Sadece Litres'te okuyun

Kitap dosya olarak indirilemez ancak uygulamamız üzerinden veya online olarak web sitemizden okunabilir.

Kitabı oku: «Woman under Monasticism», sayfa 16

Yazı tipi:

The play ‘Paphnutius505’ opens with passages which Hrotsvith probably adapted from two works of Boëthius: ‘On the teaching of Aristotle,’ and ‘On the study of music506.’ The philosopher Paphnutius dilates to his assembled pupils on man as the microcosm (minor mundus) who reflects in himself the world, which is the macrocosm (major mundus), and then explains that there is antagonism in the world, which is striving for concord in accordance with the rules of harmony. He explains how a similar antagonism exists in man and is represented by body and soul, which can also be brought into agreement. These thoughts, he says, have been suggested to him by the life of the hetaira Thais whose body and soul are ever at variance. Paphnutius further enlarges on the higher course of study known as the ‘quadrivium’ which includes arithmetic, geometry, music and astronomy507, and discourses about music and the influence of harmony. His pupils, however, object to being taken along such devious paths and having such knotty questions propounded to them, and at last they quote Scripture in defence of their ignorance, saying that God has chosen the foolish that he may confound the wise. This rouses indignation in Paphnutius, who declares that ‘he who advocates falsehood, be he a fool or a learned man, deserves to be confounded by God.’ And he further utters words which are not devoid of a deeper significance: ‘It is not the knowledge that man can grasp which is offensive to God, but the conceit of the learned.’

The learned disquisitions of the play ‘Sapientia’ are presented in a form still less attractive508. The Lady Sapientia, who speaks of herself as one of noble stock, and as the descendant of Greek princes, dilates on the relative value of numbers509 to the emperor Hadrian till he tires of it and commands her to be gone.

It is sometimes alleged that these two later plays were the productions of earlier years, and that the nun added them to her other more finished productions in order to equal the number of the plays of Terence. However this may be, they were probably the two plays which she submitted to the criticism of three outside but now unknown patrons with a letter in which she states that she has taken threads and pieces from the garment of philosophy to add to the worth of her work. We render this letter in full, since it throws an interesting light on what Hrotsvith thought of her own powers. If it brought advice which led to the composition of the other plays, we must commend the judgment of those who counselled her. But it is just possible that the approval which was accorded to the legends was denied to the plays, – the absence of the name of the abbess Gerberg in connection with them is remarkable, – and that, after writing a number of dramas which found no appreciation, Hrotsvith was moved to compose ‘Paphnutius’ and ‘Sapientia,’ introducing learned disquisitions in hope of giving them a more solid value.

The letter runs as follows:

‘To you, learned men510, who abide in wisdom and are unenvious of another’s progress and well-disposed towards him as befits the truly learned, I, Hrotsvith, though I am unlearned and lacking in thoroughness, address myself; I wish you health and unbroken prosperity. I cannot sufficiently admire your great condescension, and sufficiently thank you for the help of your liberal generosity and for your kindness towards me; you, who have been trained in the study of philosophy and have perfected yourselves in the pursuit of knowledge, have held my writings, those of a lowly woman, worthy of admiration, and have praised with brotherly affection the power which works in me. You have declared that there is in me a certain knowledge of that learning (scientiam artium) the essence of which is beyond my woman’s understanding. Till now I have dared to show my rude productions only to a few of my nearest friends, and my work along these lines would probably have ceased, for there were few who understood my intentions, and fewer who could point out to me in what I had failed, and who urged me to persevere. But now that threefold approval comes to me from you I take confidence and feel strengthened by your encouragement to devote my energies to work where God permits, and to submit this work to the criticism of those who are learned. And yet I am divided between joy and fear, which contend within me; for in my heart I rejoice, praising God through whose grace alone I have become what I am; and yet I am fearful of appearing greater than I am, being perplexed by two things both of which are wrong, namely the neglect of talents vouchsafed to one by God, and the pretence to talents one has not. I cannot deny that through the help of the Creator I have acquired some amount of knowledge, for I am a creature capable of learning, but I acknowledge there is ignorance in me. For I am divinely gifted with abilities, but were it not for the untiring zeal of my teachers, they would have remained undeveloped and unused through my want of energy (pigritia). Lest this gift of God in me should be wasted through neglect I have sought to pluck threads and pieces from the garments of philosophy, and have introduced them into my afore-mentioned work (praefato opusculo), so that my own moderate knowledge may be enhanced by the addition of their greater worth, and God, who grants power, may be praised by so much the more as a woman’s power is held to be inferior. This is the object of my writing, this alone the purpose of my exertions, for I do not conceal from myself that I am ignorant, and had it depended on myself alone, I should know nothing. But as you urge me on by the possibility of your approval and by your request proffered to me in writing, I now submit to your criticism this little work which I wrote with the intention of sending it to you but which I have hitherto kept concealed on account of its demerits, hoping you will study it with the intention of improving it as though it were your own work. And when you have altered it to a correct standard, send it back to me so that I may profit by your teaching in those points in which I may have largely failed.’

The productions of Hrotsvith in the domain of contemporary history consist of a poem on the emperor Otto the Great, and a history of the monastery of Gandersheim. The history of Otto is thought to have been over sixteen hundred lines in length511, but only a fragment of about nine hundred lines is preserved. The nun received the materials for this history chiefly if not exclusively by word of mouth from the abbess Gerberg, whose family feeling it seems to reflect in various particulars, for among other distinctive traits, the quarrel between the father of Gerberg and his brother the emperor is passed over; it is rather a history of the members of the ruling family than a description of contemporary events512. This detracts from its historic, though hardly from its poetical value, which is considerable. Some of the episodes, such as that of the imprisonment and flight of Queen Adelheid in Italy, are admirably told. Adelheid was the widow of the king of the Langobards, and was afterwards married to Otto I. Her flight and imprisonment in Italy previous to her second marriage are unrecorded except by Hrotsvith.

The last work of the nun was probably that on the foundation and early history of Gandersheim, in which, as in the history of Otto, Hrotsvith enlarges more on persons than on events, and gives a detailed account of Duke Liudolf, his wife and daughters. Many details referred to above, in our chapter on the early history of the settlement, are taken from this account, which is in many ways the most finished and beautiful of Hrotsvith’s compositions.

The interest in Hrotsvith’s writings lay dormant for several centuries. It was revived at the close of the 15th century when the learned abbot Tritheim wrote of her, and the poet Celtes caused her dramas to appear in print. During the last thirty years many writers have treated of her, an appreciative and attractive account of her was written by Köpke513, and different views have been expressed as to her merits as a poet, a dramatist and a historian514. Whatever place be ultimately assigned to Hrotsvith, the reader of her writings cannot fail to be attracted by her modesty, her perseverance, her loftiness of thought, and the directness of purpose which underlies all her work. She stands nearly alone in Saxony, and by her very solitariness increases our respect for her powers, and for the system of education which made the development of these powers possible.

CHAPTER VI
THE MONASTIC REVIVAL OF THE MIDDLE AGES

‘Pulchritudo certe mentis et nutrimentum virtutum est cordis munditia, cui visio Dei spiritualiter promittitur; ad quam munditiam nullus nisi per magnam cordis custodiam perducitur.’

Anselm to the Abbess of St Mary’s.

§ 1. The new Monastic Orders

In this chapter I intend to give a description of the different monastic orders which were founded between the 10th and the 12th centuries, and to enter at some length into the reasons for their progress. A mass of heterogeneous information must be passed in rapid review with occasional digressions on outside matters, for it is only possible to understand the rapid progress of monasticism by recalling the relation in which it stood to other social developments.

As we cross the borderland which divides the centuries before the year 1000 from the period that follows, we become aware of great changes which about this time take definite shape throughout all social institutions. In the various strata of society occupations were becoming more clearly differentiated than they had ever been before, while those who were devoted to peaceful pursuits, whether in lay or religious circles, were now combined together for mutual support and encouragement.

In connection with religion we find the representatives of the Church and of monasticism becoming more and more conscious of differences that were growing up between them. Monasticism from its very beginning practically lay outside the established order of the Church, but this had not prevented bishop and abbot from working side by side and mutually supporting each other; nay, it even happened sometimes that one person combined in himself the two offices of abbot and bishop. But as early Christian times passed into the Middle Ages, prelates ceased to agree with headquarters at Rome in accepting monasticism as the means of securing a foothold for religion. The Church was now well established throughout western Europe, and her ministers were by no means prepared to side unconditionally with the Pope when he fell out with temporal rulers. The monastic orders on the contrary generally did side with him, and by locally furthering his interests, they became strongholds of his power.

The 12th century has been called the golden age of monasticism, because it witnessed the increased prosperity of existing monasteries and the foundation of a number of new monastic and religious orders. A wave of enthusiasm for the life of the religious settlement, and for the manifold occupations which this life now embraced, passed over western Europe, emanating chiefly from France, the country which took the lead in culture and in civilizing influences.

The 12th century, as it was the golden age of monasticism, was also the golden age of chivalry; the cloister and the court were the representative centres of civilized life. Under the influence of the system of mutual responsibility called feudalism, the knight by doughty deed and unwavering allegiance to his lord, his lady and his cause, gave a new meaning to service; while the monk, devoted to less hazardous pursuits, gave a hitherto unknown sanctification to toil. The knight, the lady, the court-chaplain and the court-poet cultivated the bearings and the formalities of polite intercourse which formed the background of the age of romance, while in the cloister the monk and the nun gave a new meaning to religious devotion and enthusiasm by turning their activity into channels which first made possible the approximation of class to class.

This period knew little of townships as centres of intellectual activity, and their social importance remained far below that of cloister and court. The townsmen, whose possession of town land constituted them burghers, had won for themselves recognition as an independent body by buying immunities and privileges from bishop and king. But the struggle between them and the newer gilds, into which those who were below them in rank and wealth, formed themselves, was only beginning; the success of these newer gilds in securing a share in the government marks the rise of the township.

The diversity of occupation in the different kinds of gilds was anticipated by a similar diversity of occupation in the different monastic orders. The great characteristic of the monastic revival of the Middle Ages lay in the manifold and distinct spheres of activity which life offered inside the religious community. The studious, the educational, the philanthropic, and the agricultural element, all to some extent made part of the old monastic system. But through the foundation of a number of different orders which from the outset had separate aims, tastes which were widely dissimilar, and temperaments that were markedly diverse, met with encouragement in the religious settlement. The scholar, the artist, the recluse, the farmer, each found a career open to him; while men and women were prompted to undertake duties within and without the religious settlement which make their activity comparable to that of the relieving officer, the poor-law guardian and the district nurse of a later age.

To gain a clear idea of the purposes which the new monastic and religious orders set before them, it will be best to treat of them severally in the chronological order of their foundation. Two lines of development are to be observed. There are the strictly monastic orders which sprang from the order of St Benedict, which they developed and amplified. These included the orders of Clugni, Citeaux, Chartreuse, and Grandmont, of which the last two took no account of women. On the other side stand the religious orders which are the outcome of distinctions drawn between different kinds of canons, when the settlements of regular canons take a distinctly monastic colouring. Among these the Premonstrant and the Austin orders are the most important, the members of which, from the clothes they wore, were in England called respectively White and Black Canons.

The importance of canonical orders, so far as women are concerned, lies in the fact that the 12th century witnessed the foundation of a number of religious settlements for both sexes, in which the men lived as canons and the women as nuns. The Premonstrant began as a combined order; the orders of Fontevraud and of St Gilbert of Sempringham were of a similar kind. Bearing these distinctions in mind, we begin our enquiry with an analysis of the Cluniac and the Cistercian orders, which have their root directly in the monasticism of St Benedict.

As remarks in the previous chapters of this work will have shown, monasteries had sprung up during early Christian times independently of each other following a diversity of rules promulgated by various teachers, which had gradually been given up in favour of the rule of St Benedict. At the beginning of the 9th century this rule was largely prevalent in monasteries abroad, owing to councils held under the auspices of Karl the Great († 814)515, and in England it gained ground through the efforts of Aethelwold, abbot of Abingdon and bishop of Winchester († 984). Some obscurity hangs about the subject, for a certain number of houses abroad, and among them some of the oldest and wealthiest, clung to the prerogative of independence and refused to accept St Benedict’s rule, while in England, where this rule was certainly accepted in the 11th century, great diversity of routine either remained or else developed inside the different houses. This is evident from the account which Matthew Paris († 1259), a monk of St Albans, gives of the visitation of houses in the year 1232516.

The order of Clugni517 owes its origin to the desire of obviating a difficulty. As time wore on the rule of St Benedict had betrayed a weakness in failing to maintain any connection between separate monasteries. As there was no reciprocal responsibility between Benedictine settlements, a lay nobleman had frequently been appointed abbot through princely interference, and had installed himself in the monastery with his family, his servants and his retinue, to the detriment of the monastic property, and to the relaxation of discipline among the monks. The evil was most conspicuous abroad in the eastern districts of France and the western districts of Germany, and in 910 the order of Clugni was founded in Burgundy as a means of remedying it.

At first the order of Clugni was the object of great enthusiasm, and it was raised to eminence by a series of remarkable and energetic men. Powerful patrons were secured to it, master-minds found protection in its shelter. The peculiarities of its organisation consisted in the two rules that the abbot of the Cluniac house should be chosen during the lifetime of his predecessor, and that the abbots of different houses should meet periodically at a synod at which the abbot of Clugni should preside. The Pope’s sanction having been obtained, the order remained throughout in close contact with Rome. In Germany especially this connection was prominent, and became an important political factor in the 11th century when the Cluniac houses directly supported the claim of Rome in the struggle between Pope and Emperor.

The order of Clugni took slight cognizance of women, and the nunneries of the order were few and comparatively unimportant. A reason for this may be found in the nature of the order’s origin, for the settlements of nuns had not been interfered with like the settlements of monks during the 9th and 10th centuries by the appointment of lay superiors, and were untouched by the consequent evils. If this be so the falling away from discipline, which called for correction in many houses of men, may justly be referred to a change thrust on them from without, not born from within.

In England the order of Clugni was not officially introduced till after the Norman Conquest, and then under circumstances which set a peculiar stamp on it. The seed which each order scattered broadcast over the different countries was the same, but the nature of the soil in which it took root, and the climate under which it developed, modified the direction of its growth.

During the 9th and 10th centuries England had been the scene of great social and political changes. The powerful kings who arose in Wessex and eventually claimed supremacy over all the provinces were unable to assert their authority to the extent of making the eastern provinces sink all provincial differences and jealousies, and join in organised resistance to the Danes. From the 9th century onwards, the entire seaboard of England, from Northumberland to the mouth of the Severn, had been exposed to the depredations of this people. Having once gained a foothold on the eastern coasts they quickly contracted alliances and adapted themselves to English customs, thus making their ultimate success secure.

The heathen invaders were naturally indifferent to the teachings of the Christian Church, and to the privileges of monasteries, and the scant annals of the period written before Knut of Denmark became king of England in 1016, give accounts of the destruction of many settlements. Some were attacked and laid waste, and others were deserted by their inmates. To realise the collapse of Christian institutions about this time, one must read the address which Wulfstan, archbishop of York (1002-1023), wrote to rouse the English to consciousness of the indignities to which their religion was exposed518. But the collapse was only temporary, bishoprics and abbacies stood firm enough to command the attention of the invader, and as the heathenism of the Dane yielded without a blow to the teaching of Christ, the settlements that were in the hands of abbot and monk rose anew.

However, it was only after the establishment of William of Normandy in England (1066) that the conditions of life became settled, and that the tide turned in favour of monasticism; that is to say in favour of the monastic life of men, but not of women. Various reasons have been alleged for this difference: that the better position of the wife under Danish rule made women loth to remain in the convent, or that the spread of the system of feudal tenure excluded women from holding property which they could devote to the advantage of their sex. So much is certain, that during the reign of William many Benedictine houses for monks were founded or restored, but we do not hear of one for nuns.

In the wake of the Norman baron, the Norman prelate had entered this country, bringing with him an interest in the order of Clugni. It was William of Warren, son-in-law of the Conqueror, and earl of Surrey, who first brought over Cluniac monks, whom he settled at Lewes in Sussex. He did so at the suggestion of Lanfranc, a Norman monk of Italian origin, who had become archbishop of Canterbury (1070-1089). Before the close of William’s reign Cluniac monks had met with patrons to build them four monasteries on English soil besides the house at Lewes.

The Norman barons continued to make liberal endowments to the order, but its popularity remained comparatively small, partly owing to the distinctly foreign character which it continued to bear519. Thus we find that after the accession of Henry II (1154), whose reign was marked by a rise in English national feeling, only one Cluniac house was added to those already in existence.

From the order of Clugni we pass to that of Citeaux520, the foundation of which comes next in point of time, but which owed its existence to a different cause, and was characterised by widely dissimilar developments.

The story of the foundation of the order has been fully told by men who were under the influence of the movement; the facts only of the foundation need be mentioned here. It originated in France when Robert, abbot of Molêmes, roused by the remonstrances of one Stephen Harding, an English monk living in his convent, left his home with a band of followers in 1098, in search of a retreat where they might carry out the rule of St Benedict in a worthier spirit. They found this retreat at Citeaux. From Citeaux and its daughter-house Clairvaux, founded in 1113 by the energetic Bernard, those influences went forth which made the Cistercian order representative of the most strenuous devotion to toil and the most exalted religious aspirations. While the order of Clugni in the 10th century secured the outward conditions favourable to a life of routine, devoting this routine chiefly to literary and artistic pursuits, the reform of Citeaux exerted a much wider influence. It at once gained extensive local and national sympathy, by cultivating land and by favouring every kind of outdoor pursuit.

The agricultural activity of the Cistercian has called forth much enthusiastic comment. Janauschek, a modern student of the order, describes in eloquent terms how they turned woods into fields, how they constructed water-conduits and water-mills, how they cultivated gardens, orchards, and vineyards, how successful they were in rearing cattle, in breeding horses, in keeping bees, in regulating fishing, and how they made glass and procured the precious metals521.

A comparison of their temper and that of the Cluniacs offers many interesting points; a comparison which is facilitated by a dialogue written by a Cistercian monk between 1154 and 1174 to exalt the merits of his order compared with those of the order of Clugni522. For while the Cluniac delighted in luxurious surroundings, the Cistercian affected a simple mode of life which added to the wealth placed at his disposal by his untiring industry. While the Cluniac delighted in costly church decorations, in sumptuous vestments and in richly illuminated books of service, the Cistercian declared such pomp prejudicial to devotion, and sought to elevate the soul not so much by copying and ornamenting old books as by writing new ones; not so much by decorating a time-honoured edifice as by rearing a new and beautiful building.

Perhaps the nature of these occupations yields a reason why the Cistercian order at first found no place for women. At an early date Cardinal de Vitry (Jacobus di Vitriaco, † 1144), writing about the Cistercian movement, says that ‘the weaker sex at the rise of the order could not aspire to conform to such severe rules, nor to rise to such a pitch of excellence523.’ In the dialogue referred to above, the Cluniac expresses wonder that women should enter the Cistercian order at all.

The first Cistercian nunneries were founded at Tart in Langres and at Montreuil-les-Dames near Laon524. Hermann of Laon (c. 1150) describes ‘how the religious of Montreuil sewed and span, and went into the woods where they grubbed up briars and thorns,’ – an occupation which goes far to equalise their activity with that of the monks525. In Switzerland and Germany there is said to have been a pronounced difference in the character of Cistercian nunneries, due to the various conditions of their foundation. Some were aristocratic in tone, while others consisted of women of the middle class, who banded together and placed themselves under the bishop of the diocese, following of their own accord the rules accepted by the monks of Citeaux526.

In Spain a curious development of the order of Citeaux is recorded, fraught with peculiarities which recall earlier developments.

In 1187 Alfonso VIII, king of Leon and Castille, founded an abbacy for nuns of the order of Citeaux at Las Huelgas near Burgos, the abbess of which was declared head over twelve other nunneries. In the following year the king sent the bishop of Siguenza to the general chapter at Citeaux to obtain leave for the abbesses of his kingdom to hold a general chapter among themselves. This was granted. At the first chapter at Burgos the bishops of Burgos, Siguenza and Placenza were assembled together with six abbots and seven abbesses, each abbess being entitled to bring with her six servants and five horses. The power of the abbess of Las Huelgas continued to increase. In the year 1210 she had taken upon herself the discharge of sacerdotal functions. In the year 1260 she refused to receive the abbot of Citeaux, whereupon she was excommunicated. After the year 1507 the abbess was no longer appointed for life, but for a term of three years only. Chapters continued to be held under her auspices at Burgos till the Council of Trent in 1545, which forbade women to leave their enclosures527.

The date of the first arrival of monks of Citeaux in England was 1128, when William Giffard, bishop of Winchester († 1129), in early days a partisan of Anselm against Henry I, founded Waverley in Surrey for them528. Shortly afterwards Walter Espec, the most powerful baron in northern England, granted them land at Rievaulx in Yorkshire529. About the same time the foundation at Fountains repeated the story of Citeaux. A small band of monks, burning with the desire to simplify conventual life, left York and retired into the wooded solitude of Fountains, whence they sent to Bernard at Clairvaux asking for his advice530.

These events fall within the reign of Henry I (1100-1135), the peacefulness of which greatly furthered the development of monastic life. The pursuits to which the Cistercians were devoted in England were similar to those they carried on abroad. Here also their agricultural successes were great, for they ditched, ridged and drained, wet land, they marled stiff soils and clayed poor ones. The land granted to them, especially in the northern counties, was none of the best, but they succeeded in turning wildernesses into fruitful land, and by so doing won great admiration. Similarly the churches built in this country under the auspices of these monks bear witness to great purity of taste and ardent imagination. The churches built by them were all dedicated to the Virgin Mary, who was the patron saint of the order.

All these early settlements of the Cistercian order were for monks, not for nuns, for Cistercian nunneries in England were founded comparatively late and remained poor and unimportant. If we look upon the Cistercians as farmers, builders and writers, this fact is partly explained. But there are other reasons which suggest why the number of Cistercian nunneries was at first small, and why the Cistercian synod shrank from accepting control over them.

Convents of women had hitherto been recruited by the daughters of the landed gentry, and their tone was aristocratic; but a desire for the religious life had now penetrated into the lower strata of society. Orders of combined canons and nuns were founded which paid special attention to women of the lower classes, but they encountered certain difficulties in dealing with them. It is just possible on the one hand that the combined orders forestalled the Cistercians in the inducements they held out; on the other, that the experience of the combined orders made the Cistercians cautious about admitting women.

Consideration of these facts brings us back to a whole group of phenomena to which reference was made in a previous chapter, viz. the disorderly tendencies which had become apparent in connection with loose women, the greater opprobrium cast on these women as time went on, and the increasing difficulties they had to contend with. The founders of the orders of combined canons and nuns tried to save women from drifting into and swelling a class, the existence of which was felt to be injurious to social life, by preaching against a dissolute life and by receiving all persons into their settlements regardless of their antecedents.

505.‘Paphnutius,’ Opera, p. 237.
506.Piltz, O., Dramen der Roswitha (no date), p. 178, refers to Boëthius, In Categorias Aristotelis, liber 1, ‘de substantia’; and to De musica, liber 1.
507.The ancient course of university study included the seven ‘liberal arts’ and was divided into the Trivium including grammar, dialectic and rhetoric, and the Quadrivium including arithmetic, geometry, astronomy and music. The Trivium was sometimes designated as logic and the Quadrivium as physic.
508.‘Sapientia,’ Opera, p. 27.
509.Piltz, Die Dramen der Roswitha, p. 181, refers to Boëthius, De Arithmetica, liber 1, cc. 9-22.
510.‘who favoured and improved these works before they were sent forth,’ additional words of some manuscripts; Opera, edit. Barak, p. 140 footnote.
511.Ebert, Allgemeine Geschichte der Litteratur des Abendlandes, 1887, vol. 3, p. 305.
512.Ebert, Allgemeine Geschichte der Litteratur des Abendlandes, 1887, vol. 3, p. 311.
513.Köpke, Die älteste deutsche Dichterin, 1869.
514.Comp. Allgemeine Deutsche Biographie, article ‘Roswitha.’
515.Labbé, Sacror. Concil. Collectio, 1763, years 789, 804, 811; Helyot, Histoire des ordres monastiques, 1714, vol. 5, p. 146 ff.
516.Matth. Paris, Historia Major Angliae, sub anno.
517.Helyot, Histoire des ordres monastiques, 1714, vol. 5, pp. 184 ff.; Ladewig, Poppo von Stablo und die Klosterreform unter den Saliern, 1883.
518.Wulfstan, edit. Napier, Arthur, Berlin 1883, p. 156.
519.Tanner, T., Notitia monastica, edit. Nasmith, 1787, Introduction, p. ix.
520.Helyot, Histoire des ordres monastiques, 1714, vol. 5, pp. 341 ff.; A. SS. Boll., St Stephanus abbas, April 17.
521.Janauschek, L., Origines Cisterciensium, 1877.
522.Dialogus inter Clun. et Cist. in Martène and Durand’s Thesaurus nov. Anecdot. Paris, 1717, vol. 5, p. 1568.
523.Jacopo di Vitriaco, Historia Occidentalis, 1597, c. 15.
524.Helyot, Histoire des ordres monastiques, 1714, vol. 5, pp. 375, 468 ff.
525.Hermannus, De Mirac. St Mariae Laudun. (in Migne, Patrol. Cursus completus, vol. 156), p. 1002.
526.Brunner, S., Ein Cisterzienserbuch, 1881, p. 612.
527.Helyot, Histoire des ordres monastiques, 1714, vol. 5, p. 376.
528.Birch, W. de Gray, On the Date of Foundation ascribed to the Cistercian Abbeys of Great Britain, 1870.
529.Dugdale, Monasticon, ‘Rivaulx,’ vol. 5, p. 274.
530.Ibid. ‘Fountains,’ vol. 5, p. 292, nrs I-XI.
Yaş sınırı:
12+
Litres'teki yayın tarihi:
28 eylül 2017
Hacim:
770 s. 1 illüstrasyon
Telif hakkı:
Public Domain