Kitabı oku: «The Best Short Stories of 1917, and the Yearbook of the American Short Story», sayfa 33

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*Heart of Life, The.

Norton, Roy. Born at Kewanee, Ill., 1869. High school education. Studied law, mining, and languages. Married, 1894. Practiced law at Ogden, 1892. In newspaper work for some years. Democrat. Roman Catholic. Mason. Author of "Guilty" (with William Hallowell), "The Vanishing Fleets," "The Toll of the Sea," "Mary Jane's Pa," "The Garden of Fate," "The Plunderer," "Captains Three," "The Mediator," "The Moccasins of Gold," "The Boomers," and "The Man of Peace." Lives in New Jersey.

Aunt Seliny.

(2) O'Brien, Seumas. Born at Glenbrook, County Cork, Ireland, April 26, 1880,—three days and three hundred and sixteen years (?) after Mr. William Shakespeare of Stratford-on-Avon. Education: none or very little, and less German than French. Profession: pessimist. Chief interests: Russian Jewesses and American dollars. In more sober truth, education: Presentation Brothers Schools, Cork School of Art, Cork School of Music, Metropolitan School of Art, Dublin, and Royal College of Art, London. Profession: sculptor and dramatist. Chief interests: literature, art, and music. First magazine to publish his work, The Tatler. Author of "The Whale and the Grasshopper," "Duty, and Other Irish Comedies," and "The Knowledgeable Man." Lives in Brooklyn, N. Y.

*Murder?

O'Higgins, Harvey J. Born in London, Ont., 1876. Educated at public schools and Toronto University. In newspaper work from 1897 to 1902. First short story, "Not for Publication," in Youth's Companion, March, 1902. Chief interests: those of a publicist, aiding social and political reforms. Author of "The Smoke Eaters," "Don-a-Dreams," "A Grand Army Man," "Old Clinkers," "The Beast and the Jungle" (with Judge Ben B. Lindsey), "Under the Prophet in Utah" (with Frank J. Cannon), "The Argyle Case" (with Harriet Ford), "The Dummy," "Polygamy," "Silent Sam" (with Harriet Ford), and "Adventures of Detective Barney." He lives in New Jersey.

From the Life: Thomas Wales Warren.

(3) O'Sullivan, Vincent. Born in New York, 1872. Graduate of Oxford. Author of "The Good Girl," "Sentiment," "Of Human Affairs," and many other books. Lives in Brooklyn, N. Y.

*Interval, The.

Pangborn, Georgia Wood. Born at Malone, N. Y., 1872. Educated at Franklin Academy, Malone; Packer Institute, Brooklyn, and Smith College. Married, 1894. First short story, "The Grek Collie," Scribner's Magazine, July, 1903. Author of "Roman Biznet" and "Interventions." Lives in New York City.

*Bixby's Bridge.

Perry, Lawrence. Born in Newark, N. J., 1875. Educated in public and private schools. He had a choice between college and the New York Sun (Charles A. Dana, then editor) as a medium of higher education. Has always regarded his decision in favor of the Sun as wise, considering an ambition to learn life and then write about it. On staff of Sun and Evening Sun, 1897-1905. Went to Evening Post, 1906; there organized and edited "Yachting" until 1909. Has since concentrated on inter-collegiate sport and fiction. His first story, "Joe Lewis," in Frank Leslie's Popular Monthly, September, 1902. Author of "Dan Merrithew," "Prince or Chauffeur," "Holton," and "The Fullback." Lives in New York City.

*"Certain Rich Man, A.—"

Portor, Laura Spencer.

Boy's Mother, The.
Idealist, The.

Pottle, Emery. Is a poet and short-story writer of distinction, now with the Aviation Corps in France, specializing in Observation Balloon work.

Breach in the Wall, The.
*Portrait, The.

Prouty, Olive Higgins. Born in Worcester, Mass., 1882. Educated in public schools. Graduated from Smith College, 1904. Post-graduate work at Simmons College and Radcliffe. Chief interests: home and her children's development and education. Married in 1907. First story, "When Elise Came," American Magazine, April, 1909. Author of "Bobbie, General Manager," and "The Fifth Wheel." Lives in Brookline, Mass.

New England War Bride, A.

Pulver, Mary Brecht. Born in Mount Joy, Pa., 1883. Educated in public schools, normal school, and Philadelphia School of Applied Art. Married, 1906. Chief interests: music, painting, and literature. Author of "The Spring Lady." Lives in Binghamton, N. Y.

*Path of Glory, The.

Raisin, Ovro'om, is a distinguished Yiddish writer of fiction now living in New York City.

Ascetic, The.

Richardson, Norval. Born at Vicksburg, Miss., 1877. Educated at Lawrenceville School, N. J., and Southwestern Presbyterian University. Secretary and treasurer Lee Richardson & Company. In diplomatic service since 1909 at Havana, Copenhagen, and Rome. Author of "The Heart of Hope," "The Lead of Honour," "George Thorne," and "The Honey Pot." Is now connected with the American Embassy, Rome, Italy.

*Miss Fothergill.

(23) Rosenblatt, Benjamin. Born on New Year's Eve, 1880, in a tiny Russian village named Resoska. When he was ten, his parents brought him to New York, where he was set to work in a shop at once. Later he sold newspapers. At the age of seventeen his first story in Yiddish, entitled "She Laughed," appeared in Vörwarts. At that time he studied English diligently, and prepared himself for college. For a number of years he was a frequent contributor to the Jewish press. His first English story, entitled "Free," appeared in The Outlook, July 4, 1903. After leaving the normal training school he taught English to foreigners, opening a preparatory school. His story "Zelig," in my opinion, was the best American short story in 1915. He is now attending New York University, and is an insurance agent. He lives in Brooklyn, N. Y.

Madonna, The.

Schneider, Herman. Born at Summit Hill, Pa., 1872. Graduated from Lehigh University in science, 1894. Now Dean of the College of Engineering, University of Cincinnati. Profession: civil engineer. Chief interests: advancing technical education, promoting scientific research, and planning methods to give free outlook to the creative genius of the country in science, art, music, literature, and every other phase of human endeavor. Author of "Education for Industrial Workers." First short story, "Arthur McQuaid, American," Outlook, May 23, 1917. At present, living in Washington, working in the Ordnance Department on industrial service problems.

Shaft of Light, A.

Shepherd, William Gunn, is a war correspondent in Europe, who was with Richard Harding Davis at Salonika when the incident occurred which suggested to Davis the idea for his short story, "The Deserter."

*Scar that Tripled, The.

Showerman, Grant. Born in Brookfield, Wis., 1870, of Dutch and English stock, his grandfather, Luther Parker, having in 1836 driven the entire distance from Indian Stream, N. H., to Wisconsin, where he was the first permanent settler in his township. Educated in Brookfield district school, Carroll College, and University of Wisconsin. Fellow in the American School of Classical Studies at Rome, 1898-1900. Married, 1900. Now professor of classics, University of Wisconsin. Interested chiefly in literature and finds his diversion on the Four Lakes. First short story, "Italia Liberata," Scribner's Magazine, January, 1908. Author of "With the Professor," a translation of Ovid's "Heroides" and "Amores," "The Indian Stream Republic and Luther Parker," "A Country Chronicle," and "A Country Child." Lives in Madison, Wis.

*Country Christmas, A.

(123) Singmaster, Elsie. (Mrs. Harold Lewars.) Born at Schuylkill Haven, Pa., 1879. Graduate of Radcliffe College. Her first story, "The Lése Majesté of Hans Heckendorn," Scribner's Magazine, November, 1905. Author of "When Sarah Saved the Day," "When Sarah Went to School," "Gettysburg," "Katy Gaumer," "Emmeline," "The Long Journey," "Martin Luther: the Story of His Life," and "History of Lutheran Missions." Lives in Gettysburg, Pa.

*Christmas Angel, The.
*Flag of Eliphalet, The.

Smith, Elizabeth C. A. (See "Breck, John.")

(23) Smith, Gordon Arthur, was born in Rochester, N. Y., 1886. Educated at Harvard. Studied architecture in Paris for four years. Now a writer by profession. Chief interests: aviation, architecture, and music. First published story, "The Bottom of the Sea," in Black Cat at age of sixteen. Author of "Mascarose" and "The Crown of Life." Now an ensign in the U. S. Navy Flying Forces, "somewhere in France." Home: Rochester, N. Y.

*End of the Road, The.
Friend of the People, A.

(23) Sneddon, Robert W. Born in 1880 at Beith, Ayrshire, Scotland, the son of a doctor. Studied arts and law at Glasgow University, and served law apprenticeship at Glasgow and Edinburgh. Lived in London and Paris, and since 1909 has lived in New York. First short story, "Little Golden Shoes," The Forum, August, 1912. Author of "The Might-Have-Beens." Fond of outdoors and fireside. Chief interest: reaching the heart of the public. Chief sport: hunting for a publisher for three volumes of short stories and for producers for his plays.

"Mirror! Mirror! Tell Me True!"

"Star, Mark," is the pseudonym of a lady who prefers to remain unknown.

Garden of Sleep, The.

(23) Steele, Wilbur Daniel. Born in Greensboro, N. C., 1886. Educated at University of Denver. Studied art in Denver, Boston, and Paris. First short story, "On the Ebb Tide," Success, 1910. Author of "Storm." Lives in Provincetown, Mass.

*Ching, Ching, Chinaman.
Devil of a Fellow, A.
Free.
*Ked's Hand.
Point of Honor, A.
*White Hands.
*The Woman at Seven Brothers.

Steffens, (Joseph) Lincoln. Born at San Francisco, 1866. Educated at University of California, Berlin, Heidelberg, Leipzig, Paris, and Sorbonne. Married, 1891. In newspaper work, 1892-1902. Since then managing and associate editor at different times of McClure's Magazine, American Magazine, and Everybody's Magazine. Author of "The Shame of the Cities," "The Struggle for Self Government," "Upbuilders," and "The Least of These." He lives in New York City.

Bunk.
Great Lost Moment, The.

Sullivan, Alan, is a Canadian author.

Only Time He Smiled, The.

(123) Synon, Mary. Born in Chicago, 1881. Educated at St. Jarlath's School, West Division High School, and University of Chicago. In newspaper work since 1900. Chosen by Gaelic League in 1912 to write for American newspapers a series of articles on the Irish situation. First story, "The Boy Who Went Back to the Bush," Scribner's Magazine, November, 1909. For three years secretary of the Woman's Auxiliary of the Catholic Church Extension Society; now executive secretary of the Woman's Liberty Loan Committee. Author of "The Fleet Goes By." Lives in Wilmette, Ill.

Clay-Shattered Doors.
End of the Underground, The.
*None So Blind.

Taber, Elizabeth Stead.

*Scar, The.

(3) Vorse, Mary Heaton. (Mary Heaton Vorse O'Brien.) Born in New York. Never went properly to school because her family traveled widely, but studied art in Paris at several academies. She is most interested in radical thought, especially as expressed in the radical wing of the labor movement. Married Albert W. Vorse, 1898; Joseph O'Brien, 1912. First story, "The Boy Who Didn't Catch Things," Everybody's Magazine, June, 1904. Author of "The Breaking in of a Yachtsman's Wife," "The Very Little Person," "The Autobiography of an Elderly Woman," "The Heart's Country," and "The Ninth Man." Lives in Provincetown, Mass., and New York City.

Great God, The.
Pavilion of Saint Merci, The.

(23) Weston, George. Born in New York, 1880. High school education. Studied law and founded the Western Engineering Company. On editorial staff of New York Evening Sun from 1900. Retired to farm in Connecticut, 1912. An enthusiastic sportsman, farmer, and motorist. Single, white, an ardent Republican, a staunch admirer of Mr. Charles Chaplin, an accomplished listener to the violin, a Latin versifier, a connoisseur of roses, a fancier of fox-terriers, a lover of shad-roe and bacon, and a never-swerving champion of woman's suffrage. First short story, "After Many Years," Harper's Magazine, 1910. Author of "Oh, Mary, Be Careful!" Lives in Packer, Conn.

Perfect Gentleman, A.

THE ROLL OF HONOR OF FOREIGN SHORT STORIES IN AMERICAN MAGAZINES FOR 1917

Note. Stories of special excellence are indicated by an asterisk. The index figures 1, 2, and 3 prefixed to the name of the author indicate that his work has been included in the Rolls of Honor for 1914, 1915, and 1916 respectively.

I. English and Irish Authors

(23) Aumonier, Stacy.

*In the Way of Business.
*Packet, The.
*Them Others.

(3) Beresford, J. D.

*Escape, The.
*Little Town, The.
*Powers of the Air.

(13) Conrad, Joseph.

*Warrior's Soul, The.

Dudeney, Mrs. Henry.

*Feather-bed, The.

Dunsany, Lord.

*How the Gods Avenged Meoul Ki Ning.

(123) Galsworthy, John.

*Defeat.
Flotsam and Jetsam.
Juryman, The.

George, W. L.

*Interlude.

Gibson, Wilfrid Wilson.

*News, The.

Hamilton, Cosmo.

Ladder Leaning on a Cloud, The.

Houseman, Laurence.

Inside-out.

Lawrence, D. H.

*England, My England.
*Mortal Coil, The.
*Thimble, The.

Le Gallienne, Richard.

Bugler of the Immortals, The.

Machen, Arthur.

*Coming of the Terror, The.

MacManus, Seumas.

*Mad Man, the Dead Man, and the Devil, The.

Mordaunt, Elinor.

*Gold Fish, The.

Pertwee, Roland.

*Camouflage.
*Red and White.

(3) Soutar, Andrew.

Behind the Veil.

Thomas, Edward.

*Passing of Pan, The.

(3) Wylie, I. A. R.

*Holy Fire.
*'Melia No-Good.
*Return, The.
II. Translations

Andreyev, Leonid Nikolaevich. (Russian.)

*Lazarus.

Anonymous. (German.)

Evocation, The.
"Huppdiwupp."

Bazin, René. (French.)

*Mathurine's Eyes.

Boutet, Frederic. (French.)

*Medallion, The.

Chekhov, Anton. (Russian.) (See Tchekhov, Anton.)

Chirikov, Evgeniy. (Russian.)

*Past, The.

Delarue-Madrus, Lucie. (French.)

*Death of the Dead, The.

Heine, Anselma. (German.)

*Vision, The.

Le Braz, Anatole. (French.)

Christmas Treasure, The.

Lev, Bernard. (Bohemian.)

Bert, the Scamp.
*Marfa's Assumption.

Madeiros e Albuquerque, José de. (Brazilian.)

*Vengeance of Felix, The.

Netto, Coelho. (Brazilian.)

*Pigeons, The.

Philippe, Charles-Louis. (French.)

*Meeting, The.

Rinck, C. A. (German.)

Song, The.

Saltykov, M. Y. ("N. Schedrin.") (Russian.)

*Hungry Officials and the Accommodating Muzhik, The.

"Skitalets." (Russian.)

*"And the Forest Burned."

Tchekhov, Anton. (Russian.)

Dushitchka.
*Old Age.

THE BEST BOOKS OF SHORT STORIES OF 1917: A CRITICAL ANALYSIS

Christmas Tales of Flanders, illustrated by Jean de Bosschere (Dodd, Mead & Co.). If you like Andersen's Fairy Tales, here is a book which comes as truly from the heart of a people. Many old folk legends are here set down just as they came from the lips of old people in Flanders, and as they have never grown old in that countryside let us hope that they will take root equally well here. The volume is superbly illustrated with many pictures from the whimsical fancy of Jean de Bosschere. These pictures are indescribable, but they will rejoice the heart of any child, old or young.

From Death to Life by A. Apukhtin, translated by R. Frank and E. Huybers (R. Frank). This story, which so happily inaugurates a series of translations from Russian literature, is a poetic study in life after death, chronicling the experiences of a soul between death and rebirth. The translators have succeeded in reflecting successfully the fine imaginative style of this prose poem, which deserves to be widely known. It tempts us to wish that other stories by Apukhtin may soon find an English translator.

Tales of the Revolution by Michael Artzibashev, translated by Percy Pinkerton. (B. W. Huebsch.) The five tales by Artzibashev included in this volume all have the same quality of bitter irony and mordant self-analysis. The psychological revelation of the mind that has made the later phases of the present Russian Revolution possible is complete, and I know of no book that presents more clearly and truthfully the rudderless pessimism of these particular spiritual reactions. Such courageous dissection of the diseased mind has never been undertaken in American or English fiction, and though its realism is appalling, it is healthful in its naked frankness.

The Friends by Stacy Aumonier (The Century Co.). When "The Friends" was published two years ago in The Century Magazine, it was evident at once that an important new short-story writer had arrived. The homely humanity of his characterization was but the evidence of a rich imaginative talent that found self-expression in the more quiet ways of life. I said at the time that I believed "The Friends" to be one the two best short stories of 1915, and others felt it to be the best story of the year. To "The Friends" have now been added in this volume two other stories of almost equal distinction,—"The Packet" and "'In the Way of Business.'" While Mr. Aumonier has a certain didactic intention in these stories, he has kept it entirely subordinate to the artistry of his exposition, and it is the few characters which he has added to English fiction that we remember after his somewhat obvious moral has been conveyed. His short stories have the same flavor of belated Victorianism that one enjoys in the novels of William De Morgan, and he is equally noteworthy in his chosen field.

Irish Idylls by Jane Barlow (Dodd, Mead & Co.). This new edition of "Irish Idylls" should introduce the admirable studies of Miss Barlow to a new audience that may not be familiar with what was a pioneer volume in its day. Published in 1893, it almost marked the beginning of the Irish literary movement, and so many fine writers followed Miss Barlow that she has been most unfairly concealed by their shadows. Her studies of the lives and deaths, joys and sorrows, of Connemara peasants are none the less real because they are the product of observation by one who did not live among them. They show, as Miss Barlow says, that "there are plenty of things beside turf to be found in a bog." It is true that they represent a slight spirit of condescension, entirely absent from the work of Padraic Colum, for instance, but they approach far more closely to the heart of the Irish fishermen and farmers than the work of any other English type of mind; and although Miss Barlow is best known today by her poetry, I have always felt that she conveyed more poetry into "Irish Idylls" than into any other of her books. The volume is a necessary and permanent edition to any small collection of modern Irish literature.

Day and Night Stories by Algernon Blackwood (E. P. Dutton & Co.). In these fifteen short stories Mr. Blackwood has adequately maintained the quality of his best previous animistic work. To those who found a new imaginative world in "The Centaur" and "Pan's Garden," the old familiar magic still has power in many of these stories,—almost completely in "The Touch of Pan" and "Initiation." Hardly inferior to these stories for their passionate reality are "The Other Wing," "The Occupant of the Room," "The Tryst," and "H. S. H." There is no story in this volume which would not have made the reputation of a new writer, and I can hardly find a better introduction than "Day and Night Stories" to the beauty of Mr. Blackwood's imaginative life. He serves the same altar of beauty in our day that John Keats served a century ago, and I cannot but believe that his magic will gain greater poignancy as generations pass.

The Derelict by Phyllis Bottome (The Century Co.). This collection of Miss Bottome's short stories, many of which have previously appeared in the Century Magazine during the past two years, gives a more complete revelation of her talent than either of her novels. I suspect that the short story is her true literary medium, and certainly there are at least six of these eight short stories which I should be compelled to list with three stars in my annual Roll of Honor. In subject and mood they range from tragedy to social comedy. Elsewhere in this volume I have discussed "'Ironstone,'" which seems to me the best of these stories. A subtle irony pervades them, but it is so definitely concealed that its insistence is never evident.

Old Christmas, and Other Kentucky Tales in Verse by William Aspenwall Bradley (The Houghton-Mifflin Co.). In this series of vignettes in verse Mr. Bradley has presented the Kentucky mountaineer as imaginatively as Robert Frost has presented the farmer-folk of New Hampshire in "North of Boston" and "Mountain Interval." The racy humor of these narratives is thoroughly indigenous, and Mr. Bradley's work has a vivid dramatic power which challenges successfully a comparison with the stories of John Fox, Jr. These poems prove Mr. Bradley's rightful claim to be the first adequate imaginative interpreter of the people who live in the Cumberland Mountains.

The Fighting Men by Alden Brooks (Charles Scribner's Sons). Of these six stories four have been published in Collier's Weekly during the past two years, and elsewhere I have had occasion to comment upon their excellence. These narratives may be regarded as separate cantos of a war epic, which is fairly comparable for its vividness of portrayal to Stephen Crane's masterpiece, "The Red Badge of Courage." Few writers, other than these two, have been able to portray the naked ugliness of warfare, and the passions which warfare engenders, with more brutal power. Time alone will tell whether these stories have a chance of permanence, but I am disposed to rank them with that other portrait of the mercilessness of war, "Under Fire," by Henri Barbusse.

Limehouse Nights by Thomas Burke (Robert M. McBride & Co.). These colorful stories of life in London's Chinatown are in my humble belief destined never to grow old. This volume is the most important volume of short stories by a new English writer to appear during 1917, and is only surpassed by Daniel Corkery's volume "A Munster Twilight." Such patterned prose in fiction has not been known since the days of Walter Pater, and Mr. Burke's sense of the almost intolerable beauty of ugly things has a persuasive fascination for the reader who may have a strong prejudice against his subjects. Such horror as Mr. Burke has imagined is almost impossible to portray convincingly, yet the author has softened its starkness into patterns of gracious beauty and musical rhythmic speech.

Rinconete and Cortadillo by Miguel de Cervantes Saavedra, translated from the Spanish by Mariano J. Lorente, with a preface by R. B. Cunninghame Graham (The Four Seas Co.). This is an excellent translation by a Spanish man of letters of what is perhaps the best exemplary Novel by Cervantes. As Mr. Cunninghame Graham points out in his delightful introduction, "Rinconete and Cortadillo" is perhaps the best sketch of Spanish low-life that has come down to us. It is highly amoral, despite its sub-title, and all the more delightful perhaps on that account. I hope that the translator may be persuaded, if the volume goes into the second edition it so richly deserves, to omit his very contentious preface, which can be of interest only to himself and two other people. Then our delight in this volume would be complete.

The Duel (Macmillan), The House with the Mezzanine (Scribner), The Lady with the Dog (Macmillan), The Party (Macmillan), and Rothschild's Fiddle (Boni and Liveright) by Anton Chekhov. To The Darling, which was the first volume, so far as I know, of Chekhov, to be presented to the American public, five new collections of Chekhov's tales have been added during the past year in excellent English renderings. Three of these volumes are translated by Constance Garnett, whose superb translations of Turgenieff and Dostoievsky are well known to American readers. Because Chekhov ranks with Poe and De Maupassant as one of the three supreme masters of the short story, it is a matter of signal importance that these translations should appear, and in them every mood of Russian life is reflected with subtle artistry and a passionate reality of creative vision. Chekhov is destined to exert greater and greater influence on the American short story as the translations of his work increase, and these five volumes prove him to be fully equal to Dostoievsky in sustained and varied spiritual observation. These stories range through the entire gamut of human emotion from sublime tragedy to the richest and most golden comedy. If I were to choose a single author of short stories for my library on a desert island, my choice would inevitably turn to these volumes.

Those Times and These by Irvin S. Cobb (George H. Doran Co.). This is quite the best volume of short stories that Mr. Cobb has yet published. Since "The Escape of Mr. Trimm," which was his first short story, was printed in the Saturday Evening Post seven years ago, Mr. Cobb's literary development has been rapid, if not sure; but he may now with this volume lay claim fairly to the mantle of Mark Twain for the rich humanity with which he has endowed his substance and the inimitable humor of his characterizations. In "The Family Tree" and "Cinnamon Seed and Sandy Bottom" Mr. Cobb has added two stories of permanent value to American literature, and in "Mr. Felsburg Gets Even" and "And There Was Light" Mr. Cobb's literary art is almost as well sustained. My only quarrel with him in this book is for the inclusion of "A Kiss for Kindness," where a fine short-story possibility seems to have been entirely missed by the author, perhaps because, as he ingenuously confessed shortly afterward, he had just become an abandoned farmer.

Running Free by James B. Connolly (Charles Scribner's Sons). Of the ten short stories included by Mr. Connolly in this collection, four are among the best he has ever written: "Breath O' Dawn," "The Sea-Birds," "The Medicine Ship," and "One Wireless Night." With the simplicity of speech which characterizes all of Mr. Connolly's work, he relates his story for the story's sake. Because he is an Irishman he is an incorrigible romanticist, and I suspect that characterization interests him for the story's sake rather than for itself alone. But now that Richard Harding Davis is dead, I suppose that James B. Connolly may fairly take his place as our best born yarner, with all a yarner's privileges.

Teepee Neighbors by Grace Coolidge (The Four Seas Co.). This quiet little book of narratives and Indian portraits by Miss Coolidge deserves more attention than it has yet received, and for its qualities of quiet pathos and sympathetic insight into the Indian character I associate it as of equal value with Margaret Prescott Montague's stories of blind children in West Virginia.

A Munster Twilight by Daniel Corkery (Frederick A. Stokes Co.). I have never read a new volume of short stories with such a sense of discovery as I felt when these tales came to my hand. Because the volume appears to have attracted absolutely no attention as yet in this country, I wish to emphasize my firm belief that this is the most memorable volume of short stories published in English within the past five years. It makes us eager to read Mr. Corkery's new novel, "The Threshold of Quiet," in order that we may see if such a glorious imaginative sweep can be maintained in a novel as the reader will find in any single short story of this volume. Here you will find the very heart of Ireland's spiritual adventure revealed in folk speech of inevitable beauty. There is not a story in the book which does not disclose new aspects after repeated readings. A craftsmanship so fine and vigorous is seldom related with such artistic humility. "A Munster Twilight" proves that there are still great men in Ireland.

Brought Forward, Faith, Hope, Charity, Progress, and Success by R. B. Cunninghame Graham (Frederick A. Stokes Co.). It is an extraordinary fact that a short-story writer so deservedly well-known in England as Mr. Cunninghame Graham, whose sketches of life in many parts of the globe have been published at frequent intervals through the past decade, is yet entirely unknown in this country. To be sure, such has been the fate of W. H. Hudson until very recently. These six volumes certainly rank, by virtue of the quality of their style and the imaginative reality of their substance, with the best work of Mr. Hudson, and the parallel is the more complete because both writers have made the vanished life of the South American plains real to the English mind. Mr. Cunninghame Graham is one of the great travel writers, and ranks with Borrow and Ford, but he is more impartially interested in character than either Borrow or Ford, and has a far more vivid feeling for the spiritual values of landscape. It may be that these stories are for the few only, but I am loth to believe it. The life of the pampas and the life of the Moroccan desert live in these pages with an actuality as great as the life of the American plains lives in the work of Hamlin Garland, and there is an epic sweep in Mr. Cunninghame Graham's vision that I find in no other contemporary English writer.

The Echo of Voices by Richard Curle (Alfred A. Knopf). It is very rarely that a disciple as faithful as Mr. Curle publishes a volume which his master would be proud to sign, but I think that the reader will detect in this book the authentic voice of Joseph Conrad. Mr. Conrad's own personal enthusiasm for the book is an ingratiating introduction to the reader, but in these eight stories Mr. Curle can certainly afford to stand alone. Preoccupied as he is with the mystery of human existence, and the effect of circumstance upon the character, he portrays eight widely different human types, almost all of them with a certain pathetic futility of aspect, so surely and finely that they live before us. It is an interesting fact that the three best short story books in English of 1917 come from the other side of the water. "Limehouse Nights," "A Munster Twilight," and "The Echo of Voices" make this year so memorable in fiction that later years may well prove disappointing.

The Eternal Husband and Other Stories and The Gambler and Other Stories by Fyodor Dostoievsky (The Macmillan Co.). These two new volumes continue the complete English edition of Dostoievsky which is being translated by Constance Garnett. The renderings have the same qualities of idiomatic speech and subtly rendered nuance which is always to be found in this translator's work, and although both of these volumes represent the minor work of Dostoievsky, his minor work is finer than our major work, and characterized by a passionate curiosity about the human soul and a deep insight into its mysteries. It is idle to argue as to whether these narratives are short stories or brief novels. However we classify them, they are profound revelations of human relationship, and place their author among the great masters of the world's literature. Nor is it pertinent to discuss their technique or lack of it. Their technique is sufficient for the author's purpose, and he has achieved his will nobly in a manner inevitable to him.

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