rags are in a paper-mill, until it is reduced to a pap so fine that it contains no atom of ‘grit’ perceptible to the nicest taste? And as to the flint and the clay together, are they not, after all this, mixed in the proportion of five of clay to one of flint, and isn’t the compound – known as ‘slip’ – run into oblong troughs, where its superfluous moisture may evaporate; and finally, isn’t it slapped and banged and beaten and patted and kneaded and wedged and knocked about like butter, until it becomes a beautiful grey dough, ready for the potter’s use?

In regard of the potter, popularly so called (says the plate), you don’t mean to say you have forgotten that a workman called a Thrower is the man under whose hand this grey dough takes the shapes of the simpler household vessels as quickly as the eye can follow? You don’t mean to say you cannot call him up before you, sitting, with his attendant woman, at his potter’s wheel – a disc about the size of a dinner-plate, revolving on two drums slowly or quickly as he wills – who made you a complete breakfast-set for a bachelor, as a good-humoured little off-hand joke? You remember how he took up as much dough as he wanted, and, throwing it on his wheel, in a moment fashioned it into a teacup – caught up more clay and made a saucer – a larger dab and whirled it into a teapot – winked at a smaller dab and converted it into the lid of the teapot, accurately fitting by the measurement of his eye alone – coaxed a middle-sized dab for two seconds, broke it, turned it over at the rim, and made a milkpot – laughed, and turned out a slop-basin – coughed, and provided for the sugar? Neither, I think, are you oblivious of the newer mode of making various articles, but especially basins, according to which improvement a mould revolves instead of a disc? For you must remember (says the plate) how you saw the mould of a little basin spinning round and round, and how the workmen smoothed and pressed a handful of dough upon it, and how with an instrument called a profile (a piece of wood, representing the profile of a basin’s foot) he cleverly scraped and carved the ring which makes the base of any such basin, and then took the basin off the lathe like a doughy skull-cap to be dried, and afterwards (in what is called a green state) to be put into a second lathe, there to be finished and burnished with a steel burnisher? And as to moulding in general (says the plate), it can’t be necessary for me to remind you that all ornamental articles, and indeed all articles not quite circular, are made in moulds. For you must remember how you saw the vegetable dishes, for example, being made in moulds; and how the handles of teacups, and the spouts of teapots, and the feet of tureens, and so forth, are all made in little separate moulds, and are each stuck on to the body corporate, of which it is destined to form a part, with a stuff called ‘slag,’ as quickly as you can recollect it. Further, you learnt – you know you did – in the same visit, how the beautiful sculptures in the delicate new material called Parian, are all constructed in moulds; how, into that material, animal bones are ground up, because the phosphate of lime contained in bones makes it translucent; how everything is moulded, before going into the fire, one-fourth larger than it is intended to come out of the fire, because it shrinks in that proportion in the intense heat; how, when a figure shrinks unequally, it is spoiled – emerging from the furnace a misshapen birth; a big head and a little body, or a little head and a big body, or a Quasimodo with long arms and short legs, or a Miss Biffin with neither legs nor arms worth mentioning.

And as to the Kilns, in which the firing takes place, and in which some of the more precious articles are burnt repeatedly, in various stages of their process towards completion, – as to the Kilns (says the plate, warming with the recollection), if you don’t remember THEM with a horrible interest, what did you ever go to Copeland’s for? When you stood inside of one of those inverted bowls of a Pre-Adamite tobacco-pipe, looking up at the blue sky through the open top far off, as you might have looked up from a well, sunk under the centre of the pavement of the Pantheon at Rome, had you the least idea where you were? And when you found yourself surrounded, in that dome-shaped cavern, by innumerable columns of an unearthly order of architecture, supporting nothing, and squeezed close together as if a Pre-Adamite Samson had taken a vast Hall in his arms and crushed it into the smallest possible space, had you the least idea what they were? No (says the plate), of course not! And when you found that each of those pillars was a pile of ingeniously made vessels of coarse clay – called Saggers – looking, when separate, like raised-pies for the table of the mighty Giant Blunderbore, and now all full of various articles of pottery ranged in them in baking order, the bottom of each vessel serving for the cover of the one below, and the whole Kiln rapidly filling with these, tier upon tier, until the last workman should have barely room to crawl out, before the closing of the jagged aperture in the wall and the kindling of the gradual fire; did you not stand amazed to think that all the year round these dread chambers are heating, white hot – and cooling – and filling – and emptying – and being bricked up – and broken open – humanly speaking, for ever and ever? To be sure you did! And standing in one of those Kilns nearly full, and seeing a free crow shoot across the aperture a-top, and learning how the fire would wax hotter and hotter by slow degrees, and would cool similarly through a space of from forty to sixty hours, did no remembrance of the days when human clay was burnt oppress you? Yes. I think so! I suspect that some fancy of a fiery haze and a shortening breath, and a growing heat, and a gasping prayer; and a figure in black interposing between you and the sky (as figures in black are very apt to do), and looking down, before it grew too hot to look and live, upon the Heretic in his edifying agony – I say I suspect (says the plate) that some such fancy was pretty strong upon you when you went out into the air, and blessed God for the bright spring day and the degenerate times!

After that, I needn’t remind you what a relief it was to see the simplest process of ornamenting this ‘biscuit’ (as it is called when baked) with brown circles and blue trees – converting it into the common crockery-ware that is exported to Africa, and used in cottages at home. For (says the plate) I am well persuaded that you bear in mind how those particular jugs and mugs were once more set upon a lathe and put in motion; and how a man blew the brown colour (having a strong natural affinity with the material in that condition) on them from a blowpipe as they twirled; and how his daughter, with a common brush, dropped blotches of blue upon them in the right places; and how, tilting the blotches upside down, she made them run into rude images of trees, and there an end.

And didn’t you see (says the plate) planted upon my own brother that astounding blue willow, with knobbed and gnarled trunk, and foliage of blue ostrich feathers, which gives our family the title of ‘willow pattern’? And didn’t you observe, transferred upon him at the same time, that blue bridge which spans nothing, growing out from the roots of the willow; and the three blue Chinese going over it into a blue temple, which has a fine crop of blue bushes sprouting out of the roof; and a blue boat sailing above them, the mast of which is burglariously sticking itself into the foundations of a blue villa, suspended sky-high, surmounted by a lump of blue rock, sky-higher, and a couple of billing blue birds, sky-highest – together with the rest of that amusing blue landscape, which has, in deference to our revered ancestors of the Cerulean Empire, and in defiance of every known law of perspective, adorned millions of our family ever since the days of platters? Didn’t you inspect the copper-plate on which my pattern was deeply engraved? Didn’t you perceive an impression of it taken in cobalt colour at a cylindrical press, upon a leaf of thin paper, streaming from a plunge-bath of soap and water? Wasn’t the paper impression daintily spread, by a light-fingered damsel (you know you admired her!), over the surface of the plate, and the back of the paper rubbed prodigiously hard – with a long tight roll of flannel, tied up like a round of hung beef – without so much as ruffling the paper, wet as it was? Then (says the plate), was not the paper washed away with a sponge, and didn’t there appear, set off upon the plate, this identical piece of Pre-Raphaelite blue distemper which you now behold? Not to be denied! I had seen all this – and more. I had been shown, at Copeland’s, patterns of beautiful design, in faultless perspective, which are causing the ugly old willow to wither out of public favour; and which, being quite as cheap, insinuate good wholesome natural art into the humblest households. When Mr. and Mrs. Sprat have satisfied their material tastes by that equal division of fat and lean which has made their ménage immortal; and have, after the elegant tradition, ‘licked the platter clean,’ they can – thanks to modern artists in clay – feast their intellectual tastes upon excellent delineations of natural objects.