HarperCollinsPublishers
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Published by HarperCollinsPublishers 2015
Copyright © Dean Koontz 2015
Dean Koontz asserts the moral right to be identified as the author of this work.
A catalogue record for this book is available from the British Library.
This is entirely a work of fiction. Any references to real people, living or dead, real events, businesses, organizations and localities are intended only to give the fiction a sense of reality and authenticity. All names, characters and incidents are either the product of the author’s imagination or are used fictitiously, and their resemblance, if any, to real-life counterparts is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.
Ebook Edition © MAY 2015 ISBN: 9780008108670
Version: 2015-04-17
Contents
Cover
Title Page
Copyright
Innocence
The City
About Dean Koontz
By Dean Koontz
About the Publisher
Harper
An imprint of HarperCollinsPublishers
1 London Bridge Street
London SE1 9GF
First published by HarperCollinsPublishers 2013
First published in the USA in 2013 by Bantam Books,
an imprint of The Random House Publishing Group,
A division of Random House, Inc., New York.
Copyright © Dean Koontz 2013
Cover design layout © HarperCollinsPublishers 2014
Cover photographs © Keith Morris/Alamy (figure); MBI/Alamy (back pack); Nikki Smith/Arcangel Images (sky); Shutterstock.com (buildings).
Dean Koontz asserts the moral right to be identified as the author of this work.
A catalogue record for this book is available from the British Library.
This is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.
Source ISBN: 9780007518043
Ebook Edition © DECEMBER 2013 ISBN: 9780007518036
Version: 2015-04-17
This book is dedicated to Harry Recard for being a friend, for teaching me pinochle in college and thereby nearly ruining my academic career. And to Diane Recard for taking such good care of Harry all these years, an exhausting task.
* * *
Nothing pleases a writer more than mail from readers who claim that one of his books was life-changing or inspired perseverance in difficult times. But as I finished Innocence, a letter that I received from Elizabeth Waters in the state of Washington, regarding my novel From the Corner of His Eye, moved me more profoundly than most. Beth, your courage humbles me. The hope that you found in my book is matched by the hope that you have given me with your kind correspondence. You shine.
Rarely do great beauty and great virtue dwell together.
— PETRARCH, De Remediis
Contents
Cover
Title Page
Copyright
Dedication
Epigraph
Part One: The Girl I Met in Lamplight Near Charles Dickens
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
Chapter Twenty-one
Chapter Twenty-two
Chapter Twenty-three
Chapter Twenty-four
Chapter Twenty-five
Chapter Twenty-six
Chapter Twenty-seven
Chapter Twenty-eight
Chapter Twenty-nine
Chapter Thirty
Chapter Thirty-one
Chapter Thirty-two
Part Two: The Flame Delights The Moth Before The Wings Burn
Chapter Thirty-three
Chapter Thirty-four
Chapter Thirty-five
Chapter Thirty-six
Chapter Thirty-seven
Chapter Thirty-eight
Chapter Thirty-nine
Chapter Forty
Chapter Forty-one
Chapter Forty-two
Chapter Forty-three
Chapter Forty-four
Chapter Forty-five
Chapter Forty-six
Chapter Forty-seven
Chapter Forty-eight
Chapter Forty-nine
Chapter Fifty
Chapter Fifty-one
Chapter Fifty-two
Part Three: What Might Have Been And What Has Been
Chapter Fifty-three
Chapter Fifty-four
Chapter Fifty-five
Chapter Fifty-six
Chapter Fifty-seven
Chapter Fifty-eight
Chapter Fifty-nine
Chapter Sixty
chapter Sixty-one
Chapter Sixty-two
Chapter Sixty-three
Chapter Sixty-four
Chapter Sixty-five
Chapter Sixty-six
Chapter Sixty-seven
Chapter Sixty-eight
Chapter Sixty-nine
Chapter Seventy
Chapter Seventy-one
Chapter Seventy-two
Chapter Seventy-three
Chapter Seventy-four
Chapter Seventy-five
Chapter Seventy-six
Chapter Seventy-seven
Chapter Seventy-eight
Chapter Seventy-nine
Chapter Eighty
Chapter Eighty-one
Chapter Eighty-two
Chapter Eighty-three
Chapter Eighty-four
Chapter Eighty-five
Chapter Eighty-six
HAVING ESCAPED ONE FIRE, I EXPECTED ANOTHER. I didn’t view with fright the flames to come. Fire was but light and heat. Throughout our lives, each of us needs warmth and seeks light. I couldn’t dread what I needed and sought. For me, being set afire was merely the expectation of an inevitable conclusion. This fair world, compounded of uncountable beauties and enchantments and graces, inspired in me only one abiding fear, which was that I might live in it too long.
I WAS CAPABLE OF LOVE, BUT I LIVED IN SOLITUDE after Father died. Therefore I loved only the precious dead, and books, and the moments of great beauty with which the city surprised me from time to time, as I passed through it in utmost secrecy.
For instance, sometimes on clear nights, in the solemn hour when most of the population sleeps, when the cleaning crews are finished and the high-rises darkle until dawn, the stars come out. They are not as bright over this metropolis as they must be over a Kansas plain or a Colorado mountain, but they still shine as if there is a city in the sky, an enchanting place where I could walk the streets with no fear of fire, where I could find someone to love, who would love me.
Here, when I was seen, my capacity for love earned me no mercy. Quite the opposite. When they saw me, men and women alike recoiled, but their fear quickly gave way to fury. I would not harm them to defend myself, and I remained therefore defenseless.
ON CERTAIN NIGHTS, BEAUTIFUL BUT SAD MUSIC found its way into my deep windowless rooms. I didn’t know from where it came, and I couldn’t identify the tune. No lyrics accompanied the melody, but I remained convinced that I had once heard a smoky-voiced chanteuse sing this song. Each time the song came, my mouth moved as if forming the words, but they eluded me.
The piece was not a blues number, yet it weighed on the heart as did the blues. I might call it a nocturne, although I believe that a nocturne is always an instrumental. Words existed to this melody. I was certain they did.
I should have been able to follow those mellifluous strains to a vent grille or a drain, or to some other route of transmission, but every attempt to seek the source ended in failure. The music seemed to issue from the air, as if passing through a membrane from another, unseen world parallel to ours.
Perhaps those who lived in the open would have found the idea of an invisible world too fanciful and would have dismissed the notion.
Those of us who remain hidden from everyone else, however, know that this world is wondrous and filled with mysteries. We possess no magical perception, no psychic insight. I believe our recognition of reality’s complex dimensions is a consequence of our solitude.
To live in the city of crowds and traffic and constant noise, to be always striving, to be in the ceaseless competition for money and status and power, perhaps distracted the mind until it could no longer see—and forgot—the all that is. Or maybe, because of the pace and pressure of that life, sanity depended on blinding oneself to the manifold miracles, astonishments, wonders, and enigmas that comprised the true world.
When I said “those of us who remain hidden,” I should instead have said “I who am hidden.” As far as I was aware, no other like me existed in that metropolis. I had lived alone for a long time.
For twelve years, I shared this deep redoubt with Father. He died six years earlier. I loved him. I missed him every day. I was now twenty-six, with perhaps a long, lonely life ahead of me.
Before I arrived, my father lived here with his father, whom I never had the honor of meeting. Most of the furnishings and books were handed down to me from them.
One day perhaps I would pass my belongings to someone who might call me Father. We were an enduring dynasty of the dispossessed, living in the secret city that the city’s people never saw.
My name is Addison. But back then we needed no names because we spoke to no one but each other.
Sometimes, with a smile, Father called himself It. But that wasn’t a real name. He called me Its It, or Son of It, which was our little joke.
By the standards of humanity, we were exceedingly ugly in a way that excited in them abhorrence and the most terrible rage. Although we were as much human as those who lived in the open, we did not wish to offend, and so we hid ourselves away.
Father told me that our kind must not be angry with other men and women merely because of the way that they treated us. They had anxieties we could never understand. He said that we of the hidden had our burdens, but those who lived in the open carried far heavier burdens than ours, which was true.
We also remained hidden to avoid worse than persecution. One night, my father was caught in the open. Two frightened, enraged men shot and clubbed him to death.
I did not harbor any anger toward them. I pitied them, but I loved them as best I could. We have all been brought into the world for some reason, and we must wonder why and hope to learn.
My little windowless residence also served as my school, where I sought to learn, and the most important of those three small rooms was the one lined with mahogany shelves built by my father’s father. The shelves were filled with books not wanted by those who lived in the world above.
Each of the deep, comfortable armchairs had a padded footstool. Beside each chair stood a simple wooden cube on which to set a drink, and a bronze floor lamp with a pleated shade of peach-colored shantung silk.
A small table and two straight-backed chairs provided a place to dine. In the days when we were two, we played cards and chess at that table.
These days, I occasionally played solitaire. I didn’t much like the game, but sometimes, shuffling the cards or dealing them out, I saw not my hands but instead my father’s. His fingers were deformed because they had healed improperly in self-applied splints after a minister had broken them on a Sunday night, when Father was a boy.
I loved those hands, which never harmed a living thing. The pale scars and arthritic knuckles were beautiful because they signified his courage and reminded me that I must never be embittered by the cruelties inflicted on us. He suffered more than I did, and yet he loved life and the world.
The table and most of the other furnishings had been brought here with difficulty or had been built in place by those who came before me.
For six years, I had not needed two armchairs. Most of the time, when reading, I sat in the chair that had been mine since I arrived there. Once in a while, however, I sat in Father’s chair, the better to remember him and to feel less alone.
The second room, like the others, was eight feet high. The thick walls, floor, and ceiling were of steel-reinforced concrete through which vibrations sometimes traveled but never any identifiable sounds other than the aforementioned music.
To each side of the doorless doorway, a hammock was suspended wall to wall. The canvas was easy to sponge clean, and my blanket was the only bedding to be laundered.
When Father still lived, on nights when sleep eluded us, we would lie awake, either in the dark or in candlelight, and talk for hours. We conversed about what little of the world we’d seen firsthand, about the marvels of nature that we studied in books of color photography, and about what all of it might mean.
Perhaps those were among my happiest memories, although I had so many that were happy, I wasn’t easily able to favor some over others.
Against the back wall, between hammocks, stood a refrigerator. Father’s father had once lived without this amenity. My father—an autodidact like me—taught himself to be a fine electrician and an appliance mechanic. He dismantled the refrigerator, brought it down from the world aboveground, and reassembled it.
To the left of the refrigerator stood a table holding a toaster oven, a hot plate, and a Crock-Pot. To the right were open shelves that served as my larder and tableware storage.
I ate well and remained grateful that the city was a place of plenty.
When Father’s father discovered this deep redoubt, electricity and a minimum of plumbing were already provided, although the rooms were unfurnished. No evidence existed to suggest that they had ever previously been occupied.
Before Father found me alone and waiting to be killed, he and his father imagined many explanations for these chambers.
One might think this place must be a bomb shelter, so deep beneath the street, under so many thick layers of concrete, that multiple nuclear blasts would not crack it open, reached by such a circuitous route that deadly radiation, which traveled in straight lines, could not find its way here.
But when you removed the receptacles from their mounting screws in any wall outlet, the manufacturer’s name stamped in the metal junction box identified a company that, research proved, went out of business in 1933, long before a nuclear threat existed.
Besides, a bomb shelter for only two, in a great city of millions, made no sense.
The third room, a bath, also concrete all around, was not designed with the expectation that the city and its utilities would be atomized. The pedestal sink and the claw-foot tub offered two spigots each, although the hot water was never more than pleasantly warm, suggesting that whatever boiler it tapped must have been far from there. The old toilet featured an overhead tank that flushed the bowl when you pulled on a hanging chain.
During construction, perhaps some official who was also a sexual predator with homicidal desires might have provided for this sanctum under one pretense or another, intending later to erase its existence from all public records, so that he could by force bring women to a private dungeon to torture and murder them, while the teeming city overhead remained unaware of the screaming far below.
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