Kitabı oku: «The Secret Garden», sayfa 2
CHAPTER 2 Mistress Mary Quite Contrary
Mary had liked to look at her mother from a distance, and she had thought her very pretty, but as she knew very little of her, she could scarcely have been expected to love her or to miss her very much when she was gone. She did not miss her at all, in fact, and as she was a self-absorbed child she gave her entire thought to herself, as she had always done. If she had been older she would no doubt have been very anxious at being left alone in the world, but she was very young, and as she had always been taken care of, she supposed she always would be. What she thought was that she would like to know if she was going to nice people, who would be polite to her and give her her own way as her Ayah and the other native servants had done.
She knew that she was not going to stay at the English clergyman’s house where she was taken at first. She did not want to stay. The English clergyman was poor and he had five children all nearly the same age and they wore shabby clothes and were always quarrelling and snatching toys from each other. Mary hated their untidy bungalow and was so disagreeable to them that after the first day or two nobody would play with her. By the second day they had given her a nickname which made her furious.
It was Basil who thought of it first. Basil was a little boy with impudent blue eyes and a turned-up nose, and Mary hated him. She was playing by herself under a tree, just as she had been playing the day the cholera broke out. She was making heaps of earth and paths for a garden and Basil came and stood near to watch her. Presently he got rather interested and suddenly made a suggestion.
‘Why don’t you put a heap of stones there and pretend it is a rockery?’ he said. ‘There in the middle,’ and he leaned over her to point.
‘Go away!’ cried Mary. ‘I don’t want boys. Go away!’
For a moment Basil looked angry, and then he began to tease. He was always teasing his sisters. He danced round and round her and made faces and sang and laughed.
Mistress Mary, quite contrary, How does your garden grow? With silver bells, and cockle shells, And marigolds all in a row.
He sang it until the other children heard and laughed, too; and the crosser Mary got, the more they sang ‘Mistress Mary Quite Contrary’; and after that as long as she stayed with them they called her ‘Mistress Mary Quite Contrary’ when they spoke of her to each other, and often when they spoke to her.
‘You are going to be sent home,’ Basil said to her, ‘at the end of the week. And we’re glad of it.’
‘I am glad of it, too,’ answered Mary. ‘Where is home?’
‘She doesn’t know where home is!’ said Basil, with seven-year-old scorn. ‘It’s England, of course. Our grandmamma lives there, and our sister Mabel was sent to her last year. You are not going to your grandmamma. You have none. You are going to your uncle. His name is Mr Archibald Craven.’
‘I don’t know anything about him,’ snapped Mary.
‘I know you don’t,’ Basil answered. ‘You don’t know anything. Girls never do. I heard Father and Mother talking about him. He lives in a great, big, desolate old house in the country, and no one goes near him. He’s so cross he won’t let them, and they wouldn’t come if he would let them. He’s a hunchback, and he’s horrid.’
‘I don’t believe you,’ said Mary; and she turned her back and stuck her fingers in her ears, because she would not listen any more.
But she thought over it a great deal afterward; and when Mrs Crawford told her that night that she was going to sail away to England in a few days and going to her uncle, Mr Archibald Craven, who lived at Misselthwaite Manor, she looked so stony and stubbornly uninterested that they did not know what to think about her. They tried to be kind to her, but she only turned her face away when Mrs Crawford attempted to kiss her, and held herself stiffly when Mr Crawford patted her shoulder.
‘She is such a plain child,’ Mrs Crawford said pityingly afterward. ‘And her mother was such a pretty creature. She had a very pretty manner, too, and Mary has the most unattractive ways I ever saw in a child. The children call her “Mistress Mary Quite Contrary”, and though it’s naughty of them, one can’t help understanding it.’
‘Perhaps if her mother had carried her pretty face and her pretty manners oftener into the nursery, Mary might have learned some pretty ways, too. It is very sad, now the poor beautiful thing is gone, to remember that many people never even knew that she had a child at all.’
‘I believe she scarcely ever looked at her,’ sighed Mrs Crawford. ‘When her Ayah was dead there was no one to give a thought to the little thing. Think of the servants running away and leaving her all alone in that deserted bungalow. Colonel McGrew said he nearly jumped out of his skin when he opened the door and found her standing by herself in the middle of the room.’
Mary made the long voyage to England under the care of an officer’s wife, who was taking her children to leave them in a boarding-school. She was very much absorbed in her own little boy and girl, and was rather glad to hand the child over to the woman Mr Archibald Craven sent to meet her in London. The woman was his housekeeper at Misselthwaite Manor, and her name was Mrs Medlock. She was a stout woman, with very red cheeks and sharp black eyes. She wore a very purple dress, a black silk mantle with jet fringes on it, and a black bonnet with purple velvet flowers which stuck up and trembled when she moved her head. Mary did not like her at all, but as she very seldom liked people, there was nothing remarkable in that; besides which it was very evident Mrs Medlock did not think much of her.
‘My word! she’s a plain little piece of goods!’ she said. ‘And we’d heard that her mother was a beauty. She hasn’t handed much of it down, has she, ma’am?’
‘Perhaps she will improve as she grows older,’ the officer’s wife said good-naturedly. ‘If she were not so sallow and had a nicer expression, her features are rather good. Children alter so much.’
‘She’ll have to alter a good deal,’ answered Mrs Medlock. ‘And there’s nothing likely to improve children at Misselthwaite – if you ask me!’
They thought Mary was not listening because she was standing a little apart from them at the window of the private hotel they had gone to. She was watching the passing buses and cabs and people, but she heard quite well and was made very curious about her uncle and the place he lived in. What sort of a place was it, and what would he be like? What was a hunchback? She had never seen one. Perhaps there were none in India.
Since she had been living in other people’s houses and had had no Ayah, she had begun to feel lonely and to think queer thoughts which were new to her. She had begun to wonder why she had never seemed to belong to anyone even when her father and mother had been alive. Other children seemed to belong to their fathers and mothers, but she had never seemed to really be anyone’s little girl. She had had servants, and food and clothes, but no one had taken any notice of her. She did not know that this was because she was a disagreeable child; but then, of course, she did not know she was disagreeable. She often thought that other people were, but she did not know that she was so herself.
She thought Mrs Medlock the most disagreeable person she had ever seen, with her common, highly coloured face and her common fine bonnet. When the next day they set out on their journey to Yorkshire, she walked through the station to the railway carriage with her head up and trying to keep as far away from her as she could, because she did not want to seem to belong to her. It would have made her very angry to think people imagined she was her little girl.
But Mrs Medlock was not in the least disturbed by her and her thoughts. She was the kind of woman who would ‘stand no nonsense from young ones’. At least, that is what she would have said if she had been asked. She had not wanted to go to London just when her sister Maria’s daughter was going to be married, but she had a comfortable, well-paid place as housekeeper at Misselthwaite Manor, and the only way in which she could keep it was to do at once what Mr Archibald Craven told her to do. She never dared even to ask a question.
‘Captain Lennox and his wife died of the cholera,’ Mr Craven had said in his short, cold way. ‘Captain Lennox was my wife’s brother and I am their daughter’s guardian. The child is to be brought here. You must go to London and bring her yourself.’
So she packed her small trunk and made the journey.
Mary sat in her corner of the railway carriage and looked plain and fretful. She had nothing to read or to look at, and she had folded her thin little black-gloved hands in her lap. Her black dress made her look yellower than ever, and her limp light hair straggled from under her black crêpe hat.
‘A more marred-looking young one I never saw in my life,’ Mrs Medlock thought. (Marred is a Yorkshire word and means spoiled and pettish.) She had never seen a child who sat so still without doing anything; and at last she got tired of watching her and began to talk in a brisk, hard voice.
‘I suppose I may as well tell you something about where you are going to,’ she said. ‘Do you know anything about your uncle?’
‘No,’ said Mary.
‘Never heard your father and mother talk about him?’
‘No,’ said Mary, frowning. She frowned because she remembered that her father and mother had never talked to her about anything in particular. Certainly they had never told her things.
‘Humph,’ muttered Mrs Medlock, staring at her queer, unresponsive little face. She did not say any more for a few moments, and then she began again.
‘I suppose you might as well be told something – to prepare you. You are going to a queer place.’
Mary said nothing at all, and Mrs Medlock looked rather discomfited by her apparent indifference, but after taking a breath, she went on.
‘Not but that it’s a grand big place in a gloomy way, and Mr Craven’s proud of it in his way – and that’s gloomy enough, too. The house is six hundred years old, and it’s on the edge of the moor, and there’s near a hundred rooms in it, though most of them’s shut up and locked. And there’s pictures and fine old furniture and things that’s been there for ages, and there’s a big park round it and gardens and trees with branches trailing to the ground – some of them.’ She paused and took another breath. ‘But there’s nothing else,’ she ended suddenly.
Mary had begun to listen in spite of herself. It all sounded so unlike India, and anything new rather attracted her. But she did not intend to look as if she were interested. That was one of her unhappy, disagreeable ways. So she sat still.
‘Well,’ said Mrs Medlock. ‘What do you think of it?’
‘Nothing,’ she answered. ‘I know nothing about such places.’
That made Mrs Medlock laugh a short sort of laugh.
‘Eh!’ she said. ‘But you are like an old woman. Don’t you care?’
‘It doesn’t matter,’ said Mary, ‘whether I care nor not.’
‘You are right enough there,’ said Mrs Medlock. ‘It doesn’t. What you’re to be kept at Misselthwaite Manor for I don’t know, unless because it’s the easiest way. He’s not going to trouble himself about you, that’s sure and certain. He never troubles himself about no one.’
She stopped herself as if she had just remembered something in time.
‘He’s got a crooked back,’ she said. ‘That set him wrong. He was a sour young man and got no good of all his money and big place till he was married.’
Mary’s eyes turned towards her, in spite of her intention not to seem to care. She had never thought of the hunchback’s being married, and she was a trifle surprised. Mrs Medlock saw this, and as she was a talkative woman, she continued with more interest. This was one way of passing some of the time, at any rate.
‘She was a sweet, pretty thing, and he’d have walked the world over to get her a blade o’ grass she wanted. Nobody thought she’d marry him, but she did, and people said she married him for his money. But she didn’t – she didn’t,’ positively. ‘When she died –’
Mary gave a little involuntary jump.
‘Oh! did she die?’ she exclaimed, quite without meaning to. She had just remembered a French fairy story she had once read called Riquet à la Houppe. It had been about a poor hunchback and a beautiful princess, and it had made her suddenly sorry for Mr Archibald Craven.
‘Yes, she died,’ Mrs Medlock answered. ‘And it made him queerer than ever. He cares about nobody. He won’t see people. Most of the time he goes away, and when he is at Misselthwaite he shuts himself up in the West Wing and won’t let anyone but Pitcher see him. Pitcher’s an old fellow, but he took care of him when he was a child and he knows his ways.’
It sounded like something in a book, and it did not make Mary feel cheerful. A house with a hundred rooms, nearly all shut up and with their doors locked – a house on the edge of a moor – whatsoever a moor was – sounded dreary. A man with a crooked back who shut himself up also! She stared out of the window with her lips pinched together, and it seemed quite natural that the rain should have begun to pour down in grey slanting lines and splash and stream down the window-panes. If the pretty wife had been alive, she might have made things cheerful by being something like her own mother and by running in and out and going to parties as she had done in frocks ‘full of lace’. But she was not there any more.
‘You needn’t expect to see him, because ten to one you won’t,’ said Mrs Medlock. ‘And you mustn’t expect that there will be people to talk to you. You’ll have to play about and look after yourself. You’ll be told what rooms you can go into and what rooms you’re to keep out of. There’s gardens enough. But when you’re in the house don’t go wandering and poking about. Mr Craven won’t have it.’
‘I shall not want to go poking about,’ said sour little Mary; and just as suddenly as she had begun to be rather sorry for Mr Archibald Craven, she began to cease to be sorry and to think he was unpleasant enough to deserve all that had happened to him.
And she turned her face towards the streaming panes of the window of the railway carriage and gazed out at the grey rain-storm which looked as if it would go on for ever and ever. She watched it so long and steadily that the greyness grew heavier and heavier before her eyes and she fell asleep.
CHAPTER 3 Across the Moor
She slept a long time, and when she awakened Mrs Medlock had bought a lunch-basket at one of the stations, and they had some chicken and cold beef and bread-and-butter and some hot tea. The rain seemed to be streaming down more heavily than ever, and everybody in the station wore wet and glistening waterproofs. The guard lighted the lamps in the carriage, and Mrs Medlock cheered up very much over her tea and chicken and beef. She ate a great deal, and afterwards fell asleep herself, and Mary sat and stared at her and watched her fine bonnet slip on one side until she herself fell asleep once more in the corner of the carriage, lulled by the splashing of the rain against the windows. It was quite dark when she awakened again. The train had stopped at a station and Mrs Medlock was shaking her.
‘You have had a sleep!’ she said. ‘It’s time to open your eyes! We’re at Thwaite Station, and we’ve got a long drive before us.’
Mary stood up and tried to keep her eyes open while Mrs Medlock collected her parcels. The little girl did not offer to help her, because in India native servants always picked up or carried things, and it seemed quite proper that other people should wait on one.
The station was a small one, and nobody but themselves seemed to be getting out of the train. The station-master spoke to Mrs Medlock in a rough, good-natured way, pronouncing his words in a queer broad fashion which Mary found out afterwards was Yorkshire.
‘I see tha’s got back,’ he said. ‘An’ tha’s browt th’ young ’un with thee.’
‘Aye, that’s her,’ answered Mrs Medlock, speaking with a Yorkshire accent herself and jerking her head over her shoulder towards Mary. ‘How’s thy missus?’
‘Well enow. Th’ carriage is waitin’ outside for thee.’
A brougham stood on the road before the little outside platform. Mary saw that it was a smart carriage and that it was a smart footman who helped her in. His long waterproof coat and the waterproof covering of his hat were shining and dripping with rain as everything was, the burly station-master included.
When he shut the door, mounted the box with the coachman, and they drove off, the little girl found herself seated in a comfortably cushioned corner, but she was not inclined to go to sleep again. She sat and looked out of the window, curious to see something of the road over which she was being driven to the queer place Mrs Medlock had spoken of. She was not at all a timid child, and she was not exactly frightened, but she felt that there was no knowing what might happen in a house with a hundred rooms nearly all shut up – a house standing on the edge of a moor.
‘What is a moor?’ she said suddenly to Mrs Medlock.
‘Look out of the window in about ten minutes and you’ll see,’ the woman answered. ‘We’ve got to drive five miles across Missel Moor before we get to the Manor. You won’t see much because it’s a dark night, but you can see something.’
Mary asked no more questions, but waited in the darkness of her corner, keeping her eyes on the window. The carriage lamps cast rays of light a little distance ahead of them, and she caught glimpses of the things they passed. After they had left the station they had driven through a tiny village and she had seen whitewashed cottages and the lights of a public house. Then they had passed a church and a vicarage and a little shop window or so in a cottage with toys and sweets and odd things set out for sale. Then they were on the high road, and she saw hedges and trees. After that there seemed nothing different for a long time – or at least it seemed a long time to her.
At last the horses began to go more slowly, as if they were climbing up-hill, and presently there seemed to be no more hedges and no more trees. She could see nothing, in fact, but a dense darkness on either side. She leaned forward and pressed her face against the window just as the carriage gave a big jolt.
‘Eh! We’re on the moor now sure enough,’ said Mrs Medlock.
The carriage lamps shed a yellow light on a rough-looking road which seemed to be cut through bushes and low-growing things which ended in the great expanse of dark apparently spread out before and around them. A wind was rising and making a singular, wild, low, rushing sound.
‘It’s – it’s not the sea, is it?’ said Mary, looking round at her companion.
‘No, not it,’ answered Mrs Medlock. ‘Nor it isn’t fields nor mountains, it’s just miles and miles and miles of wild land that nothing grows on but heather and gorse and broom, and nothing lives on but wild ponies and sheep.’
‘I feel as if it might be the sea, if there were water on it,’ said Mary. ‘It sounds like the sea just now.’
‘That’s the wind blowing through the bushes,’ Mrs Medlock said. ‘It’s a wild, dreary enough place to my mind, though there’s plenty that likes it – particularly when the heather’s in bloom.’
On and on they drove through the darkness, and though the rain stopped, the wind rushed by and whistled and made strange sounds. The road went up and down, and several times the carriage passed over a little bridge beneath which water rushed very fast with a great deal of noise. Mary felt as if the drive would never come to an end, and that the wide, bleak moor was a wide expanse of black ocean through which she was passing on a strip of dry land.
‘I don’t like it,’ she said to herself. ‘I don’t like it,’ and she pinched her thin lips more tightly together.
The horses were climbing up a hilly piece of road when she first caught sight of a light. Mrs Medlock saw it as soon as she did, and drew a long sigh of relief.
‘Eh, I am glad to see that bit o’ light twinkling,’ she exclaimed. ‘It’s the light in the lodge window. We shall get a good cup of tea after a bit, at all events.’
It was ‘after a bit’, as she said, for when the carriage passed through the park gates there was still two miles of avenue to drive through, and the trees (which nearly met overhead) made it seem as if they were driving through a long dark vault.
They drove out of the vault into a clear space and stopped before an immensely long but low-built house, which seemed to ramble round a stone court. At first Mary thought that there were no lights at all in the windows, but as she got out of the carriage she saw that one room in a corner upstairs showed a dull glow.
The entrance door was a huge one made of massive, curiously shaped panels of oak studded with big iron nails and bound with great iron bars. It opened into an enormous hall, which was so dimly lighted that the faces in the portraits on the walls and the figures in the suits of armour made Mary feel that she did not want to look at them. As she stood on the stone floor she looked a very small, odd little black figure, and she felt as small and lost and odd as she looked.
A neat, thin old man stood near the manservant who opened the door for them.
‘You are to take her to her room,’ he said in a husky voice. ‘He doesn’t want to see her. He’s going to London in the morning.’
‘Very well, Mr Pitcher,’ Mrs Medlock answered. ‘So long as I know what’s expected of me, I can manage.’
‘What’s expected of you, Mrs Medlock,’ Mr Pitcher said, ‘is that you make sure that he’s not disturbed and that he doesn’t see what he doesn’t want to see.’
And then Mary Lennox was led up a broad staircase and down a long corridor and up a short flight of steps and through another corridor and another, until a door opened in a wall and she found herself in a room with a fire in it and a supper on a table.
Mrs Medlock said unceremoniously:
‘Well, here you are! This room and the next are where you’ll live – and you must keep to them. Don’t you forget that!’
It was in this way Mistress Mary arrived at Misselthwaite Manor, and she had perhaps never felt quite so contrary in all her life.
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