Kitabı oku: «The Marrow of Tradition», sayfa 7

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XII
ANOTHER SOUTHERN PRODUCT

One morning shortly after the opening of the hospital, while Dr. Miller was making his early rounds, a new patient walked in with a smile on his face and a broken arm hanging limply by his side. Miller recognized in him a black giant by the name of Josh Green, who for many years had worked on the docks for Miller's father,—and simultaneously identified him as the dust-begrimed negro who had stolen a ride to Wellington on the trucks of a passenger car.

"Well, Josh," asked the doctor, as he examined the fracture, "how did you get this? Been fighting again?"

"No, suh, I don' s'pose you could ha'dly call it a fight. One er dem dagoes off'n a Souf American boat gimme some er his jaw, an' I give 'im a back answer, an' here I is wid a broken arm. He got holt er a belayin'-pin befo' I could hit 'im."

"What became of the other man?" demanded Miller suspiciously. He perceived, from the indifference with which Josh bore the manipulation of the fractured limb, that such an accident need not have interfered seriously with the use of the remaining arm, and he knew that Josh had a reputation for absolute fearlessness.

"Lemme see," said Josh reflectively, "ef I kin 'member w'at did become er him! Oh, yes, I 'member now! Dey tuck him ter de Marine Horspittle in de amberlance, 'cause his leg wuz broke, an' I reckon somethin' must 'a' accident'ly hit 'im in de jaw, fer he wuz scatt'rin' teeth all de way 'long de street. I didn' wan' ter kill de man, fer he might have somebody dependin' on 'im, an' I knows how dat'd be ter dem. But no man kin call me a damn' low-down nigger and keep on enjoyin' good health right along."

"It was considerate of you to spare his life," said Miller dryly, "but you'll hit the wrong man some day. These are bad times for bad negroes. You'll get into a quarrel with a white man, and at the end of it there'll be a lynching, or a funeral. You'd better be peaceable and endure a little injustice, rather than run the risk of a sudden and violent death."

"I expec's ter die a vi'lent death in a quarrel wid a w'ite man," replied Josh, in a matter-of-fact tone, "an' fu'thermo', he's gwine ter die at the same time, er a little befo'. I be'n takin' my own time 'bout killin' 'im; I ain' be'n crowdin' de man, but I'll be ready after a w'ile, an' den he kin look out!"

"And I suppose you're merely keeping in practice on these other fellows who come your way. When I get your arm dressed, you'd better leave town till that fellow's boat sails; it may save you the expense of a trial and three months in the chain-gang. But this talk about killing a man is all nonsense. What has any man in this town done to you, that you should thirst for his blood?"

"No, suh, it ain' nonsense,—it's straight, solem' fac'. I'm gwine ter kill dat man as sho' as I'm settin' in dis cheer; an' dey ain' nobody kin say I ain' got a right ter kill 'im. Does you 'member de Ku-Klux?" "Yes, but I was a child at the time, and recollect very little about them. It is a page of history which most people are glad to forget."

"Yas, suh; I was a chile, too, but I wuz right in it, an' so I 'members mo' erbout it 'n you does. My mammy an' daddy lived 'bout ten miles f'm here, up de river. One night a crowd er w'ite men come ter ou' house an' tuck my daddy out an' shot 'im ter death, an' skeered my mammy so she ain' be'n herse'f f'm dat day ter dis. I wa'n't mo' 'n ten years ole at de time, an' w'en my mammy seed de w'ite men comin', she tol' me ter run. I hid in de bushes an' seen de whole thing, an' it wuz branded on my mem'ry, suh, like a red-hot iron bran's de skin. De w'ite folks had masks on, but one of 'em fell off,—he wuz de boss, he wuz de head man, an' tol' de res' w'at ter do,—an' I seen his face. It wuz a easy face ter 'member; an' I swo' den, 'way down deep in my hea't, little ez I wuz, dat some day er 'nother I'd kill dat man. I ain't never had no doubt erbout it; it's jus' w'at I'm livin' fer, an' I know I ain' gwine ter die till I've done it. Some lives fer one thing an' some fer another, but dat's my job. I ain' be'n in no has'e, fer I'm not ole yit, an' dat man is in good health. I'd like ter see a little er de worl' befo' I takes chances on leavin' it sudden; an', mo'over, somebody's got ter take keer er de ole 'oman. But her time'll come some er dese days, an den his time'll be come—an' prob'ly mine. But I ain' keerin' 'bout myse'f: w'en I git thoo wid him, it won' make no diff'ence 'bout me."

Josh was evidently in dead earnest. Miller recalled, very vividly, the expression he had seen twice on his patient's face, during the journey to Wellington.

He had often seen Josh's mother, old Aunt Milly,—"Silly Milly," the children called her,—wandering aimlessly about the street, muttering to herself incoherently. He had felt a certain childish awe at the sight of one of God's creatures who had lost the light of reason, and he had always vaguely understood that she was the victim of human cruelty, though he had dated it farther back into the past. This was his first knowledge of the real facts of the case.

He realized, too, for a moment, the continuity of life, how inseparably the present is woven with the past, how certainly the future will be but the outcome of the present. He had supposed this old wound healed. The negroes were not a vindictive people. If, swayed by passion or emotion, they sometimes gave way to gusts of rage, these were of brief duration. Absorbed in the contemplation of their doubtful present and their uncertain future, they gave little thought to the past,—it was a dark story, which they would willingly forget. He knew the timeworn explanation that the Ku-Klux movement, in the main, was merely an ebullition of boyish spirits, begun to amuse young white men by playing upon the fears and superstitions of ignorant negroes. Here, however, was its tragic side,—the old wound still bleeding, the fruit of one tragedy, the seed of another. He could not approve of Josh's application of the Mosaic law of revenge, and yet the incident was not without significance. Here was a negro who could remember an injury, who could shape his life to a definite purpose, if not a high or holy one. When his race reached the point where they would resent a wrong, there was hope that they might soon attain the stage where they would try, and, if need be, die, to defend a right. This man, too, had a purpose in life, and was willing to die that he might accomplish it. Miller was willing to give up his life to a cause. Would he be equally willing, he asked himself, to die for it? Miller had no prophetic instinct to tell him how soon he would have the opportunity to answer his own question. But he could not encourage Josh to carry out this dark and revengeful purpose. Every worthy consideration required him to dissuade his patient from such a desperate course.

"You had better put away these murderous fancies, Josh," he said seriously. "The Bible says that we should 'forgive our enemies, bless them that curse us, and do good to them that despitefully use us.'"

"Yas, suh, I've l'arnt all dat in Sunday-school, an' I've heared de preachers say it time an' time ag'in. But it 'pears ter me dat dis fergitfulniss an' fergivniss is mighty one-sided. De w'ite folks don' fergive nothin' de niggers does. Dey got up de Ku-Klux, dey said, on 'count er de kyarpit-baggers. Dey be'n talkin' 'bout de kyarpit-baggers ever sence, an' dey 'pears ter fergot all 'bout de Ku-Klux. But I ain' fergot. De niggers is be'n train' ter fergiveniss; an' fer fear dey might fergit how ter fergive, de w'ite folks gives 'em somethin' new ev'y now an' den, ter practice on. A w'ite man kin do w'at he wants ter a nigger, but de minute de nigger gits back at 'im, up goes de nigger, an' don' come down tell somebody cuts 'im down. If a nigger gits a' office, er de race 'pears ter be prosperin' too much, de w'ite folks up an' kills a few, so dat de res' kin keep on fergivin' an' bein' thankful dat dey're lef alive. Don' talk ter me 'bout dese w'ite folks,—I knows 'em, I does! Ef a nigger wants ter git down on his marrow-bones, an' eat dirt, an' call 'em 'marster,' he's a good nigger, dere's room fer him. But I ain' no w'ite folks' nigger, I ain'. I don' call no man 'marster.' I don' wan' nothin' but w'at I wo'k fer, but I wants all er dat. I never moles's no w'ite man, 'less 'n he moles's me fus'. But w'en de ole 'oman dies, doctuh, an' I gits a good chance at dat w'ite man,—dere ain' no use talkin', suh!—dere's gwine ter be a mix-up, an' a fune'al, er two fune'als—er may be mo', ef anybody is keerliss enough to git in de way."

"Josh," said the doctor, laying a cool hand on the other's brow, "you 're feverish, and don't know what you're talking about. I shouldn't let my mind dwell on such things, and you must keep quiet until this arm is well, or you may never be able to hit any one with it again."

Miller determined that when Josh got better he would talk to him seriously and dissuade him from this dangerous design. He had not asked the name of Josh's enemy, but the look of murderous hate which the dust-begrimed tramp of the railway journey had cast at Captain George McBane rendered any such question superfluous. McBane was probably deserving of any evil fate which might befall him; but such a revenge would do no good, would right no wrong; while every such crime, committed by a colored man, would be imputed to the race, which was already staggering under a load of obloquy because, in the eyes of a prejudiced and undiscriminating public, it must answer as a whole for the offenses of each separate individual. To die in defense of the right was heroic. To kill another for revenge was pitifully human and weak: "Vengeance is mine, I will repay," saith the Lord.

XIII
THE CAKEWALK

Old Mr. Delamere's servant, Sandy Campbell, was in deep trouble.

A party of Northern visitors had been staying for several days at the St. James Hotel. The gentlemen of the party were concerned in a projected cotton mill, while the ladies were much interested in the study of social conditions, and especially in the negro problem. As soon as their desire for information became known, they were taken courteously under the wing of prominent citizens and their wives, who gave them, at elaborate luncheons, the Southern white man's views of the negro, sighing sentimentally over the disappearance of the good old negro of before the war, and gravely deploring the degeneracy of his descendants. They enlarged upon the amount of money the Southern whites had spent for the education of the negro, and shook their heads over the inadequate results accruing from this unexampled generosity. It was sad, they said, to witness this spectacle of a dying race, unable to withstand the competition of a superior type. The severe reprisals taken by white people for certain crimes committed by negroes were of course not the acts of the best people, who deplored them; but still a certain charity should be extended towards those who in the intense and righteous anger of the moment should take the law into their own hands and deal out rough but still substantial justice; for no negro was ever lynched without incontestable proof of his guilt. In order to be perfectly fair, and give their visitors an opportunity to see both sides of the question, they accompanied the Northern visitors to a colored church where they might hear a colored preacher, who had won a jocular popularity throughout the whole country by an oft-repeated sermon intended to demonstrate that the earth was flat like a pancake. This celebrated divine could always draw a white audience, except on the days when his no less distinguished white rival in the field of sensationalism preached his equally famous sermon to prove that hell was exactly one half mile, linear measure, from the city limits of Wellington. Whether accidentally or not, the Northern visitors had no opportunity to meet or talk alone with any colored person in the city except the servants at the hotel. When one of the party suggested a visit to the colored mission school, a Southern friend kindly volunteered to accompany them.

The visitors were naturally much impressed by what they learned from their courteous hosts, and felt inclined to sympathize with the Southern people, for the negro is not counted as a Southerner, except to fix the basis of congressional representation. There might of course be things to criticise here and there, certain customs for which they did not exactly see the necessity, and which seemed in conflict with the highest ideals of liberty but surely these courteous, soft-spoken ladies and gentlemen, entirely familiar with local conditions, who descanted so earnestly and at times pathetically upon the grave problems confronting them, must know more about it than people in the distant North, without their means of information. The negroes who waited on them at the hotel seemed happy enough, and the teachers whom they had met at the mission school had been well-dressed, well-mannered, and apparently content with their position in life. Surely a people who made no complaints could not be very much oppressed.

In order to give the visitors, ere they left Wellington, a pleasing impression of Southern customs, and particularly of the joyous, happy-go-lucky disposition of the Southern darky and his entire contentment with existing conditions, it was decided by the hotel management to treat them, on the last night of their visit, to a little diversion, in the shape of a genuine negro cakewalk.

On the afternoon of this same day Tom Delamere strolled into the hotel, and soon gravitated to the bar, where he was a frequent visitor. Young men of leisure spent much of their time around the hotel, and no small part of it in the bar. Delamere had been to the club, but had avoided the card-room. Time hanging heavy on his hands, he had sought the hotel in the hope that some form of distraction might present itself.

"Have you heard the latest, Mr. Delamere?" asked the bartender, as he mixed a cocktail for his customer.

"No, Billy; what is it?"

"There's to be a big cakewalk upstairs to-night. The No'the'n gentlemen an' ladies who are down here to see about the new cotton fact'ry want to study the nigger some more, and the boss has got up a cakewalk for 'em, 'mongst the waiters and chambermaids, with a little outside talent."

"Is it to be public?" asked Delamere.

"Oh, no, not generally, but friends of the house won't be barred out. The clerk 'll fix it for you. Ransom, the head waiter, will be floor manager."

Delamere was struck with a brilliant idea. The more he considered it, the brighter it seemed. Another cocktail imparted additional brilliancy to the conception. He had been trying, after a feeble fashion, to keep his promise to Clara, and was really suffering from lack of excitement.

He left the bar-room, found the head waiter, held with him a short conversation, and left in his intelligent and itching palm a piece of money.

The cakewalk was a great success. The most brilliant performer was a late arrival, who made his appearance just as the performance was about to commence. The newcomer was dressed strikingly, the conspicuous features of his attire being a long blue coat with brass buttons and a pair of plaid trousers. He was older, too, than the other participants, which made his agility the more remarkable. His partner was a new chambermaid, who had just come to town, and whom the head waiter introduced to the newcomer upon his arrival. The cake was awarded to this couple by a unanimous vote. The man presented it to his partner with a grandiloquent flourish, and returned thanks in a speech which sent the Northern visitors into spasms of delight at the quaintness of the darky dialect and the darky wit. To cap the climax, the winner danced a buck dance with a skill and agility that brought a shower of complimentary silver, which he gathered up and passed to the head waiter.

Ellis was off duty for the evening. Not having ventured to put in an appearance at Carteret's since his last rebuff, he found himself burdened with a superfluity of leisure, from which he essayed to find relief by dropping into the hotel office at about nine o'clock. He was invited up to see the cakewalk, which he rather enjoyed, for there was some graceful dancing and posturing. But the grotesque contortions of one participant had struck him as somewhat overdone, even for the comical type of negro. He recognized the fellow, after a few minutes' scrutiny, as the body-servant of old Mr. Delamere. The man's present occupation, or choice of diversion, seemed out of keeping with his employment as attendant upon an invalid old gentleman, and strangely inconsistent with the gravity and decorum which had been so noticeable when this agile cakewalker had served as butler at Major Carteret's table, upon the occasion of the christening dinner. There was a vague suggestion of unreality about this performance, too, which Ellis did not attempt to analyze, but which recurred vividly to his memory upon a subsequent occasion.

Ellis had never pretended to that intimate knowledge of negro thought and character by which some of his acquaintances claimed the ability to fathom every motive of a negro's conduct, and predict in advance what any one of the darker race would do under a given set of circumstances. He would not have believed that a white man could possess two so widely varying phases of character; but as to negroes, they were as yet a crude and undeveloped race, and it was not safe to make predictions concerning them. No one could tell at what moment the thin veneer of civilization might peel off and reveal the underlying savage.

The champion cakewalker, much to the surprise of his sable companions, who were about equally swayed by admiration and jealousy, disappeared immediately after the close of the performance. Any one watching him on his way home through the quiet streets to old Mr. Delamere's would have seen him now and then shaking with laughter. It had been excellent fun. Nevertheless, as he neared home, a certain aspect of the affair, hitherto unconsidered, occurred to him, and it was in a rather serious frame of mind that he cautiously entered the house and sought his own room.

* * * * *

The cakewalk had results which to Sandy were very serious. The following week he was summoned before the disciplinary committee of his church and charged with unchristian conduct, in the following particulars, to wit: dancing, and participating in a sinful diversion called a cakewalk, which was calculated to bring the church into disrepute and make it the mockery of sinners.

Sandy protested his innocence vehemently, but in vain. The proof was overwhelming. He was positively identified by Sister 'Manda Patterson, the hotel cook, who had watched the whole performance from the hotel corridor for the sole, single, solitary, and only purpose, she averred, of seeing how far human wickedness could be carried by a professing Christian. The whole thing had been shocking and offensive to her, and only a stern sense of duty had sustained her in looking on, that she might be qualified to bear witness against the offender. She had recognized his face, his clothes, his voice, his walk—there could be no shadow of doubt that it was Brother Sandy. This testimony was confirmed by one of the deacons, whose son, a waiter at the hotel, had also seen Sandy at the cakewalk.

Sandy stoutly insisted that he was at home the whole evening; that he had not been near the hotel for three months; that he had never in his life taken part in a cakewalk, and that he did not know how to dance. It was replied that wickedness, like everything else, must have a beginning; that dancing was an art that could be acquired in secret, and came natural to some people. In the face of positive proof, Sandy's protestations were of no avail; he was found guilty, and suspended from church fellowship until he should have repented and made full confession.

Sturdily refusing to confess a fault of which he claimed to be innocent, Sandy remained in contumacy, thereby falling somewhat into disrepute among the members of his church, the largest in the city. The effect of a bad reputation being subjective as well as objective, and poor human nature arguing that one may as well have the game as the name, Sandy insensibly glided into habits of which the church would not have approved, though he took care that they should not interfere with his duties to Mr. Delamere. The consolation thus afforded, however, followed as it was by remorse of conscience, did not compensate him for the loss of standing in the church, which to him was a social club as well as a religious temple. At times, in conversation with young Delamere, he would lament his hard fate.

Tom laughed until he cried at the comical idea which Sandy's plaint always brought up, of half-a-dozen negro preachers sitting in solemn judgment upon that cakewalk,—it had certainly been a good cakewalk!—and sending poor Sandy to spiritual Coventry.

"Cheer up, Sandy, cheer up!" he would say when Sandy seemed most depressed. "Go into my room and get yourself a good drink of liquor. The devil's church has a bigger congregation than theirs, and we have the consolation of knowing that when we die, we'll meet all our friends on the other side. Brace up, Sandy, and be a man, or, if you can't be a man, be as near a man as you can!"

Hoping to revive his drooping spirits, Sandy too often accepted the proffered remedy.

Yaş sınırı:
12+
Litres'teki yayın tarihi:
15 eylül 2018
Hacim:
320 s. 1 illüstrasyon
Telif hakkı:
Public Domain
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