Kitabı oku: «The Golden Bough: A Study in Comparative Religion (Vol. 1 of 2)», sayfa 16

The last example of the gardens of Adonis which I shall cite is the following. At the approach of Easter, Sicilian women sow wheat, lentils, and canary-seed in plates, which are kept in the dark and watered every two days. The plants soon shoot up; the stalks are tied together with red ribbons, and the plates containing them are placed on the sepulchres which, with effigies of the dead Christ, are made up in Roman Catholic and Greek churches on Good Friday,⁹⁴¹ just as the gardens of Adonis were placed on the grave of the dead Adonis.⁹⁴² The whole custom – sepulchres as well as plates of sprouting grain – is probably nothing but a continuation, under a different name, of the Adonis worship.

§ 5. – Attis

The next of those gods, whose supposed death and resurrection struck such deep roots into the religious faith and ritual of Western Asia, is Attis. He was to Phrygia what Adonis was to Syria. Like Adonis, he appears to have been a god of vegetation, and his death and resurrection were annually mourned and rejoiced over at a festival in spring. The legends and rites of the two gods were so much alike that the ancients themselves sometimes identified them.⁹⁴³ Attis was said to have been a fair youth who was beloved by the great Phrygian goddess Cybele. Two different accounts of his death were current. According to the one, he was killed by a boar, like Adonis. According to the other, he mutilated himself under a pine-tree, and died from the effusion of blood. The latter is said to have been the local story told by the people of Pessinus, a great centre of Cybele worship, and the whole legend of which it forms a part is stamped with a character of rudeness and savagery that speaks strongly for its antiquity.⁹⁴⁴ But the genuineness of the other story seems also vouched for by the fact that his worshippers, especially the people of Pessinus, abstained from eating swine.⁹⁴⁵ After his death Attis is said to have been changed into a pine-tree.⁹⁴⁶ The ceremonies observed at his festival are not very fully known, but their general order appears to have been as follows.⁹⁴⁷ At the spring equinox (22d March) a pine-tree was cut in the woods and brought into the sanctuary of Cybele, where it was treated as a divinity. It was adorned with woollen bands and wreaths of violets, for violets were said to have sprung from the blood of Attis, as anemones from the blood of Adonis; and the effigy of a young man was attached to the middle of the tree.⁹⁴⁸ On the second day (23d March) the chief ceremony seems to have been a blowing of trumpets.⁹⁴⁹ The third day (24th March) was known as the Day of Blood: the high priest drew blood from his arms and presented it as an offering.⁹⁵⁰ It was perhaps on this day or night that the mourning for Attis took place over an effigy, which was afterwards solemnly buried.⁹⁵¹ The fourth day (25th March) was the Festival of Joy (Hilaria), at which the resurrection of Attis was probably celebrated – at least the celebration of his resurrection seems to have followed closely upon that of his death.⁹⁵² The Roman festival closed on 27th March with a procession to the brook Almo, in which the bullock-cart of the goddess, her image, and other sacred objects were bathed. But this bath of the goddess is known to have also formed part of her festival in her Asiatic home. On returning from the water the cart and oxen were strewn with fresh spring flowers.⁹⁵³

The original character of Attis as a tree-spirit is brought out plainly by the part which the pine-tree plays in his legend and ritual. The story that he was a human being transformed into a pine-tree is only one of those transparent attempts at rationalising the old beliefs which meet us so frequently in mythology. His tree origin is further attested by the story that he was born of a virgin, who conceived by putting in her bosom a ripe almond or pomegranate.⁹⁵⁴ The bringing in of the pine-tree from the wood, decked with violets and woollen bands, corresponds to bringing in the May-tree or Summer-tree in modern folk-custom; and the effigy which was attached to the pine-tree was only a duplicate representative of the tree-spirit or Attis. At what point of the ceremonies the violets and the effigy were attached to the tree is not said, but we should assume this to be done after the mimic death and burial of Attis. The fastening of his effigy to the tree would then be a representation of his coming to life again in tree-form, just as the placing of the shirt of the effigy of Death upon a tree represents the revival of the spirit of vegetation in a new form.⁹⁵⁵ After being attached to the tree, the effigy was kept for a year and then burned.⁹⁵⁶ We have seen that this was apparently sometimes done with the May-pole;⁹⁵⁷ and we shall see presently that the effigy of the corn-spirit, made at harvest, is often preserved till it is replaced by a new effigy at next year's harvest. The original intention of thus preserving the effigy for a year and then replacing it by a new one was doubtless to maintain the spirit of vegetation in fresh and vigorous life. The bathing of the image of Cybele was probably a rain-charm, like the throwing of the effigies of Death and of Adonis into the water. Like tree-spirits in general, Attis appears to have been conceived as exercising power over the growth of corn, or even to have been identified with the corn. One of his epithets was “very fruitful;” he was addressed as the “reaped green (or yellow) ear of corn,” and the story of his sufferings, death, and resurrection was interpreted as the ripe grain wounded by the reaper, buried in the granary, and coming to life again when sown in the ground.⁹⁵⁸ His worshippers abstained from eating seeds and the roots of vegetables,⁹⁵⁹ just as at the Adonis ceremonies women abstained from eating corn ground in a mill. Such acts would probably have been esteemed a sacrilegious partaking of the life or of the bruised and broken body of the god.

From inscriptions it appears that both at Pessinus and Rome the high priest of Cybele was regularly called Attis.⁹⁶⁰ It is therefore a reasonable conjecture that the high priest played the part of the legendary Attis at the annual festival.⁹⁶¹ We have seen that on the Day of Blood he drew blood from his arms, and this may have been an imitation of the self-inflicted death of Attis under the pine-tree. It is not inconsistent with this supposition that Attis was also represented at these ceremonies by an effigy; for we have already had cases in which the divine being is first represented by a living person and afterwards by an effigy, which is then burned or otherwise destroyed.⁹⁶² Perhaps we may go a step farther and conjecture that this mimic killing of the priest (if it was such), accompanied by a real effusion of his blood, was in Phrygia, as it has been elsewhere, a substitute for a human sacrifice which in earlier times was actually offered. Professor W. M. Ramsay, whose authority on all questions relating to Phrygia no one will dispute, is of opinion that at these Phrygian ceremonies “the representative of the god was probably slain each year by a cruel death, just as the god himself died.”⁹⁶³ We know from Strabo⁹⁶⁴ that the priests of Pessinus were at one time potentates as well as priests; they may, therefore, have belonged to that class of divine kings or popes whose duty it was to die each year for their people and the world. As a god of vegetation, annually slain, the representative of Attis would be parallel to the Wild Man, the King, etc., of north European folk-custom, and to the Italian priest of Nemi.

§ 6. – Osiris

There seem to be some grounds for believing that Osiris, the great god of ancient Egypt, was one of those personifications of vegetation, whose annual death and resurrection have been celebrated in so many lands. But as the chief of the gods he appears to have absorbed the attributes of other deities, so that his character and rites present a complex of heterogeneous elements which, with the scanty evidence at our disposal, it is hardly possible to sort out. It may be worth while, however, to put together some of the facts which lend support to the view that Osiris or at least one of the deities out of whom he was compounded was a god of vegetation, analogous to Adonis and Attis.

The outline of his myth is as follows.⁹⁶⁵ Osiris was the son of the earth-god Qeb (or Seb, as the name is sometimes transliterated).⁹⁶⁶ Reigning as a king on earth, he reclaimed the Egyptians from savagery, gave them laws, and taught them to worship the gods. Before his time the Egyptians had been cannibals. But Isis, the sister and wife of Osiris, discovered wheat and barley growing wild, and Osiris introduced the cultivation of these grains amongst his people, who forthwith abandoned cannibalism and took kindly to a corn diet.⁹⁶⁷ Afterwards Osiris travelled over the world diffusing the blessings of civilisation wherever he went. But on his return his brother Set (whom the Greeks called Typhon), with seventy-two others, plotted against him, and having inveigled him into a beautifully decorated coffer, they nailed it down on him, soldered it fast with molten lead, and flung it into the Nile. It floated down to the sea. This happened on the 17th day of the month Athyr. Isis put on mourning, and wandered disconsolately up and down seeking the body, till at last she found it at Byblus, on the Syrian coast, whither it had drifted with the waves. An erica tree had shot up and enfolded the coffer within its stem, and the King of Byblus, admiring the fine growth of the tree, had caused it to be cut down and converted into a pillar of his palace. From him Isis obtained leave to open the trunk of the tree, and having taken out the coffer, she carried it away with her. But she left it to visit her son Horus at Butus in the Delta, and Typhon found the coffer as he was hunting a boar by the light of a full moon.⁹⁶⁸ He recognised the body of Osiris, rent it into fourteen pieces, and scattered them abroad. Isis sailed up and down the marshes in a papyrus boat seeking the fragments, and as she found each she buried it. Hence many graves of Osiris were shown in Egypt. Others said that Isis left an effigy of Osiris in every city, pretending it was his body, in order that Osiris might be worshipped in many places, and to prevent Typhon from discovering the real corpse. Afterwards her son Horus fought against Typhon, conquered him, and bound him fast. But Isis, to whom he had been delivered, loosed his bonds and let him go. This angered Horus, and he pulled the crown from his mother's head; but Hermes replaced it with a helmet made in the shape of a cow's head. Typhon was subsequently defeated in two other battles. The rest of the myth included the dismemberment of Horus and the beheading of Isis.

So much for the myth of Osiris. Of the annual rites with which his death and burial were celebrated we unfortunately know very little. The mourning lasted five days,⁹⁶⁹ from the 8th to the 12th of the month Athyr.⁹⁷⁰ The ceremonies began with the “earth-ploughing,” that is, with the opening of the field labours, when the waters of the Nile are sinking. The other rites included the search for the mangled body of Osiris, the rejoicings at its discovery, and its solemn burial. The burial took place on the 11th of November, and was accompanied by the recitation of lamentations from the liturgical books. These lamentations, of which several copies have been discovered in modern times, were put in the mouth of Isis and Nephthys, sisters of Osiris. “In form and substance,” says Brugsch, “they vividly recall the dirges chanted at the Adonis' rites over the dead god.”⁹⁷¹ Next day was the joyous festival of Sokari, that being the name under which the hawk-headed Osiris of Memphis was invoked. The solemn processions of priests which on this day wound round the temples with all the pomp of banners, images, and sacred emblems, were amongst the most stately pageants that ancient Egypt could show. The whole festival ended on the 16th of November with a special rite called the erection of the Tatu, Tat, or Ded pillar.⁹⁷² This pillar appears from the monuments to have been a column with cross bars at the top, like the yards of a mast, or more exactly like the superposed capitals of a pillar.⁹⁷³ On a Theban tomb the king himself, assisted by his relations and a priest, is represented hauling at the ropes by which the pillar is being raised. The pillar was interpreted, at least in later Egyptian theology, as the backbone of Osiris. It might very well be a conventional representation of a tree stripped of its leaves; and if Osiris was a tree-spirit, the bare trunk and branches of a tree might naturally be described as his backbone. The erection of the column would then be, as Erman interprets it, a representation of the resurrection of Osiris, which, as we learn from Plutarch, appears to have been celebrated at his mysteries.⁹⁷⁴ Perhaps the ceremony which Plutarch describes as taking place on the third day of the festival (the 19th day of the month Athyr) may also have referred to the resurrection. He says that on that day the priests carried the sacred ark down to the sea. Within the ark was a golden casket, into which drinking-water was poured. A shout then went up that Osiris was found. Then some mould was mixed with water, and out of the paste thus formed a crescent-shaped image was fashioned, which was then dressed in robes and adorned.⁹⁷⁵

The general similarity of the myth and ritual of Osiris to those of Adonis and Attis is obvious. In all three cases we see a god whose untimely and violent death is mourned by a loving goddess and annually celebrated by their worshippers. The character of Osiris as a deity of vegetation is brought out by the legend that he was the first to teach men the use of corn, and by the fact that his annual festival began with ploughing the earth. He is said also to have introduced the cultivation of the vine.⁹⁷⁶ In one of the chambers dedicated to Osiris in the great temple of Isis at Philae the dead body of Osiris is represented with stalks of corn springing from it, and a priest is watering the stalks from a pitcher which he holds in his hand. The accompanying inscription sets forth that “This is the form of him whom one may not name, Osiris of the mysteries, who springs from the returning waters.”⁹⁷⁷ It would seem impossible to devise a more graphic way of representing Osiris as a personification of the corn; while the inscription proves that this personification was the kernel of the mysteries of the god, the innermost secret that was only revealed to the initiated. In estimating the mythical character of Osiris very great weight must be given to this monument. The legend that his mangled remains were scattered up and down the land may be a mythical way of expressing either the sowing or the winnowing of the grain. The latter interpretation is supported by the story that Isis placed the severed limbs of Osiris on a corn-sieve.⁹⁷⁸ Or the legend may be a reminiscence of the custom of slaying a human victim (probably considered as a representative of the corn-spirit) and distributing his flesh or scattering his ashes over the fields to fertilise them. We have already seen that in modern Europe the figure of “Death” is sometimes torn in pieces, and that the fragments are then buried in the fields to make the crops grow well.⁹⁷⁹ Later on we shall meet with examples of human victims being treated in the same way. With regard to the ancient Egyptians, we have it on the authority of Manetho that they used to burn red-haired men and scatter their ashes with winnowing-fans.⁹⁸⁰ That this custom was not, as might perhaps have been supposed, a mere way of wreaking their spite on foreigners, amongst whom rather than amongst the native Egyptians red-haired people would generally be found, appears from the fact that the oxen which were sacrificed had also to be red; a single black or white hair found on a beast would have disqualified it for the sacrifice.⁹⁸¹ The red hair of the human victims was thus probably essential; the fact that they were generally foreigners was only accidental. If, as I conjecture, these human sacrifices were intended to promote the growth of the crops – and the winnowing of their ashes seems to support this view – red-haired victims were perhaps selected as best fitted to represent the spirit of the golden grain. For when a god is represented by a living person, it is natural that the human representative should be chosen on the ground of his supposed resemblance to the god. Hence the ancient Mexicans, conceiving the maize as a personal being who went through the whole course of life between seed-time and harvest, sacrificed new-born babes when the maize was sown, older children when it had sprouted, and so on till it was fully ripe, when they sacrificed old men.⁹⁸² A name for Osiris was the “crop” or “harvest”;⁹⁸³ and the ancients sometimes explained him as a personification of the corn.⁹⁸⁴

But Osiris was not only a corn-spirit; he was also a tree-spirit, and this was probably his original character; for, as we have already observed, the corn-spirit seems to be only an extension of the older tree-spirit. His character as a tree-spirit was represented very graphically in a ceremony described by Firmicus Maternus.⁹⁸⁵ A pine-tree was cut down, the centre was hollowed out, and with the wood thus excavated an image of Osiris was made, which was then “buried” in the hollow of the tree. Here, again, it is hard to imagine how the conception of a tree as tenanted by a personal being could be more plainly expressed. The image of Osiris thus made was kept for a year and then burned, exactly as was done with the image of Attis which was attached to the pine-tree. The ceremony of cutting the tree, as described by Firmicus Maternus, appears to be alluded to by Plutarch.⁹⁸⁶ It was probably the ritual counterpart of the mythical discovery of the body of Osiris enclosed in the erica tree. We may conjecture that the erection of the Tatu pillar at the close of the annual festival of Osiris⁹⁸⁷ was identical with the ceremony described by Firmicus; it is to be noted that in the myth the erica tree formed a pillar in the King's house. Like the similar custom of cutting a pine-tree and fastening an image to it in the rites of Attis, the ceremony perhaps belonged to that class of customs of which the bringing in the May-pole is among the most familiar. As to the pine-tree in particular, at Denderah the tree of Osiris is a conifer, and the coffer containing the body of Osiris is here represented as enclosed within the tree.⁹⁸⁸ A pine-cone is often represented on the monuments as offered to Osiris, and a MS. of the Louvre speaks of the cedar as sprung from Osiris.⁹⁸⁹ The sycamore and the tamarisk are also his trees. In inscriptions he is spoken of as residing in them;⁹⁹⁰ and his mother Nut is frequently represented in a sycamore.⁹⁹¹ In a sepulchre at How (Diospolis Parva) a tamarisk is represented overshadowing the coffer of Osiris; and in the series of sculptures which represent the mystic history of Osiris in the great temple of Isis at Philae, a tamarisk is depicted with two men pouring water on it. The inscription on this last monument leaves no doubt, says Brugsch, that the verdure of the earth is believed to be connected with the verdure of the tree, and that the sculpture refers to the grave of Osiris at Philae, of which Plutarch says that it was overshadowed by a methide plant, taller than any olive-tree. This sculpture, it may be observed, occurs in the same chamber in which Osiris is represented as a corpse with ears of corn sprouting from him.⁹⁹² In inscriptions Osiris is referred to as “the one in the tree,” “the solitary one in the acacia,” etc.⁹⁹³ On the monuments he sometimes appears as a mummy covered with a tree or with plants.⁹⁹⁴ It accords with the character of Osiris as a tree-spirit that his worshippers were forbidden to injure fruit-trees, and with his character as a god of vegetation in general that they were not allowed to stop up wells of water, which are so important for purposes of irrigation in hot southern lands.⁹⁹⁵

The original meaning of the goddess Isis is still more difficult to determine than that of her brother and husband Osiris. Her attributes and epithets were so numerous that in the hieroglyphics she is called “the many-named,” “the thousand-named,” and in Greek inscriptions “the myriad-named.”⁹⁹⁶ Tiele confesses candidly that “it is now impossible to tell precisely to what natural phenomena the character of Isis at first referred.”⁹⁹⁷ Mr. Renouf states that Isis was the Dawn,⁹⁹⁸ but without assigning any reason whatever for the identification. There are at least some grounds for seeing in her a goddess of corn. According to Diodorus, whose authority appears to have been the Egyptian historian Manetho, the discovery of wheat and barley was attributed to Isis, and at her festivals stalks of these grains were carried in procession to commemorate the boon she had conferred on men. Further, at harvest-time, when the Egyptian reapers had cut the first stalks, they laid them down and beat their breasts, lamenting and calling upon Isis.⁹⁹⁹ Amongst the epithets by which she is designated on the inscriptions are “creatress of the green crop,” “the green one, whose greenness is like the greenness of the earth,” and “mistress of bread.”¹⁰⁰⁰ According to Brugsch she is “not only the creatress of the fresh verdure of vegetation which covers the earth, but is actually the green corn-field itself, which is personified as a goddess.”¹⁰⁰¹ This is confirmed by her epithet Sochit or Sochet, meaning “a corn-field,” a sense which the word still retains in Coptic.¹⁰⁰² It is in this character of a corn-goddess that the Greeks conceived Isis, for they identified her with Demeter.¹⁰⁰³ In a Greek epigram she is described as “she who has given birth to the fruits of the earth,” and “the mother of the ears of corn,”¹⁰⁰⁴ and in a hymn composed in her honour she speaks of herself as “queen of the wheat-field,” and is described as “charged with the care of the fruitful furrow's wheat-rich path.”¹⁰⁰⁵

Osiris has been sometimes interpreted as the sun-god; and this view has been held by so many distinguished writers in modern times that a few words of reply seem called for. If we inquire on what evidence Osiris has been identified with the sun or the sun-god, it will be found on examination that the evidence is minute in quantity and dubious, where it is not absolutely worthless, in quality. The diligent Jablonski, the first modern scholar to collect and examine the testimony of classical writers on Egyptian religion, says that it can be shown in many ways that Osiris is the sun, and that he could produce a cloud of witnesses to prove it, but that it is needless to do so, since no learned man is ignorant of the fact.¹⁰⁰⁶ Of the writers whom he condescends to quote, the only two who expressly identify Osiris with the sun are Diodorus and Macrobius. The passage in Diodorus runs thus:¹⁰⁰⁷ “It is said that the aboriginal inhabitants of Egypt, looking up to the sky, and smitten with awe and wonder at the nature of the universe, supposed that there were two gods, eternal and primeval, the sun and the moon, of whom they named the sun Osiris and the moon Isis.” Even if Diodorus's authority for this statement is Manetho, as there is some ground for believing,¹⁰⁰⁸ little or no weight can be attached to it. For it is plainly a philosophical, and therefore a late, explanation of the first beginnings of Egyptian religion, reminding us of Kant's familiar saying about the starry heavens and the moral law rather than of the rude traditions of a primitive people. Jablonski's second authority, Macrobius, is no better but rather worse. For Macrobius was the father of that large family of mythologists who resolve all or most gods into the sun. According to him Mercury was the sun, Mars was the sun, Janus was the sun, Saturn was the sun, so was Jupiter, also Nemesis, likewise Pan, etc.¹⁰⁰⁹ It was, therefore, nearly a matter of course that he should identify Osiris with the sun.¹⁰¹⁰ But apart from the general principle, so frankly enunciated by Professor Maspero, that all the gods are the sun (“Comme tous les dieux, Osiris est le soleil”),¹⁰¹¹ Macrobius has not much cause to show for identifying Osiris in particular with the sun. He argues that Osiris must be the sun because an eye was one of his symbols. The premise is correct,¹⁰¹² but what exactly it has to do with the conclusion is not clear. The opinion that Osiris was the sun is also mentioned, but not accepted, by Plutarch,¹⁰¹³ and it is referred to by Firmicus Maternus.¹⁰¹⁴

Amongst modern Egyptologists, Lepsius, in identifying Osiris with the sun, appears to rely mainly on the passage of Diodorus already quoted. But the monuments, he adds, also show “that down to a late time Osiris was sometimes conceived as Ra. In this quality he is named Osiris-Ra even in the ‘Book of the Dead,’ and Isis is often called ‘the royal consort of Ra.’ ”¹⁰¹⁵ That Ra was both the physical sun and the sun-god is of course undisputed; but with every deference for the authority of so great a scholar as Lepsius, it may be doubted whether such identification can be taken as evidence of the original character of Osiris. For the religion of ancient Egypt¹⁰¹⁶ may be described as a confederacy of local cults which, while maintaining against each other a certain measure of jealous and even hostile independence, were yet constantly subjected to the fusing and amalgamating action of political centralisation and philosophical reflection. The history of the religion appears to have largely consisted of a struggle between these opposite forces or tendencies. On the one side there was the conservative tendency to preserve the local cults with all their distinctive features, fresh, sharp, and crisp, as they had been handed down from an immemorial past. On the other side there was the progressive tendency, favoured by the gradual fusion of the people under a powerful central government, first to dull the edge of these provincial distinctions, and finally to break them down completely and merge them in a single national religion. The conservative party probably mustered in its ranks the great bulk of the people, their prejudices and affections being warmly enlisted in favour of the local deity, with whose temple and rites they had been familiar from childhood; and the popular aversion to change, based on the endearing effect of old association, must have been strongly reinforced by the less disinterested opposition of the local clergy, whose material interests would necessarily suffer with any decay of their shrines. On the other hand the kings, whose power and glory rose with the political and ecclesiastical consolidation of the nation, were the natural champions of religious unity; and their efforts would be seconded by the cultured and reflecting minority, who could hardly fail to be shocked by the many barbarous and revolting elements in the local rites. As usual in such cases, the process of religious unification appears to have been largely effected by discovering points of similarity, real or imaginary, between various local gods, which were thereupon declared to be only different names or manifestations of the same god.

Of the deities who thus acted as centres of attraction, absorbing in themselves a multitude of minor divinities, by far the most important was the sun-god Ra. There appear to have been few gods in Egypt who were not at one time or other identified with him. Ammon of Thebes, Horus of the East, Horus of Edfu, Chnum of Elephantine, Atum of Heliopolis, all were regarded as one god, the sun. Even the water-god Sobk, in spite of his crocodile shape, did not escape the same fate. Indeed one king, Amenhôtep IV, undertook to sweep away all the old gods at a stroke and replace them by a single god, the “great living disc of the sun.”¹⁰¹⁷ In the hymns composed in his honour, this deity is referred to as “the living disc of the sun, besides whom there is none other.” He is said to have made “the far heaven” and “men, beasts, and birds; he strengtheneth the eyes with his beams, and when he showeth himself, all flowers live and grow, the meadows flourish at his upgoing and are drunken at his sight, all cattle skip on their feet, and the birds that are in the marsh flutter for joy.” It is he “who bringeth the years, createth the months, maketh the days, calculateth the hours, the lord of time, by whom men reckon.” In his zeal for the unity of god, the king commanded to erase the names of all other gods from the monuments, and to destroy their images. His rage was particularly directed against the god Ammon, whose name and likeness were effaced wherever they were found; even the sanctity of the tomb was violated in order to destroy the memorials of the hated god. In some of the halls of the great temples at Carnac, Luxor, and other places, all the names of the gods, with a few chance exceptions, were scratched out. In no inscription cut in this king's reign was any god mentioned save the sun. He even changed his own name, Amenhôtep, because it was compounded of Ammon, and took instead the name of Chuen-'eten, “gleam of the sun's disc.” His death was followed by a violent reaction. The old gods were reinstated in their rank and privileges; their names and images were restored; and new temples were built. But all the shrines and palaces reared by the late king were thrown down; even the sculptures that referred to him and to his god in rock-tombs and on the sides of hills were erased or filled up with stucco; his name appears on no later monument, and was carefully omitted from all official lists.

This attempt of King Amenhôtep IV is only an extreme example of a tendency which appears to have been at work on the religion of Egypt as far back as we can trace it. Therefore, to come back to our point, in attempting to discover the original character of any Egyptian god, no weight can be given to the identification of him with other gods, least of all with the sun-god Ra. Far from helping to follow up the trail, these identifications only cross and confuse it. The best evidence for the original character of the Egyptian gods is to be found in their ritual and myths, so far as these are known (which unfortunately is little enough), and in the figured representations of them on the monuments. It is on evidence drawn from these sources that I rely mainly for the interpretation of Osiris as a deity of vegetation.