Kitabı oku: «Blade-O'-Grass. Golden Grain. and Bread and Cheese and Kisses.», sayfa 4
'Charley,' says little Ruth, 'you are like Paul.'
They all clap their hands in acquiescence.
'But where's my Virginia?' asks Charley.
'I'll be Virginia,' cries Ruth somewhat precociously; 'and you can carry me about where you like.'
They all laugh at this, and Ruth is quite proud, believing that she has distinguished herself. It is strange to hear the blind girl say, 'I can see Paul with Virginia in his arms.' And no doubt she can, better than the others who are blessed with sight. The three grown-up persons listen and talk among themselves, and now and then join in the conversation. The clock strikes-nine. It is a cuckoo-clock, and the children listen to the measured 'Cuckoo! Cuck-oo!' until the soulless bird, having, with an egregious excess of vanity, asserted itself nine times as the great 'I am' of all the birds in town or country, retires into its nest, and sleeps for an hour. Then a chapter from the Bible and prayers, and in the prayers a few words to the memory of two-a brother and a sister-who have gone from among them. For last year they were seven; now they are five. Their faces grow sad as the memory of their dear brother and sister comes upon them in their prayers, and 'Poor Archie!' 'Poor Lizzie!' hang upon their lips. The night's pleasures and duties being ended, the three youngest children go to bed, the last kind nod and smile being given to Ruth, sister to poor Blade-o'-Grass, who lingers a moment behind the others, and with her arm round Rachel's neck, cries 'Cuck-oo! Cuck-oo!' as her final good-night. But the proud bird in the clock takes no notice, and preserves a disdainful silence, although Ruth, as her custom is, waits a moment or two, and listens for the reply that does not come. Charley and Mary stop up an hour later than the others, reading; but before that hour expires, Mr. Merrywhistle bids his friends good-night, and retires.
MR. MERRYWHISTLE MEETS THE QUEER LITTLE OLD MAN
But not to his bed. He was restless, and, the night being a fine one, he strolled out of Buttercup-square into the quiet streets. It was a favourite custom of his to walk along the streets of a night with no companions but his thoughts. Almost invariably he chose the quiet streets, for there are streets in London-north and south and east and west-which never sleep; streets which are healthy with traffic in the day, and diseased with traffic in the night.
Mr. Merrywhistle walked along and mused, in no unhappy frame of mind. A visit to the Silvers always soothed and comforted him; and on this occasion the sweet face of Mrs. Silver, and the happy faces and voices of the children, rested upon him like a peaceful cloud. So engrossed was he, that he did not heed the pattering of a small urchin at his side, and it was many moments before he awoke from his walking dream, and became conscious of the importunate intruder.
'If you please, sir!' said the small urchin, for the twentieth time, in a voice of weak pleading.
Mr. Merrywhistle looked down, and saw a face that he fancied he had seen before. But the memory of the happy group in Buttercup-square still lingered upon him. What he really saw as he looked down was a little boy without a cap, large-eyed, white-faced, and bare-footed. No other than Tom Beadle in fact, making hay, or trying to make it, not while the sun, but while the moon shone.
'If you please, sir!' repeated the boy, 'will you give me a copper to buy a bit o' bread?'
Then the dawn of faint suspicion loomed upon Mr. Merrywhistle. He placed his hand lightly upon Tom Beadle's shoulder, and said in a troubled voice, 'My boy, haven't I seen you before to-day?'
'No, sir,' boldly answered Tom Beadle, having no suspicion of the truth; for when the shilling was slipped into his hand, his eyes were towards the ground, and he did not see Mr. Merrywhistle's face.
'Were you not on the Royal Exchange with a little girl, and didn't I give you a-a shilling?'
For a moment Tom Beadle winced, and he had it in his mind to twist his shoulder from Mr. Merrywhistle's grasp and run away. For a moment only: natural cunning and his inclination kept him where he was. To tell the honest truth, a lie was a sweet morsel to Tom Beadle, and he absolutely gloried in 'taking people in.' So, on this occasion, he sent one sharp glance at Mr. Merrywhistle-which, rapid as it was, had all the effect of a sun-picture upon him-and whined piteously, 'Me 'ave a shillin' guv to me! Never 'ad sich a bit o' luck in all my born days. It was some other boy, sir, some cove who didn't want it. They allus gits the luck of it. And as for a little gal and the Royal Igschange, I wish I may die if I've been near the place for a week!'
'And you are hungry?' questioned Mr. Merrywhistle, fighting with his doubts.
''Aven't 'ad a ounce o' bread in my mouth this blessed day;' and two large tears gathered in Tom Beadle's eyes. He took care that Mr. Merrywhistle should see them.
Mr. Merrywhistle sighed, and with a feeling of positive pain gave twopence to Tom Beadle, who slipped his shoulder from Mr. Merrywhistle's hand with the facility of an eel, and scudded away in an exultant frame of mind.
Mr. Merrywhistle walked a few steps, hesitated, and then turned in the direction that Tom Beadle had taken.
'Now, I wonder,' he thought, 'whether the collector was right this morning, and whether I have been assisting in making criminals today.'
Truly this proved to be a night of coincidences to Mr. Merrywhistle; for he had not walked a mile before he came upon the queer little old man, whom he had met on the Royal Exchange. The old fellow was leaning against a lamp-post, smoking a pipe, and seemed to be as much at home in the wide street as he would have been in his own parlour. He looked surly and ill-grained, and his eyebrows were very precipitous. His mild eye was towards Mr. Merrywhistle, as that gentleman approached him, and when Mr. Merrywhistle slowly passed him, his fierce eye came in view and lighted upon the stroller. Before he had left the old man three yards behind him, Mr. Merrywhistle fancied he heard a chuckle. He would have dearly liked to turn back and accost the old man, but a feeling of awkwardness was upon him, and he could not muster sufficient courage. Chance, however, brought about an interview. Not far from him was a building that might have been a palace, it was so grand and light. It was a triumph of architecture, with its beautiful pillars, and its elaborate stonework. Great windows, higher than a man's height, gilt framed, and blazing with a light that threw everything around them in the shade, tempted the passer-by to stop and admire. There were three pictures in the windows, and these pictures were so cunningly surrounded by jets of light, that they could not fail to attract the eye. Awful satires were these pictures. Two of them represented the figure of a man under different aspects. On the left, this man was represented with a miserably-attenuated face, every line in which expressed woe and destitution; his clothes were so ragged that his flesh peeped through; his cheeks were thin, his lips were drawn in, his eyes were sunken; his lean hands seemed to tremble beneath a weight of misery: at the foot of this picture was an inscription, to the effect that it was the portrait of a man who did not drink So-and-so's gin and So-and-so's stout, both of which life's elixirs were to be obtained within. On the right, this same man was represented with full-fleshed face, with jovial eyes, with handsome mouth and teeth, with plump cheeks, with fat hands-his clothes and everything about him betokening worldly prosperity and happiness: at the foot of this picture was an inscription, to the effect that it was the portrait of the same man who (having, it is to be presumed, seen the error of his ways) did drink So-and-so's gin and So-and-so's stout. A glance inside this palace, crowded with Misery, would have been sufficient to show what a bitter satire these pictures were. But the centre picture, in addition to being a bitter satire, was awfully suggestive. It was this:
Whether to the artist or to the manufacturer was due the credit of ingeniously parading 'Old Tom' in a coffin, cannot (through the ignorance of the writer) here be recorded. But there it shone-an ominous advertisement. As Mr. Merrywhistle halted for a moment before these pictures, there issued from the Laboratory of Crime and Disease a man and a woman: he, blotched and bloated; she, worn-eyed and weary-both of them in rags. The woman, clinging to his arm, was begging him to come home-for his sake; for hers; for the children's; for God's! With his disengaged hand he struck at her, and she fell to the ground, bleeding. She rose, however, and wiped her face with her apron, and implored him again and again to come home-and again he struck at her: this time with cruel effect, for she lay in the dust, helpless for a while. A crowd gathered quickly, and a hubbub ensued. In the midst of the Babel of voices, Mr. Merrywhistle, looking down saw the strange old man standing by his side. The same surly, sneering expression was on the old man's countenance, and Mr. Merrywhistle felt half inclined to quarrel with him for it. But before he had time to speak, the old man took the pipe out of his mouth, and pointing the stem in the direction of the chief actors in the scene, said, 'I knew them two when they was youngsters.'
'Indeed,' replied Mr. Merrywhistle, interested immediately, and delighted at the opportunity of opening up the conversation.
'She was a han'some gal; you'd scarce believe it to look at her now. She 'ad eyes like sloes; though whether sloes is bird, beast, or fish, I couldn't tell ye, but I've heard the sayin' a 'undred times. Anyways, she 'ad bright black eyes, and was a good gal too; but she fell in love'-(in a tone of intense scorn) – with that feller, and married him, the fool!'
'What has brought them to this?'
'Gin!' said the old man, expelling the word as if it were a bullet, and bringing his fierce eye to bear with all its force upon Mr. Merrywhistle.
Short as was the time occupied by this dialogue, it was long enough to put an end to the scene before them. The woman was raised to her feet by other women, many of whom urged her to 'Give him in charge, the brute!' but she shook her head, and staggered away in pain. Very quickly after her disappearance the crowd dissolved, by far the greater part of it finding its way through the swing-doors of the gin-palace, to talk of the event over So-and-so's gin and So-and-so's stout. Not that there was anything new or novel in the occurrence. It was but a scene in a drama of real life that had been played many hundred times in that locality. Presently the street was quite clear, and Mr. Merrywhistle and the old man were standing side by side, alone. A handy lamp-post served as a resting-place for the old man, who continued to smoke his pipe, and to chuckle between whiles, as if he knew that Mr. Merrywhistle wanted to get up a conversation, and did not know how to commence. As he saw that the old man was determined not to assist him, and as every moment added to the awkwardness of the situation, Mr. Merrywhistle made a desperate plunge.
'When I was on the Royal Exchange to-day-' he commenced.
The old man took his pipe out of his mouth, and expelled a cloud and a chuckle at the same moment.
'I thought you was a-comin' to that,' he said. 'You owe me a bob.'
'What for?'
'I made a bet with you-to myself-that the first thing you'd speak about was the Royal Exchange. I bet you a bob-to myself-and I won it.'
Without hesitation Mr. Merrywhistle took a shilling from his pocket, and offered it to the old man, who eyed it with his fierce eye for a moment, doubtingly and with curiosity, and then calmly took possession of it, and put it in his waistcoat-pocket.
'When you was, on the Royal Exchange to-day,' he said, repeating Mr. Merrywhistle's words, 'you sor a boy and a girl a-beggin'.'
'No,' exclaimed Mr. Merrywhistle warmly; 'they were not begging.'
'You may call it what you like,' said the old man; 'but I call it beggin'; and so would that identical boy, if I was to ask him. He wouldn't tell you so, though. The boy he looked as if he was goin' to die, and you give him a copper or a bit of silver; and you wasn't pleased because I laughed at you for it. Now, then, fire away.'
'Was that boy starving? Was he as ill as he looked? Was I-'
'Took in?' added the old man, as Mr. Merrywhistle hesitated to express the doubt 'Why? D'ye want your money back? Lord! he's a smart little chap, is Tom Beadle!'
'You know him, then?'
'Know him!' replied the old man, with a contemptuous snort; 'I'd like to be told who it is about 'ere I don't know. And I'd like to know who you are. I'm almost as fond of askin' questions as I am of answering 'em. What's sauce for the goose is sauce for the gander. If you expect Jimmy Wirtue to answer your questions, you must make up your mind to answer his'n.'
'You're Mr. Virtue, then?'
'You're at it agin. No, I'm not Mr. Virtue' (he had to struggle with the 'V' before it would pass his lips), 'but Jimmy Wirtue-and that's not Jimmy Wice. What's your'n?'
'Merrywhistle,' replied that gentleman shortly.
Jimmy Virtue was pleased at the quick answer.
'Merrywhistle!' he exclaimed. 'That's a rum name-rummer than mine. What more would you like to know? What am I? I keep a leavin'-shop. Where do I live? In Stoney-alley. Now, what are you; and where do you live? Are you a Methody parson, or a penny-a-liner, or a detective, or a cove that goes about studyin' human nater, or a feelanthrofist. We've lots o' them knockin' about 'ere.'
Mr. Merrywhistle was constrained to reply, but found himself unexpectedly in a quandary.
'I'm a-a-O, I'm Nothing Particular,' blurting it out almost in desperation.
'You look like it,' chuckled Jimmy Virtue, so tickled by his smart retort as to be satisfied with Mr. Merrywhistle's vague definition of his calling. 'We've lots of your sort, too, knockin' about here-more than the feelanthrofists, I shouldn't wonder. But I don't think there's any 'arm in you. Jimmy Wirtue's not a bad judge of a face; and he can tell you every one of your organs. 'Ere's Benevolence-you've got that large; 'ere's Ideality-not much o' that; 'ere's Language-shut your eyes; 'ere's Causality-no, it ain't; you 'aven't got it. I can't see your back bumps, nor the bumps atop o' your 'ead; but I could ferret out every one of 'em, if I 'ad my fingers there.'
At this moment an individual approached them who would have attracted the attention of the most unobservant. Mr. Merrywhistle did not see his face; but the gait of the man was so singular, that his eyes wandered immediately in the direction of the man. At every three steps the singular figure paused, and puffed, as if he were a steam-engine, and was blowing off steam. One-two-three; puff. One-two-three; puff. One-two-three; puff.
'What on earth is the matter with the man?' exclaimed Mr. Merrywhistle to Jimmy Virtue.
'Nothing that I knows of,' replied Jimmy Virtue; 'he's been goin' on that way for the last twenty year. If you're lookin' out for characters, you'll get plenty of 'em 'ere. Perhaps you're a artist for one of the rubbishy picter-papers-one of the fellers who sees a murder done in a Whitechapel court one day, and takes a picter of it on the spot from nater; and who sees a shipwreck in the Atlantic the next day, and takes a picter of that on the spot from nater. That there man's worth his ten 'undred golden sovereigns a-year, if he's worth a penny; and he lives on tuppence a-day. The girls and boys about here calls him Three-Steps-and-a-Puff. If you was to go and offer him a ha'penny, he'd take it.'
By the time that Three-Steps-and-a-Puff was out of sight, the tobacco in Jimmy Virtue's pipe had turned to dust and smoke, and he prepared to depart also. But seeing that Mr. Merrywhistle was inclined for further conversation, he said:
'Perhaps you'd like to come down and see my place?'
Mr. Merrywhistle said that he would very much like to come down and see Jimmy Virtue's place.
'Come along, then,' said Jimmy Virtue, but paused, and said, 'Stop a bit; perhaps you wouldn't mind buyin' a penn'orth o' baked taters first.'
A baked-potato can, with a man attached to it, being near them, Mr. Merrywhistle invested a penny, thinking that Jimmy Virtue intended the potatoes for supper.
'Did you ever consider,' said the eccentric old man, as they turned down the narrowest of lanes, 'that a big city was like a theaytre?'
'No, it never struck me.'
'It is, though I there's stalls, and dress-circle, and pit, and gallery, in a big city like London. The west, that's the stalls and private boxes; the north, that's the dress-circle; the south, that's the pit; the east, that's the gallery. This is the penny-gallery of the theaytre; 'taint a nice place to lay in.'
He stopped before the forms of two children-a boy and a girl-who, huddled in each other's arms, were fast asleep in a gateway. He stirred them gently with his foot; and the boy started to his feet instantaneously, wide awake, and on the alert for his natural enemies, the police. Mr. Merrywhistle was standing in the abutment of the gateway, and the boy couldn't see his face; but the well-known form of Jimmy Virtue was instantly recognised; and as the boy sank to the ground, he muttered:
'What's the good of waking us up just as we was a-gettin' warm? You wouldn't like it yourself, Mr. Wirtue, you wouldn't.'
Then he crept closer to his companion, and said sleepily:
'Come along, Bladergrass; let's turn in agin.'
The girl, who had been regarding the two dark shadows with a half-frightened, half-imploring look, as if she dreaded that they were about to turn her out of her miserable shelter, nestled in the lad's arms, and the next minute they were asleep again. All blessings were not denied to them.
'I know that lad,' said Mr. Merrywhistle.
'You ought to; it's Tom Beadle.'
'And he was at the Royal Exchange to-day with that poor little girl?'
'Yes, that was him. You thought he was dyin'. What do you think now?
Jimmy Virtue seemed to take positive pleasure in putting the affair in the worst light.
Mr. Merrywhistle did not answer the question, but said, in a sad tone, 'He begged of me again to-night.'
'Did he, though!' exclaimed Jimmy Virtue admiringly.
'And when I asked him if any one had given him a-a shilling on the Royal Exchange to-day, he took an oath that he hadn't been near the Royal Exchange for a month, and that he had never had a shilling given to him in all his life.'
'And did you believe him, and give him anythin'?'
'Yes' (hesitatingly), 'I gave him a trifle.'
Jimmy Virtue stopped by a post, and held his sides. When he had had his laugh out, he said:
'Tom's a smart little thief. But you're not the first gent he's taken in twice in one day. Come, now, he's taken you in twice with your eyes shut; let him take you in once more with your eyes open.'
'I don't understand.'
'Them baked taters-'
'Well?'
'It wouldn't be a bad thing-like returnin' good for evil, as the preachers say-if you was to go and put them taters in the little girl's lap.'
'No-no-no!' exclaimed Mr. Merrywhistle, a little violently, and pausing between each negative, 'it'll be paying a premium for dishonesty and lies.'
The good fellow's heart was filled with pain as he uttered these words, which, hotly spoken, served as fuel to flame; for Jimmy Virtue turned upon him almost savagely, and snarled:
'You're a nice article, you are, a-givin' and repentin'! I've been took in by you, I 'ave. If I 'ad my fingers on the back o' your 'ead, I'd find something that would do away with your bumps o' benevolence. Dishonesty and lies! What'd you want, you and the likes? The boy's got to live, ain't he? The boy's got to eat, ain't he? If he can't work and don't beg, what's he to do? Steal? Yah! D'you think he's got money in the bank? D'you think, if he 'ad his pockets full, he'd sleep in the open air, in a gateway?'
'Stop, stop, my good friend!' implored Mr. Merrywhistle, overcome by remorse at his hard-heartedness. He ran quickly to where the children were lying, and deposited the baked potatoes, and a few coppers as well, in the girl's lap and hands. When he came back to where Jimmy Virtue was standing, he found that worthy only half mollified.
'A-givin' and repentin',' muttered the old man, as he walked towards Stoney-alley, 'that's a nice kind o' charity!' Impelled by a sudden thought, he turned back to the gateway, and kneeling by the side of Blade-o'-Grass, opened her hot hand in which the pence were.
'He's not a bad chap, after all,' he murmured, as he retraced his steps, 'but it's enough to rile a feller and put a feller's back up, when a man gives and repents.'