Sadece Litres'te okuyun

Kitap dosya olarak indirilemez ancak uygulamamız üzerinden veya online olarak web sitemizden okunabilir.

Kitabı oku: «Newton’s Niece»

Yazı tipi:

Newton’s Niece

DEREK BEAVEN


Dedication

For Philip and Lyn

Contents

Cover

Title Page

Dedication

Dross

The Lull

Projection

Mirror

Localised Interference

Bracegirdle

Abel Slaughter

New Women

The Message

Acknowledgements

Notes on people and places

Keep Reading

About the Author

Also by the Author

Copyright

About the Publisher

Dross

‘You’re sticking me back in it.’ The bland little consultation space, the beige of the chairs, the rust of the curtains, the hard paleness of the walls began to unweave. Their presence gave way; even the cyclamen on the ledge failed. I sensed tears needling my eyes. But I pressed on in an effort to describe the reciprocal image of my feeling: ‘There’s a room. I have to go in.’

‘What’s in the room?’ Brendan’s voice penetrated as if through a stretched film, a membrane.

At length: ‘So many things. I don’t know which are true.’

I smudged away the tears and murdered the memory of the room. Brendan and the July Saturday morning came back into focus, but not before another distinct and separate trace flapped in from the past. I was ten. I was holding the lid on a curious glass jar. I had just dropped a swab, soaked in poison spirit, through its neck. The magnified, common, beautiful, garden tiger moth panicked briefly at the bottom of its prison. I held the jar up to the panes of an old sash window, to see sunlight strike the bars on its still faintly moving wings.

I didn’t tell Brendan about the moth. What was the use? None of it made any sense then.

He shifted in his chair and glanced at the clock. It pleased him to measure his sessions with a battered Fifties-style travelling alarm clock, illuminated in green with radio-active paint. It glowed in the dark, he said. Generally, I felt comfortable with Brendan: he had a worn but perky air about him. His spectacles grabbed on to the concern in his face and tucked into spills of comb-resistant hair, so that when he nodded their gold arms ticked away in a sign of genuine warmth. But I was annoyed with him just now. I was distressed and couldn’t show it. If I’d turned to jelly at work and come to howl it out in front of him, or dashed my head against the wall to burst the build-up, he might have registered. But the wicked injunction that had been laid on me prevented the disclosure even of symptoms – although I think something inside was smuggling messages out in the hope that he’d catch on.

He didn’t. He was on the wrong track. But even if, by some miraculous accident of speech, he should have come up, there and then, with the very names that were beginning to haunt me – Barnabas Smith, the two Benjamins, and Isaac Newton – they would not have triggered my violent rage or incandescent recognition; not then.

And this was the end of another session; troubling my sensitive eyes against an invisible barrier. Brendan put an arm on my shoulder and saw me to the door. Confused by this gesture, I thrust myself back into the hot street. For my true companions at that time were creatures of nightmare and poetry: I’d given up the attempt at teaching and was working by day as a cleaner in one of those terrible old mental hospitals, one of the last. By night, antique half-birds and, yes, moths, came to hold converse with me – products, perhaps, of my imagination.

The steering wheel felt sticky. I left Slough with the sun on my roof and headed towards the motorway intersection, hoping my rusty Ford would bear the rigours of the M25. And, as always, perhaps, half-hoping that it wouldn’t. Mid-journey the peculiar breathing started again. I found myself panting, and wondered what it was that should manifest thus. I hung on to my faint suspicions and the concrete perspective ahead; they kept me going.

The Ford held together. I got crossly on with my shift at the hospital. It was in the children’s block, the chronic section – poor damaged souls.

There’s a subtle comfort in working with a mop and bucket, a kind of atonement that keeps a nagging voice off your back. I could begin to make inroads against the tide of chaos; even if the dirt was ingrained, it was not Victorian, as it was in the main building. The children lived in a separate Unit – built in the Sixties as a square, unlovely and functional contrast.

I mopped restlessly down corridors, and privately across wards, behind cabinets or under beds, some of which contained speechless and tragically handicapped occupants, their wasted limbs stretched out in a sort of not-sleep. Tied, I suddenly thought, to their beds. Seco, my workmate of the day, left me alone. By lunchtime I’d reached the foyer at the main entrance to the block. It was a sensitive area. I hated having my work messed from all the coming out and going in while it was still wet. The coast looked clear. I needed only a five-minute window to get the whole floor done and dried.

Four minutes later the expanse of grey tiles shone sweetly with a fast-evaporating film of radiance, until the glass doors swung open with a flapping of white coats, and two pairs of medical soles left their thoughtless imprint on my wet floor. My blood seethed. It was the thin boss doctor, the callous one who soon after all this would be prosecuted for running a negligent ship, and one of his henchmen. As they charted their course, clipboards waving, between the double doors and the wards, I caught a snatch of their conversation.

‘Of course, she’s painting again,’ the henchman was saying.

‘What? Ms Jay? More slogans? More Action Now posters? Ha, ha,’ his laugh more like a cough. ‘Anyway, when?’

‘No. Real painting. She’s been up in the Art Room since this morning. I’m told she asked to have the dark room set up. Someone brought her some negatives. Alright to let that go on?’

‘If she knows what she’s doing. Bit of a special case. She’ll be OK. Everything’s more or less screwed down, I’m assured. Don’t want to cross her again and have to sedate. Or risk the not-eating game.’ They stopped to glance at a notice-board.

‘Copying the photographs. Domestic reminiscence. But with each one some preoccupation seems to gain in strength. She’s … well, strikingly intent.’

‘Ah yes. Characteristic. Give a bit of leeway. However I don’t think we want to run the risk of over-stimulation. Don’t want her drinking the stuff. Silver, what is it … iodide? Or am I hopelessly out of date? You never know, if the press gets hold of it. Ask a nurse to pop up every now and then.’ Moving on, their voices attenuated.

I caught: ’The cocktail as usual, then?’

‘For the time being, I think so. Don’t you? Just increase the … ’ They turned a corner and disappeared from view, severing the name of the drug.

I rammed my mop into its strainer and twisted savagely. Then I applied myself to the smudges and footprints even though I could see through the doors, approaching fast, a posse of chattering nurses likely to ruin everything. But I knew who the doctors were talking about.

Saphir came from the girls’ wing to complete the damage.

‘That’s not my bucket is it, Jacob?’

‘No.’

‘It’d better not be, that’s all. Wait till I catch the bastard who’s got it. Seco. Where’s he bloody gone?’

She swung off with panache. She covered her legs with a black shalvar, and managed to make even her cleaner’s overalls look expensive. She was a medical student doing a Summer job. Her pretty black braids, seen from behind, touched my recollection somehow. But my memory was shot to pieces – I’d learned that, at least, from my sessions with Brendan.

Later, after lunch, and when I’d finished my share of the washing-up, Seco the Italian grounded my bucket and forced me to be composed. He sat me down in the little scullery, insisting I take one of his Marlboros. Technically he had seniority. He said I should learn to relax – like him; and not to work so hard – like him.

‘You gonna bust youself. Take it easy for Chrissake.’

But if I stopped my scrubbing I felt threatened, today more than ever. The cigarette tasted like its own ash. When it was finished I moved towards my mop.

‘Sit down. You want another? Why you’re so keen? This place is a dump. A dirty dump. Iss gonna stay that way no matter how much you do.’

I waved away the second cigarette. ‘No thanks, Seco.’ But I sat down again with him; and felt … panicky. My breath shortened and the scullery, its stainless-steel certainty slipping on the instant into doubt, receded with a sick faintness that reminded me of Brendan and the morning.

Before I could make a fool of myself I grabbed on to the remnants of the conversation. That woman the doctors were talking about -‘Ms Jay’. I’d seen her. She connected something, somehow, but not from now. From before … whatever that meant. She reminded me …

‘Where’s the Art Room, Seco?’

I donno. You interested in Art? In Italy we know what is Art. These folk here just make … what you call it … splashes. Like mud. They too far gone, mate.’ He wound his finger significantly at his temple. ‘Waste of time. They don’t know one end of a pintbrush from another.’ He looked out of the window and gestured towards the main buildings. ‘Iss over there somewhere, anyway. I donno.’

‘How could I get over there?’

He looked at me as if to wind the finger again.

‘No. I mean this afternoon. Now. This shift. I need an excuse.’

‘Just go. Go over to get chemical. For you bloody toilets. Say we run out.’

‘Yes, but Mr Prime’ll check. He’ll come over with me.’

‘So tip what we got away. Down the pan.’ ‘Ah. Yes. Good idea, Seco. Thanks.’ Doing violence to the drains. ‘No problem. You have another cigarette. Then maybe we start.’

Sun slanted in through the reinforced windows. Heaven splashed over the taps, bright steel. We finished the washing-up, Seco and I. The torrid July day made us sweat in our overalls. Our rubber gloves stuck to our hands as we put away the cutlery, made all the work-surfaces acceptable, and trundled the heated trolley wagons back to their parking stations. Seco called another time-out. I was on edge. We’d exhausted the tales of his taxi-driving in Rome a week ago. We had not much left. Seco – whose name, because of what he claimed was my impure pronunciation, reminded me of the sharp taste of wine – let his smoke drift out into the sunshaft. Sitting on his stool, he kept watch through the windows for any of the managers venturing nosily to visit us, across the heat-drenched lawns.

‘Eccolo!’

‘What?’

‘Mr Prime. He’s come out.’ His cigarette was suddenly at the ‘ready’ position, angled back, palmed with the quickness of an old hand.

‘Where?’ I peered across the grass to the office door. A small grey-haired man in a coat of authority was poised, clipboard in hand, on the brink of paying us a call. But he turned further than our direction, and marched off towards C block, which was a kind of vast terrapin hut, to inspect the geriatrics.

‘OK. No worry,’ said Seco.

In the dining-room beyond the serving hatch, the male nurses were finishing the last of the difficult ones, poor children in their bruised crash helmets, or gleaming, rigorous callipers. At last Seco threw his cigarette down. Its remnant melted fine geography into a floor tile.

‘It’s arright. We mop here first. You control that bucket. I this one.’

‘Seco …?’

‘Si?’

‘I’m not feeling … I don’t think I can …’

‘What?’

I stopped. I held on to the mop handle. ‘Never mind. It doesn’t matter.’

‘OK. Whose turn the toilets, yours or mine?’

‘Mine. I think I …’

‘It’s OK. I take the machine. I scrub the dining floor. We finish here, OK?’

‘OK.’

The toilets over here were unlike the crazing art-porcelain originals of the old building. There everything was excessive and mad, in a fantastic Pre-Raphaelite way. Here they were kickproof steel. When I first started the job I was confident that I could take them all on, block by block, and restore their shine; in, say, a couple of months. Now I knew by a sort of intuitive calculus that their rate of moral decay would forever just outstrip my labour; the backsliding fungus and slime had its old ammoniac eye on my workrate. I could never win. Yet I hung on to the delusion that if I worked still that little extra bit more furiously, a spurt might at last put me right with them.

Following Seco’s advice, I checked the store cupboard and found only one and a half industrial standard containers left, which I put by the door of the toilets to compose themselves for their journey downwards. Then, armed with my other chemicals, I entered, prepared to begin.

Appalling! An opera of neglect. I hadn’t seen them for a couple of weeks, having been assigned elsewhere by Mr Prime; and yesterday Seco had volunteered to do them. But I’d left them gleaming last time. My colleagues could have held the fort at least.

They were disgusting.

‘Seco!’ I accosted him.

‘Si.’

‘Have you seen these?’

‘Dio! Terrible!’ He tapped his teeth.

‘But didn’t you do them yesterday?’

‘Sure.’

‘Then how did they get like this?’

‘These folks got no idea how to crap.’

What could I say? All my hopes, all my works, all my days: a personal waste. I set to furiously. I did not speculate then as to why it could be that I was hurling myself, with such intensity, into such a humiliating task, in so ruined and appalling a world.

A Chymical Toilet

It was the pits of the world – Cloaca Mundi, a kind of hell – inhabited by those for whom there was no hope of release. In the toilets you found the evidence. Some biological devil was at work. He made it his business to dehydrate the colons of these innocents so that they were mostly costive, and you might mop cruel khaki rocks about the floor, their sharp edges sometimes bloodied from a final passage.

On odd occasions a witty anomaly would appear in one of the corners: a starfish, or a dead wren. Always on the stand-easies grew encrustations which it took hours to remove with even the most powerful chemicals – a testimony to years of skiving cleaners. I speculated on the human interiors whose fluids had marked the deposited limescale. They’d given it such drama and so flamboyant a coloration. Satan had here his stony monument, and the story of his penetration into this world found here its only inscription. Well, no, not its only inscription. Some of them daubed: formless, wordless, lonely brown fingermarks on the walls of cubicles. I recognised the father and mother of all expression: without language; without design, representation, code; without signification of any sort; without hope of being heard – perhaps the damnedest and most tragic artistic cry.

I thought of Michelangelo painting the Sistine Chapel. We write our own story on the walls of our world; we project ourselves on to our account of the past – and the future. I did not think of Isaac Newton stitching his own version of things with meticulous and mathematical care into the very fabric of the universe so that scarcely a mouse could wriggle out from under those skirts.

Occasionally a naked madman lay unconscious on the stone floor. When I saw my first I’d thought he was dead. I went over, pulling off my rubber gloves, and knelt by his head. The memory of a star reflected in a pool of blood had flitted in, and out, of my mind. From where? From what? Then I’d noticed the fitful rising of his back. I took the details to one of the bored male nurses.

‘It’s alright,’ he said. ‘He’s OK. It’s the heat.’

‘But he’s lying on the stone.’

‘Just leave him. He’s OK.’

Unable in my condition to recognise negligence, I’d gone back and mopped around the terrible exhibit.

I began on the walls. Working my powders into a biting lather, I sought out the villainy of the place. I restored a fallen glory square foot by square foot, dodging the bouncing corrosive splashes that leapt off the tiles and paintwork towards my eyes. Inhaling God only knew what combination of active vapours, I mopped; I bucketed, seized with a grim enthusiasm. And the treasures of the floor and walls went raw into the jakeses from my brush and dustpan: sludges, geodes, hair, dead insects and arachnidae, a rubber glove and tainted paper waste, a mouse’s skull and tail, a set of used plasters, dust and tomato, the ghost of a prophylactic and several other unnameable matters. I didn’t flush.

Time rubbed on in my frenzy. I hardly noticed. Until suddenly I was assaulted through the high-stationed open windows by an infernal roaring and clanking. Then the frosted screen of the sky was blotted out. I identified the rattle of a huge diesel; presumably it was an apartment-sized delivery juggernaut parking close up next to the glass. So I found myself dark within one cubicle, scrubbing and deafened. It was a mechanical and stinking dark, and gave rise to non-visual sensory streaks: a trace of recaptured taste, and, with my hyperventilation, a recalled other smell mingling in my nostrils with the present fume. My lips pulled back from my teeth in a frightening grimace. I stilled them automatically.

Even as I tried for calm the cubicle floor grew unsteady. The seals and grouts sweated. Something hurt violently in my head, and something else was illuminating the wall in front of me. I swung round to look up and back for the source of the rays, but there was only noisy, noisome dark, and the shouts of men outside. But when I regained my balance and turned back, forms were cast on to the surface in front of me. I tried to erase them from the wall of the cubicle with my scrubbing: bright transfers which began to declare themselves as lewd cartoons. They animated their moments, unrolling themselves beyond my brushstrokes. Still in my ears was the unstoppable roaring of the engine.

They held an initial fascination, these workings. They glowed and ran and re-expressed themselves. They scudded across the wall of the one cubicle and led me beyond, hiding themselves in the pipe-work where my brush couldn’t reach. I panicked again with that wretched desperate feeling in my stomach. They were mine. They took me fast and crazy round the whole place, dabbing and scouring. The more I tried to dash them out the brighter they became, some too obscene, others too gorgeous – episodes from the history of my world. They defied cleaning powder and led across roughnesses of plaster, the dull drum of coated metal, the ridged slide of tiling, back to my original cubicle. She was there, that woman the doctors were talking about. Her long locks gleamed over water. I stared across a lake whose surface was immense. It was as though I stood upon a cliff. The moon’s reflection – the moon itself – whirled in incredible rings and gears. It winked. It was loose in its chapel with water and tides.

I moved into action once my stomach had finished heaving. Putting off the need to drink, I groped to empty my whole container of powder into that bowl, and then, as my eyes normalised to the persisting but ordinary gloom, went on to all the others areek with their abominable soups. Next I made them ready for their final flush by stirring and diving with my brush, lest the huge energy of the event I’d just witnessed should eructate again out of the U-bend.

The lorry moved away while I was finishing the last. The rattling of its diesel drew off from my little lavatorial cave and the sun streamed in.

When I opened the cubicle door I saw there were great sweeps of foam where I’d brushed. Powder was everywhere. My rubber gloves felt claggy.

I wanted to leave it all behind there and then, but merely poking my head out into the corridor brought back the shrunkenness of the fallen world, and the wretched taste in my mouth. I’d seen too much; it had to be expunged. There was nothing for it but to mop the walls properly this time; to squeeze out in the bucket all that revelation.

In a while, though, more stable and beginning to relax, I recalled the whole ulterior purpose of today’s entry into the toilets: the Bleach! That was no problem. My canisters tipped up conveniently over the well of the moon and stars. How simply the stuff gurgled down as if to give my whole vision a longed-for chemical white-out.

Now I could legitimately make my way over there. Standing by the last bowl, I cast an idle eye over the legend on the yellow plastic container I held in my hand:

NOT TO BE USED IN CONJUNCTION WITH OTHER LAVATORY CLEANERS

I mustn’t share it with Seco? A joke? And then the mocking air went green and clutched at my eyes with caustic fingers. I gasped – the worst thing I could have done, because it made me gasp again. Instead of getting out I found myself coughing stupidly at the mirrors over the wash-basins, trying, as I gazed at my reflection, to make sense of the greenness and painfulness of things, and the seemingly relentless malice of the day.

Seco appeared at the door.

‘Eh, Jacob! Saphir says …’ He sniffed, choked, coughed, shouted, and yanked me from the faint green cloud. ‘Santa Siberia! What! You do a Devil’s fart?’

We coughed and retched our way out – out along the corridor by the dining-room, through the foyer I’d mopped that morning, through the double glass doors and right into the rose garden, where he fell to roaring hysterics. And while I comforted my eyes and jerked up a bit more corroded spittle from my insides, he pirouetted among the rose-bushes. Thus among their gaudy blooms, he shed his urbanity and shrieked with laughter. The sun flashed on his sharp Roman teeth.

‘For God’s sake stop laughing and get me a drink, you bastard!’

‘OK OK. I get for you. You lie on the grass. What the hell you doing in there?’ And he coughed and giggled all over again. I stretched myself on the corner of the dry lawn. ‘Eh? What was it?’

‘What’s so damn funny? I could have been killed in there.’

Seco’s eyes narrowed and his grin froze. ‘I save you, mate. You got no gratitude with you bloody toilets. I’m Secondo. I’m second son – Lucky. Lucky for you, eh?’

‘Yes. Sony. Thanks very much. Now for Christ’s sake get me a drink. Please.’

‘That’s better. Otherwise I take you back to you damn toilets and I kill you.’

While he went off to the scullery I lay back. The sun worried the prickly-watery feeling in my eyes. My chest hurt from the gas, my stomach from the retching. I shifted a bit to my side and gazed over the mass of the asylum. Against the tough heatwave-blue stood the observation tower – what else could it be, that great fat Italianate finger, widening at the top to accommodate a windowed look-out under its pinnacles? The whole thing was a celebration of imprisonment, in two colours of brick topped with its gilt pyramid of a roof. It watched over the colony of suffering as if with a magnificent eye; or perhaps was a mere deserted symbol. Either way the effect was that we all policed ourselves, uncertain whether God was really watching from above.

A thought struck me as Seco was returning with the drink.

‘Christ, Seco. Supposing some of the kids have gone in. They’ll damage themselves, poor little sods. And I’ll get the sack. Were the windows open?’ In a mixture of altruism and self-interest I leapt up, swallowed the water and dashed back into the block. A speechless boy was on the point of entering the toilets.

‘No, no, no, no, no! You go to toilet – you die!’ said Seco, slitting his own throat with his forefinger and pointing to the door to emphasise the danger. A look of terror came over the boy’s face as he turned to flee in tears.

I pushed open the door. Thanks to the open window which had allowed me to be so mysteriously oppressed by the lorry, all was well, beyond a faint bleachy smell. A teenager with a palsy was struggling to coordinate himself at the urinal.

The Tower of Bedlam

Holding the yellow canister – my passport – against my grey overalls, I stood windily at a high spot. The hazy blue of the clear half of the sky was air-brushed on to space behind the stucco of the gallery frames: no glass in these slot-thin outer arches. I’d finished the climb and was standing facing a pointed door. It was the entrance to the Art Workshop.

A surprising location: to my amazement I’d been led to the very top of the tower at which I’d stared as I lay painfully on the grass beside the children’s block, waiting for my glass of water. The ascent had started by means of a grand staircase, intended mainly for show, clinging to the inside of the tower’s walls. This had quickly given way to a series of wooden flights which led up from stage to stage. I’d waited for Polly to catch up with me at each one, but had been too impatient to enjoy the vistas over the woodlands of Surrey. There was a layer, as it were, of industrial machinery, and what looked like storage tanks for the oil-fired heating system. Finally, punctuated by a few mysterious doors, there came a spiral in which one lost track of number before emerging high up at the open gallery. In this institution the entitlement to Art Therapy, if Polly’s geography was correct, was clearly dependent more on physical fitness than on psychiatric need.

‘There! In there!’ said Polly, recovering her puff and opening the door. She pointed through the arch at what could almost be described as a bower. I peered in, past the faded timetable of classes pinned to the oak. Who would have thought that this exalted place with its lightflood of ivory and its breezy hangings of unswept gossamer would be the place? I might have wandered about fruitlessly in the shrieking maze of corridors had it not been for Polly, whom I’d met in the dining-hall; as I had on my first day in the job, swimming towards me with her outstretched arms and big wet kisses, full of the Lord’s innocence, sighing into my ear: ‘You’re my only ‘eart, darlin’. My best ‘eart.’ Kiss. Squeeze. ‘Ooh you’re my ‘eart, sweet’eart. Look at you!’ Hug. Kiss. Bristle scratch. ‘One true love (deep breath, long aspiration) hhheart.’

Polly, in her maroon slippers, with her three gypsy teeth and black beard – I didn’t know the clinical name for her condition, no more worldly-wise than a toddler – was one of the ugliest and most spiritually open beings I’d ever met. She rejoiced my heart. And she’d taken me conspiratorially to this eyrie where they ‘do pain’in’. Only she wasn’t allowed to paint. “Cos I carn pain’ nothin!’ she happily stated of the foul prohibition. ‘Nothin. Aint no use me pain’in. Cos I cam pain’ nothin. Ar, you’re my true love ‘eart, aint you, darlin. Cam pain’ nothin, me. But you. Ar, you’re my …’ Kiss. ‘Pain’ me a pitcher, darlin.’

I stood in the arch with a certain apprehension. What was I doing after all? Why was I intrigued by the mention of a woman and her images – to the extent that I should have tangled with chlorine and then made this bizarre climb? I suspected a dissociation; had I run up here in an urge physically to separate myself from an accumulation of pain? Did I expect her to inform me; to ease the intensity through some sympathetic current? Was it hope? I’d seen her before in my duties, going about like other patients. ‘Ms Jay’ didn’t appear mad. Her face was urgent, yes, but her body looked as if she were cold – as if there would be no more summers for her, nor for the missing shape she appeared to cradle sometimes, down in the straggle of her long brown hair. Sometimes too in her ceaseless drift about the place, I’d seen her pause, her lips moving privately, while the twitch of a smile hovered about them – as if she were answering the whispers of a ghostly lover standing behind her. But she hadn’t touched any chords in me – not then. And my revelation down there in the toilets had spilled too much too soon. I was resisting it; who would not indeed? So it was that something at the back of my mind drove me on all day towards what ought perhaps to have been a gentler discovery. For the forgotten and the forbidden constantly seek to be brought to light. I ventured in.

An almost untouched relic of the Arts and Crafts era, it might have been used for an interior by Holman Hunt – the Virgin’s Studio, mawkish, but a distillation of the pure. There was an arrangement of old easels, tables and stools. Certain Victorian values were enshrined here. The discreetly barred larger windows which ran all round between the oriels at the corners had stained borders with emblems. One of them was open, unhasped and swinging slightly, the only moving thing. I could see through it dark cloud-heaps gathering over the western horizon. But the studio was unoccupied.

On newspaper on a cupboard top nearest us stood a collection of crude uglinesses in clay, left by sad hands lovingly to dry. I wandered past it, uncertain what to do. In the centre someone had been sitting very recently at the main table. Brushes stood in a jar of cloudy, greenish water, and the house on the paper, with its wonky perspective, had pools of colour still wet on its lawns. Beside it was laid out a photographic print, monochrome, enlarged, clearly the source material for the work: a big, old house, in front of which was a car and a tiny family almost lost in the graining. A plastic cup of coffee stood nearly full, steaming faintly.

‘Ar, nice,’ said Polly, picking up the painting so that the greens trailed in droplets down over the bright blobs and dabs that were herbaceous borders. She put her head on one side. ‘Ar, nice.’

Behind us, on the wall of the arched entrance, one corner and much of the space had been partitioned off and labelled ‘Do Not Enter When Light Is On’. The warning light was on; but the dark-room door wasn’t closed. Perhaps that was where she was. I put my head in. The tower’s windows had been faced off with boards; in the murk I made out a sink, a photographic enlarger, and, on the bench nearest us, a white porcelain tray in whose chemical a darkening image lay. Polly pushed by me and took the thing out, dripping.

‘Tha’s ’er, look. See! Tha’s ’er. Ar.’ It was a formal portrait. ‘See!’ said Polly, pointing with her finger into the overexposed emulsion. Half out of the door, I held one edge. The image, taken in happier times, restored her youth and confidence. That face … An excitement tugged at my heart from beyond the sudden rational grasp of who she was. For now I could place her at last: a woman from public life. Her name was Celia Jenner.

We hadn’t noticed that there rested on the corner of a desk a cigarette with an inch of ash beyond the burn. I laid down both the enlargement and my canister and made as if to put it out; the ash fell off as I picked it up. ‘Ms Jenner!’ I called, not quite sure what to do. Was there a toilet somewhere up here? Or down a stage, off the stairs perhaps?

‘Ms Jenner!’ I knew why the doctors had described her as a special case. It had been a heavy political story. She’d taken the rap for a financial scandal in her party, a homelessness project, had it been? A striking and distinguished academic, she’d moved into the public eye, and found herself manipulated. And then a breakdown; I remembered the papers now. The tabloids had claimed she couldn’t hack it, of course, but there must have been more to it. Much more, to put her in this state. And no private clinic – still a woman of principle.

Polly called as well: ‘Muzz! Muzz! Where you gone, Muzz?’

I looked again at the haunting photograph – so like. A pair of birds suddenly appeared in the room and proceeded to flap crazily against one of the barred windows: martins, with white fronts and thin tails. They had a frightful urgency. Polly grabbed on to me and the cigarette spun out of my hand on to a stack of loose artwork.

‘I don’ like birds!’ She clutched at my overalls. ‘I don’ like ’em!’ She screamed as one launched itself in our direction. ‘Aaaah! They’ll get in my ‘air.’ She pulled me across the room as protection. An easel toppled.

‘It’s alright, Polly. They’re as scared as you are. Just keep calm.’

But she was in no degree calm. ‘Get ’em away! Get ’em away! My ‘air!’ With one hand she covered her head; with the other she held very firmly to me and yanked me to the door. ‘Help! I don’ like ’em! Polly don’ like birds! Fuckin’ birds!’ She now had the one hand over her offending mouth and had started to cry with the extremity of her distress and guilt. But she still hung on.

I got her outside the door and tried to force her to let go, because I’d seen flames starting where the cigarette had fallen.

‘Don’ go back! There’s birds!’

‘There’s a fire, Polly.’ Everything, absolutely everything, had gone out of control. But in turn tears sprang up for me. I had the room. It wasn’t Victorian – no, earlier. I have to go in. A man in a full wig holds a stick. There is a child. Something unspeakable takes place. Eyes like the eyes of a monstrous owl are so close, so frightening. Here are coats with many buttons. Men have wide hats. My mother’s breasts are pushed up by the squeeze of a curious dress. It is a voiceless, horrible knowledge that somehow it all makes sense at last; but it is impossible.

I scrabbled with Polly’s wrists. Whenever I got one grip off she’d grab me again, with surprising strength. We wrestled for the doorway – I could hear the crackling sound inside. I must get in there to stamp it out. At the same time I knew that trace from the past was important. Both worlds fought for the freakish moment. Even up here in this unsullied haven I have brought my chaos and created a destruction. My ankle felt the splash of wet; the stone floor under us turned dark, and I saw the drips at the hem of Polly’s skirt. She wailed in embarrassment, but she didn’t let go. We twisted round in that outer gallery again. ‘Polly! Don’t you see? Polly!’

In a flash, there is a yard with horses; the copulation of dogs; the story of a wolf. Upstairs, in the house, there is a wig, a window, a coat with its full skirt hung on the chair, a woman’s dress waiting, pain which can’t be screamed. Hang on to something – it will end. It will be over before I die. Tied to their beds. Downstairs my mother plays the spinet. Outside, the grind of cartwheels and the thump of hoofs: inside, the peculiar breathing, panting, riding. And if I speak my mother will die. ‘Polly!’ I wrenched free and sprang into the room.

The Lull

There was a livid sky now. Driving the Ford back to Walton after I’d worked out my shift, I watched through the windscreen the heavy cumuli that had been building from the West ever since I came down from the tower. I’d said no word of my efforts with the fire; not to anybody. Polly was incoherent. I certainly hadn’t told Seco. I’d changed my overall and kept my distance, even when he tried to chaff me to good humour, and called me over to enjoy from our scullery the spectacle of the emergency services, and the chance to down tools. So, of course, he knew no more of my activities than the chlorine incident.

‘Eeeh, Jacob! Vieni qui! We sit down for a smoke, yes? You an’ me. No one’s bother us, eh? It’s OK. No more gas. No problems. Look at that lot – commotions, eh? Why don’t you just relax ever? You find the Art Room, yes?’

All seemed lost now under the quickening wind. I drove along by the Cowey Sale. Great bruising thunderheads massed above the ugly bridge, and darkened the meadows. The river was ruffled, yellow and purple.

I turned through the town and, reaching home, crunched on to the gravel patch where I was allowed to park. On a gust I smelled, like a dog, the hot drift of rain to come.

My quarters were close: a cupboard for a kitchen and two poky cabins so cramped in the roof space, with their sloping ceilings, that you couldn’t pass from one to the other without straddling the void of the top step. Now, as I bridged it after coming up the stairs, I felt again that today had taken it upon itself to peel me open. It was the most fraught day of my life as yet, and still it had not done with me, though the sirens and ‘commotions’ were past. I didn’t sense how completely the walls of my world were cracking; what leaks had appeared and what flood threatened. I put it down to stress, Seco and Saphir; fumes, images and blurred deeds. I rested against the Baby Belling for a moment and took a grip on the angle iron which supported the house’s cold-water tank.

But the smoke was still on my clothes. On what passed for the landing I tore them off and dumped them into a black bin-liner. Then I returned to the cooking space to wash in the sink.

Outside there came the first grumbling note of the storm. Far below, the front door banged. Mrs Dangerfield, my landlady, left for her rendezvous of the evening. My hands smoothing soap to soothe my forehead found bristles for eyebrows. They’d been scorched off. I felt upwards to my hair, searching the headache for a little tell-tale bump, but there was nothing. I dared not look in the glass for signs of charring in case I should seem a clown, a buffoon, a Grimaldi. Thus by increasing associations, signs and traces, the god of my past sharpened the edge each time before laying to his work at my hairline.

I would have welcomed an anaesthetic: alcohol, pills – alas I had none; companionship, the soothe of rain even. A pulse of lightning split the view from my tiny kitchen look-out, touching my gaze cruelly with its intimacy, until the echoes of the discharge died away. Dry and still lay the broad garden and the twin apple trees that grew out of the halfway hedge. Behind that, through the little pathway, waited the untended vegetable patch; and right down by the far fence beside a rush of periwinkle, the shed with its overwinding of creeper almost audibly rotted. A lush, dank, heated, Summer garden, it lay unmoving, waiting for the storm.

The bedroom looked out over the same garden. On the wall there was a vestigial mantelpiece and the traces of a fireplace; while on the mantelpiece itself much to Mrs Dangerfield’s discomfiture sat my two skulls. I’d named them Entropy and Gravity, but I didn’t know how I’d come by them. Standing naked at the window, I felt they were conspiring behind my back. A tree of electricity welded roots to neighbouring Weybridge. Almost at once the ruptured air hammered at my eardrums and rattled the bedroom window. I felt myself shiver as I finished towelling myself dry.

The very verdure of the garden was alert, still, and charged to shudder up at the sky. I opened the window and smelled, in the humid air under the grey, an energy in each green tendril. There; that was the present, waiting to continue; but I would not bear it, and turned to my bed. Perhaps exhaustion might disconnect me.

Again the air roared over the room, the house and the town. Almost in synchrony, my past chopped at my head, and the ache flared. Excruciated, I turned on my side to where I could see from the bed my clothes lying not far away, in their open black plastic bag. I thought I could smell the waft of char. The two skulls grinned, and then appeared to listen, I fancied, for a new note: a tentative patter that quickly swelled to a drumming din against the tile and timber immediately above me. Outside, the sky was emptying at last as if it planned to wash us all away.

Sleep came suddenly, and then dreams, as if pain was the developing chemical of an entire holographic film; as if a surgeon entered the shatter of my brainpan and started rebuilding every structure brick by illuminated brick. I conceived in that enlightenment a meta-Byzantine edifice full of images beside which the asylum itself, with all its old painted nooks, its dusty corners, alcoves, recesses, curlicues, cusps and mouldings, was an inhibited matchbox. Memories like moths came to life, stirred from far off in the rain, and headed for my bedroom. They passed the glass of my window, aligning their molecules with the molecular spaces in the structure of the panes, and entered whole and flapping, as big as storm birds.

When I awoke from that torrential sleep I had the key to it all. Now I understood why it was it should have been blotted out; for who could have lived with all that? Either forget, or go mad. Yes, with the bucketing along of time there had been no rest; no place for drawing breath, to order, to transcribe and to persuade myself.

But now I determined through my tears to begin this ragged chronicle, describing nothing less than a bulging, three-hundred-year-old universe, full of the echoes and resoundings of all knowledge, of all time and space, of all the stories my unusual flesh was heir to.

For I knew why the two skulls were on my mantelpiece, and who was the guardian of the Elixir of Life which my Uncle Isaac made with my help and by accident after twenty years of crazy research in his laboratory in Trinity garden. And I believed I had the first hint of why I tried to find Celia Jenner, and how I acquired the name of Jacob, and who were the Hatted Hummers. And of whom Saphir the Indian reminded me, of the Batavian Thorn, of Inertia and its cure, of the melting of my heart, and of the horrible speeding up of time.

So I took to my other little garret room, the one at the front, in the morning after the four elements celebrated themselves. Outside my dormer window the great oak tree by the Hersham Road, full of its waking Summer beauty, stirred in the cleansed air. The little caterpillars on its leaves set to their task of covering my car in sticky blobs. The sky was rich with day. One sodium streetlamp was still on, red, and reminding of the night. I sat at my desk to begin the story, which you will not believe.

First Things

My mother brought me in. I was dressed well in cleverly designed restraining garments; my coat, for example, gave the illusion that I stood habitually with my arms folded. They were in fact secured by the sleeves. I was fourteen. There’d been a bloody civil war and a bloodless revolution. The mathematics of gravity had just been published, and the universe had been told that it was dead. I had no speech but I could sing. I sang to him. To my Uncle Isaac. Church songs and street songs, psalms and farm songs; the old revolutionary songs my Granduncle Ayskew said he’d learnt in the army, that I didn’t know the meaning of:

Let us with a gladsome mind Make away with all we find. Church and King will ay endure Till they take the common cure.

Here’s an Earl and here’s a Lord, Harlot’s hair and Spainish sword, Church and King will ay endure Till they take the common cure.

All who seek to heap up gain While men landless do remain They their profit shall endure When they take the common cure.

Let them think on Charlie’s axe Ere the next ungodly tax, For His mercies ay endure Taken with the common cure.

I piped, but my voice was breaking, and not just because of my age. My fit of rage was beginning to give way to the other emotion, hopelessness. Soon the restraint would hardly be needed and I could be sat in a corner without danger to myself or others. My mother used the fact that I could sing to shore up the lie she told herself that I was normal. She liked to give out that I was her young gentleman protector on the journey from Northamptonshire. And whenever she, flushed and carnal, came to Cambridge on one of her various negotiations, leaving me in my Uncle Isaac’s rational care, she would first stand me in the centre of that charred and reeking chamber and have me sing. Why was it that I sang? Somebody once referred to the vocal art as licensed screaming. The negotiation that Autumn, I think, was with a Mr Trueman.

My mother was very persuasive. I see her now with her strict coiffure and her distinguished features, which were only belied by a moistness she managed to secrete on her lips even as her Purity eyes engaged you. Ordinary men melted; my Uncle Isaac shuddered.

So many years ago. I said you would not believe. I hear my young voice again, knowing and unknowing. It is not the voice of a stripling hero of fiction. I lack the clear skin and bold dash of a handsome Johnny who within a year or two will escape the hangman and sail off to Virginia in search of a fortune. I have the feel and looks, beneath my mother’s grooming, of what I can only describe as a wolf. My teeth are too often exposed and there is a distinct howl to some of my high notes. The skin of my face is blotched from the various scratchings and attacks I have made on it. I register and understand what goes on around me but I do not take part, being racked with waves of rage and fear which make me pant, and occasionally growl. In my sullen phases I know I am collapsing inside. I can read well and write; for I may be uncontrollable, and inadmissible in society, but I am not stupid. Far from it: I have had enforced leisure for study, and my father is a clergyman. Now I remember it, he lies at home, dying, and my mother must be concealing her anxiety about income.

It was an Autumn of quiet red celebration. Low sun illuminated the Cambridge brick and stone so that it glowed brighter than the blue sky it cut into. That wonderful light struck inward at the casement, but I could not let myself feast on it.

My uncle, at fifty-one, claimed a total indifference to music or poetry in any form, but nevertheless made a point of shooting pained looks and drawing in his breath when any of my notes came out flawed. So the singing ritual pleased neither of us. He too was ‘in his fit’, and as she denied mine my mother over-acknowledged his, casting my music as a species of psychological bandage. She said it ‘eased him’ to hear my assortment of canticles and bawdry. She particularly toadied to him now that he was famous and no longer the other embarrassment of the family; and we were facing destitution.

Isaac’s dis-ease at the time was that he was laid low with an unusual melancholy. It was a bleak and restless frenzy. His bowels griped him and he went about a little stooped with his hands clutched across his belly, as if his body were feeling the loss of a child. But his look remained undemonstrative. As for the proof sheets of a special reprint of his Principia that Mr Halley sent, he could hardly bear to see their impressions. I grasped him intuitively, but could not articulate then what I can describe now – that he was at the mercy of what he had striven so hard to exclude from the whole universe: human feelings. He was experiencing a reaction equal and opposite to Monsieur Fatio de Duillier’s Platonic teasing – that sly, Swiss and mathematical little chienne. Mr Newton’s great brow was greatly knitted in a Type of stifled despair. Each icy orb promised to melt into a tear. But could not.

For politeness’ sake he thanked my mother shortly when I’d finished. Every time, after I’d performed, he’d refer to me as a young siren, and laugh cynically. I disliked his jokes; they were wounding. Then he begged leave to cast himself down in the little cluttered bedchamber. I recall my mother following him and fidgeting in its doorframe. It was a frame only, because Uncle Isaac had taken off all the interior doors, including what used to be Mr Wickens’s, to aid the supply of draught, and to ease all the coming and going.

She said: ‘Well, is all agreeable to you, Ize? He has everything he needs in the basket, and I’ve done some baking for you. And Mr Anderson sent the wine. And Robert sends you his best wishes and blessing in Christ.’ She lowered her voice to a mutter. ‘There are his cords for the night-time under the package of his linen. Which reminds me I packed some of my own which I must take out directly. Linen, I mean. It’s the last day or so of my courses and you can imagine … ’ She drew breath and then whispered on. ‘Regarding what I wrote to you about his … ’ and here she only mouthed the word and I could not see her lips, but I knew she said devil, ‘you will see what you can do, won’t you?’ She continued in a normal voice: ‘But I believe I’ve seen to everything and he’ll be no trouble. Is there a screen or corner where I can …?’ She looked round and then back to him. I saw terror come into his eyes. But she was driven, tactless, itching to be changed and off. My dear mother: an unknown; a variable.

She left. I sat. He wrestled with his misery, ignored me, and at last was empowered to continue his Quest for the Philosopher’s Stone – the riddle of Matter. It was the only thing he could bear to do.

I knew from previous visits that every bit of his space and time was pressed into the service of this great activity. He either worked here or in the laboratory – a tiled shed the College had caused to be put up for him in what was known as Mr Newton’s Garden. There was a large iron furnace up here in the fireplace as well as the one down there, and scattered around both rooms were a number of secondary structures he had made himself, that bubbled and smoked at various times. Papers and books lay about inviting combustion.

I did not feel safe. But then I never did.

My mother would be with Mr Trueman for a week’s holiday, hoping, I surmise, to clinch some relief for the family’s financial crisis from this comfortable city businessman, in addition to that from my uncle’s sense of family duty. It was the week in which we made the Elixir. Yes, it was accomplished. Newton and Co. (and an odd company we were) succeeded in the ultimate goal of alchemy; but it was never made public. Of course not. It was never sent up to the Annals of the Royal Society, whose august fellows later conspired to deny for centuries that their sainted Mr Newton even so much as looked at an alembic, let alone suffered from a primary obsession with the warped and solitary art of the Puffers.

And he’d had practice enough – after the twenty years he made his chum, John Wickens, help him fire and pour and puff and skim and slake, coming and going with the great scuttle full of seacoals, the nets of ores, ingots and fossil turds; crucibles, pelicans, tongs; bags and boxes of God knows what; until they both had hands as black as print and not an eyebrow between them.

But he did not achieve it by any rational means, as he’d have liked. It occurred because of me – and by accident.

My uncle had his own ways of dealing with me which were different from my mother’s. He had no intention of attempting to exorcise my devil according to her wishes – I believe his new fame had suggested to her that he had some special power over the moon and thus could do something about my version of lunacy which my father could not. She had no more expectations from that religious quarter.

But Uncle did not hold with priests or ritual of any sort. When I made the noise and gestured to him that I needed to use the chamber – pot, he undid the concealed tapes that turned the sleeves of my green coat into a straitjacket and let me loose. He had a cane on the ledge over the chimney-breast should my sudden rage call for it. His only general precaution was to lock the main door to his rooms.

I went into my doorless sleeping space. This bedchamber was, like my uncle’s own, off the main room, and it was empty for the very good reason that no one now in the College dared to share his noisome, explosive centre of activity. John Wickens, his close and only friend from the time they were both undergraduates, had left him two years ago, to get married; and was replaced in due course by an H. Newton who was not related to us, and whom I was glad to see the back of when my uncle dispensed with his services earlier that same year, 1693.

When I had finished he came and saw me clean myself up. Then he held my wrist with one hand and brought the chamber-pot in the other so that he could empty it as we went down to the laboratory.

His garden was immaculately kept by a gardener whom we passed on the way. It was a maze of pretty paths between which were beds of a great variety of unusual flowers that I wished I could destroy

In the laboratory I was left to myself in a corner and immediately began to seek manual comfort.

‘Leave off that, you young dog!’ said my uncle, looking up from his work at a crucible he had in the tongs. ‘Or you’ll feel my cane across you! I’m about God’s work here and I want none of your impurities.’ In my family I lived among lies and contradictions. Although I knew different about him, my odd uncle was held up to be a creature of the most absolute temperance, virginity, and, dare I say it, gravity. He even believed this himself. My mother and the College certainly did. He’d once quarrelled with another alchemist -Vigani, I think his name was – just because he’d told a lewd story about a nun. And yet I had earlier evidence that he suspected himself possessed and was tormented by the suspicion. The lies of adults were one of the reasons I could not speak. Their aggression was proportional to their denial. He came over and tied my right hand to a ring in the wall.

It was in the Corner of Fermentation. This corner of the laboratory had as its heart and nominator a great hot-box full of horse shit – a device used in those days before thermostatic heating elements by many a chymical projector for incubating any processes which needed generous room temperature over a long period. Sunk into the steaming rancidity of the hot-box my uncle had left a large vessel – a sort of glass bath – and in this vessel there was nothing except a grey, scum – plagued liquid.

I made noises at him equivalent to: ‘Are you using this at the moment, Uncle?’

He looked up with a certain suggestion in his eyes that he was sorry for the way he’d corrected me and saw in me the image of his soul.

‘What? Eh? What do you want? You can’t do any harm over there.’ Then he turned back to his torture of the metals.

With my free hand I could reach various piles of objects that lay about the Corner of Fermentation. It was, as it were, the slag heap of the operation – a dumping ground for sweepings, or for remnants of the process, or for forgotten things from former parts of the obsession.

I decided on a vaguely rebellious whim to drop everything shiny or attractive from the slag heap of bits into the bath. I looked at the prettier amalgams and lumps of pure metal. I thought of Elizabeth, whom I loved and could not come near. I thought of the curious composition of her name, and the way the sounds might be made in the throat. These were the sounds that denoted her. Remote breathy compositions: El-iz-a-b-e-rh. I thought of jewellery and murder and beautiful women with soft breasts with whom I was not in love. I thought of these metals lying upon the flesh, their sharpnesses just grazing the tender nipples. Then I plummeted them. I had no idea of their rarity or chemical composition or the fact that my uncle must have had them supplied from strange sources and then worked them, in incalculable ways, according to his books and recipes. They were an assortment of metallic substances probably never before or afterwards assembled so closely in one small dump, not counting the other shards and offcuts, stone chips, curios, corals, crystals, dried offal and organs, pastes, bladders, potions and gums which he was too preoccupied to notice me adding in once I’d lost scruple for the seriousness of my project. Thus into that glass bath went some very far-fetched chemical company. Soon the faintest steam began to lift from its surface, and the tiniest bubbles to appear at its rim. This was my first and momentous attempt at experimental science.

Things Whereof a Man Cannot Speak

In the evening the mathematician Nicholas Fatio arrived, unannounced and knocking at the locked door. He regarded me with intense curiosity. I regarded him with suspicion, while my uncle was put into a complete fluster such as I had never seen in him before. ‘It’s the son of my half-sister Barton,’ explained Isaac. ‘He means nothing. His mother left him here for some days. She has some business to transact. It’s a regular arrangement.’

When he had sat the man down he bundled me into my sleeping space and tied the tapes that crossed my arms again. He would have made me stay there out of sight but that the other man appeared in the doorway and started asking questions and opening a conversation. My uncle explained that I was dumb. ‘He is … distempered. His mother gets exhausted with him. There is a need for … unusual measures.’ But he did bring me to sit near, if not with them, in the main chamber by the furnace.

I had been sometimes stared at and mocked if I went into the streets, but next to my Uncle Isaac my looks must have achieved a slight advantage. He never dressed up or received company – he rarely washed, combed his hair or lurched as far as his wig, so preoccupied was he with the race against matter and, currently I guessed, the impossible disorder Fatio had already caused to his carefully cauterised feelings. Fatio had striking, somewhat petite features, a fashionable get-up, and unusual manners which I took to be French. In my experience no other like this had ever appeared in his chamber – such a young man of mode. I had never seen one. Behind my mask of exclusion from everything I gawped; while Isaac hastily and apologetically cleaned his face at the bowl, changed his coat from the one which was all burnt and spangled from molten metal, and made an attempt with a periwig.

Acknowledging myself half-animal I was very responsive to atmosphere. I picked up the ghastly tension in the air between the two men, although they preserved a brittle politesse, seeing that I occupied the third comer of a triangle. I was not exactly a public to their privacy, but I was, as far as they knew, sentient. As a result they were more open than they might have been in front of another, but yet cautious, and embarrassed. And still Fatio seemed to want to include me in the meeting. I felt there was some final passage of feeling, some quod erat demonstrandum, that one man wanted to engage in, but could not because of me; and some teasing defence or private cruelty that the other could better engage in because of me. So everything in the room felt more mad and distraught than ever.

He had brought no servant. Since Uncle rarely troubled the company in Hall at that time, they made a meal of some sort with what my mother had left and other scraps of food they could find. Isaac wouldn’t untie my hands but fed me pieces and a little wine. The other man joined in, laughing, and pressing the food against my lips when I already had a mouthful, to provoke me and see me snap. Nicholas Fatio drank the most wine. He’d been away, he said, since their former break, which had left him so desolated, he claimed. He’d taken a second tour, and had also visited his mother in Switzerland. He was now recovered and had called in for good fellowship, and to show there were no hard feelings. And to learn of the progress of the Great Work, to which he reminded my uncle he had contributed so much in former months.

As he came to feel the effects of the wine, and because my uncle seemed to have become almost as incapable of speech as I was, he began to grow rhapsodic – to fill the painful vacuum in the room. The tour was a great cure for the distempered soul. He recommended it to us both in his curious English. He was casual about it all – a much travelled man. But although I might have flown at him and bitten him had I been untied, or have scratched at my own ears to drown out the sound, I could not but listen and be overcome by the descriptions he made with his words. They threatened and compelled me as much as the stories I’d heard as a little boy when the children were eaten in the forest. From the camera obscura of my mind I saw, through his words, and through his memory, the exotic, damned, Papist lands to the South; the vineyards of Provence standing in the baking Summer heat, the enchanted white-walled cities and palaces; the pitiless Alps where the air bit and purified the lungs, and where wild mountaineers used women as currency; and then Italy herself, where no surface went unpainted, and where fornication was an Art. Seeing me half-snarling but listening, Monsieur Fatio engaged his wit. I believe I was the earpiece of a powerful Amplification. For me the Duomi were pressed all over with gold leaf; for me the cloves of European garlic opened like culinary sunflowers, ravishing the imagination of my brutalised taste with new and magic meals; for me the floating wonder of Venice reflected itself and its smell in the clouds.

A College servant knocked. We were all silent as he lugged in a box of logs. It was well after dark. He cleared some utensils and left. My uncle pressed Nicholas to stay the night. He accepted. But where was he to sleep, seeing that Monsieur Newton already had company? Isaac offered immediately to turf me out of my room: ‘He can sleep on the floor.’ Fatio experienced an access of nicety concerning the prior rights of family over friends: ‘But no. It is not to be dreamed of, Maître.’

Uncle made a sort of gasp and offered his own room. Monsieur pursued him with a knowing eyebrow. Uncle became uncannily silent.

‘No, no. Pas du tout.’ Nicholas would couch himself on his cloak between the Desk of Opticks and the Athanor of Alkhimia.

Take my bed, man. For God’s sake.’

‘Pray, Maître, do not trouble yourself. I would not dream … Why, there is no man in all Europe whom …’ and into fragments of French or Latin, or whatever, as was his fashion of compliment. And so, heavy with implications, they played out their game of offer and refusal, until Nick Fatio won, as he was bound to do, being the more calculating of two mathematicians.

Therefore, after some geometrical discussion which I was not equipped to follow, we all retired at more or less the same time, with the newcomer promised to stretch out by the furnace in the main chamber on the horsehair-stuffed seat, after he’d taken some more wine. My uncle found the night cords my mother had left and bound my wrists to the two head-posts of the spare bed, which was the configuration in which I had slept on my back for as long as I could remember.

Some chiming clock of the city and a pressure against my mouth woke me at about two. I opened my eyes to the almost pitch-blackness of an abominable assault. A male smell under my nose. Faint pallor of linen suggesting the presence of a part-clothed torso. His voice above me whispering in a foreign language. Fear mapped me to the bed. Something automatic made me try to scream but I had no voice, only a poor rasping in the throat. And my mouth had opened, which was the worst thing it could have done. Invasion; the thing stuffed back and forth in my head; the taste; the revolting sensation of being gagged at the very back of the palate, while held down by superior force. But for some reason I couldn’t bite, and the violation continued, against my will but beyond my control. Why couldn’t I bite? I felt waves of panic. My breath was knotted into my grimace, my neck locked rigid. I was sure I should die. Until I found myself at last panting through my squashed nostrils, like the choked dog in the farmyard. But it wasn’t enough. The torso was all over my face. Not enough air to survive on. The fight for air. I would not survive. Could not. All my chest and throat contorted in the effort, the drag for air. A point of black pain expanded in a rush towards me, until it enveloped me totally.

Then I was out of myself and looking down from the ceiling in the small-hours murk which only a window’s faint moon-and-starlight illuminated, at a larger person over a smaller one’s head; whose hair was held down by a fist, and whose trunk thrashed between tied cords. I saw my knees rear up and catch him so that he grunted, withdrew and tried to wrestle me over on to my front. Great heaves of longed-for breath filled those lungs. In such dark, however, he clearly hadn’t grasped the fact about my strung wrists; my body wouldn’t turn. I watched myself twist and hurt. Then he gave that up and returned to the mouth, penetrating it and jerking on his violent weight. Why did I, that sufferer below me, comply? I watched the asphyxiation build up once more. I watched my renewed thrash.

Maybe a minute. He shuddered and came off. And again I saw the desperate lungs permitted at last to inflate themselves in relief.

I remember having a discarnate idea which seemed, incredibly, to exist everywhere around us both. I would sing. I would.

I did. And that was what now in fact filled the room with a powerful and almost tangible vibration:

Let us with a gladsome mind

I felt myself, as I returned to my body, swallow the stuff that was in my mouth. It was a reflex. And now I felt what I had only watched a moment ago – the great gulps of air rushing down my throat between each phrase of the hymn.

Praise the Lord for he is kind. For his mercies ay endure Ever faithful, ever sure.

I was squinting in the darkness into a startled face which itself had just made a sound: some little feminine squeak which mingled with my last two lines. It reminded me of a creature I’d once seen cornered – a hare which somebody had tried to make a pet of. He moved at once to escape but the noises had aroused my troubled uncle, because I heard him hurry round to my doorway. There was a crash of breaking glass followed by a cry of pain and a rational curse. Then his dark bulk appeared in the frame, and I could sense him peering in. Fatio turned and was clutching at his breeches, trying to tie or pull them up – I don’t know which. My uncle roared in a roaring whisper:

‘Villainy! Whoredom! Fornication! Caught in the net! By Christ Almighty!’ And then he burst into tears.

Fatio claimed first in French and then in English that he’d been in search of a chamber-pot, being blind drunk, and had tripped over my bed in the dark. Then he too burst into tears and fell to grovelling at my uncle’s feet, licking them and proclaiming his own mathematical limitations in an attempt to smother the memory of the incident in all of our minds.

‘Maître, you are the foremost mage of all Europe. An intellectual Volcanus. Before which I humble myself, like the savage who knows no salvation, in abject Abasement. You have anatomised Light and thus have delivered us from our Darkness and Error; you have interrogated Change itself and given it Number; Movement, the Divine, you have glimpsed the limit; Prophecy! Gravity! The Moon! And you are trying for the Stone, and shall see it, yes, yes, draw even the constellations from their spheres and peer into the immortal Mind itself. It is that Faculté Incroyable which has so drawn me to you, has enforced my presence here, to be with you and none other. You must know that as soon as ever I heard of you I suffered that force you alone have justified – impulsion from a distant Attractor: I was drawn; I was conjured. And still I am drawn back to you here after you have bid me depart and I meant to be absent for ever.’

At last I could close my mouth. Something vomited back from my stomach. I spat up and growled and spat up again over myself and bared my teeth in shock. Inside I was weeping but no tears would come out of my wolf-eyes. The dark bulk of Uncle Isaac knelt down to break his hindering clasp. He put his arms around the snivelling one, and then took his, Fatio’s, luxuriant, curling, blond hair and jerked it back in a tragic gesture.

‘Not Mars with Venus, neither. Not betrayed with Venus. Nor even the messenger boy of the Olympians. But, to my eternal shame, Cerberus.’ Visibly demonstrating a profound agitation, he picked him up like a child and returned him to the horsehair. I understood nothing that had passed.

No more was said. I doubt if any of us slept much more that night, but there was no more migration of place. In the morning I was freezing in my own sweat.

And no mention at all was made of the dark offences of the small hours. A servant brought food. We ate. Then I was tied to the desk, shivering and panting by turns. My neck and shoulders were filled with cramps. Newton kept sighing and staring at the furnace. Fatio began to shave, then he gave up. He proceeded to unpack his saddle-bag. He claimed to have a homunculus in a bottle. From Egypt, he said. Furious, my uncle went to cast it out of the window, hurling up the sash in preparation, and saying:

‘Nay, Sir. We do God’s work here. At least by daylight.’

That was the sash by which I gassed the moth in the curious jar when I was ten, four years before.

The homunculus sat also in its curious jar. It was a little septic foetus, cushioned on its placenta, and hermetically sealed, by some glassblower, in a vacuum. Nicholas prevented its fate:

‘Maître! Non! Non seulement est I’homoncule fort précieux, mais encore pourrait-il être le truc même qu’il nous faut.’

My uncle hesitated. And then:

‘pray, Sir, get thee behind me. For years I’ve sought the justification of God in the secret of these metals and in these,’ he indicated the walls full of leather-bound volumes, ‘testaments. And I have sought freedom from the Fiend – at least, as I said, by day. The homunculus is but an emblem – a figure of rhetoric. It is not a literal requirement and refers to a state of the metals. As such this is an obscenity and declares in its horrible shape the continued presence of the evil one. My only hope is to maintain the restricted path. I shall try to keep up my shattered honour, sir, and my reason, as I am a gentleman and a Protestant; otherwise it shall not be done. When you return,’ and I could see his disciple’s sweet foxy eyes receive the hint that the straight path was compromised even as it was declared, ‘take care that you not bring that abortion with you.’

It was enough. The Swiss collected his saddlebag and blanket, and affirmed that he would go out into the city to find a barber to attend to him. He did not return that day. My brain ran again and again on what had happened. I was wound up in a kind of shock, because there was no grounding of it. And most of all I wondered why it was that I’d submitted. It made it somehow my fault: I deserved all I got. I was already half-brute. What else could I perform upon myself? But a pure thought rose off that frenzy like the coil of a vapour, and lodged itself in a corner of my mind. I’d read of calculated killing. As I came of age that morning I realised what my brain was for. When he came back I would find a way … This thought I lodged in a safe place.

In speculating about where he might have gone I saw some point in making contact with the world of humankind – I would need to think their way in order to out-think him. I rummaged my random learning for any impressions as to where such an adult might go during the day, how he might exist while out of my sight; but the heaps of ideas remained as chaotic as the hotchpotch in the laboratory. With hindsight I reason now that he was meeting some contact: that he had gone back with the damned abortion to the Masonic Gentlemen’s Club or the Papist Intelligencers, or the Parisian Rosen-kreutzers, or whichever bent spy-ring was paying him. So Uncle Isaac and I had a couple of days to ourselves. As the morning went on he ran his fingers through his hair and studied and got up to look into whatever he was cooking on the furnace. I, tied to my ring, and losing my clarity, attempted with my free hand to saw my arms with pieces of shiny rubbish before dropping them as ingredients into my primal soup.

The Portrait

I look back through memory’s peephole. This laboratory, the place where I learnt my science, has no modern counterparts. No long mahogany school benches here; no gas points nor curving slender taps; none of those tripods and burners, and cupboards full of flasks; none of the distinctive microsensitive balances, preserved in glass cases; nor instant electricity piped down red cables from a suspended matrix. Not here either the functional fluorescent hum of the research lab, with its white coats and computers. No spectacles parked on the bridge of a painstaking nose. No female student glued by the eyelids to a microscope. Not a decerebrate cat in sight.

In fact he kept home for an intact and enormously well developed tomcat who used to snuggle up by day near whichever of the furnaces was alight. I had always disliked the cat, but at least it went out at night. Mr Newton’s cat was an amatory legend of the college, if not the city: a feline Don Giovanni who had his own cosy hell to return to through one of the draught holes in the skirting. He would also follow my uncle up to his chamber and slip into a haven hotter still. And that was the place of his body-building activities. Simply, he ate most of my uncle’s meals; for, as I said before, Isaac rarely troubled the company in Hall, and, if he remembered, ordered food to be sent up to him. But because his custom was to become totally absorbed in his project of the moment, he’d take merely a bite or two before another idea struck him, and then he’d dash back to his metals or his notes or his instruments. So the cat profited.

But in the garden room – the laboratory – there was usually no food, and the cat went there for solitude and repose. From the outside, the laboratory looked like a little negative mimicry of the College itself, which was built in a square around a magical fountain. So the laboratory sat in my uncle’s private garden as if in a tiny quadrangle. And if it looked oddly shaped and hardly able to compose itself under its tiled roof, this was because its ground plan was an exact and secret replica of Solomon’s Temple. Moreover, the garden – which in my memory looks like any number of formal ornaments of the period, with its mathematical division into four quarters and its little intricacies of flower beds – this too had its secret. For it was a representation of Eden, being planted with medicinal herbs from all the four continents we then knew of, each in its geographical set, and watered by special Rivers of Paradise that Uncle had ducted from the roof of the chapel, so that when it rained he might as Adam, or Solomon, or Jesus look out over the unfallen book of Nature. Apples, even, that Newtonian fruit, grew neatly pruned and disciplined along the walls on either side of the entrance. It being September, those that there were on the little trees glowed with ripeness.

Inside, and viewed from the Corner of Fermentation, this laboratory was what we should call a study cum sitting-room cum garage, albeit in Biblical configuration. It had three elaborate fireplaces, built around a central chimney. There was also a clock on a bracket and the remains of the tall water-pressure cabinet with which he’d played a density joke on a carpenter. On the stone floor there were three tables and some oaken chairs all covered with books and curiosities. There was one of his famous telescopes on a stand, and a number of other mechanisms in brass and leather which I didn’t like the look of then, and can’t put a name to in the recalling. Two pendulums made like delicately swinging miniature cupboards hung from the roof timbers. And he’d built a mobile close stool to save time. But above all there were his tools and his vessels. Everywhere lay the implements of a master craftsman: chisels, pliers, saws, tongs, ladles, scribers, grinders, a treadle lathe, bellows, gauges, rulers, compasses, hammers, drills; and everywhere else there were crucibles, flasks, coppers, cannikins, leathers, leads, cauldrons and tubes. For he’d become above all a wonderful artisan; the apotheosis of all those energetic and ‘Puritan’ young men from the skilled trades who for decades before the civil war attended lectures and evening classes in practical arithmetic, geography, navigation, weights and measures – in short, mathematics – because they wanted to take destiny into their own hands. And thought they’d done it when a precisely ground cutting edge traced out a significant locus that terminated in some royal vertebrae.

But these young men married and were mercantile. If they somehow supplied a context for his activity they don’t explain his origins or singular obsessions, the most fraught of which was alchemy. What motivated Mr Newton, Professor Newton even, to this solitary passion of Prima Materia? I, seeing him at that time through my wolf’s eyes, could tell something: that he was a stunned being.

It suits our view now to look back and see him as a superior brain. Having lived quite long and seen many, I wonder if there is such a thing. In those days anyway it would not have occurred to us to think so. As samples of tissue go, brains are all much of a muchness. If we’d had the word maybe we would have seen ourselves then as aerials, that might through grace receive God’s messages. We resonated; we were attuned; we rode down signals with the angels. Intellect, and its dysfunctions, were visitations we permitted, were granted, or had imposed on us. And some of us were thought to have been instructed by devils.

In any case, what could be more intelligent than language itself? I have my own reasons for resisting the cult of Genius. I say my uncle merely made himself proficient in the codes that were newly developing then, and cross-fertilised them for the sake of his overriding purpose: to get back all the control his birth and treatment had stripped him of, and to blot out everything else.

His father died before he was born. He was delivered, so my mother told me, a little bloody foetus that no one expected to come to life. They put it aside to be dealt with later. It lay, cold, and further out than the remotest galaxies for half an hour or more, which it might have experienced as longer than an ice age. At first, no one noticed it had started to move. Eventually the bundled mess in the corner turned into a baby, and they began with surprise to push pap into its mouth.

When little Isaac was no more than an infant, his mother, my grandmother, married Rector Smith, for financial security, on the condition that she left the child at Woolsthorpe. Rector Barnabas Smith, almost the squire, did not suffer the little children … Isaac was only allowed to make visits, brought over by his grandmother. Was this bar sufficient motivation for his whole later career? I doubt it. But I tell you this: as soon as he was old enough he tried to burn down their house.

He was an angry, isolated boy, though not a complete wolf; strong enough to suffer no fools and find few friends. He made models -windmills and other curious engines – from being inquisitive and much alone. He sought with miniatures the secrets of power and control. And when he was fourteen he forced himself to make friends with the girls at his lodgings in Grantham where he’d been sent to the Grammar School. But that didn’t last, since they were out for more, it seemed. Love and so on. So he became difficult and solitary again, because the womb sang of interstellar distances, rejection and all he could not speak of.

Then circumstances put money his way, together with a sponsor, so that by a train of associated events he arrived at Cambridge, and was as lonely and powerless as he’d always been. The great Alma Mater fornicated and drank and prayed and idled her way along, leaving him little, hurt and open again, unnoticed in this corner for a year. He survived, convincing himself that by austerities he might become pleasing to God.

God in his turn took several more months to be convinced by Isaac’s mortifications; then responded by thrusting in his way the submissive and equally lonely Wickens, who had a friend who owned a copy of Descartes’s Geometry. Reading Descartes, Uncle Isaac saw his chance to grapple something back in face of whatever it was that had happened to him. It was a great secret tool that could put power into his hands. A Language of Shapes.

When he came up to Cambridge, Mathematics was a nothing – it was all but forbidden, or at least irrelevant to the business of cramming the heads of the future incumbents of the Church of England, like my father, with thirty-nine articles. The prescribed education my uncle found tedious; he wouldn’t and couldn’t do it except to pass through the hoops which would keep him there – and offer the time and space for his secret vice: Mathematics. Mathematics as subversion; Mathematics as terrorist barrels under the House of the universe – or his stepfather’s house as it was to him when he was a boy. Why else would anyone bore themselves with the study of Mathematics unless there was a significant payoff – world-shaking power, revenge, and personal, Godlike, self-esteem?

But at first the Descartes horrified him. He could make nothing of it and went to bed in despair that he should be overcome by another’s words or diagrams. However, on the next day he went to it again and stayed up late by candlelight until he was four pages in. And so on. And this was his method, driven by day and by night and by an intensity of anxiety and desire, to give up all company or other solace in order to stabilise his sense of weakness, his cosmic helplessness, and the violence of his lust. It was this single-minded dedication, as I remember him admitting to someone much later, which was his character. ‘I keep the subject constantly before me, and wait till the first dawnings open slowly by little and little into the full and clear light.’ He forced himself, and was forced, to think on the matter in hand to the exclusion of all others. And so it was with all God’s and Mother Nature’s intimate secrets: her petticoat Light, her fluxional Change, her capacity to attract, her Mirror the Moon; and His eternal Motions.

By night … but by what right, you ask again, do I so assault Genius, that most treasured of latter-day concepts, which enables us to label other folk as lesser lights and use them accordingly in our monstrous schemes? Wasn’t he a Cambridge Professor at twenty-six or whenever? Listen. The Lucasian Professorship was equally a nothing. It’s true that he’d invented the calculus. He did this because his mathematics was entirely self-taught, and from only the most modern, analytical treatise of the times. So his thought was undamaged by any educational process. His boldness, arrogance and persistence paid off. Dr Barrow and Mr Babington slotted him into the Professorship. Dr Barrow, who was Lucasian Professor before my uncle, passed it across to him even as he stepped up the next rung of his own career ladder. It was a hobby-horse: they were the only two men in Cambridge who knew a surd from a tangent, anyway. Do you think students crammed the halls to hear the great ‘Dr Newton’ expounding the conic sections? Do you think they hung on his syllogisms as if he were a second Abelard? No one came. It was a purely financial arrangement, for which he must deliver a certain number of lectures. Every so often, then, Isaac read out some pages of his notes to the walls of a room and then went back to work. So they were able to pay him. But you see that he had then, and has always had since, shadowy backers in his doings, some human, some magical. And that is part of the mystery. But I know all this because I was there and saw what drove him.

Ücretsiz ön izlemeyi tamamladınız.

Türler ve etiketler

Yaş sınırı:
0+
Litres'teki yayın tarihi:
27 aralık 2018
Hacim:
554 s. 7 illüstrasyon
ISBN:
9780007401918
Telif hakkı:
HarperCollins

Benzer kitaplar