Kitabı oku: «Maggie: A Girl of the Streets», sayfa 3
Chapter VII
An orchestra of yellow silk women and bald-headed men on an elevated stage near the centre of a great green-hued hall, played a popular waltz. The place was crowded with people grouped about little tables. A battalion of waiters slid among the throng, carrying trays of beer glasses and making change from the inexhaustible vaults of their trousers pockets. Little boys, in the costumes of French chefs, paraded up and down the irregular aisles vending fancy cakes. There was a low rumble of conversation and a subdued clinking of glasses. Clouds of tobacco smoke rolled and wavered high in air about the dull gilt of the chandeliers.
The vast crowd had an air throughout of having just quitted labor. Men with calloused hands and attired in garments that showed the wear of an endless trudge for a living, smoked their pipes contentedly and spent five, ten, or perhaps fifteen cents for beer. There was a mere sprinkling of kid-gloved men who smoked cigars purchased elsewhere. The great body of the crowd was composed of people who showed that all day they strove with their hands. Quiet Germans, with maybe their wives and two or three children, sat listening to the music, with the expressions of happy cows. An occasional party of sailors from a war-ship, their faces pictures of sturdy health, spent the earlier hours of the evening at the small round tables. Very infrequent tipsy men, swollen with the value of their opinions, engaged their companions in earnest and confidential conversation. In the balcony, and here and there below, shone the impassive faces of women. The nationalities of the Bowery beamed upon the stage from all directions.
Pete aggressively walked up a side aisle and took seats with Maggie at a table beneath the balcony.
"Two beehs!"
Leaning back he regarded with eyes of superiority the scene before them. This attitude affected Maggie strongly. A man who could regard such a sight with indifference must be accustomed to very great things.
It was obvious that Pete had been to this place many times before, and was very familiar with it. A knowledge of this fact made Maggie feel little and new.
He was extremely gracious and attentive. He displayed the consideration of a cultured gentleman who knew what was due.
"Say, what deh hell? Bring deh lady a big glass! What deh hell use is dat pony?"
"Don't be fresh, now," said the waiter, with some warmth, as he departed.
"Ah, git off deh eart'," said Pete, after the other's retreating form.
Maggie perceived that Pete brought forth all his elegance and all his knowledge of high-class customs for her benefit. Her heart warmed as she reflected upon his condescension.
The orchestra of yellow silk women and bald-headed men gave vent to a few bars of anticipatory music and a girl, in a pink dress with short skirts, galloped upon the stage. She smiled upon the throng as if in acknowledgment of a warm welcome, and began to walk to and fro, making profuse gesticulations and singing, in brazen soprano tones, a song, the words of which were inaudible. When she broke into the swift rattling measures of a chorus some half-tipsy men near the stage joined in the rollicking refrain and glasses were pounded rhythmically upon the tables. People leaned forward to watch her and to try to catch the words of the song. When she vanished there were long rollings of applause.
Obedient to more anticipatory bars, she reappeared amidst the half-suppressed cheering of the tipsy men. The orchestra plunged into dance music and the laces of the dancer fluttered and flew in the glare of gas jets. She divulged the fact that she was attired in some half dozen skirts. It was patent that any one of them would have proved adequate for the purpose for which skirts are intended. An occasional man bent forward, intent upon the pink stockings. Maggie wondered at the splendor of the costume and lost herself in calculations of the cost of the silks and laces.
The dancer's smile of stereotyped enthusiasm was turned for ten minutes upon the faces of her audience. In the finale she fell into some of those grotesque attitudes which were at the time popular among the dancers in the theatres up-town, giving to the Bowery public the phantasies of the aristocratic theatre-going public, at reduced rates.
"Say, Pete," said Maggie, leaning forward, "dis is great."
"Sure," said Pete, with proper complacence.
A ventriloquist followed the dancer. He held two fantastic dolls on his knees. He made them sing mournful ditties and say funny things about geography and Ireland.
"Do dose little men talk?" asked Maggie.
"Naw," said Pete, "it's some damn fake. See?"
Two girls, on the bills as sisters, came forth and sang a duet that is heard occasionally at concerts given under church auspices. They supplemented it with a dance which of course can never be seen at concerts given under church auspices.
After the duettists had retired, a woman of debatable age sang a negro melody. The chorus necessitated some grotesque waddlings supposed to be an imitation of a plantation darkey, under the influence, probably, of music and the moon. The audience was just enthusiastic enough over it to have her return and sing a sorrowful lay, whose lines told of a mother's love and a sweetheart who waited and a young man who was lost at sea under the most harrowing circumstances. From the faces of a score or so in the crowd, the self-contained look faded. Many heads were bent forward with eagerness and sympathy. As the last distressing sentiment of the piece was brought forth, it was greeted by that kind of applause which rings as sincere.
As a final effort, the singer rendered some verses which described a vision of Britain being annihilated by America, and Ireland bursting her bonds. A carefully prepared crisis was reached in the last line of the last verse, where the singer threw out her arms and cried, "The star-spangled banner." Instantly a great cheer swelled from the throats of the assemblage of the masses. There was a heavy rumble of booted feet thumping the floor. Eyes gleamed with sudden fire, and calloused hands waved frantically in the air.
After a few moments' rest, the orchestra played crashingly, and a small fat man burst out upon the stage. He began to roar a song and stamp back and forth before the foot-lights, wildly waving a glossy silk hat and throwing leers, or smiles, broadcast. He made his face into fantastic grimaces until he looked like a pictured devil on a Japanese kite. The crowd laughed gleefully. His short, fat legs were never still a moment. He shouted and roared and bobbed his shock of red wig until the audience broke out in excited applause.
Pete did not pay much attention to the progress of events upon the stage. He was drinking beer and watching Maggie.
Her cheeks were blushing with excitement and her eyes were glistening. She drew deep breaths of pleasure. No thoughts of the atmosphere of the collar and cuff factory came to her.
When the orchestra crashed finally, they jostled their way to the sidewalk with the crowd. Pete took Maggie's arm and pushed a way for her, offering to fight with a man or two.
They reached Maggie's home at a late hour and stood for a moment in front of the gruesome doorway.
"Say, Mag," said Pete, "give us a kiss for takin' yeh teh deh show, will yer?"
Maggie laughed, as if startled, and drew away from him.
"Naw, Pete," she said, "dat wasn't in it."
"Ah, what deh hell?" urged Pete.
The girl retreated nervously.
"Ah, what deh hell?" repeated he.
Maggie darted into the hall, and up the stairs. She turned and smiled at him, then disappeared.
Pete walked slowly down the street. He had something of an astonished expression upon his features. He paused under a lamp-post and breathed a low breath of surprise.
"Gawd," he said, "I wonner if I've been played fer a duffer."
Chapter VIII
As thoughts of Pete came to Maggie's mind, she began to have an intense dislike for all of her dresses.
"What deh hell ails yeh? What makes yeh be allus fixin' and fussin'? Good Gawd," her mother would frequently roar at her.
She began to note, with more interest, the well-dressed women she met on the avenues. She envied elegance and soft palms. She craved those adornments of person which she saw every day on the street, conceiving them to be allies of vast importance to women.
Studying faces, she thought many of the women and girls she chanced to meet, smiled with serenity as though forever cherished and watched over by those they loved.
The air in the collar and cuff establishment strangled her. She knew she was gradually and surely shrivelling in the hot, stuffy room. The begrimed windows rattled incessantly from the passing of elevated trains. The place was filled with a whirl of noises and odors.
She wondered as she regarded some of the grizzled women in the room, mere mechanical contrivances sewing seams and grinding out, with heads bended over their work, tales of imagined or real girlhood happiness, past drunks, the baby at home, and unpaid wages. She speculated how long her youth would endure. She began to see the bloom upon her cheeks as valuable.
She imagined herself, in an exasperating future, as a scrawny woman with an eternal grievance. Too, she thought Pete to be a very fastidious person concerning the appearance of women.
She felt she would love to see somebody entangle their fingers in the oily beard of the fat foreigner who owned the establishment. He was a detestable creature. He wore white socks with low shoes.
He sat all day delivering orations, in the depths of a cushioned chair. His pocketbook deprived them of the power to retort.
"What een hell do you sink I pie fife dolla a week for? Play? No, py damn!" Maggie was anxious for a friend to whom she could talk about Pete. She would have liked to discuss his admirable mannerisms with a reliable mutual friend. At home, she found her mother often drunk and always raving. It seems that the world had treated this woman very badly, and she took a deep revenge upon such portions of it as came within her reach. She broke furniture as if she were at last getting her rights. She swelled with virtuous indignation as she carried the lighter articles of household use, one by one under the shadows of the three gilt balls, where Hebrews chained them with chains of interest.
Jimmie came when he was obliged to by circumstances over which he had no control. His well-trained legs brought him staggering home and put him to bed some nights when he would rather have gone elsewhere.
Swaggering Pete loomed like a golden sun to Maggie. He took her to a dime museum where rows of meek freaks astonished her. She contemplated their deformities with awe and thought them a sort of chosen tribe.
"What een hell do you sink I pie fife dolla a week for? Play? No, py damn!" Maggie was anxious for a friend to whom she could talk about Pete. She would have liked to discuss his admirable mannerisms with a reliable mutual friend. At home, she found her mother often drunk and always raving. It seems that the world had treated this woman very badly, and she took a deep revenge upon such portions of it as came within her reach. She broke furniture as if she were at last getting her rights. She swelled with virtuous indignation as she carried the lighter articles of household use, one by one under the shadows of the three gilt balls, where Hebrews chained them with chains of interest.
Jimmie came when he was obliged to by circumstances over which he had no control. His well-trained legs brought him staggering home and put him to bed some nights when he would rather have gone elsewhere.
Swaggering Pete loomed like a golden sun to Maggie. He took her to a dime museum where rows of meek freaks astonished her. She contemplated their deformities with awe and thought them a sort of chosen tribe.
Pete, raking his brains for amusement, discovered the Central Park Menagerie and the Museum of Arts. Sunday afternoons would sometimes find them at these places. Pete did not appear to be particularly interested in what he saw. He stood around looking heavy, while Maggie giggled in glee.
Once at the Menagerie he went into a trance of admiration before the spectacle of a very small monkey threatening to thrash a cageful because one of them had pulled his tail and he had not wheeled about quickly enough to discover who did it. Ever after Pete knew that monkey by sight and winked at him, trying to induce hime to fight with other and larger monkeys. At the Museum, Maggie said, "Dis is outa sight."
"Oh hell," said Pete, "wait 'till next summer an' I'll take yehs to a picnic."
While the girl wandered in the vaulted rooms, Pete occupied himself in returning stony stare for stony stare, the appalling scrutiny of the watch-dogs of the treasures. Occasionally he would remark in loud tones: "Dat jay has got glass eyes," and sentences of the sort.
When he tired of this amusement he would go to the mummies and moralize over them.
Usually he submitted with silent dignity to all which he had to go through, but, at times, he was goaded into comment.
"What deh hell," he demanded once. "Look at all dese little jugs! Hundred jugs in a row! Ten rows in a case an' 'bout a t'ousand cases! What deh blazes use is dem?"
Evenings during the week he took her to see plays in which the brain-clutching heroine was rescued from the palatial home of her guardian, who is cruelly after her bonds, by the hero with the beautiful sentiments. The latter spent most of his time out at soak in pale-green snow storms, busy with a nickel-plated revolver, rescuing aged strangers from villains.
Maggie lost herself in sympathy with the wanderers swooning in snow storms beneath happy-hued church windows. And a choir within singing "Joy to the World." To Maggie and the rest of the audience this was transcendental realism. Joy always within, and they, like the actor, inevitably without. Viewing it, they hugged themselves in ecstatic pity of their imagined or real condition.
The girl thought the arrogance and granite-heartedness of the magnate of the play was very accurately drawn. She echoed the maledictions that the occupants of the gallery showered on this individual when his lines compelled him to expose his extreme selfishness.
Shady persons in the audience revolted from the pictured villainy of the drama. With untiring zeal they hissed vice and applauded virtue. Unmistakably bad men evinced an apparently sincere admiration for virtue.
The loud gallery was overwhelmingly with the unfortunate and the oppressed. They encouraged the struggling hero with cries, and jeered the villain, hooting and calling attention to his whiskers. When anybody died in the pale-green snow storms, the gallery mourned. They sought out the painted misery and hugged it as akin.
In the hero's erratic march from poverty in the first act, to wealth and triumph in the final one, in which he forgives all the enemies that he has left, he was assisted by the gallery, which applauded his generous and noble sentiments and confounded the speeches of his opponents by making irrelevant but very sharp remarks. Those actors who were cursed with villainy parts were confronted at every turn by the gallery. If one of them rendered lines containing the most subtile distinctions between right and wrong, the gallery was immediately aware if the actor meant wickedness, and denounced him accordingly.
The last act was a triumph for the hero, poor and of the masses, the representative of the audience, over the villain and the rich man, his pockets stuffed with bonds, his heart packed with tyrannical purposes, imperturbable amid suffering.
Maggie always departed with raised spirits from the showing places of the melodrama. She rejoiced at the way in which the poor and virtuous eventually surmounted the wealthy and wicked. The theatre made her think. She wondered if the culture and refinement she had seen imitated, perhaps grotesquely, by the heroine on the stage, could be acquired by a girl who lived in a tenement house and worked in a shirt factory.
