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I am enraptured by this magnificent specimen. The curves, of which I uncover a layer at every stroke of the plane, far exceed my requirements; they are strikingly regular; they afford the compasses the full space needed for accurate measurement.
Before calling in geometry, let us, if possible, name the creator of these beautiful curves. The inhabitants of the poplar have disappeared, perhaps long ago, as is proved by the mycelium of the agaric; the insect would not gnaw and bore its way through timber all permeated with the felt-like growth of the cryptogam. A few weaklings, however, have died without being able to escape. I find their remains swathed in mycelium. The agaric has preserved them from destruction by wrapping them in tight cerements. Under these mummy-bandages, I recognise a Saw-fly, Sirex augur, KLUG., in the state of the perfect insect. And – this is an important detail – all these adult remains, without a single exception, occupy spots which have no means of communication with the outside. I find them sometimes in a partly-constructed curved passage, beyond which the wood remains intact, sometimes at the end of the straight central gallery, choked with sawdust, which is not continued in front. These remains, with no thoroughfare before them, tell us plainly that the Sirex adopts for its exit methods not employed by the Buprestes and the Longicorns.
The larva does not prepare the path of deliverance; it is left for the perfect insect to open itself a passage through the wood. What I have before my eyes tells me more or less plainly the sequence of events. The larva, whose presence is proved by galleries blocked with packed sawdust, do not leave the centre of the trunk, a quieter retreat, less subject to the vicissitudes of the climate. Metamorphosis is effected at the junction of the straight gallery and the curved passage which is not yet made. When strength comes, the perfect insect tunnels ahead for a distance of more than four inches and opens up the exit-passage, which I find choked, not with compact sawdust, but with loose powdery rubbish. The dead insects which I strip of their mycelium-shrouds are weaklings whose strength deserted them mid-way. The rest of the passage is lacking because the labourer died on the road.
With this fact of the insect itself boring the exit passage, the problem assumes a more troublesome form. If the larva, rich in leisure and satisfied with its sojourn in the interior of the trunk, simplifies the coming emergence by shortening the road, what must not the adult do, who has so short a time to live and who is in so great a hurry to leave the hateful darkness? He above any other should be a judge of short cuts. To go from the murky heart of the tree to the sun-steeped bark, why does he not follow a straight line? It is the shortest way.
Yes, for the compasses, but not perhaps for the sapper. The length traversed is not the only factor of the work accomplished, of the total activity expended. We must take into account the resistance overcome, a resistance which varies according to the depth of the more or less hard strata and according to the method of attacking the woody fibres, which are either broken across or divided lengthwise. Under these conditions, whose value remains to be determined, can there be a curve involving a minimum of mechanical labour in cutting through the wood?
I was already trying to discover how the resistance may vary according to depth and direction; I was working out my differentials and my minimum integrals, when a very simple idea overturned my slippery scaffolding. The calculation of variations has nothing to do with the matter. The animal is not the moving body of the mathematicians, the particle of matter guided in its trajectory solely by the motive forces and the resistance of the medium traversed; it bears within itself conditions which control the others. The adult insect does not even enjoy the larva's privileges; it cannot bend freely in all directions. Under its harness it is almost a stiff cylinder. To simplify the explanation, we may liken the insect to a section of an inflexible straight line.
Let us return to the Sirex, reduced by abstraction to its axis. The metamorphosis is effected not far from the centre of the trunk. The insect lies lengthwise in the tree with its head up, very rarely with its head down. It must reach the outside as quickly as possible. The section of an inflexible straight line that represents it nibbles away a little wood in front of it and obtains a shallow cavity wide enough to allow of a very slight turn towards the outside. An infinitesimal advance is made; a second follows, the result of a similar cavity and a similar turn in the same direction. In short, each change of position is accompanied by the tiny deviation permitted by the slight excess of width of the hole; and this deviation invariably points the same way. Imagine a magnetic needle swung out of its position and tending to return to it while moving with a uniform speed through a resisting medium in which a sheath of a diameter slightly greater than the needle's opens bit by bit. The Sirex behaves more or less in the same fashion. His magnetic pole is the light outside. He makes for that direction by imperceptible deviations as his tooth digs.
The problem of the Sirex is now solved. The trajectory is composed of equal elements, with an invariable angle between them; it is the curve whose tangents, divided by infinitely small distances, retain the same inclination between each one and the next; the curve, in a word, with a constant angle of contingence. This characteristic betrays the circumference of the circle.
It remains to discover whether the facts confirm the logical argument. I take accurate tracings of a score of galleries, selecting those whose length best lends itself to the test of the compasses. Well, logic agrees with reality: over lengths which sometimes exceed four inches, the track of the compasses is identical with that of the insect. The most pronounced deviations do not exceed the small variations which we must reasonably expect in a problem of a physical nature, a problem incompatible with the absolute accuracy of abstract truths.
The Sirex' exit-gallery then is a wide arc of a circle whose lower extremity is connected with the corridor of the larva and whose upper extremity is prolonged in a straight line which ends at the surface with a perpendicular or slightly oblique incidence. The wide connecting arc enables the insect to tack about. When, starting from a position parallel with the axis of the tree, the Sirex has passed gradually to a transversal position, he completes his course in a straight line, which is the shortest road.
Does the trajectory imply the minimum of work? Yes, under the conditions of the insect's existence. If the larva had taken the precaution to place itself in a different direction when preparing for the nymphosis, to turn its head towards the nearest point of the bark instead of turning it lengthwise with the trunk, obviously the adult would escape more easily: he would merely have to gnaw straight in front of him in order to pass through the minimum thickness. But reasons of convenience whereof the grub is the sole judge, reasons dictated perhaps by weight, cause the vertical to precede the horizontal position. In order to pass from the former to the latter, the insect veers round by describing the arc of a circle. When this turn has been effected, the distance is completed in a straight line.
Let us consider the Sirex at his starting-point. His stiffness of necessity compels him to turn gradually. Here the insect can do nothing of its own initiative; everything is mechanically determined. But, being free to pivot on its axis and to attack the wood on either side of the sheath, it has the option of attempting this reversal in a host of different ways, by a series of connected arcs, not in the same plane. Nothing prevents it from describing winding curves by revolving upon itself: spirals, loops constantly changing their direction, in fact, the complicated route of a creature that has lost its way. It might wander in a tortuous maze, making fresh attempts here, there and everywhere, groping for ever so long without succeeding.
But it does not grope and it succeeds very well. Its gallery is still contained within one plane, the first condition of the minimum of labour. Moreover, of the different vertical planes that can pass through the eccentric starting-point, one, the plane which passes through the axis of the tree, corresponds on the one side with the minimum of resistance to be overcome and on the other with the maximum. Nothing prevents the Sirex from tracing his path in any one of the multitude of planes on which the path would possess an intermediate value between the shortest and the longest. The insect refuses them all and constantly adopts the one which passes through the axis, choosing, of course, the side that entails the shortest path. In brief, the Sirex' gallery is contained in a plane pointing towards the axis of the tree and the starting-point; and of the two portions of this plane the channel passes through the less extensive. Under the conditions, therefore, imposed upon him by his stiffness the hermit of the poplar-tree releases himself with the minimum of mechanical labour.
The miner guides himself by the compass in the unknown depths underground, the sailor does the same in the unknown ocean solitudes. How does the wood-eating insect guide itself in the thickness of a tree-trunk? Has it a compass? One would almost say that it had, so successfully does it keep to the quickest road. Its goal is the light. To reach this goal, it suddenly chooses the economical plane trajectory, after spending its larval leisure in roaming tortuous passages full of irregular curves; it bends it in an arc which allows it to turn about; and, with its head held plumb with the adjacent surface, it goes straight ahead by the nearest way.
The most extraordinary obstacles are powerless to turn it aside from its plane and its curve, so imperative is its guiding force. It will gnaw metal, if need be, rather than turn its back upon the light, which it feels to be close at hand. The entomological records place this incredible fact beyond a doubt. At the time of the Crimean War, the Institut de France received some packets of cartridges in which the bullets had been perforated by Sirex juvencus; a little later, at the Grenoble Arsenal, S. gigas carved himself a similar exit. The larva was in the wood of the cartridge-boxes; and the adult insect, faithful to its direction of escape, had bored through the lead because the nearest daylight was behind that obstacle.
There is an exit-compass, that is incontestable, both for the larvæ preparing the passage of deliverance and for the adult insect, the Sirex obliged to make that passage for himself. What is it? Here the problem becomes surrounded with a darkness which is perhaps impenetrable; we are not well enough equipped with means of receiving impressions even to imagine the causes which guide the creature. There is, in certain events, another world of the senses in which our organs perceive nothing, a world which is closed to us. The eye of the camera sees the invisible and photographs the image of the ultra-violet rays; the tympanum of the microphone hears what to us is silence. A scientific toy, a chemical contrivance surpass us in sensibility. Would it be rash to attribute similar faculties to the delicate organization of the insect, even with regard to agencies unknown to our science, because they do not fall within the domain of our senses? To this question there is no positive reply; we have suspicions and nothing more. Let us at least dispel a few false notions that might occur to us.
Does the wood guide the insect, adult or larva, by its structure? Gnawed across the grain, it must produce a certain impression; gnawed lengthwise, it must produce a different impression. Is there not something here to guide the sapper? No, for in the stump of a tree left standing the emergence takes place, according to the proximity of the light, sometimes by way of the horizontal section, by means of a rectilinear path running along the grain, and sometimes by way of the side, by means of a curved road cutting across the grain.
Is the compass a chemical influence, or electrical, or calorific, or what not? No, for in an upright trunk the emergence is effected as often by the north face, which is always in the shade, as by the south face, which receives the sun all day long. The exit-door opens in the side which is nearest, without any other condition. Can it be the temperature? Not that either, for the shady side, though cooler, is utilized as often as the side facing the sun.
Can it be sound? Not so. The sound of what, in the silence of solitude? And are the noises of the outside world propagated through half an inch of wood in such a way as to make differences perceptible? Can it be weight? No again, for the trunk of the poplar shows us more than one Sirex travelling upside down, with his head towards the ground, without any change in the direction of the curved passages.
What then is the guide? I have no idea. It is not the first time that this obscure question has been put to me. When studying the emergence of the Three-pronged Osmia from the bramble-stems shifted from their natural position by my wiles, I recognized the uncertainty in which the evidence of physical science leaves us; and, in the impossibility of finding any other reply, I suggested a special sense, the sense of open space. Instructed by the Sirex, the Buprestes, the Longicorns, I am once again compelled to make the same suggestion. It is not that I care for the expression: the unknown cannot be named in any language. It means that the hermits in the dark know how to find the light by the shortest road; it is the confessions of an ignorance which no honest observer will blush to share. Now that the evolutionists' interpretations of instinct have been recognized as worthless, we all come to that stimulating maxim of Anaxagoras', which laconically sums up the result of my researches:
"[Greek: Nous pánta diekosmése]. Mind orders all things."
CHAPTER IX
THE DUNG-BEETLES OF THE PAMPAS
To travel the world, by land and sea, from pole to pole; to cross-question life, under every clime, in the infinite variety of its manifestations: that surely would be glorious luck for him that has eyes to see; and it formed the radiant dream of my young years, at the time when Robinson Crusoe was my delight. These rosy illusions, rich in voyages, were soon succeeded by dull, stay-at-home reality. The jungles of India, the virgin forests of Brazil, the towering crests of the Andes, beloved by the Condor, were reduced, as a field for exploration, to a patch of pebbles enclosed within four walls.
Heaven forfend that I should complain! The gathering of ideas does not necessarily imply distant expeditions. Jean-Jacques Rousseau50 herborized with the bunch of chick-weed whereon he fed his Canary; Bernardin de Saint-Pierre51 discovered a world on a strawberry-plant that grew by accident in a corner of his window; Xavier de Maistre,52 using an arm-chair by way of post-chaise, made one of the most famous of journeys around his room.
This manner of seeing country is within my means, always excepting the post-chaise, which is too difficult to drive through the bushes. I go the circuit of my enclosure over and over again, a hundred times, by short stages; I stop here and I stop there; patiently, I put questions and, at long intervals, I receive some scrap of a reply.
The smallest insect village has become familiar to me: I know each fruit-branch where the Praying Mantis53 perches; each bush where the pale Italian Cricket54 strums amid the calmness of the summer nights; each downy plant scraped by the Anthidium, that maker of cotton bags; each cluster of lilac worked by the Megachile, the Leaf-cutter.
If cruising among the nooks and corners of the garden do not suffice, a longer voyage shows ample profit. I double the cape of the neighbouring hedges and, at a few hundred yards, enter into relations with the Sacred Beetle,55 the Capricorn, the Geotrupes,56 the Copris,57 the Decticus,58 the Cricket,59 the Green Grasshopper,60 in short, with a host of tribes the telling of whose story would exhaust a lifetime. Certainly, I have enough and even too much to do with my near neighbours, without leaving home to rove in distant lands.
Besides, roaming the world, scattering one's attention over a host of subjects, is not observing. The travelling entomologist can stick numerous species, the joy of the collector and the nomenclator, into his boxes; but to gather circumstantial evidence is a very different matter. A Wandering Jew of science, he has no time to stop. Where a prolonged stay would be necessary to study this or that fact, he is hurried past the next stage. We must not expect the impossible of him under these conditions. Let him pin his specimens to cork tablets, let him steep them in jars of spirit, and leave to the sedentary the patient observations that require time.
This explains the extreme penury of history outside the dry descriptions of the nomenclator. Overwhelming us with its numbers, the exotic insect nearly always preserves the secret of its manners. Nevertheless, it were well to compare what happens under our eyes with that which happens elsewhere; it were excellent to see how, in the same guild of workers, the fundamental instinct varies with climatic conditions.
Then my longing to travel returns, vainer to-day than ever, unless one could find a seat on that carpet of which we read in the Arabian Nights, the famous carpet whereon one had but to sit to be carried whithersoever he pleased. O marvellous conveyance, far preferable to Xavier de Maistre's post-chaise! If I could only find just a little corner on it, with a return-ticket!
I do find it. I owe this unexpected good fortune to a Brother of the Christian Schools, to Brother Judulien, of the La Salle College at Buenos Aires. His modesty would be offended by the praises which his debtor owes him. Let us simply say that, acting on my instructions, his eyes take the place of mine. He seeks, finds, observes, sends me his notes and his discoveries. I observe, seek and find with him, by correspondence.
It is done; thanks to this first-rate collaborator, I have my seat on the magic carpet. Behold me in the pampas of the Argentine Republic, eager to draw a parallel between the industry of the Sérignan61 Dung-beetles and that of their rivals in the western hemisphere.
A glorious beginning! An accidental find procures me, to begin with, the Splendid Phanæus (P. splendidulus), who combines a coppery effulgence with the sparkling green of the emerald. One is quite astonished to see so rich a gem load its basket with ordure. It is the jewel on the dung-hill. The corselet of the male is grooved with a wide hollow and he sports a pair of sharp-edged pinions on his shoulders; on his forehead he plants a horn which vies with that of the Spanish Copris. While equally rich in metallic splendour, his mate has no fantastic embellishments, which are an exclusive prerogative of masculine dandyism among the Dung-beetles of La Plata as among our own.
Now what can the gorgeous foreigner do? Precisely what the Lunary Copris62 does with us. Settling, like the other, under a flat cake of Cow-dung, the South American Beetle kneads egg-shaped loaves underground. Not a thing is forgotten: the round belly with the largest volume and the smallest surface; the hard rind which acts as a preservative against premature desiccation; the terminal nipple where the egg is lodged in a hatching-chamber; and, at the end of the nipple, the felt stopper which admits the air needed by the germ.
All these things I have seen here and I see over there, almost at the other end of the world. Life, ruled by inflexible logic, repeats itself in its works, for what is true in one latitude cannot be false in another. We go very far afield in search of a new spectacle to meditate upon; and we have an inexhaustible specimen before our eyes, between the walls of our enclosure.
Settled under the sumptuous dish dropped by the Ox, the Phanæus, one would think, ought to make the very best use of it and to stock her burrow with a number of ovoids, after the example of the Lunary Copris. She does nothing of the sort, preferring to roam from one find to the other and to take from each the wherewithal to model a single pellet, which is left to itself for the soil to incubate. She is not driven to practise economy even when she is working the produce of the Sheep far from the pastures of the Argentine.
Can this be because the jewel of the pampas dispenses with the father's collaboration? I dare not follow up the argument, for the Spanish Copris would give me the lie, by showing me the mother occupied alone in settling the family and nevertheless stocking her one pit with a number of pellets. Each has her share of customs the secret of which escapes us.
The two next, Megathopa bicolor and M. intermedia, have certain points of resemblance with the Sacred Beetle, for whose ebon hue they substitute a blue black. The first besides brightens his corselet with magnificent copper reflections. With their long legs, their forehead with its radiating denticulations and their flattened wing-cases, they are fairly successful smaller editions of the famous pill-roller.
They also share her talent. The work of both is once again a sort of pear, but constructed in a more ingenious fashion, with an almost conical neck and without any elegant curves. From the point of view of beauty, it falls short of the Sacred Beetle's work. Considering the tools, which have ample free play and are well adapted for clasping, I expected something better from the two modellers. No matter: the work of the Megathopæ conforms with the fundamental art of the other pill-rollers.
A fourth, Bolbites onitoides, compensates us for repetitions which, it is true, widen the scope of the problem but teach us nothing new. She is a handsome Beetle with a metallic costume, green or copper-red according as the light happens to fall. Her four-cornered shape and her long, toothed fore-legs make her resemble our Onites.63
In her, the Dung-beetles' guild reveals itself under a very unexpected aspect. We know insects that knead soft loaves; and here are some which, to keep their bread fresh, discover ceramics and become potters, working clay in which they pack the food of the larvæ. Before my housekeeper, before any of us, they knew how, with the aid of a round jar, to keep the provisions from drying during the summer heats. The work of the Bolbites is an ovoid, hardly differing in shape from that of the Copres; but this is where the ingenuity of the American insect shines forth. The inner mass, the usual dung-cake furnished by the Cow or the Sheep, is covered with a perfectly homogeneous and continuous coating of clay, which makes a piece of solid pottery impervious to evaporation.
The earthen pot is exactly filled by its contents, without the slightest interval along the line of junction. This detail tells us the worker's method. The jar is moulded on the provisions. After the food-pellet has been formed in the ordinary baker's fashion and the egg laid in its hatching-chamber, the Bolbites takes some armfuls of the clay near at hand, applies it to the foodstuff and presses it down. When the work is finished and smoothed to perfection with indefatigable patience, the tiny pot, built up piecemeal, looks as though made with the wheel and rivals our own earthenware in regularity.
The hatching-chamber, in which the egg lies, is, as usual, contrived in the nipple at the end of the pear. How will the germ and the young larva manage to breathe under that clay casing, which intercepts the access of the air?
Have no fears: the pot-maker knows quite well how matters stand. She takes good care not to close the top with the plastic earth which supplied her with the walls. At some distance from the tip of the nipple, the clay ceases to play its part and makes way for fibrous particles, for tiny scraps of undigested fodder, which, arranged one above the other with a certain order, form a sort of thatched roof over the egg. The inward and outward passage of the air is assured through this coarse screen.
One is set thinking in the presence of this layer of clay, which protects the fresh provisions, and this vent-hole stopped with a truss of straw, which admits the air freely, while defending the entrance. There is the eternal question, if we do not rise above the commonplace: how did the insect acquire so wise an art?
Not one fails in obeying those two laws, the safety of the egg and ready ventilation; not one, not even the next on my list, whose talent opens up a new horizon: I am now speaking of Lacordaire's Gromphas. Let not this repellant name of Gromphas (the old sow) give us a wrong notion of the insect. On the contrary, it is, like the last, an elegant Dung-beetle, dark-bronze, thickset, square-shaped like our Bison Onitis64 and almost as large. It also practises the same industry, at least as regards the general effect of the work.
Its burrow branches into a small number of cylindrical cells, forming the homes of as many larvæ. For each of these the provisions consist of a parcel of Cow-dung, about an inch deep. The material is carefully packed and fills the bottom of the cavity, just as a soft paste would do when pressed down in a mould. Until now the work is similar to that of the Bison Onitis; but the resemblance goes no farther and is replaced by profound and curious differences, having no connection with what the Dung-beetles of our own parts show us.
As we know, our sausage-makers, Onites and Geotrupes alike, place the egg at the lower end of their cylinder, in a cell contrived in the very midst of the mass of foodstuffs. Their rival in the pampas adopts a diametrically opposite method: she places the egg above the victuals, at the upper end of the sausage. In order to feed, the grub does not have to work upwards; on the contrary, it works downwards.
More remarkable still: the egg does not lie immediately on top of the provisions; it is installed in a clay chamber with a wall about one-twelfth of an inch in thickness. This wall forms an hermetically-sealed lid, curves into a cup and then rises and bends over to make a vaulted ceiling.
The germ is thus enclosed in a mineral box, having no connection with the provision-store, which is kept strictly shut. The newborn grub must employ the first efforts of its teeth to break the seals, to cut through the clay floor and to make a trap-door which will take it to the underlying cake.
A rough beginning for the feeble mandible, even though the material to be bored through is a fine clay. Other grubs bite at once into a soft bread which surrounds them on every side; this one, on leaving the egg, has to make a breach in a wall before taking nourishment.
Of what use are these obstacles? I do not doubt that they have their purpose. If the grub is born at the bottom of a closed pot, if it has to chew through brick to reach the larder, I feel sure that certain conditions of its well-being demand this. But what conditions? To become acquainted with them would call for an examination on the spot; and all the data that I possess are a few nests, lifeless things very difficult to interrogate. However, it is possible to catch a glimpse of one or two points.
The Gromphas' burrow is shallow; those little cylinders, her loaves, are greatly exposed to drought. Over there, as here, the drying up of the victuals constitutes a mortal danger. To avert this peril, by far the most sensible course is to enclose the food in absolutely shut vessels.
Well, the receptacle is dug in very fine, homogeneous, water-tight earth, with not a bit of gravel, not an atom of sand in it. Together with the lid that forms the bottom of its round chamber, in which the egg is lodged, this cavity becomes an urn whose contents are safe from drought for a long time, even under a scorching sun. However late the hatching, the new-born grub, on finding the lid, will have under its teeth provisions as fresh as though they dated from that very day.
The clay food-pit, with its closely-fitting lid, is an excellent method, than which our agricultural experts have discovered no better way of preserving fodder; but it possesses one drawback: to reach the stack of food, the grub has first to open a passage through the floor of its chamber. Instead of the pap called for by its weakly stomach, it begins by finding a brick to chew.
The rude task would be avoided if the egg lay directly on top of the victuals, inside the case itself. Here our logic is at fault: it forgets an essential point, which the insect is careful not to disregard. The germ breathes. Its development requires air; and the perfectly-closed clay urn does not allow any air to enter. The grub has to be born outside the pot.
Agreed. But, in the matter of breathing, the egg is no better off for being shut up, on top of the provisions, in a clay casket quite as air-tight as the jar itself. Examine the thing more closely, however, and you will receive a satisfactory reply. The walls of the hatching-chamber are carefully glazed inside. The mother has taken meticulous pains to give them a stucco-like finish. The vaulted ceiling alone is rugged, because the building-tool now works from the outside and is unable to reach the inner surface of the lid and smooth it. Moreover, in the centre of this curved and embossed ceiling, a small opening has been made. This is the air-hole, which allows of gaseous exchanges between the atmosphere inside the box and that outside.