Kitabı oku: «Domestic folk-lore», sayfa 5
"If your hand itches,
You're going to take riches;
Rub it on wood,
Sure to come good;
Rub it on iron,
Sure to come flying;
Rub it on brass,
Sure to come to pass;
Rub it on steel,
Sure to come a deal;
Rub it on tin,
Sure to come agin."
A moist hand is said to denote an amorous constitution, and in 2 Henry IV. (Act i., sc. 2), the Lord Chief Justice enumerates a dry hand among the characteristics of age and debility.
Palmistry, or divination by means of the hands, a species of fortune-telling still much practised, we have already described in another chapter. A superstition, however, which we must not omit to mention, is the practice of rubbing with a dead hand for the purpose of taking away disease, instances of which, even now-a-days, are of occasional occurrence. Mr. Henderson mentions a case that happened about the year 1853. The wife of a pitman at Castle Eden Colliery, who was suffering from a wen in the neck, went alone, according to advice given her by a "wise woman," and lay all night in the out-house, with the hand of a corpse on her wen. She had been assured that the hand of a suicide was an infallible cure. The shock, at any rate, to her nervous system from that terrible night was so great that she did not rally for some months, and eventually she died from the wen. As a further specimen of this incredible superstition, we may quote the following case, which happened some years ago in an Eastern county. A little girl of about eight years of age had from birth been troubled with scrofulous disease, and had been reared with great difficulty. Her friends consulted the "wise man" of the neighbourhood, who told the mother that if she took the girl and rubbed her naked body all over with the hand of a dead man she would be cured. The experiment was tried, and the poor little girl was nearly killed with fright, and, of course, made no progress whatever towards health.
Many of our readers are, no doubt, acquainted with the famous "dead man's hand," which was formerly kept at Bryn Hall, in Lancashire. It is said to have been the hand of Father Arrowsmith, a priest who, according to some accounts, was put to death for his religion in the time of William III. Preserved with great care in a white silken bag, this hand was resorted to by many diseased persons, and wonderful cures are reported to have been effected by this saintly relic. Thus, we are told of a woman who, afflicted with the small-pox, had this dead hand in bed with her every night for six weeks; and of a poor lad who was rubbed with it for the cure of scrofulous sores. It is, indeed, generally supposed that practices of this kind are rare and of exceptional occurrence, but they are far more common than might be imagined, although not recorded in newspapers. This is, however, in a great measure owing to the fact that those who believe in and have recourse to such rites observe secresy, for fear of meeting with ridicule from others.
The nails, also, as we have mentioned in our chapter on Childhood, have their folk-lore, the little specks which are seen on them being regarded as ominous. Many have their particular days for cutting the nails. Of the numerous rhymes on the subject, we may quote the following as a specimen, from which it will be seen that every day has its peculiar virtue: —
"Cut them on Monday, you cut them for health;
Cut them on Tuesday, you cut them for wealth;
Cut them on Wednesday, you cut them for news;
Cut them on Thursday, a new pair of shoes;
Cut them on Friday, you cut them for sorrow;
Cut them on Saturday, see your true love to-morrow;
Cut them on Sunday, the devil will be with you all the week."
This old rhyming-saw differs in various localities, although in the main points it is the same; as by general consent both Friday and Sunday are regarded as most inauspicious days for cutting both the nails and hair.
Once more, to sit cross-legged is said to produce good fortune; and occasionally at a card-table one may find some superstitiously-inclined person sitting in this attitude with a view of securing good luck. Sir Thomas Browne, on the contrary, tells us that in days gone to "sit cross-legged, or with the fingers pectinated" or shut together, was accounted a sign of bad luck: a superstition alluded to by Pliny. Referring to the feet, we cannot do more than just allude to two or three items of folk-lore with which they are connected. Thus, a flat-footed person is generally considered to have a bad temper, a notion indeed which daily experience often proves to be incorrect. The itching of the foot has been supposed to indicate that its owner will shortly undertake a strange journey; while that unpleasant sensation popularly styled "the foot going to sleep," is often charmed away by crossing the foot with saliva. When the division between the toes is incomplete, and they are partially joined, they are called "twin toes," and are said to bring good luck. This section of our "Domestic Folk-lore" might have been prolonged to an almost indefinite extent had space permitted, but as the preceding pages amply bear witness to the prevalence of such ideas, we will proceed to discuss another, and, it is to be hoped, not less interesting class of superstitions.
CHAPTER VII
ARTICLES OF DRESS
New Clothes at Easter and Whitsuntide – Wearing of Clothes – The Clothes of the Dead – The Apron, Stockings, Garters, &c. – The Shoe – The Glove – The Ring – Pins.
One would scarcely expect to find a host of odd fancies attached to such matter-of-fact necessities as articles of dress, but yet they hold a prominent place in our domestic folk-lore. However trivial at first sight these may seem, they are nevertheless interesting, in so far as they illustrate certain features of our social history, and show from another point of view how superstition is interwoven with all that appertains to human life. Beginning, then, with a well-known piece of folk-lore, most persons wear new clothes on Easter-Day, mindful of the old admonition: —
"At Easter let your clothes be new,
Or else be sure you will it rue"
– a notion that still retains its hold on the popular mind, few being found bold enough to transgress this long-rooted custom. In the North of England, so strong is the feeling on this point, that young people rarely omit visiting the nearest market-town prior to Eastertide, to buy some new article of dress or personal ornament, as otherwise they believe the birds – notably rooks – will spoil their clothes. A similar fancy prevails with regard to Whitsuntide, and many would consider that they had forfeited their good luck for the next twelve months if they did not appear in "new things" on Whitsunday.
The superstitions relating to clothes are very numerous, varying in different localities. Thus, according to a Suffolk notion, "if you have your clothes mended on your back, you will be ill-spoken of," or as they say in Sussex, "you will come to want." Again, many before putting on a new coat or dress, take care to place some money in the right-hand pocket, as this insures its always being full. If by mistake, however, the money is put in the left-hand pocket, then the person will never have a penny so long as the coat lasts. It is also a very prevalent belief that if one would secure luck with any article of dress, it must be worn for the first time at church. Equal attention, too, is paid by many to the way they put on each article of dress – as, in case of its being accidentally inside out, it is considered an omen of success. It is necessary, however, if one wishes the omen to hold good, to wear the reversed portion of attire with the wrong side out till the regular time comes for taking it off. If reversed earlier, the luck is immediately lost. The idea of the "hind-side before" is so closely related to that of "inside out," that one can hardly understand their being taken for contrary omens; yet, "It is worthy of remark, in connection with this superstition," says a correspondent of Chambers's "Book of Days," "that when William the Conqueror, in arming himself for the battle of Hastings, happened to put on his shirt of mail with the hind-side before, the bystanders seem to have been shocked by it, as by an ill-omen, till William claimed it as a good one, betokening that he was to be changed from a duke to a king." Another piece of superstition tells us that the clothes of the dead never last very long, but that as the body decays, so in the same degree do the garments and linen which belonged to the deceased. Hence, in Essex there is a popular saying to the effect that "the clothes of the dead always wear full of holes." When therefore a person dies, and the relatives, it may be, give away the clothes to the poor, one may frequently hear a remark of this kind, "Ah, they may look very well, but they won't wear; they belong to the dead." A similar belief prevails in Denmark, where a corpse is not allowed to be buried in the clothes of a living person, lest as the clothes rot in the grave, that person to whom they belonged should waste away and perish. In accordance also with a superstition prevalent in the Netherlands, the rings of a dead friend or relative are never given away, as it is a sure sign that the giver too will soon die. An absurd notion exists in many parts – one much credited by our country peasantry – that if a mother gives away all the baby's clothes in her possession, she will be sure to have another addition to her family, although the event may be contrary to all expectation. Among other items of folk-lore associated with clothes, we may mention that in the North of England to put a button or hook into the wrong hole while one is dressing in the morning, is held to be a warning that some misfortune will happen in the course of the day; and in Northamptonshire it is said that servants who go to their places in black will never stay the year out. A Dorsetshire superstition is that if a gentleman accidentally burns the tail of his coat, or a lady the hem of her skirt, during a visit at a friend's house, it is a proof they will repeat their visit.
Another article of dress that has its superstitions is the apron, which some women turn before the new moon, to insure good luck for the ensuing month. In Yorkshire, when a married woman's apron falls off, it is a sign that something is coming to vex her; when, however, the apron of an unmarried girl drops down, she is frequently the object of laughter, as there is considered no surer sign than that she is thinking about her sweetheart. Again, if a young woman's petticoats are longer than her dress, this is a proof that her mother does not love her so much as her father, a notion which extends as far as Scotland. This piece of folk-lore may have originated in the mother not attending so much to the child's dress as was her duty, whereas, however much the father may love his child, he may at the same time be perfectly ignorant of the rights and wrongs of female attire: an excuse which does not hold good in the case of the mother. Some of the descriptions of plants in use among the rural peasantry refer to the petticoat. Thus, the poppy is said to have a red petticoat and a green gown; the daffodil, a yellow petticoat and green gown, and so on; these fancies being the subject of many of our old nursery rhymes, as, for instance: —
"Daffadown-dilly is come up to town,
In a yellow petticoat and a green gown."
Passing on in the next place to stockings, it is lucky, as with other articles of dress, to put one wrong-side out, but unlucky to turn it on discovering one's mistake. Some, too, consider it a matter of importance as to which foot they put the stocking on first when dressing themselves in the morning – the luck of the day being supposed in a great measure to depend on this circumstance – as to clothe the left foot before the right one is a sign of misfortune. "Flinging the stocking" was an old marriage custom, being really a kind of divination, which Misson, in his "Travels through England," thus describes: – "The young men, it seems, took the bride's stockings, and the girls those of the bridegroom, each of whom, sitting at the foot of the bed, threw the stocking over their heads, endeavouring to make it fall upon that of the bride or her spouse; if the bridegroom's stocking, thrown by the girls, fell upon the bridegroom's head, it was a sign that they themselves would soon be married; and similar luck was derived from the falling of the bride's stockings, thrown by the young men."
There is a superstitious notion in some places that when the bride retires to rest on her wedding-night, her bridesmaids should lay her stockings across, as this act is supposed to guarantee her future prosperity in the marriage state. Another use to which the stocking has been put is its being hung up to receive presents at Christmas-time, a custom which, as Mr. Henderson points out, the Pilgrim Fathers carried to America, and bequeathed to their descendants.
It is curious to find even the garter an object of superstition, being employed by young women in their love divinations on Midsummer Eve, a period, it must be remembered, considered most propitious for such ceremonies. Their mode of procedure is this: – The maiden anxious to have a peep of her future husband must sleep in a county different from that in which she usually resides, and on going to bed must take care to knit the left garter about the right stocking, repeating the following incantation, and at every pause knitting a knot: —
"This knot I knit
To know the thing I know not yet;
That I may see
The man that shall my husband be;
How he goes, and what he wears,
And what he does all days and years."
On retiring to rest the wished-for one will appear in her dreams, wearing the insignia of his trade or profession.
Again, as a popular object of superstition the shoe is unrivalled, and antiquaries are still undecided as to why our forefathers invested this matter-of-fact article of dress with such mysterious qualities, selecting it as the symbol of good fortune, one of the well-known uses in which it has been employed being the throwing of it for luck, constant allusions to which practice occur in our old writers. Thus, Beaumont and Fletcher, in The Honest Man's Fortune, refer to it: —
"Captain, your shoes are old; pray put 'em off,
And let one fling 'em after us."
And Ben Jonson, in his Masque of the Gipsies, represents one of the gipsies as saying: —
"Hurle after an old shoe,
I'll be merry what e'er I doe."
This custom, which was once so prevalent, has not yet died out, for in Norfolk, whenever servants are going after new situations, a shoe is thrown after them, with the wish that they may succeed in what they are going about. Some years ago, when vessels engaged in the Greenland whale fishery left Whitby, in Yorkshire, the wives and friends of the sailors threw old shoes at the ships as they passed the pier-head. Indeed, this practice is frequently observed in towns on the sea-coast, and a correspondent of Notes and Queries informs us that one day, when at Swansea, he received a shoe on his shoulder which was intended for a young sailor leaving his home to embark upon a trading voyage. Tennyson has not omitted to speak of this piece of superstition: —
"For this thou shalt from all things seek
Marrow of mirth and laughter;
And wheresoe'er thou move, good luck
Shall throw her old shoe after."
As an emblem of good luck, the shoe is thrown with much enthusiasm after a bridal couple. Various explanations have been given of this popular custom. Some think that it was originally intended as a sham assault on the bridegroom for carrying off the bride; and hence a survival of the old ceremony of opposition to the capture of a bride. Others again are of opinion that the shoe was in former times a symbol of the exercise of dominion and authority over her by her father or guardian; the receipt of the shoe by the bridegroom, even if accidental, being an omen that the authority was transferred to him. Thus, in the Bible, the receiving of a shoe was an evidence and symbol of asserting or accepting dominion or ownership; whereas the giving back of the shoe was the symbol of resigning it. Another reason for throwing the shoe is given in the following old rhyme: —
"When Britons bold
Wedded of old,
Sandals were backward thrown,
The pair to tell
That, ill or well,
The act was all their own."
Throwing the shoe after the wedded pair was, also, no doubt intended as an augury of long life to the bride. In Yorkshire the ceremony of shoe-throwing is termed "thrashing," and the older the shoe the greater the luck; and in some parts of Kent the mode of procedure is somewhat peculiar. After the departure of the bride and bridegroom the single ladies are drawn up in one row, and the bachelors in another. When thus arranged, an old shoe is thrown as far as possible, which the fair sex run for: the winner being considered to have the best chance of marriage. She then throws the shoe at the gentlemen, when the first who gets it is believed to have the same chance of matrimony. A somewhat similar custom prevails in Germany, where the bride's shoe is thrown among the guests at the wedding, the person who succeeds in catching it being supposed to have every prospect of a speedy marriage.
Many auguries are still gathered from the shoe. Thus young girls on going to bed at night place their shoes at right angles to one another, in the form of the letter T, repeating this rhyme: —
"Hoping this night my true love to see,
I place my shoes in the form of a T."
As in the case of the stocking, great importance is attached by many superstitious persons as to which shoe they put on first, in allusion to which Butler, in his "Hudibras," says: —
"Augustus, having b' oversight
Put on his left shoe 'fore his right,
Had like to have been slain that day
By soldiers mutin'ing for pay."
An old writer speaking of Jewish customs tells us that "some of them observe, in dressing themselves in the morning, to put on the right stocking and right shoe first without tying it. Then afterwards to put on the left shoe, and so return to the right; that so they may begin and end with the right one, which they account to be the most fortunate." A Suffolk doggrel respecting the "wear of shoes" teaches us the following: —
"Tip at the toe: live to see woe;
Wear at the side: live to be a bride;
Wear at the ball: live to spend all;
Wear at the heel: live to save a deal."
Among some of the many charms in which the shoe has been found efficacious, may be mentioned one practised in the North of England, where the peasantry, to cure cramp, are in the habit of laying their shoes across to avert it. Mrs. Latham, in her "West Sussex Superstitions," published in the "Folk-lore Record," tells us of an old woman who was at a complete loss to understand why her "rheumatics was so uncommon bad, for she had put her shoes in the form of a cross every night by the side of her head, ever since she felt the first twinge." In the same county, a cure for ague consists in wearing a leaf of tansy in the shoe.
It is curious that the shoe should have entered into the superstitions associated with death. According to an Aryan tradition, the greater part of the way from the land of the living to that of death lay through morasses, and vast moors overgrown with furze and thorns. That the dead might not pass over them barefoot, a pair of shoes was laid with them in the grave. Hence a funeral is still called in the Henneberg district "dead-shoe," and in Scandinavia the shoe itself is known as "hel-shoe." There are countless other items of folk-lore connected with the shoe: thus in days gone by the phrase, "Over shoes, over boots" was equivalent to the popular phrase, "In for a penny, in for a pound," an allusion to which we find in Taylor's "Workes" (1630): —
"Where true courage roots,
The proverb says, once over shoes, o'er boots."
Again, "to stand in another man's shoe" is a popular expression for occupying the place or laying claim to the honours of another. "Looking for dead men's shoes" is still an every-day phrase denoting those who are continually expecting some advantage which will accrue to them on the death of another. The shoe-horn, too, from its convenient use in drawing on a tight shoe, was formerly applied in a jocular metaphor to subservient and tractable assistants. Thus, for instance, Shakespeare in Troilus and Cressida (Act v., sc. 1) makes Thersites in his railing mood give this name to Menelaus, whom he calls "a thrifty shoeing-horn in a chain, hanging at his brother's (Agamemnon's) leg." It was also employed as a contemptuous phrase for danglers after young women.
A further article of dress that has had much honour conferred upon it is the glove, holding as it does a conspicuous place in many of our old customs and ceremonies. Thus in days gone by it was given, by way of delivery or investiture, in sales or conveyances of lands and goods. It was also employed as the token of a challenge to fight, a symbolical staking, perhaps of the prowess of the hand to which the glove belonged. Hence to hang up a glove in church was a public challenge, very much as a notice affixed to a church-door is a public notice. Apropos of this custom, a story is given in the life of the Rev. Bernard Gilpin, of the diocese of Durham, who died in 1583. It appears that he observed a glove hanging high up in his church, and ascertaining that it was designed as a challenge to any one who should dare to displace it, he desired his sexton to do so. "Not I, sir, I dare do no such thing," he replied. Whereupon the parson called for a long staff, and taking it down himself, put it in his pocket. Preaching afterwards on the subject, he denounced this unseemly practice, saying, "Behold, I have taken it down myself," and producing the glove, he exhibited it to the whole congregation as a spectacle of honour. This custom, we are told, does not appear to have been much older in this country than the thirteenth century, for Matthew Paris, in writing of the year 1245, speaks of it expressly as French. Noblemen wore their ladies' gloves in front of their hats, a practice mentioned by Drayton as having been in vogue at the battle of Agincourt: —
"The noble youth, the common rank above,
On their courveting coursers mounted fair,
One wore his mistress' garter, one her glove,
And he her colours whom he most did love;
There was not one but did some favour wear;
And each one took it on his happy speed,
To make it famous by some knightly deed."
The gift of a pair of gloves was at one time the ordinary perquisite of those who performed some small service; and in process of time, to make the reward of greater value, the glove was "lined" with money; hence the term "glove-money." Relics of the old custom still survive in the presentation of gloves to those who attend weddings and funerals. It is difficult, however, to discover the connection between gloves and a stolen kiss. Our readers, for example, may recollect how, in Sir Walter Scott's "Fair Maid of Perth," Catharine steals from her chamber on St. Valentine's morn, and catching Henry Smith asleep, gives him a kiss; then we have the following: – "Come into the booth with me, my son, and I will furnish thee with a fitting theme. Thou knowest the maiden who ventures to kiss a sleeping man, wins of him a pair of gloves." Gloves are still given to a judge at a maiden assize, a custom which, it has been suggested, originated in a Saxon law, which forbade the judges to wear gloves while sitting on the Bench. Hence, to give a pair of gloves to a judge was tantamount to saying that he need not trouble to come to the Bench, but might wear gloves. Again, in bygone times gloves were worn as a mark of distinction by sovereigns, ecclesiastical dignitaries, and others; their workmanship being excessively costly, richly embroidered as they were and decorated with jewels. "The association of gloves with ecclesiastical dignity survived," says Mr. Leadam in the Antiquary, "the Reformation in England; for although they ceased to be worn in the services of the Church, yet as late as the reign of Charles II. bishops upon their consecration were accustomed to present gloves to the archbishop, and to all who came to their consecration banquet. The lavender gloves with golden fringes which do often adorn their portraits, may still remind our modern prelates of the ancient glories of their predecessors." It was also customary to hang a pair of white gloves on the pews of unmarried villagers who had died in the flower of their youth, and at several towns in England it has been customary from time immemorial to announce a fair by hoisting a huge glove upon a pole – a practice which exists at Macclesfield, Portsmouth, Southampton, and Chester; the glove being taken down at the conclusion of the fair. Hone, in his description of Exeter Lammas Fair, says: – "The charter for this fair is perpetuated by a glove of immense size, stuffed and carried through the city on a very long pole, decorated with ribbons, flowers, &c., and attended with music, parish beadles, and the nobility. It is afterwards placed on the top of the Guildhall, and then the fair commences; on the taking down of the glove the fair terminates." Mr. Leadam also quotes a passage from the "Speculum Saxonicum" which throws light on the origin of this custom: – "No one is allowed to set up a market or a mint, without the consent of the ordinary or judge of that place; the king ought also to send a glove as a sign of his consent to the same." The glove, therefore, was the king's glove, the earliest form of royal charter, the original sign-manual. Among other items of folk-lore connected with this useful article of dress, we may mention that the term "right as my glove" is a phrase, according to Sir Walter Scott, derived from the practice of pledging the glove as the sign of irrefragable faith. Gloves, too, were in olden times fashionable new year's gifts, having been far more expensive than now-a-days. When Sir Thomas More was Lord Chancellor, he happened to determine a case in favour of a lady named Croaker, who, as a mark of her gratitude, sent him a new year's gift in the shape of a pair of gloves with forty angels in them. But Sir Thomas returned the money with the following letter: – "Mistress, since it were against good manners to refuse your new year's gift, I am content to take your gloves, but as for the lining I utterly refuse it." In the time of Queen Elizabeth, the rural bridegroom wore gloves in his hat as a sign of good husbandry; and on the "Border" to bite the glove was considered a pledge of deadly vengeance, in allusion to which Sir Walter Scott, in his "Lay of the Last Minstrel," says: —
"Stern Rutherford right little said,
But bit his glove and shook his head."
The ring, apart from its eventful history, has from the most remote period been surrounded, both in this and other countries, not only with a most extensive legendary lore, but with a vast array of superstitions, a detailed account of which would be impossible in a small volume like the present one; so we must confine ourselves to some of the most popular.
In the first place, then, certain mysterious virtues have been supposed to reside in rings, not so much on account of their shape as from the materials of which they have been composed. Thus, they have been much worn as talismans or charms, being thought to be infallible preservatives against unseen dangers of every kind. Referring to some of these, we find, for instance, that the turquoise ring was believed to possess special properties, a superstition to which Dr. Donne alludes: —
"A compassionate turquoise, that doth tell,
By looking pale, the wearer is not well."
Fenton, too, in his "Secret Wonders of Nature," describes the stone: – "The turkeys doth move when there is any peril prepared to him that weareth it." The turquoise ring of Shylock, which, we are told in the Merchant of Venice (Act iii., sc. 1), he would not part with for a "wilderness of monkeys," was, no doubt, valued for its secret virtues.
The carbuncle, again, amongst other properties, was said to give out a natural light, to which it has been supposed Shakespeare alludes in Titus Andronicus (Act ii., sc. 3), where, speaking of the ring on the finger of Bassianus, he says: —
"Upon his bloody finger he doth wear
A precious ring, that lightens all the hole,
Which, like a taper in some monument,
Doth shine upon the dead man's earthy cheeks,
And shows the ragged entrails of the pit."
A piece of popular superstition makes it unlucky to wear an opal ring, although this lovely stone has always been an object of peculiar admiration from the beautiful variety of colours which it displays, and in the Middle Ages was even thought to possess the united virtues of all the gems with whose distinctive colours it was emblazoned. The diamond was believed to counteract poison, a notion which prevailed to a comparatively late period; though, according to another belief, it was considered the most dangerous of poisons, and as such we find it enumerated among the poisons administered to Sir Thomas Overbury, when a prisoner in the Tower. An emerald ring was thought to insure purity of thought; and a toadstone ring was worn as an amulet to preserve new-born children and their mothers from fairies.
Among the omens associated with rings, we may briefly note that to lose a ring which has been given as a pledge of affection is unlucky; as also is the breaking of a ring on the finger; while further superstitions relating to the wedding-ring have been noticed at length in our chapter on marriage. In days gone by, too, "medicated rings" were held in great repute, and were much used for the cure of diseases, instances of which we find among the remedies still in use for cramp, epilepsy, and fits. Silver seems to have been considered highly efficacious; and rings made of lead, mixed with quicksilver, were worn as charms against headaches and other complaints. Dactylomancy, or divination by rings, is not quite forgotten among eager aspirants after matrimony, one mode being to suspend a ring by a thread or hair within a glass tumbler, notice being taken as to how many times it strikes the sides of the glass without being touched. Once more, there is an old piece of folk-lore on the colours of stones in "keepsake rings": —
