Kitabı oku: «Sons and Fathers», sayfa 4
CHAPTER VII
"BACK! WOULD YOU MURDER HER?"
When Edward Morgan went to Europe from Columbia college it was in obedience to a mandate of John Morgan through the New York lawyers. He went, began there the life of a bohemian. Introduced by a chance acquaintance, he fell in first with the art circles of Paris, and, having a fancy and decided talent for painting, he betook himself seriously to study. But the same shadow, the same need of an overpowering motive, pursued him. With hope and ambition he might have become known to fame. As it was, his mind drifted into subtleties and the demon change came again. He closed his easel. Rome, Athens, Constantinople, the occident, all knew him, gave him brief welcome and quick farewells.
The years were passing; as he had gone from idleness to art, from art to history, and from history to archaeology by easy steps, so he passed now, successively to religion, to philosophy, and to its last broad exponent, theosophy.
The severity of this last creed fitted the crucifixion of his spirit. Its contemplation showed him vacancies in his education and so he went to Jena for additional study. This decision was reached mainly through the suggestion of a chance acquaintance named Abingdon, who had come into his life during his first summer on the continent. They met so often that the face of this man had became familiar, and one day, glad to hear his native tongue, he addressed him and was not repelled.
Abingdon gave to Edward Morgan his confidence; it was not important; a barrister in an English interior town, he crossed the channel annually for ramble in the by-ways of Europe. It had been his unbroken habit for many years.
From this time the two men met often and journeyed much together, the elder seeming to find a pleasure in the gravity and earnestness of the young man, and he in turn a relief in the nervous, jerky lawyer, looking always through small, half-closed eyes and full of keen conceptions. And when apart, occasionally he would get a characteristic note from Abingdon and send a letter in reply. He had so much spare time.
This man had once surprised him with the remark:
"If I were twenty years younger I would go to Jena and study vibration. It is the greatest force of the universe. It is the secret of creation." The more Edward dwelt upon this remark, in connection with modern results and invention, the more he was struck with it. Why go to Jena to study vibration was something that he could not fathom, nor in all probability could Abingdon. America was really the advanced line of discovery, but nevertheless he went, and with important results; and there in the old town, finding the new hobby so intimately connected with music, to which he was passionately devoted, he took up with renewed energy his neglected violin. With feverish toil he struggled along the border land of study and speculation, until he felt that there was nothing more possible for him – in Jena.
In Jena his solitary friend had been the eminent Virdow and to him he became an almost inseparable companion.
The confidence and speculations of Virdow, extending far beyond the limits of a lecture stand, carried Edward into dazzling fields. The intercourse extended through the best part of several years. On leaving Jena he was armed with a knowledge of the possibilities of the vast field he had entered upon, with a knowledge of thorough bass and harmony, and with a technique that might have made him famous had he applied his knowledge. He did not apply it!
His final stand had been Paris. Abingdon was there. Abingdon had discovered a genius and carried Edward to see him. He had been passing through an obscure quarter when he was attracted by the singular pathos of a violin played in a garret. To use his expression, "the music glorified the miserable street." Everybody there knew Benoni, the blind violinist. And to this man, awed and silent, came Edward, a listener.
No words can express the meaning that lay in the blind man's improvisations; only music could contain them. And only one man in Paris could answer! When having heard the heart language, the heart history and cravings of the player expressed in the solitude of that half-lighted garret, Edward took the antique instrument and replied, the answer was overwhelming. The blind man understood; he threw his arms about the player and embraced him.
"Grand!" he cried. "A master plays, but it is incomplete; the final note has not come; the harmony died where it should have become immortal!" And Edward knew it.
From that meeting sprang a warm friendship, the most complete that Morgan had ever known! It made the old man comfortable, gained him better quarters and broadened the horizon toward which his sun of life was setting. It would go down with some of the colors of its morning.
It became Edward's custom to take his old friend to hear the best operas and concerts, and one night they heard the immortal Cambia sing. It was a charity concert and her first appearance in many years.
When the idol of the older Paris came to the footlights for the sixth time to bow her thanks for the ovation given her, she smiled and sang in German a love song, indescribable in its passion and tenderness. It was a burst of melody from the heart of some man, great one moment in his life at least. Edward found himself standing when the tumult ceased. Benoni had sunk from his chair to his knees and was but half-conscious. The excitement had partially paralyzed him. The lithe fingers of the left hand were dead. They would never rest again upon the strings of his great violin – the Cremona to which in sickness and poverty, although its sale would have enriched him, he clung with the faith and instinct of the artist.
There came the day when Edward was ready to depart to America. He went to say good-bye, and this is what happened: The old man held Edward's hands long in silence, but his lips moved in prayer; then lifting the instrument, he placed it in the young man's arms.
"Take it," he said. "I may never meet you again. It is the one thing that I have been true to all my life. I will not leave it to the base and heartless." And so Edward, to please him, accepted the trust. He would return some day; many hours should the violin sing for the old man. As he stood he drew the bow and played one strain of Cambia's song and the blind man lifted his face in sudden excitement. As Edward paused he called the notes until it was complete. "Now again," he said, singing:
If thou couldst love me
As I do love thee,
Then wouldst thou come to me,
Come to me.
Never forsaking me,
Never, oh, never
Forsaking me.
Oceans may roll between,
Thine home and thee
Love, if thou lovest me
Lovest me,
What care we, you and I?
Through all eternity,
I love thee, darling one,
Love me; love me.
"You have found the secret," said Benoni; "the chords on the lower octaves made the song."
And so they had parted! The blind man to wait for the final summons; the young man to plunge into complications beyond his wildest dreams.
"A man," said Virdow once, "is a tribe made up of himself, his family and his friends." And this was the history in outline of the man to whom Rita Morgan handed the violin that fateful day when Gerald lay face down among the pillows of his divan.
Recognizing in the delicate and excitable organism before him the possibilities of emotion and imagination, Edward prepared to play. Without hesitation he drew the bow across the strings and began a solemn prelude to a choral. And as he played he noticed the heaving form below him grow still. Then Gerald lifted his face and gazed past the player, with an intensity of vision that deepened until he seemed in the grasp of some stupendous power or emotion. Edward played the recital; the story of Calvary, the crucifixion and the mourning women, and the march of soldiers. Finally there came the tumult of bursting storm and riven tombs. The climax of action occurred there; it was to die away into a movement fitted to the resurrection and the peaceful holiness of Christ's meeting with Mary. But before this latter movement began Gerald leaped upon the player with the quickness and fury of a tiger and by the suddenness of the onset nearly bore him to the floor. This mad assault was accompanied by a shriek of mingled fear and horror.
"Back – would you murder her?" By a great effort Edward freed himself and the endangered violin, and forced the assailant to the divan. The octoroon was kneeling by his side weeping.
"Leave him to me," she said. Stunned and inexpressibly shocked Edward withdrew. The grasp on his throat had been like steel! The marks remained.
"I have," he wrote that night in a letter to Virdow, "heard you more than once express the hope that you would some day be able to visit America. Come now, at once! I have here entered upon a new life and need your help. Further, I believe I can help you."
After describing the circumstances already related, the letter continued: "The susceptibility of this mind to music I regard as one of the most startling experiences I have ever known, and it will afford you an opportunity for testing your theories under circumstances you can never hope for again. Let me say to you here that I am now convinced by some intuitive knowledge that the assault upon me was based upon a memory stirred by the sound of the violin; that vibration created anew in the delicate mind some picture that had been forgotten and brought back again painful emotions that were ungovernable. I cannot think but that it is to have a bearing upon the concealed facts of my life; the discovery of which is my greatest object now, as in the past. And I cannot but believe that your advice and discretion will guide me in the treatment and care of this poor being, perhaps to the extent of affecting a radical change, and leave him a happier and a more rational being.
"Come to me, my friend, at once! I am troubled and perplexed. And do not be offended that I have inclosed exchange for an amount large enough to cover expenses. I am now rich beyond the comprehension of your economical German mind, and surely I may be allowed, in the interests of science, of my ward and myself to spend from the abundant store. I look for you early. In the meantime, I will be careful in my experiments. Come at once! The mind has an independent memory and you can demonstrate it."
Edward knew that there was more on that concluding sentence than in the rest of the letter and exchange combined, and half-believing it, he stated it as a prophecy. He was preparing to retire, when it occurred to him that the strange occupant of the wing-room might need his attention. Something like affection had sprung up in his heart for the unfortunate being who, with chains heavier than his own, had missed the diversion of new scenes, the broadening, the soothing of great landscapes and boundless oceans. A pity moved him to descend and to knock at the door. There was no answer. He entered to find the apartment deserted, but the curtain was drawn from the doorway of the glass-room and he passed in. Upon the bed in the yellow light of the moon lay the slender figure of Gerald, one arm thrown around the disordered hair, the other hanging listless from his side.
He approached and bent above the bed. The face turned upward there seemed like wax in the oft-broken gloom. The sleeper had not stirred. It was the vibration of chords in harmony, that had moved him. Would it have power again? He hesitated a moment, then returned quickly to the wing-room and secured his instrument. Concealing himself he waited. It was but a moment.
The wind brought the branches of the nearest oleanders against the frail walls, and the play of lightning had become continuous. Then began in earnest the tumult of the vast sound waves as they met in the vapory caverns of the sky. The sleeper tossed restlessly upon his bed; he was stirred by a vague but unknown power; yet something was wanting.
At this moment Edward lifted his violin and, catching the storm note, wove a solemn strain into the diapason of the mighty organ of the sky. And as he played, as if by one motion, the sleeper stood alone in the middle of the room. Again Edward saw that frenzied stare fixed upon vacancy, but there was no furious leap of the agile limbs; by a powerful effort the struggling mind seemed to throw off a weight and the sleeper awoke.
The bow was now suspended; the music had ceased. Gerald rushed to his easel and, standing in a sea of electric flame, outlined with swift strokes a woman's face and form. She was struggling in the grasp of a man and her face was the face of the artist who worked. But such expression! Agony, horror, despair!
The figure of the man was not complete from the waist down; his face was concealed. Between them, as they contended, was a child's coffin in the arms of the woman. Overhead were the bare outlines of an arch.
The artist hesitated and added behind the group a tree, whose branches seemed to lash the ground. And there memory failed; the crayon fell from his fingers; he stood listless by the canvas. Then with a cry he buried his face in his hands and wept.
As he stood thus, the visitor, awed but triumphant, glided through the door and disappeared in the wing-room. He knew that he had touched a hidden chord; that the picture on the canvas was born under the flashlight of memory! Was it brain? Oh, for the wisdom of Virdow!
Sympathy moved him to return again to the glass-room. It was empty!
CHAPTER VIII
ON THE BACK TRAIL
Edward found himself next day feverish and mentally disturbed; but he felt new life in the morning air. There was a vehicle available; a roomy buggy, after the fashion of those chosen by physicians, with covered tops to keep out the sun, and rubber aprons for the rain. And there was a good reliable horse, that had traveled the city road almost daily for ten years.
He finished his meal and started out. In the yard he found Gerald pale and with the contracted pupils that betrayed his deadly habit. He was taking views with a camera and came forward with breathless interest.
"I am trying some experiments with photographs on the line of our conversation," he said. "If the mind pictures can be revived they must necessarily exist. Do they? The question with me now is, can any living substance retain a photographic impression? You understand, it seems that the brain can receive these impressions through certain senses, but the brain is transient; through a peculiar process of supply and waste it is always coming and going. If it is true that every atom of our physical bodies undergoes a change at least once in seven years, how can the impressions survive? I have here upon my plate the sensitized film of a fish's eyes; I caught it this morning. I must establish, first, the proposition that a living substance can receive a photographic image; if I can make an impression remain upon this film I have gained a little point – a little one. But the fish should be alive. There are almost insuperable difficulties, you understand! The time will come when a new light will be made, so powerful, penetrating as to illumine solids. Then, perhaps, will the brain be seen at work through the skull; then may its tiny impressions even be found and enlarged; then will the past give up its secrets. And the eye is not the brain." He looked away in perplexity. "If I only had brain substance, brain substance – a living brain!" He hurried away and Edward resumed his journey to the city, sad and thoughtful.
"It was not wise," he said, "it was not wise to start Gerald upon that line of thought. And yet why not as well one fancy as another?" He had no conception of the power of an idea in such a mind as Gerald's.
"You did not mention to me," he said an hour later, sitting in Eldridge's office, "that I would have a ward in charge out at Ilexhurst. You naturally supposed I knew it, did you not?"
"And you did not know it?" Eldridge looked at him in unaffected astonishment.
"Positively not until the day after I reached the house! I had never heard of Gerald Morgan. You can imagine my surprise, when he walked in upon me one night."
"You really astound me; but it is just like old Morgan – pardon me if I smile. Of all eccentrics he was the most consistent. Yes, you have a charge and a serious one. I am probably the only person in the city who knows something of Gerald, and my information is extremely limited. With an immense capacity for acquiring information, a remarkable memory and a keen analysis, the young man has never developed the slightest capacity for business. He received everything, but applied nothing. I was informed by his uncle, not long since, that there was no science exact or occult into which Gerald had not delved at some time, but his mind seemed content with simply finding out."
"Gerald has been a most prodigious reader, devouring everything," continued the judge, "ancient and modern, within reach, knows literature and politics equally well, and is master of most languages to the point of being able to read them. I suppose his unfortunate habit – of course you know of that – is the obstacle now. For many years now I believe, the young man has not been off the plantation, and only at long intervals was he ever absent from it. Ten or fifteen years ago he used to be seen occasionally in the city in search of a book, an instrument or something his impatience could not wait on."
"Ten or fifteen years ago! You knew him then before he was grown?"
"I have known him ever since his childhood!" An exclamation in spite of him escaped from Edward's lips, but he did not give Eldridge time to reflect upon it.
"Is his existence generally known?" asked he, in some confusion.
"Oh, well, the public knows of his existence. He is the skeleton in Morgan's closet, that is all."
"And who is he?" asked Edward, looking the lawyer straight into the eyes.
"That," said Eldridge, gravely, "is what I would ask of you." Edward was silent. He shook his head; it was an admission of ignorance, confirmed by his next question.
"Have you no theory, Judge, to account for his existence under such circumstances?"
"Theory? Oh, no! The public and myself have always regarded him simply as a fact. His treatment by John Morgan was one of the few glimpses we got of the old man's rough, kind nature. But his own silence seemed to beg silence, and no one within my knowledge ever spoke with him upon the subject. It would have been very difficult," he added, with a smile, "for he was the most unapproachable man, in certain respects, that I ever met."
"You knew him well? May I ask if ever within your knowledge there was any romance or tragedy in his earlier life?"
"I do not know nor have I ever heard of any tragedy in the life of your relative," said the lawyer, slowly; and then, after a pause: "It is known to men of my age, at least remembered by some, that late in life, or when about forty years old, he conceived a violent attachment for the daughter of a planter in this county and was, it is said, at one time engaged to her. The match was sort of family arrangement and the girl very young. She was finishing her education at the north and was to have been married upon her return; but she never returned. She ran away to Europe with one of her teachers. The war came on and with it the blockade. No one has ever heard of her since. Her disappearance, her existence, were soon forgotten. I remember her because I, then a young lawyer, had been called occasionally to her father's house, where I met and was greatly impressed by her. But I am probably one of the few who have carried in mind her features. She was a beautiful and lovable young woman, but, without a mother's training she had grown up self-willed and the result was as I have told you." Edward had risen and was walking the floor. He paused before the speaker.
"Judge Eldridge," he said, his voice a little unsteady, "I am going to ask you a question, which I trust you will be free to answer – will answer, and then forget." An expression of uneasiness dwelt on the lawyer's face, but he answered:
"Ask it; if I am free to answer, and can, I will."
"I will ask it straight," said Edward, resolutely: "Have you ever suspected that Gerald Morgan is the son of the young woman who went away?"
Eldridge's reply was simply a grave bow. He did not look up.
"You do not know that to be a fact?"
"I do not."
"What, then, is my duty?"
"To follow the directions left by your relative," said Eldridge, promptly.
Edward reflected a few moments over the lawyer's answer.
"I agree with you, but time may bring changes. May I ask what is your theory of this strange situation – as regards my ward?" He could not bring himself to betray the fact of his own mystery.
"I suppose," said Eldridge, slowly, "that if your guess is correct the adventure of the lady was an unfortunate one, and that, disowned at home, she made John Morgan the guardian of her boy. She, more than likely, is long since dead. It would have been entirely consistent with your uncle's character if, outraged in the beginning, he was forgiving and chivalrous in the end."
"But why was the silence never broken?"
"I do not know that it was never broken. I have nothing to go upon. I believe, however, that it never was. The explanations that suggest themselves to my mind are, first, a pledge of silence exacted from him, and he would have kept such a pledge under any circumstances. Second, a difficulty in proving the legitimacy of the boy. You will understand," he added, "that the matter is entirely suppositious. I would prefer to think that your uncle saw unhappiness for the boy in a change of guardianship, and unhappiness for the grandfather, and left the matter open. You know he died suddenly."
There was silence of a few moments and Eldridge added: "And yet it does seem that he would have left the old man something to settle the doubt which must have rested upon his mind; it is an awful thing to lose a daughter from sight and live out one's life in ignorance of her fate." And then, as Edward made no reply, "you found nothing whatever to explain the matter?"
"Nothing! In the desk, to which his note directed me, I found only a short letter of directions; one of which was that I should arrange with you to provide for Gerald's future in case of my death. The desk contained nothing else except some manuscripts – fragmentary narratives and descriptions, they seemed." Eldridge smiled.
"His one weakness," he said. "Years ago John Morgan became impressed with the idea that he was fitted for literary work and began to write short stories for magazines, under nom de plume. I was the only person who shared his secret and together we told many a good story of bench, bar and practice. Neither of us had much invention and our career – you see I claim a share – our career was limited to actual occurrences. When our stock of ammunition was used up we were bankrupt. But it was a success while it lasted. Mr. Morgan had a rapid, vivid style of presenting scenes; his stories were full of action and dramatic situations and made quite a hit. I did not know he had any writings left over. He used to say, though, as I remember now, speaking in the serio-comic way he often affected, that the great American novel, so long expected, lay in his desk in fragments. You have probably gotten among these.
"And by the way," continued the judge, impressively, "he was not far wrong in his estimate of the literary possibilities of this section. The peculiar institutions of the south, its wealth, its princely planters, and through all the tangle of love, romance, tragedy and family secrets. And what a background! The war, the freed slaves, the old regime – courtly, unchanged, impractical and helpless. Turgeneff wrote under such a situation in Russia, and called his powerful novel 'Fathers and Sons.' Mr. Morgan used to say that he was going to call his 'Sons and Fathers.' Hold to his fragments; he was a close observer, and if you have literary aspirations they will be suggestive." Edward shook his head.
"I have none, but I see the force of your outline. Now about Gerald; I trust you will think over the matter and let me know what your judgment suggests. I promised Mr. Montjoy to drop in at the club. I will say good-morning."
"No," said Eldridge, "it is my lunch hour and I will go with you."
Together they went to a business club and Edward was presented to a group of elderly men who were discussing politics over their glasses. Among them was Col. Montjoy, in town for a day, several capitalists, a planter or two, lawyers and physicians. They regarded the newcomer with interest and received him with perfect courtesy. "A grand man your relative was, Mr. Morgan, a grand man; perfect type, sir, of the southern gentleman! The community, sir, has met with an irreparable loss. I trust you will make your home here, sir. We need good men, sir; strong, brainy, energetic men, sir."
So said the central figure, Gen. Albert Evan.
"Montjoy, you remember cousin Sam Pope of the Fire-Eaters – died in the ditch at Marye's Heights near Cobb? Perfect likeness of Mr. Morgan here; same face same figure – pardon the personal allusion, Mr. Morgan, but your prototype was the bravest of the brave. You do each other honor in the resemblance, sir! Waiter, fill these glasses! Gentlemen," cried the general, "we will drink to the health of our young friend and the memory of Sam Pope. God bless them both."
Such was Edward's novel reception, and he would not have been human had he not flushed with pleasure. The conversation ran back gradually to its original channel.
"We have been congratulating Col. Montjoy, Mr. Morgan," said one of the party in explanation to Morgan, "upon the announcement of his candidacy for congress."
"Ah," said the latter, promptly bowing to the old gentleman, "let me express the hope that the result will be such as will enable me to congratulate the country. I stand ready, colonel, to lend my aid as far as possible, but I am hampered somewhat by not knowing my own politics yet. Are you on the Democratic or Republican ticket, colonel?"
This astonishing question silenced the conversation instantly and drew every eye upon him. But recovering from his shock, Col. Montjoy smiled amiably, and said:
"There is but one party in this state, sir – the Democratic. I am a candidate for nomination, but nomination is election always with us." Then to the others present he added: "Mr. Morgan has lived abroad since he came of age – I am right, am I not, Mr. Morgan?"
"Quite so. And I may add," continued Edward, who was painfully conscious of having made a serious blunder, "that I have never lived in the south and know nothing of state politics." This would have been sufficient, but unfortunately Edward did not realize it. "I know, however, that you have here a great problem and that the world is watching to see how you will handle the race question. I wish you success; the negro has my sympathy and I think that much can be safely allowed him in the settlement."
He remembered always thereafter the silence that followed this earnest remark, and he had cause to remember it. He had touched the old south in its rawest point and he was too new a citizen. Eldridge joined him in the walk back, but Edward let him talk for both. The direction of his thoughts was indicated in the question he asked at parting.
"Judge Eldridge, did you purposely withhold the girl's name – my uncle's fiancee? If so, I will not ask it, but – "
"No, not purposely, but we handle names reluctantly in this country. She was Marion Evan, and you but recently met her father."
