Kitabı oku: «The Angel of Pain», sayfa 6
Evelyn moved suddenly in his chair.
“Ah, do you know, I am rather glad Philip isn’t here,” he said. “I don’t think – ” and he broke off again. “And as soon as I’ve finished this portrait, I’m going to do his,” he added.
He was silent a moment, feeling somehow that he never would do Philip’s portrait. He would not be able to see him, he would not be able to paint him; something, no shadow, but something so bright would stand between him and the canvas that he would be unable to see beyond or through it.
But Merivale did not seem to notice the check. His eyes were looking out over the glowing garden, where all colours were turned to flame in the almost level rays of the sun as it drew near to its setting. The wall behind the deep garden bed glowed as if the bricks themselves were luminous, light seemed to exude from the grass, the flowers were bells and cups of fire.
“Ah, this is the best moment of all the day,” he said, “when sunset comes like this. The whole of the sunshine of the hours seem distilled into it, it is the very essence of light.”
He rose from his chair, and went to the edge of the verandah, stretching his arms wide and breathing deeply of the warm, fragrant air. Then he turned again to his companion.
“That, too, I hope is what death will be like,” he said. “All the sunlight of life will be concentrated into that moment, until one’s mere body can hold no more of the glow that impregnates it, and is shattered. Look at those clusters of rambler; a little more and they must burst with the colour.”
Evelyn got up too.
“Don’t be so uncomfortable, Tom,” he cried, in a sort of boyish petulance. “I could go mad when I think of death. It is horrible, frightening. I don’t want to die, and I don’t want to get old. I want to be young always, to feel as I feel to-day, and never a jot less keenly. That’s what you must tell me while I am here; how am I to remain young? You seem to have solved it; you are much younger than when I knew you first.”
Tom laughed.
“And another proof of my youth is that I feel as I do about death,” he said. “The more you are conscious of your own life, the more absurd the notion that one can die becomes. Why, even one’s body won’t die; it will make life, it will be grass on one’s grave, just as the dead leaves that fall from the tree make the leaf-mould which feeds that tree or another tree or the grass. It doesn’t in the least matter which, it is all one, it is all life.”
Evelyn shivered slightly.
“Yes, quite true, and not the least consoling,” he said; “for what is the use of being alive if one loses one’s individuality? It doesn’t make death the least less terrible to me, even if I know that I am going to become a piece of groundsel and be pecked at by your canary. I don’t want to be groundsel, I don’t want to be pecked at, and I don’t want to become your canary. Great heavens, fancy being a bit of a canary!”
“Ah, but only your body,” said the other.
Evelyn got up.
“Yes, and what happens to the rest? You tell me that a piece of me, for my body is a piece of me, becomes a canary, and you don’t know about the rest. Indeed it is not a cheerful prospect. If some – some bird pecks my eyes out, is it a consolation to me, who becomes blind, to learn that a bird has had dinner?”
Merivale looked at him; even as Gladys had seen that some change had come in Madge, so he saw that something had happened to Evelyn, and he registered that impression in his mind. But the change, whatever it was, was not permanent – it was a phase, a mood only, for next moment Evelyn had broken out into a perfectly natural laugh.
“You shan’t make me think of melancholy subjects any more,” he cried. “Indeed you may try, but you won’t be able to do it. I have never been more full of the joy of life than to-day. That was why I was so glad to come down here, as you are a sort of apostle of joy. But it’s true that I also want to talk to you some time about something quite serious. Not now though, but after dinner. Also you will have to show me all the bag of conjuring tricks, the mechanical nightingale, the disappearing omelette – I could do that, by the way – and the Pan pipes. Now, I’m going upstairs to change; I’ve got London things on, and my artistic eye is offended. Where shall I find you?”
“I shall go down to bathe. Won’t you come?” said Merivale.
Evelyn wrinkled up his nose.
“No, I’ve not been hot enough. Besides, one is inferior to the frog in the water, which is humiliating. Any frog swims so much better!”
SIXTH
IERIVALE had scooped out a long bathing-pool at the bottom of the garden, and when Evelyn left him, he took his towel and walked down to it. A little higher up was a weir, and from this he plunged into a soda water of vivifying bubble, and floated down as the woven ropes of water willed to take him till he grounded on the beds of yellow, shining gravel at the tail of the pool, laughing with joy at the cool touch of the stream. The day had been very hot, and since breakfast he had been on the move, now under the shadow of the trees, but as often as not grilled by the great blaze of the sun on the open heaths, and it was with an extraordinary sense of renewed life and of kinship with this beautiful creature that was poured from the weir in never-ending volumes that he gave himself up to the clean, sensuous thrill of the moment. It seemed to him that the strong flood that bore him, with waves and eddies just tipped with the gold and crimson of the sun, entirely interpenetrated and possessed him. He was not more himself than was the stream, the stream was not more itself than it was he. The blue vault overhead with its fleeces of cloud beginning to flush rosily was part of the same thing, the beech-trees with leaves a-quiver in the evening breeze were but a hand or an eyebrow of himself.
Then, with the briskness of his renewed vigour, he set himself to swim against this piece of himself, as if right hand should wrestle with left, breasting the river with vigorous strokes, yet scarcely moving against the press of the running stream, while like a frill the water stood up bubbling round his neck. Then again, with limbs deliciously tired with the struggle, he turned on his back and floated down again, with arms widespread, to increase the surface of contact. Though this sense of unity with the life of Nature was never absent from him, so that it was his last waking thought at night and stood by him while he slept, ready to awake him again, water somehow, live, running water with the sun on its surface, or the rain beating on to it, with its lucent depths and waving water-weeds that the current combed, gave it him more than anything else. Nothing else had quite that certainty of everlasting life about it; it was continually outpoured, yet not diminished; it mingled with the sea, and sprang to heaven in all the forms and iridescent colours of mist and cloud, to return again to the earth in the rain that made the grass to grow and fed the springs. And this envelopment of himself in it was a sort of outward symbol of his own absorption in Nature, the outward and visible sign of it. Every day the mystery and the wonder of it all increased; all cleansing, all renewal was contained here, for even as the water cleansed and renewed him, so through the countless ages it cleansed and renewed itself. And here alone the intermediary step, death, out of which came new life, was omitted. To water there was no death; it was eternally young, and the ages brought no abatement of its vigour.
Then in the bright twilight of the sun just set he dressed and walked back to the house to find that he had been nearly an hour gone, and that it was close on dinner-time.
During the earlier part, anyhow, of that meal Evelyn showed no return of his disquietude, but, as was his wont, poured out floods of surprising stuff. He talked shop quite unashamed, and this evening the drawbacks of an artist’s life supplied his text.
“Yes, everyone is for ever insisting,” he said, “that the artist’s life is its own reward, because his work is creative; but there are times when I would sooner be the man who puts bristles in toothbrushes. Those folk don’t allow for the days when you sit in front of a blank canvas, or a canvas half-finished, and look at it in an absolute stupor of helplessness. I suppose they would say ‘Go on, put down what you see,’ and they are so wooden-headed as not to realise that on such occasions, unfortunately numerous, one doesn’t see anything, and one couldn’t put it down if one did. There is a blank wall in front of one. And it is then I say with Mr. Micawber, ‘No one is without a friend who is possessed of shaving materials’ – yet I don’t kill myself. Oh, hang it, here we are talking about death again! Give me some more fish.”
Merivale performed this hospitable duty.
“Ah, but what do you expect?” he asked. “Surely you can’t think it’s possible that a man can live all the time in the full blaze of imaginative vision? You might as well expect him to run at full speed from the day he was born to the day of his – well, all the time, as you dislike the word.”
Evelyn drummed the table with his fingers.
“But it’s just that I want,” he cried. “Whose fault is it that I can’t do what I feel is inside me all the time? If I have what you call the imaginative vision at all, who has got any business to put a cap like the cap of a camera lens over it, so that I can see nothing whatever? Oh, the pity of it! Sitters, too! Sitters can be so antipathetic that I feel when I look at them that the imaginative vision is oozing out of me, like sawdust when you clip a doll’s leg, and that in another moment I shall be just a heap of collapsed rags on the floor, with a silly waxen head and shoulders on the top. If only people would come to me to paint their caricatures I could do some rippers. The next woman I’ve got to paint when these two are finished is a pink young thing of sixty, with a face that has exactly the expression of a pansy. Lord! Lord!”
This was so completely the normal Evelyn Dundas that Merivale, if not reassured, for there was no need for that, at any rate thought that he had been mistaken in his idea that some change had come to him. He was just the same vivid, eager boy that he had always been, blessed with one supreme talent, which, vampire-like, seemed to suck the blood out of all the other possibilities and dormant energies of his nature, and suck, too, all sense of responsibility from him.
“Refuse them then,” he said; “say ‘I won’t paint you; you sap my faculties.’”
Evelyn burst out into a great shout of laughter.
“‘Mr. Dundas presents his compliments to Lady What’s-hername,’” he said, “‘and regrets, on inspection, that he is unable to paint her portrait, owing to the fact that a prolonged contemplation of her charms would sap his artistic powers, which he feels himself unwilling to part with.’ What would be this rising young painter’s position in a year’s time, eh? His studio would be as empty as the New Forest. You might then come and live there, Tom.”
Evelyn finished his wine and lit a cigarette all in one breath.
“Now, strange though it may seem to you,” he said, “I feel that I’ve talked enough about myself for the moment, though I propose to go on afterwards. So, by way of transition, we will talk about you. As I dressed a number of frightful posers came into my head about you, and I want categorical answers. Now you’ve been here how long? More than a year, isn’t it? What can you show for it? Number two: What’s it all about? Number three: How can you call yourself a student of Nature when you deliberately shut your eyes to all the suffering, all the death, all the sacrifice that goes on eternally in Nature? I might as well call myself an artist and refuse to use blue and red in my pictures. I remember asking you something of this sort before, and your answer was eminently unsatisfactory. Besides, I have forgotten it.”
Merivale moved sideways to the table, and crossed one leg over the other.
“Does it really at all interest you?” he said.
“It does, or I should not ask. Another thing, too: I have been looking at you all dinner, and I could swear you look much younger than you did five years ago. Indeed, if I saw you now for the first time I should say you were not much more than twenty. Also you used to be a touchy, irritable sort of devil, and you look now as if nothing in the world had the power to make you cease smiling. Did you know, by the way, that you are always smiling a little?”
Tom laughed.
“No, not consciously,” he said; “but now you mention it, it seems impossible that I should not.”
“Well, begin,” said Evelyn, with his usual impatience. “Tell me all about it, and attempt to answer all those very pertinent questions. Smoke, too; I listen better to a person who is smoking, because I feel that he is more comfortable.”
A sudden wind stirred in the garden, blowing towards them in the verandah the sleeping fragrance of the beds and the wandering noises of the night, which, all together make up what we call the silence of the night, even as the mixture of primary colours makes white.
“Smoke? No, I don’t smoke now,” said Merivale; “but if you really want to know, I will tell you all I can tell you. The conjuring tricks, as you call them, I suppose you will take for granted?”
Evelyn, comfortable with his coffee and liqueur, assented.
“Yes, leave them out,” he said. “Here beginneth the gospel.”
He tried in these words to be slightly offensive; the offensiveness, however, went wide of the mark, and he was sorry. For the Hermit, as he had known him in the world, was singularly liable to take offence, to be irritable, impatient, to be stamping and speechifying on an extremely human platform. But no vibration of any such impatience was in Merivale’s voice, and in his words there was no backhander to answer it. So the gospel began.
“It is all so simple,” he said, “yet I suppose that to complicated people simplicity is as difficult to understand as is complexity to simple people. But here it is, anyhow, and make the best or the worst of it; that is entirely your concern.”
“There is God,” he said, “there is also Nature, which I take to be the visible, tangible, audible expression of Him. There is also man – of which you and I are specimens, and whether we are above or below the average doesn’t matter in the least – and man by a dreadful process called civilisation has worked himself back into a correspondingly dreadful condition. If he were either fish, flesh, or fowl one would know where to put him, but he is none of those. He seems, at any rate to me, to be a peculiar product of his own making, and instead of being a creature compounded of life and joy, which should be his ingredients and also his study, he has become a creature who is mated with sorrow and at the end with death. He has become rotten without ever being ripe, the flower to which he should have attained has been cankered in the bud. Now, all this it has been my deliberate aim to leave behind me and to forget, and to go straight back to that huge expression of the joy of God, which man has been unable to spoil or render sorrowful, to the great hymn of Nature. Listen to that for a moment – and for the more moments you listen to it the more unmistakable will its tenour be – and you will hear that the whole impression is one of life and of joy. There is, it is true, throughout Nature the sound of death, of cruelty, and of one creature preying on another; but the net result is not death, it is ever-increasing life. And so when I went to Nature I shut my ears and eyes to that minor undercurrent of sound. Of the result I was sure; day after day there is more life in the world, in spite of the death that day after day goes on. All the death goes to form fresh life. In the same way with the joy and sorrow of Nature; for every animal that suffers there are two that are glad, for every tree that dies there are two in the full vigour of the joy of life. And that joy and that life is my constant study. I soak myself in it, and shall so do until I am utterly impregnated with it. And when that day comes, when there is no tiny or obscure fibre in my being that does not completely realise it, then, with a flash of revelation, so I take it, I shall ‘grasp the scheme of things entire.’ Whether by life or by death, I shall truly realise that I and that moth flitting by, and the odours of the garden and the river are indivisibly one, just an expression of the spirit of life, which is God.”
He paused a moment.
“There were two other questions you asked me,” he said. “What have I got to show for the years I have spent here? I shrug my shoulders at that; it is I who am being shown. The second concerns my personal appearance, for you say I look younger. That is probably quite true and quite inevitable, for the contemplation of the eternal youth of the world I suppose must make one younger, body and soul alike. And that is all, I think.”
Evelyn was listening with extreme attention; he did not look in the least uninterested.
“My word, you’ve got a perfectly sober plan at the bottom of it all,” he said, “and I thought half of it was moonshine and the other half imagination. There is one more question – two more. What if the whole of the suffering and the cruelty and the death in Nature is made clear to you in a flash, if it is that which will come to make you grasp the scheme of things entire?”
Merivale smiled still, rocking forward in his chair with his hands clasped round his knee.
“That is possible,” he said, “and I recognise that. But I don’t think I am frightened at it If it is to be so, it is to be so. Though I suppose one won’t live after it. Well?”
“And the second question. You think, then, it is our duty to seek happiness and joy and forget the sorrow of the world?”
“I think it is so for me,” said he, “though I do think that there are many people, most, I suppose, that realise themselves through sorrow and suffering. I can only say that I believe I am not one of those. The way does not lie for me there.”
Evelyn got up, and stood leaning on the balustrade of the verandah. This was beginning to touch him more closely now; his own threads were beginning to interweave in the scheme Merivale drew.
“And for me,” he said. “What is your diagnosis of me? Am I one of those who will find themselves through sorrow or through joy?”
Merivale turned to him with almost the same eagerness in his face as Evelyn himself showed.
“Ah, how can I tell you that?” he said, “beyond telling you at least that in my opinion, which after all is only my opinion, it is in joy that you, almost above everyone I know, will ripen and bear fruit. Sorrow, asceticism is the road by which some approach happiness, but I do not see you on that road. Renunciation for you – ”
Evelyn got up and came a step closer.
“Yes? Yes?” he cried.
Merivale answered him by another question.
“Something has happened to you,” he said. “What is it?”
“I have fallen in love,” said the other. “I only knew it to-day. Yes, her, Madge Ellington. Good God, man, I love her! And I am painting her – I see her nearly daily alone; it is my business to study her face and get to know her – ”
His voice dropped suddenly.
“What am I to do?” he said after a moment. “Philip, the whole thing – ”
“Ah, you can’t go on,” said Merivale quickly. “You must see that. Wherever our paths lie, there is honour – ”
“Honour?” cried Evelyn almost savagely. “Have I not as good a right to love her as Philip has? You can’t tie one down like that! Besides, how can I help loving her? Night and day are not less in my control. Besides, I have no reason to suppose that she loves me, so what harm is done? But if she does or should – ”
Again he stopped, for there was no need to go on; the conclusion of the sentence was not less clear because it was unspoken. After a moment he continued.
“And what was your view just now about renunciation for me?” he asked.
Merivale got up.
“I don’t know what to say to you,” he said. “What do you propose, you yourself?”
“I propose to tell her what I know – that I love her,” said he.
There was a long pause; Merivale was looking out over the dusky garden, and his lips moved as if he was trying to frame some sentence, yet no words came. In the East the moon was soon to rise behind the wedge of beech-wood which came diagonally across the heath, and though it was not yet visible, the sky was changing from the dark velvet blue which had succeeded sunset to the mysterious dove colour which heralds the moon. A night breeze stirred among the shrubs, and the scent of the stocks was wafted into the verandah, twined, as it were, with the swooning fragrance of the syringa. But for once Merivale was unconscious of the witchery of the hour; in spite of himself, the interests, the problems, the suffering and renunciation of human life, from which he had thought he had weaned himself, claimed him again. He had tried, and in great measure succeeded, in detaching himself from them, but he had not completely broken away from them yet. He had enlisted under the banner of joy, but now from the opposing hosts there came a cry to him, and he could not shut his ears to it. Here was the necessity for suffering, it could not but be that of these two friends of his, suffering poignant and cruel lay before one of them, though which that one should be he did not know. But the necessity was dragged before his notice.
Then from the garden his eyes rested on Evelyn again, as he stood close to him with his keen, beautiful face, his eyes in which burned the wonder of his love, his long, slim limbs and hands that trembled, all so astonishingly alive, and all so instinct with the raptures and the rewards of living, and he could not say “Your duty lies here,” even had he been certain that it was so, so grey and toneless, so utterly at variance with the whole gospel of his own life would the advice have been. Yet neither, for his detachment from human affairs was not, nor could it be, complete, could he say to him “Yes, all the joy you can lay hands on is yours,” for on the other side stood Philip. But his sympathies were not there.
He spread out his hands with a sort of hopeless gesture.
“I don’t know what to say: I don’t even know what I think,” he said. “It is one of those things that is without solution, or rather there are two solutions, both of which are inevitably right, and utterly opposed. But you have as yet no reason to think that she loves you; all goes to show otherwise.”
“Yes, all,” said Evelyn softly, “but somehow I don’t believe it. I can’t help that either.”
Then suddenly he took hold of Merivale’s shoulders with both hands.
“Ah, you don’t understand,” he said. “You were saying just now that you and the river were indivisibly one. That is a mere figure of speech, though I understand what you mean by it. But with me it is sober truth; I am Madge. I have no existence apart from her. Some door has been opened, I have passed through it into her. Half oneself! Someone says man alone is only half himself. What nonsense! Till he loves he is complete in himself, but then he ceases to be himself at all.”
Wild as were his words, so utterly was he in the grip of his newly-awakened passion that possessed him, there was something convincing to Merivale about it. He might as well have tied a piece of string across a line to stop a runaway locomotive as hope to influence Evelyn by words or advice, especially since he at heart pulled in the opposite way to the advice he might thus give. The matter was beyond control; it must work itself out to its inevitable end.
“And when will you tell her?” he asked.
“I don’t know. The moment I see she loves me, if that moment comes.”
“And if it does not?”
Again his passion shook him like some great wave combing the weeds of the sea.
“It must,” he said.
That clearly was the last word on the subject, and even as he spoke the rim of the moon a week from full topped the beech-wood, and flooded the garden with silver, and both watched in silence till the three-quarter circle swung clear of the trees. Just a month ago Evelyn had watched it rising with Madge on the terrace of Philip’s house, and the sight of it now made the last month pass in review before him like some scene that moved behind the actors, as in the first act in Parsifal. The light it shed to-day seemed to flash back and illumine the whole of those weeks, and showed him how in darkness that plant had grown which to-day had flowered rose-coloured and perfect. Every day since then, when the seed had first been planted in his soul, had it shot up towards the light; there had been no day, so he felt now, on which the growth had stood still; it had been uninterrupted from the first germination to this its full flower. But the last word had been spoken, and when the moon had cleared the tree-tops, Merivale turned to him.
“I seldom sleep in the house,” he said, “and I certainly shall not to-night.”
“Where then?” asked the other.
“Oh, anywhere, often in several places. In fact, I seldom wake in the morning where I go to bed in the evening.”
“Sleep-walking?” suggested Evelyn.
“Oh, dear no! But you know all animals wake in the night and turn over, or get up for a few moments and take a mouthful of grass. Well, the same thing happens to me. I always wake about three in the morning, and walk about a little, and, as I say, usually go to sleep again somewhere else. But I suppose the dignity of man asserts itself, and I often go further than animals. For instance, I shall probably go to sleep in the hammock in the garden, and walk up into the beech-wood when I wake for the first time.”
“Ah, that does sound rather nice,” said Evelyn appreciatively.
“Well, come and sleep out too. It will do you all the good in the world. You can have the hammock; I’ll lie on the grass. I always have a rug.”
But Evelyn’s appreciation was not of the practical sort.
“Heaven forbid!” he said. “My bedroom is good enough for me.”
It was already late, and he took a candle and went upstairs, Merivale following him to see he had all he wanted. His servant, however, had arranged the utmost requirements in the most convenient way, and the sight suddenly suggested a new criticism to Evelyn.
“Keeping a servant, too,” he said. “Is not that frightfully inconsistent?”
Merivale laughed.
“You don’t suppose I keep a servant when I am alone?” he asked. “But I find I am so bad at looking after the requirements of my guests that I hire one if anyone happens to be here. He is a man from the hotel at Brockenhurst.”
“I apologise,” said the other. “But do dismiss him to-morrow. For I didn’t want to come to an hotel; I wanted to see how the Hermit really lived.”
“Stop over to-morrow then, and you will see,” said Merivale. “But I keep a woman in the house, who cooks.”
“That also is inconsistent.”
“No, I don’t think so. It takes longer than you would imagine to do all the housework yourself. I tried it last winter and found it not worth while. Besides, dusting and cleaning are so absorbing. I could think of nothing else.”
“But doesn’t she find it absorbing?”
Merivale laughed.
“I feel sure she doesn’t,” he said, “or she would do it better. But when I dusted for myself, nothing short of perfection would content me. I was dusting all day long.”
Evelyn looked doubtfully at his bed.
“Shall I have to make it – whatever ‘making’ means?” he asked, “if I sleep in it? If so, I really don’t think it would be worth while. Besides, I know I shan’t sleep, and if I don’t sleep I am a wreck.”
Merivale raised his eyebrows.
“Surely you sleep when you want sleep just as you eat when you are hungry,” he said, “or is that an exploded superstition?”
“Quite exploded. I shan’t sleep a wink,” said Evelyn, beginning to undress. “Oh, how can I?” he cried.
“And you really want to?”
“Why, of course. I’m as cross as two sticks if I don’t.”
Merivale shook his head.
“I’ll make you sleep if you wish,” he said. “Get into bed. I must go and turn out the lights. I’ll be back in two minutes.”
He left the room, and Evelyn undressed quickly.
All that had happened to-day ran like a mill-race in his head, and, arguing from previous experience, he knew perhaps the tithe of what awaited him when the light was out. For often before, when a picture, not as now the original of it, occupied him, misshapen parodies of rest had been his till cock-crow. First of all would come a sense of satisfaction at being alone, at being able to let his thoughts take their natural course uninterrupted; he would feast his eyes on the untenanted blackness, letting his imagination paint there all that it had been so intensely occupied with during the day. But then as the brain wearied, in place of the ideal he had been striving for would come distorted reflections of it, seen as if in some bloated mirror, and still awake he would see his thoughts translated into some horrible grotesque that would startle him into sitting-up in bed, just for the grasping of the bed-post, or the feeling of the wall, to bring himself back into the realm of concrete things. Otherwise the grotesques would grow into dancing, shapeless horrors, and in a moment he would have to wrench himself free from the clutches of nightmare and start up, with dripping brow and quivering throat that could not scream, into reality again. But to-night he feared no nightmare; he knew simply that sleep could not come to him, his excitement had invaded and conquered the drowsy lands, and though he felt now that he would be content to think and think and love till morning, morning, he knew, would, like an obsequious waiter, present the bill for the sleepless night. Consequently, when Merivale again entered, he welcomed him.
“I demand a conjuring-trick,” he said, “I know I shan’t sleep at all, unless you have some charm for me. Good God, how can I sleep? And, after all, why should I want to? Isn’t waking good enough?”
Merivale paused; waking and sleeping seemed to him no more matters for concern than they seem to an animal which sleeps when it is sleepy, and wakes when its sleepiness has gone.
