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Kitabı oku: «A Strange Story — Volume 03», sayfa 3

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We had now come to the end of the state apartments, the last of which was a library. "And," said the old woman, "I don't wonder the gentleman knew Sir Philip, for he seemed a scholar, and looked very hard over the books, especially those old ones by the fireplace, which Sir Philip, Heaven bless him, was always poring into."

Mechanically I turned to the shelves by the fireplace, and examined the volumes ranged in that department. I found they contained the works of those writers whom we may class together under the title of mystics,—Iamblichus and Plotinus; Swedenborg and Behmen; Sandivogius, Van Helmont, Paracelsus, Cardan. Works, too, were there, by writers less renowned, on astrology, geomancy, chiromancy, etc. I began to understand among what class of authors Margrave had picked up the strange notions with which he was apt to interpolate the doctrines of practical philosophy.

"I suppose this library was Sir Philip's usual sitting-room?" said I.

"No, sir; he seldom sat here. This was his study; "and the old woman opened a small door, masked by false book backs. I followed her into a room of moderate size, and evidently of much earlier date than the rest of the house. "It is the only room left of an older mansion," said the steward in answer to my remark. "I have heard it was spared on account of the chimneypiece. But there is a Latin inscription which will tell you all about it. I don't know Latin myself."

The chimneypiece reached to the ceiling. The frieze of the lower part rested on rude stone caryatides; the upper part was formed of oak panels very curiously carved in the geometrical designs favoured by the taste prevalent in the reigns of Elizabeth and James, but different from any I had ever seen in the drawings of old houses,—and I was not quite unlearned in such matters, for my poor father was a passionate antiquary in all that relates to mediaeval art. The design in the oak panels was composed of triangles interlaced with varied ingenuity, and enclosed in circular bands inscribed with the signs of the Zodiac.

On the stone frieze supported by the caryatides, immediately under the woodwork, was inserted a metal plate, on which was written, in Latin, a few lines to the effect that "in this room, Simon Forman, the seeker of hidden truth, taking refuge from unjust persecution, made those discoveries in nature which he committed, for the benefit of a wiser age, to the charge of his protector and patron, the worshipful Sir Miles Derval, knight."

Forman! The name was not quite unfamiliar to me; but it was not without an effort that my memory enabled me to assign it to one of the most notorious of those astrologers or soothsayers whom the superstition of an earlier age alternately persecuted and honoured.

The general character of the room was more cheerful than the statelier chambers I had hitherto passed through, for it had still the look of habitation,—the armchair by the fireplace; the kneehole writing-table beside it; the sofa near the recess of a large bay-window, with book-prop and candlestick screwed to its back; maps, coiled in their cylinders, ranged under the cornice; low strong safes, skirting two sides of the room, and apparently intended to hold papers and title-deeds, seals carefully affixed to their jealous locks. Placed on the top of these old-fashioned receptacles were articles familiar to modern use,—a fowling-piece here, fishing-rods there, two or three simple flower-vases, a pile of music books, a box of crayons. All in this room seemed to speak of residence and ownership,—of the idiosyncrasies of a lone single man, it is true, but of a man of one's own time,—a country gentleman of plain habits but not uncultivated tastes.

I moved to the window; it opened by a sash upon a large balcony, from which a wooden stair wound to a little garden, not visible in front of the house, surrounded by a thick grove of evergreens, through which one broad vista was cut, and that vista was closed by a view of the mausoleum.

I stepped out into the garden,—a patch of sward with a fountain in the centre, and parterres, now more filled with weeds than flowers. At the left corner was a tall wooden summer-house or pavilion,—its door wide open. "Oh, that's where Sir Philip used to study many a long summer's night," said the steward.

"What! in that damp pavilion?"

"It was a pretty place enough then, sir; but it is very old,—they say as old as the room you have just left."

"Indeed, I must look at it, then."

The walls of this summer-house had once been painted in the arabesques of the Renaissance period; but the figures were now scarcely traceable. The woodwork had started in some places, and the sunbeams stole through the chinks and played on the floor, which was formed from old tiles quaintly tessellated and in triangular patterns; similar to those I had observed in the chimneypiece. The room in the pavilion was large, furnished with old worm-eaten tables and settles. "It was not only here that Sir Philip studied, but sometimes in the room above," said the steward.

"How do you get to the room above? Oh, I see; a stair case in the angle."

I ascended the stairs with some caution, for they were crooked and decayed; and, on entering the room above, comprehended at once why Sir Philip had favoured it.

The cornice of the ceiling rested on pilasters, within which the compartments were formed into open unglazed arches, surrounded by a railed balcony. Through these arches, on three sides of the room, the eye commanded a magnificent extent of prospect. On the fourth side the view was bounded by the mausoleum. In this room was a large telescope; and on stepping into the balcony, I saw that a winding stair mounted thence to a platform on the top of the pavilion,—perhaps once used as an observatory by Forman himself.

"The gentleman who was here to-day was very much pleased with this look-out, sir," said the housekeeper. "Who would not be? I suppose Sir Philip has a taste for astronomy."

"I dare say, sir," said the steward, looking grave; "he likes most out-of-the-way things."

The position of the sun now warned me that my time pressed, and that I should have to ride fast to reach my new patient at the hour appointed. I therefore hastened back to my horse, and spurred on, wondering whether, in the chain of association which so subtly links our pursuits in manhood to our impressions in childhood, it was the Latin inscription on the chimneypiece that had originally biassed Sir Philip Derval's literary taste towards the mystic jargon of the books at which I had contemptuously glanced.

CHAPTER XXIX

I did not see Margrave the following day, but the next morning, a little after sunrise, he walked into my study, according to his ordinary habit.

"So you know something about Sir Philip Derval?" said I. "What sort of a man is he?"

"Hateful!" cried Margrave; and then checking himself, burst out into his merry laugh. "Just like my exaggerations! I am not acquainted with anything to his prejudice. I came across his track once or twice in the East. Travellers are always apt to be jealous of each other."

"You are a strange compound of cynicism and credulity; but I should have fancied that you and Sir Philip would have been congenial spirits, when I found, among his favourite books, Van Helmont and Paracelsus. Perhaps you, too, study Swedenborg, or, worse still, Ptolemy and Lilly?"

"Astrologers? No! They deal with the future! I live for the day; only I wish the day never had a morrow!"

"Have you not, then that vague desire for the something beyond,—that not unhappy, but grand discontent with the limits of the immediate Present, from which man takes his passion for improvement and progress, and from which some sentimental philosophers have deduced an argument in favour of his destined immortality?"

"Eh!" said Margrave, with as vacant a stare as that of a peasant whom one has addressed in Hebrew. "What farrago of words is this? I do not comprehend you."

"With your natural abilities," I asked with interest, "do you never feel a desire for fame?"

"Fame? Certainly not. I cannot even understand it!"

"Well, then, would you have no pleasure in the thought that you had rendered a service to humanity?"

Margrave looked bewildered; after a moment's pause, he took from the table a piece of bread that chanced to be there, opened the window, and threw the crumbs into the lane. The sparrows gathered round the crumbs.

"Now," said Margrave, "the sparrows come to that dull pavement for the bread that recruits their lives in this world; do you believe that one sparrow would be silly enough to fly to a house-top for the sake of some benefit to other sparrows, or to be chirruped about after he was dead? I care for science as the sparrow cares for bread,—it may help me to something good for my own life; and as for fame and humanity, I care for them as the sparrow cares for the general interest and posthumous approbation of sparrows!"

"Margrave, there is one thing in you that perplexes me more than all else—human puzzle as you are—in your many eccentricities and self-contradictions."

"What is that one thing in me most perplexing?"

"This: that in your enjoyment of Nature you have all the freshness of a child, but when you speak of Man and his objects in the world, you talk in the vein of some worn-out and hoary cynic. At such times, were I to close my eyes, I should say to myself, 'What weary old man is thus venting his spleen against the ambition which has failed, and the love which has forsaken him?' Outwardly the very personation of youth, and revelling like a butterfly in the warmth of the sun and the tints of the herbage, why have you none of the golden passions of the young,—their bright dreams of some impossible love, their sublime enthusiasm for some unattainable glory? The sentiment you have just clothed in the illustration by which you place yourself on a level with the sparrows is too mean and too gloomy to be genuine at your age. Misanthropy is among the dismal fallacies of gray beards. No man, till man's energies leave him, can divorce himself from the bonds of our social kind."

"Our kind! Your kind, possibly; but I—" He swept his hand over his brow, and resumed, in strange, absent, and wistful accents: "I wonder what it is that is wanting here, and of which at moments I have a dim reminiscence." Again he paused, and gazing on me, said with more appearance of friendly interest than I had ever before remarked in his countenance, "You are not looking well. Despite your great physical strength, you suffer like your own sickly patients."

"True! I suffer at this moment, but not from bodily pain."

"You have some cause of mental disquietude?"

"Who in this world has not?"

"I never have."

"Because you own you have never loved. Certainly, you never seem to care for any one but yourself; and in yourself you find an unbroken sunny holiday,—high spirits, youth, health, beauty, wealth. Happy boy!"

At that moment my heart was heavy within me.

Margrave resumed,—

"Among the secrets which your knowledge places at the command of your art, what would you give for one which would enable you to defy and to deride a rival where you place your affections, which could lock to yourself, and imperiously control, the will of the being whom you desire to fascinate, by an influence paramount, transcendent?"

"Love has that secret," said I,—"and love alone."

"A power stronger than love can suspend, can change love itself. But if love be the object or dream of your life, love is the rosy associate of youth and beauty. Beauty soon fades, youth soon departs. What if in nature there were means by which beauty and youth can be fixed into blooming duration,—means that could arrest the course, nay, repair the effects, of time on the elements that make up the human frame?"

"Silly boy! Have the Rosicrucians bequeathed to you a prescription for the elixir of life?"

"If I had the prescription I should not ask your aid to discover its ingredients."

"And is it in the hope of that notable discovery you have studied chemistry, electricity, and magnetism? Again I say, Silly boy!"

Margrave did not heed my reply. His face was overcast, gloomy, troubled.

"That the vital principle is a gas," said he, abruptly, "I am fully convinced. Can that gas be the one which combines caloric with oxygen?"

"Phosoxygen? Sir Humphrey Davy demonstrates that gas not to be, as Lavoisier supposed, caloric, but light, combined with oxygen; and he suggests, not indeed that it is the vital principle itself, but the pabulum of life to organic beings."1

"Does he?" said Margrave, his, face clearing up. "Possibly, possibly, then, here we approach the great secret of secrets. Look you, Allen Fenwick: I promise to secure to you unfailing security from all the jealous fears that now torture your heart; if you care for that fame which to me is not worth the scent of a flower, the balm of a breeze, I will impart to you a knowledge which, in the hands of ambition, would dwarf into commonplace the boasted wonders of recognized science. I will do all this, if, in return, but for one month you will give yourself up to my guidance in whatever experiments I ask, no matter how wild they may seem to you."

"My dear Margrave, I reject your bribes as I would reject the moon and the stars which a child might offer to me in exchange for a toy; but I may give the child its toy for nothing, and I may test your experiments for nothing some day when I have leisure."

I did not hear Margrave's answer, for at that moment my servant entered with letters. Lilian's hand! Tremblingly, breathlessly, I broke the seal. Such a loving, bright, happy letter; so sweet in its gentle chiding of my wrongful fears! It was implied rather than said that Ashleigh Sumner had proposed and been refused. He had now left the house. Lilian and her mother were coming back; in a few days we should meet. In this letter were inclosed a few lines from Mrs. Ashleigh. She was more explicit about my rival than Lilian had been. If no allusion to his attentions had been made to me before, it was from a delicate consideration for myself. Mrs. Ashleigh said that "the young man had heard from L—— of our engagement, and—disbelieved it;" but, as Mrs. Poyntz had so shrewdly predicted, hurried at once to the avowal of his own attachment, and the offer of his own hand. On Lilian's refusal his pride had been deeply mortified. He had gone away manifestly in more anger than sorrow.

"Lady Delafield, dear Margaret Poyntz's aunt, had been most kind in trying to soothe Lady Haughton's disappointment, which was rudely expressed,—so rudely," added Mrs. Ashleigh, "that it gives us an excuse to leave sooner than had been proposed,—which I am very glad of. Lady Delafield feels much for Mr. Sumner; has invited him to visit her at a place she has near Worthing. She leaves to-morrow in order to receive him; promises to reconcile him to our rejection, which, as he was my poor Gilbert's heir, and was very friendly at first, would be a great relief to my mind. Lilian is well, and so happy at the thoughts of coining back."

When I lifted my eyes from these letters I was as a new man, and the earth seemed a new earth. I felt as if I had realized Margrave's idle dreams,—as if youth could never fade, love could never grow cold.

"You care for no secrets of mine at this moment," said Margrave, abruptly.

"Secrets!" I murmured; "none now are worth knowing. I am loved! I am loved!"

"I bide my time," said Margrave; and as my eyes met his, I saw there a look I had never seen in those eyes before, sinister, wrathful, menacing. He turned away, went out through the sash-door of the study; and as he passed towards the fields under the luxuriant chestnut-trees, I heard his musical, barbaric chant,—the song by which the serpent-charmer charms the serpent,—sweet, so sweet, the very birds on the boughs hushed their carol as if to listen.

1
  See Sir Humphrey Davy on Heat, Light, and the Combinations of Light


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Yaş sınırı:
12+
Litres'teki yayın tarihi:
10 ağustos 2018
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80 s. 1 illüstrasyon
Telif hakkı:
Public Domain

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