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THE BOOKS OF HIS LIBRARY

The Indian child is nursed on Indian song and story. Tribal traditions are handed down from age to age by enacting in the dance, on the part of the warriors and braves, their deeds of valour in war, their triumphs in the chase, their prowess against all foes. Forest lore is a constant text book. He is taught to observe which side of a tree has the lightest bark – which side the most branches; why the tree reaches forth longer arms on the edge of the wood than in the depths of the forest where his eye is taught to penetrate. The squirrel, the rabbit and the birds all become his little friends: where and how they get their food, their manner of life, their colour, and how they call their mates, who are their enemies, and how they may be protected. His ear is trained to hear sounds ordinarily inaudible, his nostrils are early taught to distinguish the scent of the different wild animals. Then came his ability to imitate the call of this wild life, sometimes by direct vocalization, or by placing two reeds to the lips so dexterously that the timid fawn is led to his feet. This literature the Indian child studies, until his arms are strong enough to bend the bow and send an arrow speeding to its mark. He soon essays the rôle of a warrior. His study of the birds enables him to find the eerie of the eagle, for a victory means that he may add an eagle feather to his war bonnet or coup stick. His study of the hills enables him to find in their vermilion and golden seams the colours for his war paint. In the crimson berries festooning the banks of the stream, when crushed, he finds still another element of decoration. The white man makes a book whose leaves talk. The sunshine bears speech and light to the Indian. He lives by communion with the stars. The Great Bear of the stars is called the great animal of cold weather. When a shadow crosses his mind he watches the clouds that touch the moon when it is new. He reads the stars, for they travel to him in a familiar pathway across the sky. They are bright spirits sent earthward by the Great Mystery, and when thick worlds gather in clusters, there are so many souls of earth people that their trail makes luminous the white way of the sky. The wing of a bird is the symbol of thoughts that fly very high. From the bird that soars nearest the blue he plucks prayer feathers. These he dyes and cherishes with jealous care. The Indian possesses a strange love for growing things, tall grasses with lace-like plumes forming a lattice for the deep green of the slender bushes that bear the rich clusters of crimson buffalo berries. He knows and loves the wild flowers that hang their golden heads along the banks of the purling stream or that in gleaming colours enamel the wide stretches of the plain. There are a thousand leaves in every book, and with every book in nature's library he is familiar to the point of success.

HIS ADORNMENT

To the casual observer the costume and character of the Indian all look alike. The mind is confused amid a riotous and fantastic display of colours. The fact is that the minor details of Indian dress are an index to Indian character and often tell the story of his position in the tribe, and surely tell the story of his individual conception of the life here, and what he hopes for in the life hereafter, and like the laurel wreath on the brow of the Grecian runner, they spell out for us his exploits and achievements. To the white man all these decorations are construed as a few silly ornaments, the indulgence of a feverish vanity, but they open like a book the life of the Indian. His motive in adornment is to mark individual, tribal, or ceremonial distinction. The use of paint on the face, hair, and body, both in colour and design, generally has reference to individual or clan beliefs, or it indicates relationship, or personal bereavement, or is an act of courtesy. It is always employed in ceremonies, religious and secular, and is an accompaniment of gala dress for the purpose of honouring a guest or to celebrate an occasion. The face of the dead was frequently painted in accordance with tribal or religious symbolism. Paint is also used on the faces of children and adults as a protection from wind and sun. Plucking the hair from the face and body is a part of the daily program. The male Indian never shaves and the beard is a disgrace. A pair of tweezers becomes his razor. Sweet grasses and seeds serve as a perfume. Ear ornaments are a mark of family thrift, wealth or distinction, and indicate honour shown to the wearer by his kindred.

Among the Plains Indians the milk teeth of the elk were the most costly adornments. They were fastened in rows on a woman's tunic and represented the climax of Indian fashion, the garment possessing a value of several hundred dollars. Head bands, armlets, bracelets, belts, necklaces, and garters of metal and seeds and embroidered buckskin were in constant use. They were not only decorative but often symbolic. Archaeological testimony tells of the almost general use of sea shells as necklace ornaments, which found their way into the interior by barter or as ceremonial gifts. The chiefs of the tribe were fond of wearing a disk cut from a conch-shell, and these were also prominent in religious rites, ranking among the modern tribes as did the turquoise among the people of the Southwest. A necklace of bear claws marks the man of distinction, and sometimes was worn as an armlet. In the buffalo country the women seldom ornamented their own robes, but embroidered those worn by the men. Sometimes a man painted his robe in accordance with a dream or pictured upon it a yearly record of his own deeds, or the prominent events of the tribe. Among the southern tribes a prayer rug was made on deer skin, both the buffalo and deer skins having been tanned and softened by the use of the brains taken from the skull of the animal. The skins were painted with intricate ornamentation, symbols and prayer thoughts adorning the skin in ceremonial colours; white clouds and white flowers, the sun god, and the curve of the moon with its germ of life, the morning star, and also a symbol of the messengers from the gods. Above it all zigzag lines ran through the blue of the sky to denote the lightning by which the children above sent their decrees to the earth children who roamed the plains.

Footgear often proclaimed the tribal relation, the peculiar cut and decoration of the moccasin denoting a man's tribe. The war-shirt was frequently ornamented to represent the life story of the man wearing it. The breast contained a prayer for protection, and on the back might be found woven in beaded tapestry the symbols of victory. He had conquered the trail behind him. The shirt was often decorated with a fringe of human hair, the more warlike appending the scalps of the slain. The warrior wore no regalia so imposing as his war-bonnet with its crown of golden eagle feathers. Before the coming of the horse the flap at the back rarely extended below the waist, but when the warriors came to be mounted, the ruff of feathers was so lengthened that when the Indian was dismounted it trailed on the ground. The making of a war-bonnet was accompanied by song and ceremony. Each feather before it was placed in position was held in the hand and had recounted over it the story of some war honour. A bonnet could not be made without the consent of all the warriors and it stood as a record of tribal valour and a special mark of distinction granted to the man by his tribe. Every Indian takes great joy in laying out his colour scheme. It becomes a mosaic of artistic talent. Feathers are gathered from the eagles' flight. Skins are taken from the wild beasts. Bones, beads, sparkling metals, soft-tinted sea shells, and all of them blended with the varicoloured paints that he has compounded in nature's mortar. The woman enters into the work with intelligent zest, and when completed the whole array of blended colours is beyond the criticism of the tribe. The back of an Indian's war-bonnet and war-shirt is always more gaudy and sumptuous than the front view and this because when Indians pass each other their salutation is brief and formal. They ride right on. But after the meeting they turn in the saddle and look back to take an inventory. The wealth of the Indian, his position in the tribe, his ceremonial attainment are all passed upon and estimate entered. This colour scheme goes on through the entire Indian wardrobe to pipe sack, coup stick and moccasins. The Indian could not have received his suggestion for a colour scheme from the tinted leaves of autumn for they are dull in comparison. He may have had a hint from the glowing sunsets that in that western land fill earth and sky with a glory so transcendent that mere rhetoric is a profanation. More likely is it that when free and unrestrained he roamed over plain and hill his soul became enamoured with the dazzling array of colours, beyond the genius of the proudest palette, to be found in the marvellous formations that surround the great geysers of the Yellowstone, colours more exquisitely beautiful than the supremest refinement of art. Every-whither down the cone-shaped mounds are tiny steam-heated rivulets interlacing each other, edged with gold and vermilion and turquoise and orange and opal. Indian trails have been found also interlacing each other all through this wonderland. Deep furrows in the grassy slopes of these ancient footprints are still plainly visible. Thither we may believe came the red man imbued with the spirit of reverence and awe before all this majesty and beauty, and from this exhaustless laboratory claimed the vivid colouring for the expression of his life of faith.

HIS WARFARE

The Indian has lived such a life of hazard for long centuries that he has had trained into him a first great instinct to fight. They have a war star in the sky, and when it moves the time to make war is heavy upon them. There are many cogent reasons for the belief that before the coming of the white man there were no general or long-continued wars among the Indians. There was no motive for war. Quarrels ensued when predatory tribes sought to filch women or horses. Strife was engendered on account of the distribution of buffalo, but these disturbances could not be dignified by the name of war. The country was large and the tribes were widely separated. Their war implements were of the crudest sort. A shield would stop a stone-headed arrow, and it necessitated a hand-to-hand conflict for the use of a flint-headed lance and the ponderous war club. The white man came, and for hundreds of years their contest has been waged against a superior force. They have disputed every mile of territory which has been acquired from them. During all that time they could not make a knife, a rifle or a round of ammunition. Their method of communication was confined to the smoke signal, signal fires and scouts. They had no telegraph, no heliograph, no arsenal. Modern implements of war they have been able to obtain only in late years and then in meagre quantities, even then only by capture or at exorbitant rates. The Indian has proved himself a redoubtable and masterful foe. For more than three hundred years millions of civilized white people have fought a bitter battle with three hundred thousand red men. During all these tragic years the nations of the world have moved on to discovery, subjugation, and conquest. Nation has taken up arms against nation. England, France, and Spain have put a rim of colonies about the globe. Our own great civil struggle has been written down on the pages of history with letters of blood. England, France, Spain, and the United States have during this period tried their prowess with these less than three hundred thousand braves and only now has the decimation become complete. No such striking example of endurance, power of resistance, and consummate generalship has been recorded in the annals of time. Sitting-Bull, Red Cloud, Looking-Glass, Chief Joseph, Two Moons, Grass, Rain-in-the-Face, American Horse, Spotted Tail, and Chief Gall are names that would add lustre to any military page in the world's history. Had they been leaders in any one of the great armies of the nation they would have ranked conspicuously as master captains. The Indian, deprived of the effectiveness of supplies and modern armament, found his strongest weapon in the oratory of the council lodge. Here, without any written or established code of laws, without the power of the press and the support of public sentiment, absolutely exiled from all communication with civilized resources, unaided and alone, their orators presented the affairs of the moment to the assembled tribe, swaying the minds and wills of their fellows into concerted and heroic action. The wonderful imagery of the Indian orator – an imagery born of his baptism into the spirit of nature – his love of his kind, and the deathless consciousness of the justice of his cause made his oratory more resistless than the rattle of Gatling guns, and also formed a model for civilized speech. It was an oratory that enabled a few scattering tribes to withstand the aggressions of four great nations of the world for a period of several centuries, and to successfully withstand the tramping columns of civilization. The science and art of Indian warfare would take volumes to compass. His strategy and statesmanship compelled victory. He was almost always assured of victory before he proceeded to battle. He knew no fear. A thousand lives would have been a small gift had he the power to lay them on the altar of his cause. He pitted the perfection of details against the wily strategy of his own colour and the pompous superiority of the white man's tactics. On the trail care was taken to cover up or obliterate his footprints. When a fire became necessary he burned fine dry twigs so that the burning of green boughs would not lift to the wind an odour of fire, nor carry a trail of smoke. He conceived and carried out a wonderful deception in dress. In winter a band of warriors were painted white. They rode white horses and their war dress was all of it made of the plainest white so that a group of warriors, stationed on the brow of a hill, would appear in the distance like a statuesque boulder clad in snow. This disguise also enabled them to come with stealthy step upon wild game. In autumn their horses were painted yellow and they wore a garb of yellow so that fringing the edge of the forest they could not be distinguished from the leaves of the dying year. The blue-green of the sagebrush, so conspicuously omnipresent on the prairies, furnished the Indian with another helpful form of disguise. He would almost completely disrobe and paint his face, his arms, and his hair, as well as the body of his horse, exactly the colour of the sagebrush; and when scouting, after their crouching fashion, among the clusters of sagebrush, or riding in the distance along the verdure-covered banks of a stream, the disguise would be so absolutely complete that detection became a difficult task. It was an ingenious and artistic display of war talent.

We are led to wonder often concerning the Indian's passion for his coup stick (pronounced coo). This rod, bedecked with eagle feathers and his own colour scheme, is the Indian's badge of empire. It is the “Victoria Cross” of his deeds of valour. In battle he rushes amid his foes, touches the enemy with his coup stick – that man is his prisoner, and he has counted a coup. He slays an enemy, then rushes up and touches him with the stick, takes his scalp; another coup is counted. The credit of victory was taken for three brave deeds: killing an enemy, scalping an enemy, or being the first to strike an enemy, alive or dead; any one of these entitles a man to rank as a warrior and to recount his exploit in public; but to be the first to touch an enemy is regarded as the bravest deed of all, as it implied close approach in battle. In the last Great Indian Council and on the journey home the attention of the writer was called to the prominence given to the coup stick. They are present at all ceremonial functions and are carried on all ceremonial parades. The warrior who can strike a tepee of the enemy in a charge upon a home camp thus counted coup upon it and is entitled to reproduce its particular design in the next new tepee which he made for his own use, and to perpetuate the pattern in his family. The eagle feathers on the stick can only be placed there after the warrior has counted his coup, recounted it in public, and the deed has met with the approval of all the warriors. The eagle, the proudest and most victorious of birds, then yielded a feather, which is deftly fastened with a circle of shining beads to the stick, and the proud victor flaunts another emblem of his bravery.

The buffalo, once the king of the prairies, has been practically exterminated. Perhaps no greater grief has ever entered into the life of the Indian than this wilful waste and irreparable loss. To this hour the Indian mourns the going away of the buffalo. He cannot be reconciled. He dates every joyful and profitable event in his life to the days of the buffalo. In the assembly of chiefs at the last Great Council the buffalo was the burden of every reminiscence. These veteran chiefs studied with melancholy eyes the old buffalo trails, and in contemplation of the days of the chase they said, as they thought backward, “My heart is lonely and my spirit cries.” So much did they love the buffalo that the Indian children played hunting the buffalo. The animal furnished food and clothing, and many parts of the stalwart frame they counted as sacred. The annihilation of these vast herds aroused the darkest passions in the heart of the Indian, and many times stirred his war spirit and sent him forth to do battle against the aggressors. Within the nine years between 1874 and 1883 over eight millions of buffalo were ruthlessly slain. But the war curtain of the Indian has been rung down, and the vast area which twoscore years ago supported these vast herds of wild game is covered to-day with domestic animals and teems with agricultural life, furnishing food supplies for millions upon millions all over the civilized world.

HIS HOME LIFE

Far stretches of prairie, winding watercourses, leagues of white desert with only the clouds in the sky and the shadow of the clouds on the blistering sand, an army of buttes and crags, storm carved, forests whose primeval stillness mocks the calendar of man, the haunts of the eagle, the antelope, the deer and the buffalo – and the edge of the curtain is lifted on the land where the Indian roamed and where he made his home.

Game has been found, a semi-circle of cone-shaped tepees dot the green of the plain; a stream, tree-fringed, fresh from the mountains, flows by the camp – a camp that in earlier times was pitched upon some tableland as an outlook for the enemy, white or red. Horses are browsing near at hand or far afield; old warriors and medicine men sit in the shade and smoke the long-stemmed, red sandstone pipe, and tell of the days of yore. Gayly clad figures dart hither and yon as the women are bent upon their tasks. Great loads of wood are brought into camp on an Indian woman's back. She carries water from the river, bakes the cake, upturned against the fire, boils the coffee and then all are seated on the ground when they partake of jerked beef, coffee, bread, and berries. Hands are better than knives and forks, one cup answers for many, and the strip of dried beef is passed along that all may cut off his desired portion. A noisy, gleeful group of children play with their dolls and their dogs – dogs that are made to serve as beasts of burden and instruments of torture. At night beds are made on the ground around the interior circle of the tepee and the chill of frost is driven out by a fire in the very centre – the most perfectly ventilated structure in the world – the air passing underneath the edge of the tepee in the loop where it is tied at the bottom of the poles, then passing on out through the opening at the top, carrying with it all dust and smoke. The Indian never knew anything about tuberculosis until the white man confined him in log cabins where a score of people live in one room, the cracks and keyhole entirely filled, and where they breath each other over times without number. Within the tepee the chief has the place of honour. A rest is made with supports like an easel. A lattice-work of slender willow rods passed down the front, which is covered by a long strip of buffalo hide. Against this the chief rests. Each member of the family has his allotted place inside the lodge and he may decorate his own section according to ability or fancy. Here the warrior hangs his war-bonnet and sometimes records his achievements in the chase or on the warpath. Lying all about the circle are many highly coloured parflesche bags containing the minor details of dress or any personal possession. Many of the tepees in an Indian village are embellished with Indian paintings setting forth the heroic deeds of the warriors who abide in the lodge. The figures are often grotesque and without parallel in the realm of art. The medicine is given a conspicuous place in the lodge. No one sits or lies down on the side of the tepee where they have placed the medicine of the household, and when they pass it on entering or leaving the lodge all heads are bowed. The medicine tepee is distinct from all others. It is painted a maroon, with a moon in green surrounded by a yellow circle. The medicine of the ordinary Indian family is hung over the entrance of the doorway or suspended on a pole, and may consist of a wolf skin or a dark blanket rolled in oblong fashion containing the sacred tokens of the family. Every Indian family takes pride in the ownership of a bevy of dogs. They are rich in dogs. In our camp of about thirty tepees a reliable Indian estimated that there were over three hundred dogs. These canines have free run of the lodge, and at night they crawl in under the edge of the canvas and sleep by their Indian master. Let an intruder enter the camp during the hours of darkness and they rush out simultaneously, howling like a pack of wolves until one might think the bowels of the earth had given forth an eruption of dogs. The Indian warrior makes a companion of his dog, and he can show no greater hospitality to a guest than to kill his favourite friend and serve his visitor with dog soup. To refuse this diet is an insult most vital.

The Indian woman is master of the lodge. She carries the purse. Any money that comes into the hands of the husband is immediately handed over. The servile tasks of the camp are performed by the women. Herein we have an expression of the law of equality. The husband has to perform the exhausting and dangerous task of hunting wild game for food and the skins for clothing. He had to protect the camp against hostile attacks, and the woman felt that her task was easy in comparison. The Indian child rules the family. They are rarely, if ever, corrected. No Indian mother was ever known to strike her child. If they want anything they cry until they get it – and they know how to cry. In play they are as mirthful and boisterous as any white child. They ride mock horses, and play mud ball. The Indian boy prepares willow sticks, peels off the bark, then rolls the wet clay into balls, and, sticking the ball on the end of the twig, he throws it at a mark with great speed and accuracy. Perhaps the most popular sport among the children is what they term the stick game. Again willow rods are used without the bark, only this time they are cut short enough to be rigid, and they drive them with great velocity up an inclined board. When the stick leaves the board it speeds like an arrow far in the distance. Every Indian boy and girl owns a pony, from which they are almost inseparable, and which they ride with fearless abandon.

While men are off in search of game the women make bead work of a most bewitching order, meanwhile watching the pappoose, fastened completely in its wooden bead-covered cradle, only the head protruding. The cradle is hung from a lodge pole or the bough of a tree, rattles and bells playing in the breeze. Other women gather in the shade and play the game of plum stone, a gambling game. They use the stones of the wild plum, which they colour with fanciful devices, and toss them up in a wooden bowl.

The wooing of Indian lovers varies with the tribes. One pair of lovers seal their vows by standing a little removed from the parental lodge, with a blanket covering their heads. In another tribe the negotiations are made entirely through the parents, when the transaction resolves itself into a barter, so many ponies for a bride; while in still another tribe, when a love fancy strikes a young man, he arranges to meet the young woman who has attracted him as she goes to the river for water. They pass each other in the path without any recognition. This occurs two or three times. Finally if the young girl welcomes these attentions she looks toward him as they pass. That night he comes to the lodge of her parents, remains outside, beating a tomtom and singing the love song. The young girl then goes out to meet him and they sit outside and talk. The next morning the mother asks her daughter about the affair, and then the mother invites the young man to come and dine with them and sit around the campfire. Thus the courtship proceeds until he finally says, “I will take this girl for my wife,” and the two go to their own lodge. The Indian has an unwritten code of family morals to which he most rigidly adheres. In some tribes no Indian will cross the threshold of another if the wife of that man is alone, and in others no brother goes into the house where his sister is unless she has a companion. This is an ancient law and belongs to many tribes. The Crows have an eccentric custom that a sister after marriage is not allowed to be seen in public with her brother. Should an Indian alienate the affections of the wife of another Indian or steal his horse the injured one would be justified in taking his rifle and killing the offender. The whole camp would sanction the action on the ground that it would rid the camp of bad blood.

The Indian's civility and hospitality, both to his own kind and to strangers, has been a marked feature of his character from the coming of the white man to the present day. When Columbus touched the shores of the New World the friendly Caribs gave him hearty welcome. The heart's right hand of fellowship was stretched out in welcome and hospitality as explorers and settlers landed on American soil. Dignity, generosity, and courtesy marked the attitude of the Indian toward these new white strangers. The character generally attributed to the Indian is that of a savage, but this blemish came upon him through contact with the white man. Their ingenuous and trustful nature quickly degenerated as they were enslaved, betrayed, and slain. Advantage was taken of their ignorance and kindness. Then came on a race war unparalleled in ferocity and barbarism. The inexorable march of civilization regardless of ethics swept on until we heard the Indians' war cry and failed to see the diviner grace of friendship. The Indian returned with interest every injury and hardship, every bitter assault and wicked aggression. He paid in full all accounts in the coin of pitiless revenge. These shadows obliterate our thought of him as courtier and hospitable host. The Indian will divide his last crust and then go hungry himself that you may have his half of the crust. Had it not been for Indian generosity in furnishing supplies of food, the early settlers in both New England and Virginia must have perished with hunger. Every guest entering an Indian wigwam is met by all the graces of hospitality – in cordial greeting – in a splendid home feeling.

Indian trails are no longer worn deep through the prairie sod, they have been growing ever more dim and indistinct. It is to-day, the “thin red line,” a swift gathering of all that is left, in the gloaming, after the sunset.