Kitabı oku: «As the Crow Flies», sayfa 2
SAN REMO
SAN REMO. – There is a certain apparent similarity between Bournemouth and San Remo. Both are “winter resorts” and both are popular with invalids. But this similarity is only apparent. Frost and snow were rife at Bournemouth a month ago. Sunshine and ripe oranges on the trees are en evidence at San Remo now. One shudders here, to think of Bournemouth in winter, just as in Bournemouth the idea of the Lake District out of summer was repelling.
The climate of the Riviera is not perfect, by any means, but unless one goes to Honolulu or to “the Cape,” it is hard to do better for the winter. And yet it is not a tropical climate – or even sub-tropical, simply one with a more or less genial warmth in the winter time.
San Remo is not so “mixed” in its society as Nice, so renowned for suicides as Monte Carlo, or so vault-like as Mentone.
Cannes is the only place on the coast that approaches San Remo (and, indeed, outdoes it, so far as exclusiveness in the “English Colony,” which includes the small American contingent, goes); but Cannes is really a slice cut out of Belgravia and set down by the Mediterranean, and one may be in the height of the London Season all winter there. Cannes is popularly referred to as the “Dukeries,” on account of the number of English Dukes spending the winter there. But to a person liking society in moderation with a few good dances sprinkled in during the winter and a fair amount of tennis, San Remo is an ideal place. Knickerbockers and cricketing flannels are frequently seen, and there is none of that striving after effect so much found at Cannes, where top hats and frock coats are de rigeur most of the time.
San Remo is near the French frontier and so, of course, is a queer mixture of French and Italian village life (for it has only seventeen thousand inhabitants). It is thirty-six hours from London and easily reached either by the P. L. and M. Railway, by way of Lyons and Marseilles, or by Milan and Geneva, via the Mont-Cenis tunnel.
The old town, or Citta Vecchia, is built on a hill away from the sea, and the steep streets are crowded together pell-mell on the nearly perpendicular hillside. Bradshaw’s Guide refers to them as “steep, mediæval streets”; but, although I admit the steepness, I have never discovered the mediævalism – unless the abundant dirt and endless supply of unsavoury smells may be taken to represent it. Of course, the dark, narrow lanes are garlic-haunted, and that reminds me of a story I heard here. At the old Cathedral, an English priest was talking to an Italian peasant woman about the next world. She was giving her ideas on the subject and ended up a glowing rhapsody in this way: “And, oh, our Holy Father, the Pope, will be there on a great golden throne, smiling at the faithful; with big bunches of our angelic garlic under his chair to give to each of his flock as St. Peter brings them to him.” If that idea of Paradise were presented to many good Christians, I fear their faith might be shaken, for of all the sickening, clinging odours, a whiff of garlic-scented air is the worst.
This old town is nearly devoid of interest. There are even no curio shops, and after one walk the average English tourist comes back to his hotel to “take a tub,” and leaves its mysteries undisturbed in future. To any one, however, brave enough to pick his way through the overhanging alleys and dark streets, up to the very top of the hill, an old church presents itself, the “Madonna della Costa,” where there is a wonderful picture of the Virgin which is supposed to be a certain cure for leprosy. (The method of applying the cure is an unsolved mystery.)
Most people here go to Mentone to get gloves and stockings, and smuggle them back over the frontier to avoid paying the absurd prices asked in San Remo. The new town is built at the foot of the hill and consists of two streets, with a few good shops, where the tradesmen speak bad French and charge enormous prices for the necessaries of life. On each side of this new town stretch the English and German colonies, the English settling at the west end and the Teutons preferring the east. Ever since the Emperor Frederick lived in a villa here the east end has been a resort for patriotic Germans who want the warm breezes of the Riviera, but do not care to enjoy them on French territory. It is not the most pleasant part of the town, and English and Americans are very chary of settling there, as the more aristocratic west end turns the cold shoulder to the unfortunate villa holders and dwellers in hotels and pensions at the east end, and has a tendency to consider them doubtful or déclassé.
The west end has all the best hotels and pensions as well as villas scattered along the pretty Promenade overlooking the sea and bordered with wide-branching date palms. The Promenade ends in lovely gardens, and both Promenade and gardens are called after the late Empress of Russia, who spent a winter here early in the seventies. The Promenade is used as a scene for “church parade” after service on Sunday mornings by the English colony, and every afternoon, from four onward, one may meet the world and his wife there. The municipal band plays twice a week in the public gardens, but the performance – a rather poor one – is attended mainly by Italians. The language of San Remo is a curious patois made up of Ligurian Italian – very different to the pure Lingua Toscana of Florence, and the bastard French heard in Nice and Cannes.
Five days in every week are bright and sunny, one of the remaining two is usually cloudy and the other rainy. The average temperature is fifty-two degrees in winter. The winds are hardly ever troublesome, as the high chain of hills behind the town act as a natural barrier. Among the many bad shops there is one really good one: Squire’s, the English chemist’s, who dubs himself (but by real Letters Patent) “Court Chemist to the late German Emperor and to H. R. H. the Prince of Wales.”
When the late Emperor Frederick was ill here in ’88 at his villa and all his affairs and correspondence were in confusion, his much-loved wife, the popular Empress Victoria (who looks so much like her mother, the Queen of England) used to have all her English letters sent to the villa enclosed in this chemist’s prescription envelopes, to keep them safe from Bismarck’s spies; for the relations, never very cordial, between the grim Chancellor and the Illustrious Lady were then at a dangerous tension and the friends of the Empress claimed that he did not scruple to confiscate her private letters from the English Court when he could get hold of them. The young Princesses were very fond of taking long walks in the endless olive groves about San Remo, and sketching the town from either of the two high rocks that shut in the bay on each side.
A pretty peasant girl in a small fruit shop near the Emperor’s villa made a small fortune by selling mouldy pears and sour oranges to enthusiastic British tourists who thronged the shop, because the Empress Victoria had made a lovely study of her in oils, which has appeared in a London exhibition.
Another permanent memorial of the visit of the Royal Family to San Remo is the constant appearance of the highly-gilt arms of the Hohenzollerns over most of the shops in the new town, which, one and all, describe themselves as “Court Grocer to the Emperor Frederick”; “Court Bootmaker to the Imperial Family,” when possibly the chef may have bought some candles from the one and the Emperor’s valet may have been measured for a pair of boots at the other. I have even seen the advertising card of one “Guiseppa Candia, Court Laundress to the German Empress.”
The English set in San Remo is charming and very hospitable when one comes with letters of introduction. The leading English physician, Dr. Freeman, and his wife are always ready to extend the courtesies of the place to fresh arrivals; and any visitor at the English Club will easily recall the jovial person of Mr. Benecke. But when one comes without letters or other credentials, the English colony can be very freezing; as a third-rate American author found some years since, when, with his wife, he tried to take the town by storm.
The country round about San Remo is full of pleasant walks. Ospedaletti is only two miles away, and one may take a charming walk there and back in the afternoon. It is an interesting place, albeit a dreary one, for it is the monument of a great failure. Some years ago a great International Company bought up all the land along the lovely bay, built splendid hotels and shops, made good roads and put up the magnificent Casino still to be seen there. The shares were at a high premium and every one was sure the company would make a huge fortune, and so it would if it had not neglected the trifling formality of obtaining the consent of King Humbert to the establishment of a large gambling hell in his dominions. The result was that he stepped in at the last minute and intimated that while he had no objections to a Casino, he was not prepared to allow games of chance. Of course, this ruined not only the company, but the place, for Ospedaletti’s only raison d’être was in the Casino, and the Casino’s in the roulette table. The hotels and shops are all closed now and the beautiful building is gradually falling to pieces from decay. The roads are all overgrown, and a few poor Italian families are the only representatives of the gay world that was to make Ospedaletti a successful rival of Monte Carlo.
Then, beyond, is the town of Bordighera, an Anglo-Italian resort nearer the frontier and especially loved by consumptives. George McDonald, the Scotch author, has a beautiful house there and his daughters are famous in the tennis courts along the Riviera. Bordighera is a garden of palms and supplies all the churches of Rome on Palm Sunday.
A more interesting walk from San Remo is to take the Corniche road as far as the Pietra Lunga on the east side of San Remo, and then to strike inland through the olive groves until one finds the dreary village of Bussana, a place totally destroyed by the earthquake of 1886. The ruins of the quaint old church are still shown (with the inevitable monogram of the Virgin on everything), where a service was being held when the first shock came on that eventful Sunday. The peasants say there are still bodies hidden under the massive masonry and swear that the place is haunted. This was the earthquake that startled Cannes early on the same morning, when walls were falling and people flying from the hotels and houses in various stages of undress. The Prince of Wales was there then on his yearly visit to the Riviera, and one of his valets rushed in to call him at five o’clock for the hotel walls had fallen at the back, and there was danger that the others might go. But the Prince only scolded the valet sleepily for waking him and refused to get up in spite of the man’s entreaties, finally turning over and going to sleep again amid the noise of falling chimneys and crashing walls. It is needless to say that H. R. H. was not injured and that the other walls did not fall.
The local government of San Remo is vested in the Syndic, the jovial Cavvaliere Bartolomeo Aquasciati, who is practically elected for life and who has an almost despotic authority over the civil affairs of the town; while the Sous Prefect is at the head of the police and ranks above the Colonel of the regiment of Bersaglieri (or sharpshooters) now here.
San Remo is particularly suited, on account of its peculiarly antiseptic climate, to persons troubled with throat complaints, and several really wonderful cures have been wrought by its balmy air. Living is much cheaper than in Cannes, Nice or Mentone; there is capital medical advice available, and very pleasant society. The old rhyme that applies to Zante:
“Zante, Zante,
Fior di Levante,”
might be paraphrased to suit San Remo, for it is certainly the fine fleur of the Riviera.
THE CITY OF PALACES
GENOA. – Streets of palaces, dingy and dirty with the mould of ages, but with interiors adorned with all the lavish luxury of the East, such is Genoa to the cursory view. The tourist, rushing through the Cathedral and the Cemetery, his Murray in hand; hastily conning the names of old masters and then going away satisfied, does not begin to know his Genoa.
It is a city to linger in, to study slowly and lovingly, to muse over, in its deserted squares and sleepy parks. Certainly it is a famous introduction to Italian art. Every one knows it was called La Superba in the old days, so there is no need for me to do anything but jot down a few random memories of the place. Genoa, of course, is chiefly interesting on account of its past, not its present, but it may be as well to say that its capacious harbour accommodates steamers sailing daily to nearly every port in the Mediterranean and that in 1888 the total tonnage entered amounted to 3,000,000 tons. The lanterna or lighthouse in the harbour is old enough to be a curiosity, for it was built in 1547, and is apparently good for another couple of centuries. Near its foot are the dockyard and arsenal, which were established in 1276. But since 1860 the Italian government has made Spezia its chief dockyard, to the disgust of the Genoese.
The one wide modern street in Genoa is the Via Vittorio Emanuele, on which are all the good hotels. In every Italian city and village one meets this name, and a certain degree of monotony attaches to it after one has shopped in fifty or sixty such streets in as many towns; but it shows the popularity of the late king, Il Re Galant’uomo, as they still call him. The shops in this street in Genoa are Parisian in every way, and there is an indescribable air of cheerfulness and gayety as one moves along past crowds of handsome black-browed Italian women. This word comes involuntarily to one in thinking of Italian women or girls. They could never be called pretty, or even beautiful, with their dark, glowing skins, large, warm eyes, thick, perfectly-curved eyebrows, and a more or less faint down on the upper lip; but they are undeniably handsome.
Then, too, their way of walking out in afternoon or evening in full toilette and with perfectly-arranged coiffures, but without hat or bonnet, is attractive and gives a cosy air to the open street. Behind our hotel is a long, glass-covered arcade about the length of two city blocks, always filled with a gay, chattering crowd of both sexes, who promenade up and down, now stopping to look at the brilliantly-lighted window of some shop rich in statues and statuettes of Parian and Carrara marble, or to sit at small tables in front of some smart café to eat ices, or the Italian equivalent, granita.
This arcade is one of the sights of the city and forms one of the most attractive features of Genoa. One often thinks of the gay scenes enacted there nightly, when far away.
A walk about the town is delightful, provided one is unfettered by that abomination, a valet-de-place, or local guide. Such narrow streets running in all directions past grim palaces and squalid houses (but all of stone, for wood has no part in the internal economy of Genoese building) ending frequently in some odourous cul de sac, or doubling on themselves, to bring the helpless wanderer back to his starting point, after an hour’s walk!
The Cathedral must form the objective point of a first walk in Genoa. Indeed, it would be hard to miss it, for it is built of squares of black and white marble and resembles an immense chess board on end. But there is a pathetic dignity about it, for it is very old.
It was begun in the twelfth century, and it is most probable that Columbus said his Aves and Paters under its vaulted roof, for he was a native of the erst-while republic of Genoa, when that power ruled the Mediterranean and boasted, like Venice, of a Doge. There is a curious inscription above the arches which part the nave from the aisles, near the Doge’s gallery, to the effect that the great-grandson of Noah founded Genoa and that the nave was restored in 1307.
But this is only one of the curious things about this curious Cathedral, for the verger who was gorgeous in his cocked hat and wand-of-office, showed us two huge pictures on either side of the high altar, which had been taken by the great Napoleon from Genoa to Paris when he conquered Italy; which had gone thence to Vienna and had finally returned to their former resting place. They showed the effect of travel, but were wonderfully well preserved. One represented the martyrdom of St. Sebastian – that ever-present product of Italian galleries, but in this case the arrows were happily absent. We saw, too, the picture of the Madonna, painted by St. Luke and alluded to by Mark Twain. It had not grown at all clearer since he saw it twenty odd years ago.
A wonderfully beautiful Byzantine tomb was shown us in John the Baptist’s chapel, and was declared to contain the ashes of that saint. Certainly it must have been old, and the carving was exquisitely done. The original chains worn by John the Baptist were also shown. They were very rusty! No woman but the Queen is allowed in this little side chapel, erected to commemorate the crime of Herodias, but why Her Majesty should be excepted from the rule is not quite clear, unless we accept the theory of the divine right of Kings which Kaiser Wilhelm holds so strongly. There they also show the sacro catina, supposed to be made of a single emerald given by the Queen of Sheba to Solomon. This vessel formed part of the spoils of the Genoese at Cæsarea in 1101. It is brought out of the treasury three times a year for the veneration of the faithful, but no one is allowed to touch it under severe penalties. But as I was admiring this and preparing to enthuse over its associations, the verger asked if I understood Latin and immediately launched forth into the original text of the Excommunication pronounced against any female who should dare to enter that sanctum sanctorum where John the Baptist reposed. But, alas, if his accent was not that I had learned at Oxford, it was still less that of Yale; and I could only guess at the meaning of most of his sonorous periods. We left the Church with this avalanche of mediæval Latin ringing in our ears. The interior, taken as a whole, is impressive. The nave and two aisles are unusually long, and standing at one end a semi-gloomy vista of respectable length is opened up. There are other Churches in Genoa, but none so rich in tradition or saintly relics. The Via Balbi is worth a visit, for there stand the famous Palazzo Rosso or Red Palace, built entirely of dark red stone; and the Galliera Palace with its magnificent collection of paintings. The Galliera family has done much for Genoa as well as for Paris. The late Duke gave £80,000 to the harbour works a few years ago, and now the city of Genoa owns the fine gallery of paintings. The Duchess, who has been dead only a short time, left her splendid house in Paris to the Austrian Emperor to be used as the permanent house of his Embassy in Paris and (as she was childless) willed her large private fortune to the clever Empress Frederick, Queen Victoria’s eldest daughter, in trust for deeds of charity.
A description of one of these immense palace galleries may stand for all. Always there is a grand hall supported in part on columns leading to an arcade-surrounded court. Beyond comes the great staircase, in two ascents. All this is open to the public view, and the long perspective of halls, courts, columns and arcades is magnificent in the extreme. In a splendid suite of rooms on the second floor of this Palazzo Rosso is the largest collection of pictures in Genoa.
The Palazzo Reale or Royal Palace is interesting, having been splendidly fitted up by King Charles Albert in 1842. There are palaces innumerable in Genoa, many rich in historical interest and full of pictures by the old masters, and if one were compiling a guide book one could write quires of description about gilding that cost a million francs in one, and mosaic floors worth several fortunes in another.
But the crowning glory of Genoa is its Campo Santo or Holy Field, where the noble families of Genoa bury their dead. Imagine vast arcades surrounding an open space of several acres and these arcades crowded with wonderfully beautiful statues. Each family pays a sum (no small one) for a niche in one of these arcades with the accompanying vault beneath and then erects a life-size statue of the departed, or some symbolical figure. Some are pathetic and tender – the fairy-like child dancing on roses, for example, or the full-sized sailing boat crossing the Styx, every rope and sail wrought with wondrous grace in snowy marble. Others succeed in being only grotesque. One huge figure of Father Time sitting cross-legged on a coffin with his knee cocked up, for instance; or an unpleasantly realistic model of an old man with one foot in an open grave with his face turned over his shoulder. This was erected by an old Count, still living, when his wife died. And so on ad infinitum. This is a place to muse, to think grave thoughts and to reflect upon sudden death, but not a place to get up an appetite.
Genoa is an attractive city, although they say that, unlike Florence and Pisa, it is not an economical town for strangers of limited means and that lodgings are scarce.
The character of the inhabitants betrays little of the fiery valour that gave Genoa its proud position in the Middle Ages. Now its people are quiet, hard-working and practical; they take little interest in politics and are well content to live under a constitutional Monarchy, without showing any disturbing tendency toward an anarchistic Republic.
