Kitabı oku: «A Little Book of Profitable Tales», sayfa 6
EZRA'S THANKSGIVIN' OUT WEST
Ezra had written a letter to the home folks, and in it he had complained that never before had he spent such a weary, lonesome day as this Thanksgiving day had been. Having finished this letter, he sat for a long time gazing idly into the open fire that snapped cinders all over the hearthstone and sent its red forks dancing up the chimney to join the winds that frolicked and gambolled across the Kansas prairies that raw November night. It had rained hard all day, and was cold; and although the open fire made every honest effort to be cheerful, Ezra, as he sat in front of it in the wooden rocker and looked down into the glowing embers, experienced a dreadful feeling of loneliness and homesickness.
"I'm sick o' Kansas," said Ezra to himself. "Here I've been in this plaguey country for goin' on a year, and – yes, I'm sick of it, powerful sick of it. What a miser'ble Thanksgivin' this has been! They don't know what Thanksgivin' is out this way. I wish I was back in ol' Mass'chusetts – that's the country for me, and they hev the kind o' Thanksgivin' I like!"
Musing in this strain, while the rain went patter-patter on the window-panes, Ezra saw a strange sight in the fireplace, – yes, right among the embers and the crackling flames Ezra saw a strange, beautiful picture unfold and spread itself out like a panorama.
"How very wonderful!" murmured the young man. Yet he did not take his eyes away, for the picture soothed him and he loved to look upon it.
"It is a pictur' of long ago," said Ezra, softly. "I had like to forgot it, but now it comes back to me as nat'ral-like as an ol' friend. An' I seem to be a part of it, an' the feelin' of that time comes back with the pictur', too."
Ezra did not stir. His head rested upon his hand, and his eyes were fixed upon the shadows in the firelight.
"It is a pictur' of the ol' home," said Ezra to himself. "I am back there in Belchertown, with the Holyoke hills up north an' the Berkshire mountains a loomin' up gray an' misty-like in the western horizon. Seems as if it wuz early mornin'; everything is still, and it is so cold when we boys crawl out o' bed that, if it wuzn't Thanksgivin' mornin', we'd crawl back again an' wait for Mother to call us. But it is Thanksgivin' mornin', an' we're goin' skatin' down on the pond. The squealin' o' the pigs has told us it is five o'clock, and we must hurry; we're goin' to call by for the Dickerson boys an' Hiram Peabody, an' we've got to hyper! Brother Amos gets on about half o' my clo'es, and I get on 'bout half o' his, but it's all the same; they are stout, warm clo'es, and they're big enough to fit any of us boys, – Mother looked out for that when she made 'em. When we go downstairs we find the girls there, all bundled up nice an' warm, – Mary an' Helen an' Cousin Irene. They're goin' with us, an' we all start out tiptoe and quiet-like so's not to wake up the ol' folks. The ground is frozen hard; we stub our toes on the frozen ruts in the road. When we come to the minister's house, Laura is standin' on the front stoop, a-waitin' for us. Laura is the minister's daughter. She's a friend o' Sister Helen's – pretty as a dagerr'otype, an' gentle-like and tender. Laura lets me carry her skates, an' I'm glad of it, although I have my hands full already with the lantern, the hockies, and the rest. Hiram Peabody keeps us waitin', for he has overslept himself, an' when he comes trottin' out at last the girls make fun of him, – all except Sister Mary, an' she sort o' sticks up for Hiram, an' we're all so 'cute we kind o' calc'late we know the reason why.
"And now," said Ezra, softly, "the pictur' changes; seems as if I could see the pond. The ice is like a black lookin'-glass, and Hiram Peabody slips up the first thing, an' down he comes lickety-split, an' we all laugh, – except Sister Mary, an' she says it is very imp'lite to laugh at other folks' misfortunes. Ough! how cold it is, and how my fingers ache with the frost when I take off my mittens to strap on Laura's skates! But, oh, how my cheeks burn! And how careful I am not to hurt Laura, an' how I ask her if that's 'tight enough,' an' how she tells me 'jist a little tighter,' and how we two keep foolin' along till the others hev gone an' we are left alone! An' how quick I get my own skates strapped on, – none o' your new-fangled skates with springs an' plates an' clamps an' such, but honest, ol'-fashioned wooden ones with steel runners that curl up over my toes an' have a bright brass button on the end! How I strap 'em and lash 'em and buckle 'em on! An' Laura waits for me an' tells me to be sure to get 'em on tight enough, – why, bless me! after I once got 'em strapped on, if them skates hed come off, the feet wud ha' come with 'em! An' now away we go, – Laura an' me. Around the bend – near the medder where Si Barker's dog killed a woodchuck last summer – we meet the rest. We forget all about the cold. We run races an' play snap the whip, an' cut all sorts o' didoes, an' we never mind the pick'rel weed that is froze in on the ice an' trips us up every time we cut the outside edge; an' then we boys jump over the air-holes, an' the girls stan' by an' scream an' tell us they know we're agoin' to drownd ourselves. So the hours go, an' it is sun-up at last, an' Sister Helen says we must be gettin' home. When we take our skates off, our feet feel as if they were wood. Laura has lost her tippet; I lend her mine, and she kind o' blushes. The old pond seems glad to have us go, and the fire-hangbird's nest in the willer-tree waves us good-by. Laura promises to come over to our house in the evenin', and so we break up.
"Seems now," continued Ezra, musingly, – "seems now as if I could see us all at breakfast. The race on the pond has made us hungry, and Mother says she never knew anybody else's boys that had such capac'ties as hers. It is the Yankee Thanksgivin' breakfast, – sausages an' fried potatoes, an' buckwheat cakes an' syrup, – maple syrup, mind ye, for Father has his own sugar bush, and there was a big run o' sap last season. Mother says, 'Ezry an' Amos, won't you never get through eatin'? We want to clear off the table, for there's pies to make, an' nuts to crack, and laws sakes alive! the turkey's got to be stuffed yit!' Then how we all fly round! Mother sends Helen up into the attic to get a squash while Mary's makin' the pie-crust. Amos an' I crack the walnuts, – they call 'em hickory nuts out in this pesky country of sagebrush and pasture land. The walnuts are hard, and it's all we can do to crack 'em. Ev'ry once 'n a while one on 'em slips outer our fingers an' goes dancin' over the floor or flies into the pan Helen is squeezin' pumpkin into through the col'nder. Helen says we're shif'less an' good for nothin' but frivolin'; but Mother tells us how to crack the walnuts so 's not to let 'em fly all over the room, an' so 's not to be all jammed to pieces like the walnuts was down at the party at the Peasleys' last winter. An' now here comes Tryphena Foster, with her gingham gown an' muslin apron on; her folks have gone up to Amherst for Thanksgivin', an' Tryphena has come over to help our folks get dinner. She thinks a great deal o' Mother, 'cause Mother teaches her Sunday-school class an' says Tryphena oughter marry a missionary. There is bustle everywhere, the rattle uv pans an' the clatter of dishes; an' the new kitch'n stove begins to warm up an' git red, till Helen loses her wits an' is flustered, an' sez she never could git the hang o' that stove's dampers.
"An' now," murmured Ezra, gently, as a tone of deeper reverence crept into his voice, "I can see Father sittin' all by himself in the parlor. Father's hair is very gray, and there are wrinkles on his honest old face. He is lookin' through the winder at the Holyoke hills over yonder, and I can guess he's thinkin' of the time when he wuz a boy like me an' Amos, an' useter climb over them hills an' kill rattlesnakes an' hunt partridges. Or doesn't his eyes quite reach the Holyoke hills? Do they fall kind o' lovingly but sadly on the little buryin' ground jest beyond the village? Ah, Father knows that spot, an' he loves it, too, for there are treasures there whose memory he wouldn't swap for all the world could give. So, while there is a kind o' mist in Father's eyes, I can see he is dreamin'-like of sweet an' tender things, and a-communin' with memory, – hearin' voices I never heard an' feelin' the tech of hands I never pressed; an' seein' Father's peaceful face I find it hard to think of a Thanksgivin' sweeter than Father's is.
"The pictur' in the firelight changes now," said Ezra, "an' seems as if I wuz in the old frame meetin'-house. The meetin'-house is on the hill, and meetin' begins at half pas' ten. Our pew is well up in front, – seems as if I could see it now. It has a long red cushion on the seat, and in the hymn-book rack there is a Bible an' a couple of Psalmodies. We walk up the aisle slow, and Mother goes in first; then comes Mary, then me, then Helen, then Amos, and then Father. Father thinks it is jest as well to have one o' the girls set in between me an' Amos. The meetin'-house is full, for everybody goes to meetin' Thanksgivin' day. The minister reads the proclamation an' makes a prayer, an' then he gives out a psalm, an' we all stan' up an' turn 'round an' join the choir. Sam Merritt has come up from Palmer to spend Thanksgivin' with the ol' folks, an' he is singin' tenor to-day in his ol' place in the choir. Some folks say he sings wonderful well, but I don't like Sam's voice. Laura sings soprano in the choir, and Sam stands next to her an' holds the book.
"Seems as if I could hear the minister's voice, full of earnestness an' melody, comin' from way up in his little round pulpit. He is tellin' us why we should be thankful, an', as he quotes Scriptur' an' Dr. Watts, we boys wonder how anybody can remember so much of the Bible. Then I get nervous and worried. Seems to me the minister was never comin' to lastly, and I find myself wonderin' whether Laura is listenin' to what the preachin' is about, or is writin' notes to Sam Merritt in the back of the tune book. I get thirsty, too, and I fidget about till Father looks at me, and Mother nudges Helen, and Helen passes it along to me with interest.
"An' then," continues Ezra in his revery, "when the last hymn is given out an' we stan' up agin an' join the choir, I am glad to see that Laura is singin' outer the book with Miss Hubbard, the alto. An' goin' out o' meetin' I kind of edge up to Laura and ask her if I kin have the pleasure of seein' her home.
"An' now we boys all go out on the Common to play ball. The Enfield boys have come over, and, as all the Hampshire county folks know, they are tough fellers to beat. Gorham Polly keeps tally, because he has got the newest jack-knife, – oh, how slick it whittles the old broom-handle Gorham picked up in Packard's store an' brought along jest to keep tally on! It is a great game of ball; the bats are broad and light, and the ball is small and soft. But the Enfield boys beat us at last; leastwise they make 70 tallies to our 58, when Heman Fitts knocks the ball over into Aunt Dorcas Eastman's yard, and Aunt Dorcas comes out an' picks up the ball an' takes it into the house, an' we have to stop playin'. Then Phineas Owens allows he can flop any boy in Belchertown, an' Moses Baker takes him up, an' they wrassle like two tartars, till at last Moses tuckers Phineas out an' downs him as slick as a whistle.
"Then we all go home, for Thanksgivin' dinner is ready. Two long tables have been made into one, and one of the big tablecloths Gran'ma had when she set up housekeepin' is spread over 'em both. We all set round, – Father, Mother, Aunt Lydia Holbrook, Uncle Jason, Mary, Helen, Tryphena Foster, Amos, and me. How big an' brown the turkey is, and how good it smells! There are bounteous dishes of mashed potato, turnip, an' squash, and the celery is very white and cold, the biscuits are light an' hot, and the stewed cranberries are red as Laura's cheeks. Amos and I get the drumsticks; Mary wants the wish-bone to put over the door for Hiram, but Helen gets it. Poor Mary, she always did have to give up to 'rushin' Helen,' as we call her. The pies, – oh, what pies mother makes; no dyspepsia in 'em, but good-nature an' good health an' hospitality! Pumpkin pies, mince an' apple too, and then a big dish of pippins an' russets an' bellflowers, an', last of all, walnuts with cider from the Zebrina Dickerson farm! I tell ye, there's a Thanksgivin' dinner for ye! that's what we get in old Belchertown; an' that's the kind of livin' that makes the Yankees so all-fired good an' smart.
"But the best of all," said Ezra, very softly to himself, – "oh, yes, the best scene in all the pictur' is when evenin' comes, when the lamps are lit in the parlor, when the neighbors come in, and when there is music an' singin' an' games. An' it's this part o' the pictur' that makes me homesick now and fills my heart with a longin' I never had before; an' yet it sort o' mellows an' comforts me, too. Miss Serena Cadwell, whose beau was killed in the war, plays on the melodeon, and we all sing, – all on us, men, womenfolks, an' children. Sam Merritt is there, an' he sings a tenor song about love. The women sort of whisper round that he's goin' to be married to a Palmer lady nex' spring, an' I think to myself I never heard better singin' than Sam's. Then we play games, – proverbs, buzz, clap-in-clap-out, copenhagen, fox-an'-geese, button-button-who's-got-the-button, spin-the-platter, go-to-Jerusalem, my-ship's-come-in, and all the rest. The ol' folks play with the young folks just as nat'ral as can be; and we all laugh when Deacon Hosea Cowles hez to measure six yards of love ribbon with Miss Hepsy Newton, and cut each yard with a kiss; for the deacon hez been sort o' purrin' round Miss Hepsy for goin' on two years. Then, aft'r a while, when Mary an' Helen bring in the cookies, nutcakes, cider, an' apples, Mother says: 'I don't b'lieve we're goin' to hev enough apples to go round; Ezry, I guess I'll have to get you to go down-cellar for some more.' Then I says: 'All right, Mother, I'll go, providin' some one'll go along an' hold the candle.' An' when I say this I look right at Laura, an' she blushes. Then Helen, jest for meanness, says: 'Ezry, I s'pose you aint willin' to have your fav'rite sister go down-cellar with you an' catch her death o' cold?' But Mary, who hez been showin' Hiram Peabody the phot'graph album for more 'n an hour, comes to the rescue an' makes Laura take the candle, and she shows Laura how to hold it so it won't go out.
"The cellar is warm an' dark. There are cobwebs all between the rafters an' everywhere else except on the shelves where Mother keeps the butter an' eggs an' other things that would freeze in the butt'ry upstairs. The apples are in bar'ls up against the wall, near the potater-bin. How fresh an' sweet they smell! Laura thinks she sees a mouse, an' she trembles an' wants to jump up on the pork bar'l, but I tell her that there sha'n't no mouse hurt her while I'm round; and I mean it, too, for the sight of Laura a-tremblin' makes me as strong as one of Father's steers. 'What kind of apples do you like best, Ezry?' asks Laura, – 'russets or greenin's or crow-eggs or bellflowers or Baldwins or pippins?' 'I like the Baldwins best,' says I, ''coz they've got red cheeks just like yours.' 'Why, Ezry Thompson! how you talk!' says Laura. 'You oughter be ashamed of yourself!' But when I get the dish filled up with apples there aint a Baldwin in all the lot that can compare with the bright red of Laura's cheeks. An' Laura knows it, too, an' she sees the mouse agin, an' screams, and then the candle goes out, and we are in a dreadful stew. But I, bein' almost a man, contrive to bear up under it, and knowin' she is an orph'n, I comfort an' encourage Laura the best I know how, and we are almost upstairs when Mother comes to the door and wants to know what has kep' us so long. Jest as if Mother doesn't know! Of course she does; an' when Mother kisses Laura good-by that night there is in the act a tenderness that speaks more sweetly than even Mother's words.
"It is so like Mother," mused Ezra; "so like her with her gentleness an' clingin' love. Hers is the sweetest picture of all, and hers the best love."
Dream on, Ezra; dream of the old home with its dear ones, its holy influences, and its precious inspiration, – mother. Dream on in the far-away firelight; and as the angel hand of memory unfolds these sacred visions, with thee and them shall abide, like a Divine comforter, the spirit of thanksgiving.
1885
LUDWIG AND ELOISE
Once upon a time there were two youths named Herman and Ludwig; and they both loved Eloise, the daughter of the old burgomaster. Now, the old burgomaster was very rich, and having no child but Eloise, he was anxious that she should be well married and settled in life. "For," said he, "death is likely to come to me at any time: I am old and feeble, and I want to see my child sheltered by another's love before I am done with earth forever."
Eloise was much beloved by all the youth in the village, and there was not one who would not gladly have taken her to wife; but none loved her so much as did Herman and Ludwig. Nor did Eloise care for any but Herman and Ludwig, and she loved Herman. The burgomaster said: "Choose whom you will – I care not! So long as he be honest I will have him for a son and thank Heaven for him."
So Eloise chose Herman, and all said she chose wisely; for Herman was young and handsome, and by his valor had won distinction in the army, and had thrice been complimented by the general. So when the brave young captain led Eloise to the altar there was great rejoicing in the village. The beaux, forgetting their disappointments, and the maidens, seeing the cause of all their jealousy removed, made merry together; and it was said that never had there been in the history of the province an event so joyous as was the wedding of Herman and Eloise.
But in all the Village there was one aching heart. Ludwig, the young musician, saw with quiet despair the maiden he loved go to the altar with another. He had known Eloise from childhood, and he could not say when his love of her began, it was so very long ago; but now he knew his heart was consumed by a hopeless passion. Once, at a village festival, he had begun to speak to her of his love; but Eloise had placed her hand kindly upon his lips and told him to say no further, for they had always been and always would be brother and sister. So Ludwig never spoke his love after that, and Eloise and he were as brother and sister; but the love of her grew always within him, and he had no thought but of her.
And now, when Eloise and Herman were wed, Ludwig feigned that he had received a message from a rich relative in a distant part of the kingdom bidding him come thither, and Ludwig went from the village and was seen there no more.
When the burgomaster died all his possessions went to Herman and Eloise; and they were accounted the richest folk in the province, and so good and charitable were they that they were beloved by all. Meanwhile Herman had risen to greatness in the army, for by his valorous exploits he had become a general, and he was much endeared to the king. And Eloise and Herman lived in a great castle in the midst of a beautiful park, and the people came and paid them reverence there.
And no one in all these years spoke of Ludwig. No one thought of him. Ludwig was forgotten. And so the years went by.
It came to pass, however, that from a far-distant province there spread the fame of a musician so great that the king sent for him to visit the court. No one knew the musician's name nor whence he came, for he lived alone and would never speak of himself; but his music was so tender and beautiful that it was called heart-music, and he himself was called the Master. He was old and bowed with infirmities, but his music was always of youth and love; it touched every heart with its simplicity and pathos, and all wondered how this old and broken man could create so much of tenderness and sweetness on these themes.
But when the king sent for the Master to come to court the Master returned him answer: "No, I am old and feeble. To leave my home would weary me unto death. Let me die here as I have lived these long years, weaving my music for hearts that need my solace."
Then the people wondered. But the king was not angry; in pity he sent the Master a purse of gold, and bade him come or not come, as he willed. Such honor had never before been shown any subject in the kingdom, and all the people were dumb with amazement. But the Master gave the purse of gold to the poor of the village wherein he lived.
In those days Herman died, full of honors and years, and there was a great lamentation in the land, for Herman was beloved by all. And Eloise wept unceasingly and would not be comforted.
On the seventh day after Herman had been buried there came to the castle in the park an aged and bowed man who carried in his white and trembling hands a violin. His kindly face was deeply wrinkled, and a venerable beard swept down upon his breast. He was weary and footsore, but he heeded not the words of pity bestowed on him by all who beheld him tottering on his way. He knocked boldly at the castle gate, and demanded to be brought into the presence of Eloise.
And Eloise said: "Bid him enter; perchance his music will comfort my breaking heart."
Then, when the old man had come into her presence, behold! he was the Master, – ay, the Master whose fame was in every land, whose heart-music was on every tongue.
"If thou art indeed the Master," said Eloise, "let thy music be balm to my chastened spirit."
The Master said: "Ay, Eloise, I will comfort thee in thy sorrow, and thy heart shall be stayed, and a great joy will come to thee."
Then the Master drew his bow across the strings, and lo! forthwith there arose such harmonies as Eloise had never heard before. Gently, persuasively, they stole upon her senses and filled her soul with an ecstasy of peace.
"Is it Herman that speaks to me?" cried Eloise. "It is his voice I hear, and it speaks to me of love. With thy heart-music, O Master, all the sweetness of his life comes back to comfort me!"
The Master did not pause; as he played, it seemed as if each tender word and caress of Herman's life was stealing back on music's pinions to soothe the wounds that death had made.
"It is the song of our love-life," murmured Eloise. "How full of memories it is – what tenderness and harmony – and, oh! what peace it brings! But tell me, Master, what means this minor chord, – this undertone of sadness and of pathos that flows like a deep, unfathomable current throughout it all, and wailing, weaves itself about thy theme of love and happiness with its weird and subtile influences?"
Then the Master said: "It is that shade of sorrow and sacrifice, O Eloise, that ever makes the picture of love more glorious. An undertone of pathos has been my part in all these years to symmetrize the love of Herman and Eloise. The song of thy love is beautiful, and who shall say it is not beautified by the sad undertone of Ludwig's broken heart?"
"Thou art Ludwig!" cried Eloise. "Thou art Ludwig, who didst love me, and hast come to comfort me who loved thee not!"
The Master indeed was Ludwig; but when they hastened to do him homage he heard them not, for with that last and sweetest heart-song his head sank upon his breast, and he was dead.
1885.
