Kitabı oku: «A Fair Mystery: The Story of a Coquette», sayfa 5

CHAPTER XIII
"FAITHLESS AND DEBONAIR."

"Doris, you must not do it. I cannot bear it!"

"I don't see what difference it makes to you, Earle, and you have no right to interfere, and do it I surely shall."

Thus Doris and Earle on the theme of portrait painting.

Gregory Leslie was too astute a man, too experienced, to take his wandering naiad at her word, and paint her picture, asking no consent but her own. Never had a girl so puzzled him. Her rare beauty, found in so remote and rural a district; her delicate hands, soft, cultured tones, exquisite, high-bred grace, in contrast with her very common, simple, if tasteful, dress: and then her words, so odd – either purest innocence and simplicity, or curious art in wickedness. Who and what was the young enchantress? Then, too, her smile, the turn of her neck, her way evoked constantly some shadowy reminiscence, some picture set far back and grown dim in the gallery of his memory, but surely there. Again and again he strove to catch the fleeing likeness, but at once, with the effort, it was gone.

"If you want to paint me, begin!" said Doris, child-like.

"Pardon. It would inconvenience you to stand here; the sketch even would take time. It must be a work of care. I shall do better if I have your permission to accompany you home. Also I must ask your parents' consent."

"They don't mind!" cried Doris, petulantly, after some little hesitation. "I am only a farmer's daughter." She flushed with bitter vexation at the thought, but seeing the artist immovable in his purpose, added: "I live at Brackenside, it is not far; you can easily come there."

"If you will permit," said Gregory, with courtesy.

"You can come. I have no objection," said Doris, with the air of a princess.

She picked up her basket, and moved away with the grace, the proud bearing of "the daughter of a hundred earls."

Gregory Leslie marveled more and more. As an artist, he was enraptured; as a man, he was puzzled by this new Daphne.

Doris, seemingly forgetting her new cavalier, yet taking a rapid side look at him, considered that he was very handsome, if getting a little gray; also, that his air was that of a man of the world, a dash of the picturesque added to the culture of cities.

She wished Earle would meet them, and go into a spasm of jealousy. But Earle was spared that experience, and only Mark, Patty, and Mattie Brace were at the farm-house, to be dazzled with the beauty's conquest.

Arrived at the gate, Doris turned with proud humility to her escort.

"This is my home. I do not like it. Most people think the place pretty."

"It is a paradise!" said Leslie, enthusiastically.

"Then it must have a serpent in it," quoth Doris.

"I hope not," said Leslie.

"It has. I have felt it bite!"

Mark Brace, with natural courtesy, came from the door to meet them.

"This is an artist that I met at the knoll," said Doris, calmly. "He is looking for subjects for pictures. I think he mentioned his name was Mr. Leslie, and he wishes to paint me."

"Wants a picture of you, my darling!" said honest Mark, his face lighting with a smile. "Then he shows his good taste. Walk in, sir; walk in. Let us ask my wife."

He led the way into the cool, neat, quaint kitchen-room, hated of Doris' soul, but to the artist a study most excellent.

Then did the artist look at the Brace family in deepest wonder. Mark had called the wood-nymph "my darling," and asserted a father's right; and yet not one line or trace of Mark was in this dainty maid.

Leslie turned to study Patty, who had made her courtesy and taken the basket of berries – dark, strong, plump, tidy, intelligent, kindly, plain. Not a particle of Patty in this aristocratic young beauty, who called her "mother" in a slighting tone.

Then, in despair, he fixed his eyes on Mattie Brace – brown, earnest, honest, dark, sad eyes, good, calm – just as little like the pearl-and-gold beauty as the others.

Meanwhile Mark and Patty eyed each other.

"I want to speak to you a minute, Mark," said Patty; and the pair retired to the dairy.

Doris flushed angrily, and drummed on the window-sill.

"Behold a mystery!" said Gregory Leslie to himself.

"Mark," said Patty, in the safe retirement of the milk-pans, "this needs considering. Doris is not our own. To have her picture painted and exhibited in London to all the great folk, may be the last thing her mother would desire: and her mother is yet living, as the money comes always the same way."

"I declare, Patty, I never thought of that."

"And yet, if Doris has set her heart on it, she'll have it done – you see," added Patty.

"True," said Mark. "And people will hardly think of seeking resemblances to middle-aged people in a sort of fancy picture. Better let it be done under our eye, Patty."

"I suppose so, since we cannot hinder its doing."

They returned to the kitchen.

"We have no objection, if you wish to make the picture, sir," said Mark.

"I should think not. I had settled that," said Doris.

"In return for your kindness," said the artist to Patty, "I will make a small portrait of her for your parlor."

So one sitting was given then and there, and others were arranged for.

When Earle came that evening he heard all the story, and then, being with Doris in the garden, they fell out over it, beginning as set forth in the opening of this chapter.

"I cannot and will not have another man gazing at you, studying your every look, carrying your face in his soul."

"If you are to begin by being jealous," said Doris, delighted, "I might as well know. I enjoy jealousy as a proof of love, and as amusing me, but I like admiration, and I mean to have it all my life. If ever I go to London, I expect to have London at my feet. Besides, if you mean to sing me, for all the world, why cannot Mr. Leslie paint me. You say Poetry and Art should wait at the feet of Beauty. Now they shall!"

It ended by truce, and Doris agreed that Earle should be present at every sitting. This calmed Earle, and rejoiced her. She thought it would be charming to pit poet and artist one against the other.

But the sittings did not thus fall out. Earle grew much interested, and he and Gregory took a hearty liking for each other. Gregory admired Doris as a beauty, but his experienced eye detected the lacking loveliness of her soul. Besides, he had no love but art, and his heart shrined one sacred pervading memory. Daily, as he painted, that haunting reminiscence of some long-ago-seen face, or painted portrait, grew upon him. He looked at Doris and searched the past. One day he cried out, as he painted:

"I have it!"

"What have you?" demanded Doris, curiously.

"A face, a name, that you constantly brought to mind in a shadowy way – that you resembled."

"Man or woman?" demanded Doris, eagerly.

"A man."

She was disappointed. She had hoped to hear of some reigning belle of society.

"Was he handsome?" she asked, less interested.

"Remarkably so. How else, if your face was like his?"

"But how can it be like a stranger I never heard of?"

"A coincidence – a freak of nature," said Leslie, slowly.

"And what was he like?" demanded Doris.

"Faithless and debonair! False, false and fair, like all his line. It was a fatal race; he no worse than the rest."

CHAPTER XV
"I WILL BE TRUE – FOREVER."

Despite all the love eagerly made by Earle, and readily accepted by Doris, there was no formal engagement. A hundred times the decisive words trembled on the lips of the poet-lover, and he chided himself that they were not uttered. But then, if she said "no," what lot would be his? As for Doris not being prepared to say "yes," she deferred decision, and checked Earle on the verge of a finality, for she was not ready to dismiss her suitor. If he fled from Brackenside, what pleasure would be left in life?

She had soon ceased her efforts to flirt with Gregory Leslie; he regarded her with the eye of an artist – what of his feeling that was not artistic, was paternal.

At first, she had hoped that an opening might be made for her to city life. She had wild dreams that he could get an engagement for her as an actress or concert-singer, where wonderful beauty would make up for lack of training; she built wild castles in the air, about titled ladies who would take her for an adopted daughter, or as a companion. But Gregory Leslie was the last man to tempt a lovely, heedless young girl to the vortex of city life.

She told him one day of some of her longings and distastes. She hated the farm, the country. She wanted the glory of the city – dress, theaters, operas, promenades.

"Can't you tell me how to get what I want?"

"Child," said Gregory, "you would weary of it, and long for peace. You have a devoted young lover, who offers you a comfortable home at Lindenholm."

"To live with my mother-in-law!" sneered Doris.

"An admirable woman. I have met her."

"It would be just this dullness repeated all my life," said Doris, tearful and pouting.

"It would be love, comfort, safety, goodness. Besides, this young Moray is one of our coming men. He has native power. I am much mistaken if he does not make a name, fame, place, fortune."

"Do you suppose he will one day go to London and be great?"

"Yes, I do."

"I would like that. A poet's lovely home, where learned people, and musical wonders, and famous actors, and artists like you, Mr. Leslie, come; and we had flowers, and pictures, and song, and gayety."

"It is pleasant, well come by. You might have it all, as Mr. Moray's wife, if at first you waited patiently."

Earle took new value in this ambitious girl's eyes.

Meanwhile, warned by the experience with Leslie, which might have turned out so differently, had Leslie played lover, and offered London-life to Doris, Earle resolved to press his suit, and urge early marriage. He must have some way of holding fast the fair coquette. To him the marriage tie was invulnerable. Once his wife, he fancied she would be ever true. Yes, once betrothed, he believed that she would be true as steel. So one fine September morning, when Leslie's picture was nearly finished, Earle came up to the farm, resolved to be silent no longer. He met Mattie first. He took her hand.

"Mattie, dear sister-friend, to-day I mean to ask Doris to be my wife. Wish me success."

Mattie's heart died within her, but the true eyes did not quail, as she said:

"I hope she will consent, for I know you love her. Heaven send you all good gifts."

"If she does not take me, my life will be spoiled!" cried Earle, passionately.

"Hush," said Mattie. "No man has a right to say such a word. No one should ever throw away all good that Heaven has given him, because of one good withheld."

"Does she love me? Tell me!"

"I do not know. There is no way but to ask her."

They heard a gay voice singing through the garden. In came Doris, her arms laden with lavender flowers cut for drying. She came, and filled the room with light.

"You here, Earle!" cried Doris. "Come up to the coppice nutting with me; the hazel bushes are full."

She held out her hand, frank and natural as a child, and away they went together.

Doris was fantastic as a butterfly that day. She danced on before Earle. She lingered till he overtook her, and before he could say two words, was off again. Then she sang gay snatches of song. She noted his anxious, grave face, and setting her saucy little head on one side, trilled forth:

 
"Prithee, why so pale, fond lover,
Prithee, why so pale?
For if looking well won't move her,
Looking ill must fail."
 

Finally, at a mossy seat under an oak tree, he made a dash, caught her, drew her to his side, and cried:

"Doris, be quiet and hear me; you shall hear me; I have something to tell you – something important."

"Bless us!" cried Doris, in pretended terror. "Is it going to rain? Are you going to tell me something dreadful about the weather, and I have a set of new ribbons on!"

"Dear Doris, it is not about the weather; it is an old, old story."

"Don't tell it, by any means. I hate old things."

"But this is very beautiful to me – so beautiful I must tell it."

"If you are so distracted about it, after the fashion of the Ancient Mariner and his tale, I know you have told it to at least half a dozen other girls."

"Never!" cried Earle; "never once! It is the story of my love, and I never loved any one but you."

"You have the advantage of me," said Doris, with a charming air. "It seems you have loved once; I never loved."

"Doris! Doris! Don't say that!" cried Earle, in agony.

"Not? Why, how many experiences should I have had at my age?" demanded Doris, with infantine archness.

"Yes, you are a child – a sweet, innocent child. But love me, Doris. Love me and be my wife. You know I adore you. Do not drive me to despair. I cannot live without you! Will you be my wife?"

Doris looked thoughtfully at Earle. From her eyes, her face, one would have said that she was realizing for the first time the great problem of love; that love was dawning in her young soul as she listened to Earle's pleading.

But in her heart she was telling herself that this play of love would give a new zest to her life at the farm, would add a little excitement to daily dullness; that, even if she promised, she need not be bound if anything better came in her way. Earle Moray might be the best husband she could find. What was it Mr. Leslie had said about him?

Earle, unconscious of this dark abyss in his idol's soul, sat watching the wide, violet eyes, the gently parted lips, the pink flush growing like the morning on her rounded cheek.

He put his arm gently about her.

"Doris, answer me."

"Can't I wait – an hour, a day, a week, a month, a year?"

"No! – a thousand times no! Suspense would kill me!"

"Why, I wouldn't die so easy as that."

"Doris, answer me. Say yes."

"Yes," said Doris, placidly.

Earl caught her in his arms, and kissed her fervently.

"Is that the way you mean to act?" laughed Doris, sweet and low. "Why did you tell me to say 'yes,' and get my hair rumpled, and my dress all crushed up that way?"

"You are mine, my own Doris! Tell me, no one else shall ever make love to you, or kiss you – you will never be another's?"

"Of course not," said Doris, with delicious assurance.

"You will be true to me forever."

"Yes; I will be true forever," said Doris.

If she played at love-making, she would play her part perfectly, let come what would afterward.

"And you will marry me? When will you marry me?" urged this impetuous young lover.

"How can I tell? This is all very pleasant, being lovers; and then you must ask – the people at the farm." She spoke with reluctance. It always irritated her to call the honest Brace family "parents, sister." "I can't be married till they say so. And – there's your mother."

"They will all agree to what will make us happy."

"And will you agree to what will make me happy?"

"Yes, my darling, with all my heart and soul!"

"Then you must build up fame, and get money, and go to London to live, for I do not love this country life. Only think, to live in London among the literati and the noted people! We will surely do that Earle?"

CHAPTER XVI
A BETROTHAL DAY

Gregory Leslie, seated before his easel, saw the young couple returning to the house. No need to tell him what had happened. The triumphant lover was in every line of Earle's face. Gregory Leslie sighed. Earle had won the most beautiful girl in England for his wife; but the artist was a deep student of human nature, and he read in Doris a disposition intensely worldly and selfish, an ambition that nothing could satisfy, a moral weakness that would break a promise as easily as Samson broke the seven green withes.

Doris ran away from Earle into the garden, and left him to enter the house alone. Gregory was the first one he saw.

"Wish me joy!" he cried, exultantly.

"With all my heart. What you have won, may you keep."

"I have no fear," said Earle, the gentleman. "She loves me."

"You have the original; I the picture. This picture will wake the curiosity of the world," said Gregory, looking at his work.

"But you will not tell who or where is the original? I do not wish my Doris to be pursued by a crowd of idle, curious people."

"On honor, no," said Gregory, holding out his hand.

Then Earle went on to find Mark and Patty.

Patty heard the news with a bewildered shake of her head.

"There's no counting on Doris," she said. "I thought she was playing with you. We shall see how it will turn out. I hope you will be happy."

"I am sure they will," spoke up Mattie, and left the room.

"There's your mother to be consulted," said Mark.

"She will be ready for anything that makes me happy."

"And Doris is too young. She cannot be married for a year yet," said Mark, decidedly. "She must have time to know her mind and to settle herself. If it were Mattie now, I'd feel different. Mattie is two years older, and she has a steadier nature."

"But it's not Mattie, thank fortune, for Mattie is my right hand," spoke up Patty, sharply; for she had read a little of her own child's cherished secret.

Earle was so overjoyed to get the promise of Doris, that he counted the year of probation a day, and saw nothing of Gregory Leslie's incredulity, of Patty's hesitation, of the anxiety of Mark, or of Mattie's shy withdrawing. These young lovers are selfish, even the best of them.

Patty roused herself to do justice to the occasion. She set forth a table with her best damask and the few old pieces of family silver; she spread out the choicest of her culinary stores, and invited Gregory Leslie to dine, and Mattie crowned the board with flowers, and put on her best dress, while Doris played the young fiancee to sweet perfection. Yet the keen eyes of the artist read not only Mattie's hidden pain, but Patty's sorrow and anxiety, and saw that Mark was not a rural father, joyful in a good match for his child, but a man in dire perplexity, uncertain what was right and wise for him to do.

"This girl and all her surroundings are a mystery," said the artist to himself.

Earle Moray saw no mystery; all was broad day in the light of his love. It seemed high noon even, when he went home at night, and the heavens were lit with starry hosts. Doris had kept him late, not unmindful of the mother watching alone to hear her boy's tale of wooing, mindful of her, rather, and finding it a pleasure to tantalize the unknown mother by a long delay.

But once free of the beguiling voice of his little siren, Earle remembered heartily his mother, and hurried to her as if his feet were winged with the sandals of Apollo. He flung open the gate with a crash; his joyous tread rang on the gravel walk; he dashed into the house, and into the sitting-room, and dropping on his knees by his mother, clasped his arms about her waist and cried:

"Mother! she is mine!"

"Heaven bless you, my son!" said his mother; but she sighed.

"You will go and see her, mother, to-morrow? You will see how wonderfully lovely she is; witty and accomplished, too; you are sure to be charmed, mother!"

If he had chosen a beggar maid, like King Cophetua, the mother would have made the best of it. Yet in her secret heart Mrs. Moray thought Earle too young to marry, and, besides, this girl was very young, and who knew if she would be a good wife. Earle's poetizing and dreaming were bad enough, but his love-making was even worse! Still his mother hid her fears, and sympathized and helped him plan his future, while in her soul she blessed Mark Brace for that year's delay.

Accustomed from childhood to open his heart to his mother, Earle poured forth to her the full story of his love, his adoration, his intoxicating passion for Doris. The mother heard and trembled. His was not the love of a Christian man for a wife, but of a pagan for the idol in his shrine. She felt that this love could not be blessed or bring blessing; it was earthly, infatuated, unreasoning, terrible. She trembled; yet trembling did not foresee the stormy and dreadful way that this love should lead her boy, nor in what horror and blackness its grave should be!

While Mrs. Moray and her son forgot the flight of time, one in anxiety, the other in overflowing joy, Mark Brace and Patty, at Brackenside Farm, also kept vigils. They were perplexed to know what was right.

"It was terrible to send us a child in that way," cried Patty. "We cannot tell what we should do with her."

"I think we can," said Mark. "We were told to do as by our own. We would give Mattie to Earle, if they both wished it. We can give Doris. No doubt her mother will be glad to know that she is safe in the care of a husband."

"But if they come to reclaim her, as I have expected?"

"They gave her to us, unasked, and must abide by our decision. Besides, here is a year's delay, and the engagement no secret. If the unknown mother watches her child, let her make known her rights and interfere."

"And the letter said she was of noble blood."

"Earle Moray is a good man, a gentleman, a scholar."

"But what would he think of this secret? They believe Doris to be ours, the same as Mattie."

"There's the rub," said Mark; "but here, to be honest, we must break silence. Not to Doris, but to Earle. We must tell Earle and his mother all the truth that we know. Married life goes ill, Patty, begun in mystery."

"Possibly Mrs. Moray will not consent."

"I think it will make no difference. If it does, we have done our duty, and that is all our trouble. I believe her mother is some poor timid soul, secretly married, and perhaps now dead, and the father also."

Patty sighed, and a look of trouble and conviction was in her face. She had thoughts about Doris that she did not tell even to Mark.

"Love and trouble always come together," sighed Patty.

"Doris has been a great help to us, as well as a great care," said Mark. "Her money saved us from ruin, and put us on our feet. I have done honestly by her, and have not forgotten that she has helped us. But I admit she fills me with anxiety, and is a strange element in our home. Once she is well married and gone, I think we shall be very happy together. I'll save this year's hundred pounds to give her a good outfit, and give her next year's hundred for a wedding present."

"She has had all the money since she was twelve," said Patty.

"True, but for the first twelve years I did not spend the half of it on her."

Next day Earle brought his mother, and proudly presented Doris to her.

Mrs. Moray, making allowances for the enthusiasm of a lover, had expected to find a rosy, pretty country girl. She saw a dainty, high-bred beauty, of the most exquisite and aristocratic type. She looked in wonder at Doris, then helplessly at Mark and Patty.

"How little your daughter resembles you!" she cried.

Patty blushed, honest Mark studied the carpet pattern, the pretty lips of Doris curled scornfully.

Mrs. Moray suspected a mystery. Mark Brace spoke up:

"I'd like a word with you and your son in the garden, ma'am."

Doris watched the three angrily from the window.

"What is father saying that I may not hear? See how oddly Mrs. Moray looks, and Earle too! What is he saying?"

"Perhaps that he has no fortune to give you," hinted Patty.

"My face is my fortune," cried Doris, pettishly.

"Dear child, do not be so vain! Suppose you lost that fortune."

"Then I'd kill myself. I would not live unbeautiful!"

Poor Patty held up her hands in horror.