Kitabı oku: «The City», sayfa 2
4
The first time my mother’s life fell apart was when she found out that she was pregnant with me. She’d been accepted into the music program at Oberlin, and she had nearly a full scholarship; but before she could even start her first year, she learned I was on the way. She said she really didn’t want to go to Oberlin, that it was her parents’ idea, that she wanted to fly on what talent she had, not on a lot of music theory that might stifle her. She wanted instead to work her way from one dinky club to another less dinky and steadily up, up, up, getting experience. She claimed I came along just in time to save her from Oberlin, and maybe I believed that when I was a kid.
She’d taken a year off between high school and college, and her father had used a connection to get her an age exemption and a gig in a piano bar, because she was a piano man, too. In fact, she was good on saxophone, primo on clarinet, and learning guitar fast. When God ladled out talent, He spilled the whole bucket on Sylvia Bledsoe. The bar was also a restaurant, and the cook—not the chef, the cook—was Tilton Kirk. He was twenty-four, six years her senior, and each time she took a break, he was right there with the charm, which, as far as I’m concerned, he got from a different source than the one that gave my mom her talent.
He was a handsome man and articulate, and as sure as he knew his name, he knew that he was going places in this world. All you had to do was say hello, and he’d tell you where he was going: first from cook to chef, and then into a restaurant of his own by thirty, and then two or three restaurants by the time he was forty, however many he wanted. He was a gifted cook, and he gave young Sylvia Bledsoe all kinds of tasty dishes refined to what he called the Kirk style. He gave her me, too, though it turned out that taking care of children wasn’t part of the Kirk style.
To be fair, he knew she’d have the baby, that the Bledsoes would not tolerate anything else. He did the right thing, he married her, and after that he pretty reliably did the wrong thing.
I was born on June 15, 1957, which was when the Count Basie band became the first Negro band ever to perform in the Starlight Room of the Waldorf-Astoria hotel in New York City. Negro was the word in those days. On July 6, tennis star Althea Gibson, another Negro, won the All-England title at Wimbledon, also a first. And on August 29, the Civil Rights Act, proposed by President Eisenhower the previous year, was finally voted into law by the congress; soon thereafter, Ike would start using the national guard to desegregate schools. By comparison, my entrance into the world wasn’t big news, except to my mom and me.
Trying to ingratiate himself with Sylvia’s parents, well aware of Grandpa Teddy’s musical heroes, my father chose to name me Jonah Ellington Basie Hines Eldridge Wilson Hampton Armstrong Kirk. Even all these years later, almost everyone has heard of Duke Ellington, Count Basie, Earl “Fatha” Hines, Lionel Hampton, and Louis Armstrong. Time doesn’t treat all talent equally, however, and Roy Eldridge is known these days pretty much only to aficionados of big band music. He was one of the greatest trumpeters of all time. Electrifying. He played with Gene Krupa’s legendary band through the early war years, when Anita O’Day was changing what everyone thought a girl singer ought to be. The Wilson in my name is for Teddy Wilson, whom Benny Goodman called the greatest musician in dance music of the day. He played with Goodman, then started his own band, which didn’t last long, and then he played largely in a sextet. If you can find any of the twenty sides that he recorded with his band, you’ll hear a piano man of incomparable elegance.
With all those names to live up to, I sometimes wished I’d been born just Jonah Kirk. But I guess because I was half Bledsoe, anyone who ever admired my grandpa—which was everyone who knew him—would have looked at me with some doubt that I could ever shape myself into a man like him.
The day I was born, Grandpa Teddy and Grandma Anita came to the hospital to see me first through a window in the nursery and then in my mother’s arms when I was brought to her room. My father was there, as well, and eager to tell Grandpa my full name. Although I was the center of attention, I have no memory of the moment, maybe because I was already impatient to start piano lessons.
According to my mom, the revelation of my many names didn’t go quite like my father intended. Grandpa Teddy stood bedside, nodding in recognition each time Tilton—who was cautious enough to keep the bed between them—revealed a name. But when the final name had been spoken, Grandpa traded glances with Grandma, and then he frowned and stared at the floor as if he noticed something offensive down there that didn’t belong in a hospital.
Now, you should know Grandpa had a smile that could melt an ice block and leave the water steaming. And even when he wasn’t smiling, his face was so pleasant that the shyest of children often grinned on first sight of him and walked right up to him, a stranger, to say hello to this friendly giant. But when he frowned and when you knew that you might be the reason he frowned, his face made you think of judgment day and of whatever pathetic good deeds you might be able to cite to balance the offenses you had committed. He didn’t look furious, didn’t even scowl, merely frowned, and at once an uneasy silence fell upon the room. No one feared Grandpa Teddy’s anger, because few people if any had ever seen it. If you evoked that frown, what you feared was his disapproval, and when you learned that you had disappointed him, you realized that you needed his approval no less than you needed air, water, and food.
Although Grandpa never put it in words for me, one thing I learned from him was that being admired gives you more power than being feared.
Anyway, there in the hospital room, Grandpa Teddy frowned at the floor so long, my father reached out for my mother’s hand, and she let him hold it while she cradled me in one arm.
Finally Grandpa looked up, considered his son-in-law, and said quietly, “There were so many big bands, swing bands, scores of them, maybe hundreds, no two alike. So much energy, so much great music. Some people might say it was swing music as much as anything that kept this country in a winning mood during the war. You know, back then I played with a couple of the biggest and best, also with a couple not as big but good. So many memories, so many people, quite a time. I did admire all those names between Jonah and Kirk, I did very much admire them. I loved them. But Benny Goodman, he was as good as any and a stand-up guy. Charlie Barnet, Woody Herman, Harry James, Glenn Miller. Artie Shaw, for Heaven’s sake. The Artie Shaw. ‘Begin the Beguine,’ ‘Indian Love Call,’ ‘Back Bay Shuffle.’ There are so many names to reckon with from those days, this poor child would need the entire sheet of stationery just for his letterhead.”
My mom got the point, but my father didn’t. “But, Teddy, sir, all those names—they aren’t our kind.”
“Well, yes,” Grandpa said, “they’re not directly in the bar and restaurant business, like you are, but their work has put so many people in the mood to celebrate that they’ve had an impact on your trade. And they most surely are my kind and Sylvia’s kind, aren’t they, Anita?”
Grandma said, “Oh, yes. They’re my kind, too. I love musicians. I married one. I gave birth to one. And, dear, you forgot the Dorsey brothers.”
“I didn’t forget them,” Grandpa said. “My mouth just went dry from naming all those names. Freddy Martin, too.”
“That tenor sax of his, the sweetest tone ever,” Grandma said.
“Claude Thornhill.”
“The best of the best bands,” she declared. “And he was one funny man, Claude was.”
By then, my father got the message, but he didn’t want to hear it. He had a big chip on his shoulder about race, and he probably had good reason, probably a list of good reasons. Nevertheless, for the sake of family harmony, maybe he should at least have added Thornhill and Goodman to my name, but he couldn’t bring himself to do that.
He said, “Hey, look at the time. Gotta get to the restaurant.” After he kissed my mom and kissed me, he hugged Anita, nodded at Grandpa Teddy, said, “Sir,” and skedaddled.
So that was my first family gathering on my first day in the world. A little tense.
The second time that my mother’s life fell apart was eight months later, when my father walked out on us. He said that he needed to focus on his career. He couldn’t sleep with a crying baby in the next room. He claimed to have a potential backer for a restaurant, so he might be able to go from cook to chef in his own place, and even if it would be a hole in the wall, he would be moving up faster than originally planned. He really needed to stay focused, do his work at the restaurant and pursue this new opportunity. He promised he’d be back. He didn’t say when. He told her he loved us. It was always surprisingly easy for him to say that. He promised to send money every week. He kept that promise for four weeks. By then, my mom had gotten the job at Woolworth’s lunch counter and her first singing gig at a dump called the Jazz Cave, so it was a difficult time, but only difficult, nothing serious yet.
5
I’m not going to be able to talk my life month by month, year by year. Instead, I’ll have to use this recorder as if it were a time machine, hop around, back and forth, so maybe you’ll see the uncanny way that things connected, which wasn’t apparent to me as I came to my future one day at a time.
Here is where I should tell you a little about the woman who kept showing up in my life at key moments. I never once saw her coming. She was just always there like sudden sunshine breaking through clouds. The first time was a day in April 1966, when I tried to hate the piano because I thought I’d never get to be a piano man.
I was nearly nine, and Grandma Anita still had a year to live. The previous December, my father had come back to stay with us again in the walk-up. Mom never divorced him. She considered it, even though she knew—and believed—that marriage was a sacrament. But she claimed that when she sang in places like the Jazz Cave and Brass Tacks and Slinky’s, she could more successfully discourage come-ons from customers and employees if she could honestly say, “I’ve got a husband, a baby boy, and Jesus. So as handsome as you are, I’m sure you can see I have no need of another man in my life.” According to Mom, just husband or child or Jesus alone wouldn’t have kept the most determined suitors at bay; with them, she needed the three-punch.
In the nearly eight years he’d been gone, Tilton Kirk hadn’t found a backer, hadn’t opened his own place, but he had left the restaurant where he worked as a cook to take the chef position in a somewhat higher-class joint. He was earning less because every year the owner compensated him also with five percent of the stock in the business, so that once he had accumulated thirty-five percent, he could buy the other sixty-five at an already agreed-upon price, using his stock to swing the bank loan.
With him at home again, my mom was more happy than not, but I was all kinds of miserable. The man really didn’t know how to be a dad. Sometimes he was a hard-nosed disciplinarian dealing out a lot more punishment than I deserved. At other times he’d want to be my best pal ever, hang out together, except that he didn’t know what kind of hanging out kids think is cool. Strolling the aisles of a restaurant-supply store, obsessing over different kinds of potato peelers and pâté molds, just doesn’t thrill a child. Neither does sitting on a barstool sipping a Coke while your old man drinks beer and swaps nagging-wife jokes with a stranger.
The worst was that by then I wanted to take piano lessons, and my father refused to let it happen. I had noodled the keyboard at Grandpa Teddy’s house, and I understood the layout on a gut level, the way Jackie Robinson could read a ball in flight. But Tilton said I was too little yet, my hands too small, and when my mom disagreed and said I was big enough, Tilton said we couldn’t afford the lessons yet. Soon but not yet, which meant never.
Grandpa offered to drive me over to his place and back a few times a week and give me lessons himself. But my father said, “It’s too far to run a little kid back and forth all the time, Syl. And we don’t have a piano here for him to practice between lessons. We’ll get a house soon, and then he can have a piano, and it’ll all make sense. Anyway, honey, you know I’m not your old man’s favorite human being. It breaks my heart how maybe he’ll poison the boy’s mind against me. I know Teddy wouldn’t do it on purpose, Syl, he’s not a mean man, but he’ll be poisoning without even knowing it. Soon we’ll rent a house, soon, and then it’ll make sense.”
So I was sitting on the stoop in front of our building, such a sullen look on my face that most passersby glanced at me and at once away, as though I, only eight, might try to stomp them in a fit of mean. It was an unseasonably warm day for April, the air so still and humid that a feather, cast off by a bird in flight, sank like a stone in water to the pavement in front of me. As sudden as it was brief, a wind came along, lifted the feather, spun dust and litter out of the gutter, and whirled all of it up the steps and over me. I sneezed and spat away the feather that stuck to my lips.
As I wiped at my eyes, I heard a woman say, “Hey, Ducks, how’s the world treating you?”
My mom had a couple of friends who were professional dancers in musicals that were always being talked about by people who loved the theater, and though this woman didn’t look like any of them, she did look like a dancer. Tall and slim and leggy, with smooth mahogany skin, she came up the steps so easy, with so little movement, you’d have thought she must be on an escalator. She wore a primrose-pink lightweight suit, a white blouse, and a pink pillbox hat with a fan of gray feathers along one side, as though dressed for lunch in some place where the waiters wore tuxedos.
In spite of her fine outfit and air of elegance, she sat beside me on the stoop. “Ducks, it’s rude not to answer when spoken to, and you look like a young man who’d rather poke himself in the eye than be rude.”
“The world stinks,” I declared.
“Certain things in the world stink, Ducks, but not the whole world. In fact, most of it smells wonderfully sweet. You yourself smell a little like limes and salt, which reminds me of a margarita, which isn’t a bad thing. Do you like my perfume? It’s French and expensive.”
The sweet-rose fragrance was subtle. “It’s all right, I guess.”
“Well, Ducks, if you don’t like it, I’ll go straight home this minute and take the bottle off my dresser and throw it out a window and let the alley reek until the next rain.”
“My name isn’t Ducks.”
“I’d be stunned if it was, Ducks. Parents saddle their children with things like Hortense and Percival, but I’ve never known one to name them after waterfowl.”
“What’s your name?” I asked.
“What do you think it is, Ducks?”
“Don’t you know your own name?”
“I just sometimes wonder what name I look like, so I ask.”
She was pretty. Even an eight-year-old boy knows a pretty girl when he sees her, and beauty lifts the heart no matter what your age. Her perfume smelled all right, too.
I said, “Well, I saw this movie on TV about these guys chasing after a treasure down in the Caribbean. This was way back when there were pirates. What they all wanted was this special pearl, see. Three things made it really, really special. It was large, like as big as a plum. And it wasn’t white or cream-colored or pink, like other pearls. It was black, pure shiny black, but it still had depth like the best pearls all do, so you could see into it, and it was very beautiful. So maybe I think the name you look like is Pearl.”
She cocked her head and sort of smirked at me. “Young man, if you are already this smooth with the ladies, won’t a one of us be safe when you’re all grown up. I am Pearl. There’s no other name I’d want to be. You call me Pearl, Jonah.”
Only hours later would I realize that I’d never told her my name.
“You said there were three special things about this pearl in the movie. Its size and its color and …?”
“Oh, yeah. Well, they said whoever possessed it could never die. It was the secret to immortality.”
“Black, beautiful, and magical. I love being Pearl.”
Two years would pass before she told me that she was the soul of the city made flesh.
“So there you sit, Jonah, as gloomy as if you’re still in the belly of the whale, when in fact it’s a fine spring day. You aren’t being digested by stomach acid, and you don’t need a candle to find your way back up the gullet. Don’t waste a fine spring day, Jonah. There’s not as many of them in a lifetime as you think there will be. What’s dropped your heart into your shoes?”
Maybe she was easy to talk to because she talked so easy. Next thing I knew, I heard myself say, “I want to be a piano man, but it won’t ever happen.”
“If you want to be a piano man, why aren’t you at a piano right this minute, pounding the keys?”
“I don’t have one.”
“That community center you go to when your folks are working and Donata isn’t available—they have a piano.”
Donata was the first name of Mrs. Lorenzo, my sometimes babysitter, so I figured Miss Pearl knew her and was coming to visit.
“I never saw any piano at the community center.”
“Why, sure there is. For a while this man was in charge down there, he didn’t have an ear for piano, it was all just noise to him. He didn’t like loud birds, either, or a certain shade of blue, or the number nine, or Christmas. He put the Christmas tree up on December twenty-fourth and took it down the morning of the twenty-sixth, and the only decoration he’d allow on it was a Santa Claus doll hung by the neck where a star or angel should have been at the top of the tree. He took the nine out of the address above the front door and just left a space between the eight and the four, repainted all the blue rooms, moved the piano down to the basement. Some say he killed and ate Petey, the parrot that used to be in a cage in the card room. But he’s gone now. He didn’t last long. He was run down by a city bus when he jaywalked, but in a short time he did a lot of damage to the center. They can bring the piano up in the freight elevator.”
Loud and belching fumes, a bus went by, and I wondered if it might be the one that ran down the parrot-eater.
When the street grew quieter, I said, “They won’t bring up the piano for a kid like me. Anyway, it’s no good without a teacher.”
“There’ll be a teacher. You go in there tomorrow morning, soon after they open, and see for yourself. Well, this glorious day is slipping away, and I am all dressed up with someplace to go, so I better get there.”
She rose from the stoop and went down the stairs, her high heels making no more noise than a pair of slippers.
I called after her: “I thought you came to visit Mrs. Lorenzo.”
Looking back, Miss Pearl said, “I came to visit you, Ducks.”
She walked away, and I went down to the sidewalk to watch her. With those slim hips and long legs, so tall in all that pink, she resembled a bird herself—not a parrot, an elegant flamingo. I waited for her to glance over her shoulder, and I meant to wave, but she never looked back. She turned left at the corner and was gone.
I raised my hands to my face and sniffed them and detected the faint scent of the lemons that earlier I had helped my mom squeeze for lemonade. I’d been sitting in the sun, and the film of sweat on my arms tasted of salt when I licked, but I couldn’t smell salt.
In the years to come, I would encounter Miss Pearl on several occasions. Now that I’m fifty-seven and looking back, I can see that my life would have been far different—and shorter—if she hadn’t taken an interest in me.
The next morning at the community center, the piano was in the Abigail Louise Thomas Room, which had been named after someone who’d done some good deed for the center back before I was even a gleam in Tilton’s eye. The Steinway was polished and tuned, even prettier than the woman in pink.
One of the center staff, Mrs. Mary O’Toole, was playing Hoagy Carmichael’s “Stardust,” and just then it was the loveliest melody I’d ever heard. She was a nice lady with lively blue eyes, freckles that she said had come all the way from Dublin to decorate her face, and a pageboy cap of red hair shot through with white that an unskilled friend chopped for her, as she disdained beauty parlors. She smiled at me and nodded to the bench, and I sat beside her.
When she finished the piece, she sighed and said, “Isn’t this a hoot, Jonah? Someone took away the spavined old piano in the basement and gave us this brand-spanking-new one and did it all on the sly. I can’t imagine how.”
“Isn’t it the same piano?”
“Oh, it couldn’t be. The lid was warped on that old one, the felt on the hammers moth-eaten, some of the strings broken, others missing. The sostenuto pedal was frozen. It was a fabulous mess. Some awfully clever philanthropist has been at work. I only wish I knew who to thank.”
I didn’t tell her about Miss Pearl. I meant to explain, and I started to speak. Then I thought, if I mentioned the name, it would be a spell-breaker. Come the next day, the Steinway would be back in the basement, as broken down as before, and Mrs. O’Toole would have no memory of playing “Stardust” in the Abigail Louise Thomas Room.
That day I started formal lessons.
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