Kitabı oku: «Flowers of Freethought (Second Series)», sayfa 21

A RELIGION FOR EUNUCHS.²⁶

This is a strong title, and it requires a justification. We have to plead that nothing else would serve our purpose. But is our purpose a sound one? That will appear in the course of this article. Let the reader finish what we have to say before he forms a judgment.

We purpose to criticise the view of Christianity recently put forth by the greatest writer in Russia. Count Leo Tolstoi enjoys an European fame. He is one of the classics of modern fiction. His work in imaginative literature, as well as his work in religion, said the late Matthew Arnold, is "more than sufficient to signalise him as one of the most marking, interesting, and sympathy-inspiring men of our time." Whatever such a man writes deserves the closest attention. Not, indeed, that this needs to be bespoken for him. He has the qualities that compel it. There is the stamp of power on all his productions. We pause at them involuntarily, as we turn to look at a physical king of men who passes us in the street.

For some years Count Tolstoi discontinued his work as a novelist. His mind became occupied with social and religious problems. He ceased to be a man of the world and became a Christian; and his being a most sincere nature, endowed with a certain large simplicity which is characteristic of the Russian mind, he did not rest in ecclesiastical Christianity. He embraced the religion of Christ, and began working it out to legitimate issues. To him the Sermon on the Mount is divine teaching, not in a metaphorical sense, but in its literal significance. Accordingly he tells the Christian world, in such volumes as My Religion and My Confession, that it is all astray from the religion of Christ. He points to what its Savior said, takes his words in their honest meaning, and brands as un-Christian the whole framework of Christian society, with its armies, its police, its law courts, its wealth, and its institution of property. The Bishop of Peterborough and Count Tolstoi are at one in believing that if the Sermon on the Mount were carried out the State would go to ruin; only the Bishop of Peterborough shrinks from this, and jesuitically narrows the scope of Christ's teaching, while Count Tolstoi accepts it loyally and calls on Christians to square their practice with their profession.

Mirabeau said of Robespierre, "He is in earnest, he will go far." This is what we felt with respect to Count Tolstoi. Sooner or later he was certain to follow Jesus to the bitter end. After property comes the institution of marriage, upon which the teaching of Jesus may be found in the gospels. Count Tolstoi now insists on this teaching being practised. He has written a novel, The Kreutzer Sonata, to show the evils, not only of marriage, but of all sexual relations. Since then he has written a sober article to justify the sentiments of the hero, or the protagonist, of that terrible story. It is no longer possible to say that Pozdnischeff's ideas are those of a person in a drama. Count Tolstoi accepts the full responsibility of them, and presses them still further. He is now the un-blenching apostle of real Christianity – not the Christianity of the Churches, but the Christianity of Christ; and his new evangel will alarm the growing army of "advanced Christians," who are always canting, in their sentimental way, the very phrase which he develops in all its terrific meaning. To be a Christian, he tells them, is to crucify the body, to kill the animal passions, to live the pure life of the spirit, and, in short, to practise every austerity of asceticism.

Tolstoi did not jump to this conclusion. Writing on his novels, Mr. W. E. Henley called him "the great optimist." The Kreutzer Sonata is the work of a profound pessimist. Concluding What To Do, Tolstoi wrote a noble passage on the sacredness of motherhood. Now all that is changed. Motherhood must go too. It will take time, for the old Adam is strong in us. But go it must, and when we have all brought our bodies under, no more children will be born. The race will expire, having perfected its imitation of Christ, and the animals that remain will hold the world in undisputed possession; unless, indeed, they catch the contagion, and wind up the whole terrestrial business.

Before we treat Tolstoi's evangel in detail we must remark that he does not explain the "primeval command" of Jehovah to Adam and Eve – "Be ye fruitful and multiply and replenish the earth." This is very inconsistent with the gospel of absolute chastity. Jehovah says, "Get as many children as you can." Christ says, "Get none at all." If it was the same God who gave both orders he changed his mind completely, and having changed it once he may change it again. In that case the Koran will succeed the New Testament, and the Imitation of Christ give place to the Arabian Nights.

Revenons a nos moutons. The Kreutzer Sonata is a terrible story, but like all novels with a purpose, it is inartistic. Othello kills Desdemona without moralising on the sinfulness of marriage, and Pozdnischeff stabs his wife from sheer jealousy. All the preaching is by the way. It might be cut out without affecting the work, and that is its condemnation. When the preacher steps forward the artist retires. And as we are dealing with Tolstoi the preacher we shall go straight to his article in the Universal Review.

Tolstoi admits that what he now teaches is incompatible with what he taught before. When writing the Kreutzer Sonata, he says: "I had not the faintest presentiment that the train of thought I had started would lead me whither it did. I was terrified by my own conclusion, and was at first disposed to reject it; but it was impossible not to hearken to the voice of my reason and my conscience." This is the language of earnest sincerity.

The conclusion is this – "Even to contract marriage is, from a Christian point of view, not a progress but a fall. Love and all the states that accompany and follow it, however we may try in prose and verse to prove the contrary, never do and never can facilitate the attainment of an aim worthy of men, but always make it more difficult."

This is sufficiently dogmatic. Chapman thought otherwise.

Without love

 
All beauties bred in women are in vain,
All virtues born in men lie buried;
For love informs them as the sun doth colors:
And as the sun, reflecting his warm beams
Against the earth, begets all fruits and flowers,
So love, fair shining in the inward man,
Brings forth in him the honorable fruits
Of valor, wit, virtue, and haughty thoughts,
Brave resolution and divine discourse.
 

Thus the great Elizabethan. Now for the laureate of the Victorian age.

 
For indeed I knew Of no more subtle master under heaven
Than is the maiden passion for a maid,
Not only to keep down the base in man,
But teach high thought, and amiable words
And courtliness, and the desire of fame,
And love of truth, and all that makes a man.
 

Chapman's strain is higher than Tennyson's, but they harmonise. Tolstoi's is a harsher note. He vilifies the flesh to exalt the spirit, as though the two never mingled. He would abolish the springs of life to purify its stream! He bids us see in our passions "foes to be conquered rather than friends to be encouraged." Why not try to establish a just harmony between them? Is there no medium? Must the passions be kings or slaves, in prison or on the throne? "It is thought an injury to reason," wrote Diderot, "to say a word in favor of her rivals; yet it is only the passions, and strong passions, that can lift the soul to great things; without them there is nothing sublime, whether in conduct or in productions – art becomes childish and virtue trivial."

But let us hear Tolstoi simply as a follower of Christ. We cannot do better than reproduce some of his sentences in extenso.

"Christ not only never instituted marriage, but, if we search for formal precept on the subject, we find that he rather disapproved it than otherwise. ('And every one that hath forsaken houses, or brethren, or sisters, or father, or mother, or wife, or children, or lands for my name's sake, shall receive an hundredfold, and shall inherit everlasting life.' Matthew xix. 29, Mark z. 29, 30, Luke xviii. 29,30). He only impressed upon married and unmarried alike the necessity of striving after perfection, which includes chastity in marriage and out of it."

"There is not and cannot be such an institution as Christian marriage… This is what was always taught and believed by true Christians of the first and following centuries… In the eyes of a Christian, sexual relations in marriage not only do not constitute a lawful, right, and happy state, as our society and our churches maintain, but, on the contrary, are always a fall, a weakness, a sin."

"Such a thing as Christian marriage never was and never could be. Christ did not marry, nor did he establish marriage; neither did his disciples marry."

"A Christian, I say, cannot view sexual intercourse otherwise than as a deviation from the doctrine of Christ – as a sin. This is clearly laid down in Matt. v. 28, and the ceremony called Christian marriage does not alter its character one jot. A Christian will never, therefore, desire marriage, but will always avoid it."

"In the Gospel it is laid down so clearly as to make it impossible to explain it away, that he who is already married when he discovers and accepts the truth, must abide with her with whom he has been living, i.e., must not change his wife, and must live more chastely than before (Matt. v. 32, xix. 8-12), that he who is single should remain unmarried and continue to live chastely (Matt. xix. 10, 12), and that both the one and the other, in their yearning and striving after perfect chastity, are guilty of sin if they look on a woman as an object of pleasure (Matt. v. 28, 29)."

Pozdnischeff, at the close of the Kreutzer Sonata, clinches all this by saying – "People should understand the true significance of the words of St. Matthew as to looking upon a woman with the eye of desire; for the words apply to woman in her sisterly character – not only to another man's wife, but also, and above all, to one's own."

If this view of marriage prevailed, and perfect chastity obtained, the human race would come to an end. Tolstoi says he cannot help that. Carnal love perpetuates the race, and spiritual love will extinguish it. But what if it does? It is a familiar religious dogma that the world will have an end, and science tells us that the sun is losing its heat, the result of which must in time be the extinction of the human race.

The great Russian does not shrink from the logic of Christ's teaching. He follows Christ as St Paul did; as St. Peter did, who forsook his wife; as the Fathers did in crying up virginity and running down marriage; as the monks and nuns did who severed themselves from the world and the flesh, though they often fell into the hands of the Devil. Still there is another step for Count Tolstoi to take. He has not pressed one important saying of Christ, and it is this —

"For there are some eunuchs, which were born so from their mother's womb: and there are some eunuchs, which were made eunuchs of men: and there be eunuchs, which have made themselves eunuchs for the kingdom of heaven's sake. He that is able to receive it, let him receive it" (Matt. xix. 12).

The great Origen followed this advice and emasculated himself. Nor was he alone in the practice. All the disciples of his contemporary, Valens of Barathis, made themselves eunuchs. Mantegazza considers them the spiritual fathers of the Skopskis, a Russian sect dating from the eleventh century. They have been persecuted, but they number nearly six thousand, and regard themselves as the real Christians, the only true followers of Christ. They castrate themselves, and sometimes amputate the genitals entirely; the women even mutilate their breasts as a mark of their sex.

Will Count Tolstoi take the final step? It seems logically necessary even without the text on eunuchs, for the only certain way to avoid sexual intercourse is to make it impossible. In any case we are very much obliged to him for holding up the real Christianity, as far as he sees it, to the purblind and hypocritical mob of professed Christians. It will fortify Freethinkers in their scepticism, and warn the healthy manhood and womanhood of Europe against this oriental asceticism which pretends to be a divine message to the robust Occident. When Tolstoi goes the one step farther, and embraces the teaching of Jesus in its entirety, he will be the most powerful enemy of Christianity in the world. By demonstrating it to be a religion for eunuchs he will array against it the deepest instincts of mankind.

ROSE-WATER RELIGION.²⁷

Most of our readers will recollect the controversy that was carried on, more than twelve months ago, in the columns of the Daily Chronicle. Mr. Robert Buchanan had published his new poem, "The Wandering Jew," in which Jesus Christ was depicted as a forlorn vagrant, sick of the evil and infamy wrought in his name, and for which he was historically though not intentionally responsible. This poem was reviewed by Mr. Richard Le Gallienne, a younger poet, who is also a professional critic in the Star, where his weekly causerie on books and their writers is printed over the signature of "Logroller." Mr. Le Gallienne took Mr. Buchanan to task for his hostility to "the Christianity of Christ," the nature of which was not defined nor even made intelligible. Mr. Buchanan replied with his usual impetuosity, declining to have anything to do with Christianity except in the way of opposition, and laughing at the sentimental dilution which his young friend was attempting to pass off as the original, unadulterated article. Mr. Le Gallienne retorted with youthful self-confidence that Mr. Buchanan did not understand Christianity. Other writers then joined in the fray, and the result was the famous "Is Christianity Played Out?" discussion in the Chronicle. It was kept going for a week or two, until parliament met and Jesus Christ had to make way for William Ewart Gladstone.

Mr. Le Gallienne hinted that he was preparing a kind of manifesto on the subject of Christianity. The world was to be informed at length as to the "essential" nature of that religion. Divines and Freethinkers had alike misunderstood and misrepresented it. After a lapse of nearly two thousand years the "straight tip," if we may so express it, was to come from "Logroller." He would soon speak and set the weary world at rest with the triumphant proclamation of the real, imperishable religion of Jesus Christ. Presently it was announced, in judicious puffs, that the manifesto was growing under Mr. Le Gallienne's hands. It would take the form of a book, to be entitled The Religion of a Literary Man. The title had little relation to the Galilean carpenter or his fishing disciples. Nor was it in any sense happy. It smacked too much of the "shop." Sir Thomas Browne, it is true, wrote a "Religio Medici," and gave a physician's view of religion; but he was a man of rare genius as well as quaintness, and allowance was to be made for his idiosyncrasy. Besides, there is a certain speciality in a doctor's way of looking at religion, if he compares his knowledge with his faith. But what is the speciality of a literary man on this particular subject? Other trades and professions might as well follow suit, and give us "The Religion of a Porkbutcher," or "The Faith of a Farmer," or "The Creed of a Constable." Even the "Belief of a Barman" is not beyond the scope of a rational probability.

Mr. Le Gallienne's long-promised evangel "burst upon the town" a month ago. The "Religio Scriptoris" – which a puzzler at Latin might render as "The Religion of a Scribbler" – made a dainty appearance. The title-page was in two colors, with a pretty arabesque border. The type throughout was neatly leaded, with a column for summaries in the old fashion, and a wide margin of imitation hand-made paper. The book was pretty, like the writing, and opposite the title-page was a pretty verse: —

 
'The old gods pass' – the cry goes round,
'Lo! how their temples strew the ground';
Nor mark we where, on new-fledged wings,
Faith, like the phoenix, soars and sings.
 

Yes, it is all pretty. There is an air of dilettanteism about the whole production. It will probably be grateful to the sentimentalists who, despite their scepticism, still cling to the name of Christian; but we imagine it will rather irritate than satisfy other readers of more strenuous and scrupulous intelligence.

The book is dedicated to "A. E. Fletcher, Esq.," editor of the Daily Chronicle, who may well be proud (not of this dedication, but) of the high position to which he has raised that organ of Radical principles. Mr. Le Gallienne refers to the old controversy in the Chronicle as "raising an important question – to me the most important of questions – as to whether Christianity was really so obsolete to-day as its opponents glibly assume." "I could not stand by," he continues, "and see the sublime figure of Christ vulgarised to make an Adelphi holiday." For this reason, he modestly says, he "ventured to play David to Mr. Buchanan's Philistine." Mr. Fletcher allowed him a battlefield and "thence sprung [he means sprang] the following pages." Thus much for the origin of the work, and now for its character. "I have condensed in its pages," the writer says, "much religious experience, and long and ardent thought on spiritual matters." No doubt he believes this statement, but is it true? Is not the writer too young to have had "much experience"? and where are the traces of the "long and ardent thought"? Mr. Le Gallienne might reply that his thought has been long and ardent, whatever the value of the result; but, in that case, he is not cut out for a thinker; and, indeed, he seems aware of the fact, for he often prints "thinker" in inverted commas to show his disdain of the article. His "one cure" for "modern doubt" is to "think less and feel more," and some may be tempted to remark that he has certainly followed the first part of the prescription.

Mr. Le Gallienne is a long time in coming to "the sublime figure of Christ." He has a considerable ground to cover before he undertakes the cleaning and painting of the old idol. First of all, he has to establish his native superiority over the common herd. He divides the world into "natural spiritualists and materialists." The first have a Spiritual Sense (capitals, please), while the second have not; and "it is obvious that the large majority of mankind belong to the latter class." Mr. Le Gallienne, of course, belongs to the former. He is a member of Nature's (or God's) aristocracy. It is for them that he writes, although on his own supposition the task is superfluous. The common herd of materialists are warned against wasting their time in reading him – which also is somewhat superfluous. The fault of materialists – or rather their misfortune, for they are born that way – is that they are such sticklers for facts, and have "no conception of aught they cannot touch and handle, eat, or see through a microscope." Not, indeed, that Mr. Le Gallienne objects to eating, for instance; he speaks of it with wet lips, and looks down upon the Vegetarian as a person whose "spiritual insight" is not "mercifully intermittent," especially at meal times. But barring meal times, and other fleshly occasions when the spiritualists join the materialists, the former habitually see facts as "transitory symbols" of "transfiguring mysteries," so that the whole world (and perhaps the moon) is "palpitating with occult significance."

For instance. A materialist eats rook-pie, and cares for nothing else but a sound digestion. The spiritualist also eats rook-pie, but after the repast he will sentimentalise over dead rooks, without losing his belief in an all-merciful Providence. He will assure you, indeed, and try to convince you, that the shooting of rooks and the pulling off their heads to prevent the rook-pie from tasting bitter, is simply one of the "terrible and beautiful mysteries" which make the world so interesting – especially to gentlemen of comprehensive natures, who combine a taste for rook-pie with a taste for optimistic theology.

When we come to test Mr. Le Gallienne's conception of mystery, we find it to be nothing but muddle. The whole mystery of life, he says, may be found in a curve: as thus, Why isn't it straight?

"Color in itself is a mystery, and are there not trance-like moments when suddenly we ask ourselves, why a colored world, why a blue sky, and green grass, why not vice versa, or why any color at all?"

Mr. Le Gallienne is evidently prepared to stand aghast at the fact that twice two make four. Why always four? Why not three to-day and seven to-morrow? Yea, and echo answers, Why?

Here is another illustration of "mystery" —

"Science can tell us that oxygen and hydrogen will unite under certain conditions to produce water, but it cannot tell us why they do so; the mystery of their affinity is as dark as ever."

Mr. Le Gallienne has a whole chapter on the Relative Spirit, yet his "long and ardent thought" does not enable him to see that he is himself a slave of metaphysics. All this "mystery" is nothing but the "meat-roasting power of the meat-jack." He question of why oxygen and hydrogen form water is a prompting of anthropomorphism. Intellectually, it is simply childish. It could only be put by one who has not grasped the great doctrine of the Relativity of Knowledge. Man can no more get beyond his own knowledge – which is and ever must be finite – than he can get outside himself, or run away from his own shadow.

"The sacred mystery of motherhood," of which Mr. Le Gallienne speaks, is a pretty expression. It may pass in the realm of poetry, with the "everlasting hills" and the "eternal sea," which are but transient phenomena in the infinite existence of the universe. The "mystery" of human motherhood is no greater than the "mystery" of any other form of reproduction, while its "sacredness" depends on circumstances; the term, in short, being a compendium of a great variety of personal and social feelings, which may or may not be present in any particular case. What becomes of the "sacred mystery of motherhood" when a poor servant girl brings her child into the world unaided, and casts it into the Thames? What becomes of it when violation takes the place of seduction, and a woman bears a child to a man she loathes and hates?

"Mystery," like other words we inherit from the theological and metaphysical stages, is only fit for use in poetry; it is out of place in science or philosophy; and we advise Mr. Le Gallienne to get a comprehension of this truth before he takes fresh excursions in the "realm of long and ardent thought." The subjective ideas of poetry cease to be admirable and stimulating when they are projected into the external world, and become our masters instead of our servants.

Mr. Le Gallienne follows the beaten track of theology in talking about "mysteries," which are only subterfuges to cover the retreat of a nonplussed debater, or a warren for the fugitive game of the hounds of reason. He also follows the beaten track in arguing – or rather assuming – that the elect spiritualists have a "sense" which is lacking in the reprobate materialists. There is nothing like a good lumping assumption for begging the question at issue. It settles the discussion before it opens, and saves a world of trouble. But even an assumption may be looked in the face; nay, it is best looked in the face when you suspect it of being an imposture.

According to Mr. Le Gallienne, the religious sense – or, as he also writes it, the SPIRITUAL SENSE, with capital letters – is not after all a special faculty, but a special compound, or interaction, of common faculties. He does, indeed, treat these common faculties as "tribautaries" of the Spiritual Sense; but it is very evident that the tributaries make the stream, which is merely a name without them. First, there is the Sense of Wonder, which is nothing but the positive side of ignorance; second, the Sense of Beauty, which "is not necessarily a religious sense," but may be pressed into its service; third, the Sense of Pity, which really originates, as we conceive, in parental affection, and has even been noticed in rats as well as in religionists; fourth, the Sense of Humor, which is a peculiarly "candid" friend of religion, so that Mr. Le Gallienne is obliged to give its devotees an impressive warning against running into Ill-nature and Sacrilege; fifth, the Sense of Gratitude, which in religion, so far as we can see, appears to consist in a lively sense of favors to come, through the medium of prayer, to which thanksgiving is only a judicious preliminary, like the compliments and flatteries that are addressed to an oriental despot by his humble but calculating petitioners.

Now all these senses are perfectly natural. Every one of them is found in the lower animals as well as in man. How then can there be anything supernatural, supersensible, or "spiritual,", in their combination? Is it not evident that Religion works, like everything else, upon common materials? Chiefly, indeed, upon the unchastened imagination of credulous ignorance. We may prove this from Mr. Le Gallienne's own testimony.

"Are there not impressions borne in upon the soul of man as he stands a spectator of the universe which religion alone attempts to formulate? Certain impressions are expressed by the sciences and the arts. 'How wonderful!' – exclaims man, and that is the dawn of science; 'How beautiful!' – and that is the dawn of art. But there is a still higher, a more solemn, impression borne in upon him, and, falling upon his knees, he cries, 'How holy!' That is the dawn of religion."

Mr. Le Gallienne does not see that this is all imagination. "The heavens declare the glory of God," exclaims the Psalmist. On the other hand, a great French Atheist exclaimed, "The heavens declare the glory of Copernicus, Kepler, and Newton."

Mr. Le Gallienne does not see, either, that man did not exclaim, "How holy!" when he first fell upon his knees. His feeling was rather, "How terrible!" The sense of holiness is a social product – a high sublimation of morality. Man had to possess it himself, and see it highly exemplified in picked specimens of his kind, before he bestowed it upon his gods. Deities do not anticipate, they follow, the course of human evolution.

Mr. Le Gallienne is an Optimist. He is young and prosperous, and, judging from his poetry, happily married. He is therefore satisfied that all is for the best – if properly understood; just as when an alderman has dined, all the world is happy.

There are such people, however, as Pessimists, and Mr. Le Gallienne hates them. Schopenhauer, for instance, he rails at as a "small philosopher." whose ideas were only the "formulation of his own special disease, the expression of his own ineffably petty and uncomfortable disposition." At which one can only stare, as at a mannikin attacking a colossus. Spinoza too can be treated jauntily if he does not fall into line with Mr. Le Gallienne. George Meredith is treated with abundant respect, but he is wronged by being enrolled as a facile optimist, and "the strongest of the apostles of faith." He is certainly nothing of the kind, in Mr. Le Gallienne's sense of the words. He has faith in reason and humanity, but this is a very different thing from faith in the idols – even the greatest idol – of the Pantheon.

"There is too much pain in the world," said Charles Darwin, who knew what he was talking about, and always expressed himself with moderation. In the moral world, pain becomes evil; and the problem of evil has ever been the crux of Theism. It cannot be solved on Theistic grounds, and accordingly it has to be explained away. Pain, we are told, is the great agent in our development; in the ethical sphere, it is the "purifying fire," which purges the gold in us from its dross. All of which sounds very pretty in a lecture, and looks very pretty in a book; but is apt to excite disgust when a man is suffering from incurable cancer, or utter destitution in the midst of plenty; or when a mother stands over the corpse of her child, mangled in some terrible accident, or burnt to a cinder in a fatal fire.

Certainly, pain subserves a partial purpose. It is sometimes a warning, though the warning is often too late. But its function is immensely overrated by Mr. Le Gallienne and other religionists. It is all very well to talk about the "crucible," but half the people who go into it are reduced to ashes. Mr. Le Gallienne will not accept Spinoza's view that "pain is an unmistakable evil; joy the vitalising, fructifying power." But the great mystic, William Blake, said the same thing in, "Joys impregnate, sorrows bring forth." George Meredith has expressed the same view in saying that "Adversity tests, it does not nourish us." Even the struggle for existence does not add any strength to the survivors. It sometimes cripples them. By eliminating the unfit – that is, the weak – it raises the average capacity. But what a method for Infinite Wisdom and Infinite Goodness! There was more sense, and less cruelty, in the ancient method of infanticide.

Mr. Le Gallienne seems to feel that his theory of pain is too fantastic, so he falls back on "mystery." "We can form no possible conception," he says, "of the processes of God." Why then does he talk about them so consumedly? Ignorance is a good reason for silence, but none for garrulity.

We must be "humble," says Mr. Le Gallienne, and recognise that we only exist "to the praise and glory of God." We are his servants and soldiers, and the pay is life! – "Had he willed it, this glorious gift had never been ours. We might have still slept on unsentient, unorganised, in the trodden dust." Very likely; but who could lose what he never possessed? It is a small misfortune that can never be realised.