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§ 6. The Nailing of Evils

Sickness and pain pegged or nailed into trees.

Often the patient, without troubling to bore a hole in the tree, merely knocks a wedge, a peg, or a nail into it, believing that he thus pegs or nails the sickness or pain into the wood. Thus a Bohemian cure for fever is to go to a tree and hammer a wedge into it with the words “There, I knock you in, that you may come no more out to me.”²⁰³ A German way of getting rid of toothache is to go in silence before sunrise to a tree, especially a willow-tree, make a slit in the bark on the north side of the tree, or on the side that looks towards the sunrise, cut out a splinter from the place thus laid bare, poke the splinter into the aching tooth till blood comes, then put back the splinter in the tree, fold down the bark over it, and tie a string round the trunk, that the splinter may grow into the trunk as before. As it does so, your pain will vanish; but you must be careful not to go near the tree afterwards, or you will get the toothache again. And any one who pulls the splinter out will also get the toothache. He has in fact uncorked the toothache which was safely bottled up in the tree, and he must take the natural consequence of his rash act.²⁰⁴ A simpler plan, practised in Persia as well as in France and Germany, is merely to scrape the aching tooth with a nail or a twig till it bleeds, and then hammer the nail or the twig into a tree. In the Vosges, in Voigtland, and probably elsewhere, it is believed that any person who should draw out such a nail or twig would get the toothache.²⁰⁵ An old lime-tree at Evessen, in Brunswick, is studded with nails of various shapes, including screw-nails, which have been driven into it by persons who suffered from aching teeth.²⁰⁶ In the Mark of Brandenburg they say that the ceremony should be performed when the moon is on the wane, and that the bloody nail should be knocked, without a word being spoken, into the north side of an oak-tree, where the sun cannot shine on it; after that the person will have no more toothache so long as the tree remains standing.²⁰⁷ Here it is plainly implied that the toothache is bottled up in the tree. If further proof were needed that in such cases the malady is actually transferred to the tree and stowed away in its trunk, it would be afforded by the belief that if the tree is cut down the toothache will return to the original sufferer.²⁰⁸ Rupture as well as toothache can be nailed to an oak. For that purpose all that need be done is to take a coffin-nail and touch with it the injured part of the patient; then set the sufferer barefoot before an oak-tree, and knock the nail into the trunk above his head. That transfers the rupture to the tree, and that is why you may often see the boles of ancient oaks studded with nails.²⁰⁹

Ghosts and gods bunged up in India. Demon plugged up and ghost nailed down.

Such remedies are not confined to Europe. At Bilda in Algeria, there is a sacred old olive-tree, in which pilgrims, especially women, knock nails for the purpose of ridding themselves of their ailments and troubles.²¹⁰ Again, the Majhwars, a Dravidian tribe in the hill country of South Mirzapur, believe that all disease is due to ghosts, but that ghosts, when they become troublesome, can be shut up in a certain tree, which grows on a little islet in a very deep pool of the Sukandar, a tributary of the Kanhar river. Accordingly, when the country is infested by ghosts, in other words when disease is raging, a skilful wizard seeks for a piece of deer-horn in the jungle. When he has found it, he hammers it with a stone into the tree and thus shuts up the ghost. The tree is covered with hundreds of such pieces of horn.²¹¹ Again, when a new settlement is being made in some parts of the North-Western Provinces of India, it is deemed necessary to apprehend and lay by the heels the local deities, who might otherwise do a deal of mischief to the intruders on their domain. A sorcerer is called in to do the business. For days he marches about the place mustering the gods to the tuck of drum. When they are all assembled, two men known as the Earthman and the Leafman, who represent the gods of the earth and of the trees respectively, become full of the spirit, being taken possession of bodily by the local deities. In this exalted state they shout and caper about in a fine frenzy, and their seemingly disjointed ejaculations, which are really the divine voice speaking through them, are interpreted by the sorcerer. When the critical moment has come, the wizard rushes in between the two incarnations of divinity, clutches at the spirits which are hovering about them in the air, and pours grains of sesame through their hands into a perforated piece of the wood of the sacred fig-tree. Then without a moment's delay he plasters up the hole with a mixture of clay and cow-dung, and carefully buries the piece of wood on the spot which is to be the shrine of the local deities. Needless to say that the gods themselves are bunged up in the wood and are quite incapable of doing further mischief, provided always that the usual offerings are made to them at the shrine where they live in durance vile.²¹² In this case the source of mischief is imprisoned, not in a tree, but in a piece of one; but the principle is clearly the same. Similarly in Corea an English lady observed at a cross-road a small log with several holes like those of a mouse-trap, one of which was plugged up doubly with bungs of wood. She was told that a demon, whose ravages spread sickness in a family, had been inveigled by a sorceress into that hole and securely bunged up. It was thought proper for all passers-by to step over the incarcerated devil, whether to express their scorn and abhorrence of him, or more probably as a means of keeping him forcibly down.²¹³ In Cochinchina a troublesome ghost can be confined to the grave by the simple process of knocking a nail or thrusting a bar of iron into the earth at the point where the head of the corpse may be presumed to repose.²¹⁴

Evils nailed into stones, walls, door-posts, and so on.

From knocking the mischief into a tree or a log it is only a step to knocking it into a stone, a door-post, a wall, or such like. At the head of Glen Mor, near Port Charlotte, in Islay, there may be seen a large boulder, and it is said that whoever drives a nail into this stone will thereafter be secure from attacks of toothache. A farmer in Islay told an enquirer some years ago how a passing stranger once cured his grandmother of toothache by driving a horse-nail into the lintel of the kitchen door, warning her at the same time to keep the nail there, and if it should come loose just to tap it with a hammer till it had a grip again. She had no more toothache for the rest of her life.²¹⁵ In Brunswick it is open to any one to nail his toothache either into a wall or into a tree, as he thinks fit; the pain is cured quite as well in the one way as in the other.²¹⁶ So in Beauce and Perche a healer has been known to place a new nail on the aching tooth of a sufferer and then knock the nail into a door, a beam, or a joist.²¹⁷ The procedure in North Africa is similar. You write certain Arabic letters and numbers on the wall; then, while the patient puts a finger on the aching tooth, you knock a nail, with a light tap of a hammer, into the first letter on the wall, reciting a verse of the Coran as you do so. Next you ask the sufferer whether the pain is now abated, and if he says “Yes” you draw out the nail entirely. But if he says “No,” you shift the nail to the next letter in the wall, and so on, till the pain goes away, which it always does, sooner or later.²¹⁸ A Bohemian who fears he is about to have an attack of fever will snatch up the first thing that comes to hand and nail it to the wall. That keeps the fever from him.²¹⁹

Devils and ghosts nailed down in Morocco, Tunis, and Egypt. Headache nailed into a door or a wall. Plague pegged into a hole.

As in Europe we nail toothache or fever to a wall, so in Morocco they nail devils. A house in Mogador having been infested with devils, who threw stones about it in a way that made life a burden to the inmates, a holy man was called in to exorcise them, which he did effectually by pronouncing an incantation and driving a nail into the wall; at every stroke of the hammer a hissing sound announced that another devil had received his quietus.²²⁰ Among the modern Arabs the soul of a murdered man must be nailed down. Thus if a man be murdered in Egypt, his ghost will rise from the ground where his blood was shed: but it can be prevented from doing so by driving a new nail, which has never been used, into the earth at the spot where the murder was committed. In Tripoli the practice is similar. Some years ago a native was murdered close to the door of a little Italian inn. Immediately the Arabs of the neighbourhood thronged thither and effectually laid the ghost with hammer and nail. When the innkeeper rashly attempted to remove the nail, he was warned that to do so would be to set the ghost free.²²¹ In modern Egypt numbers of people afflicted with headache used to knock a nail into the great wooden door of the old south gate of Cairo, for the purpose of charming away the pain; others who suffered from toothache used to extract a tooth and insert it in a crevice of the door, or fix it in some other way, in order to be rid of toothache for the future. A holy and miraculous personage, invisible to mortal eyes, was supposed to have one of his stations at this gate.²²² In Mosul also a sheikh can cure headache by first laying his hands on the sufferer's head and then hammering a nail into a wall.²²³ Not far from Neuenkirchen, in Oldenburg, there is a farmhouse to which, while the Thirty Years' War was raging, the plague came lounging along from the neighbouring town in the shape of a bluish vapour. Entering the house it popped into a hole in the door-post of one of the rooms. The farmer saw his chance, and quick as thought he seized a peg and hammered it into the hole, so that the plague could not possibly get out. After a time, however, thinking the danger was past, he drew out the peg. Alas! with the peg came creeping and curling out of the hole the blue vapour once more. The plague thus let loose seized on every member of the family in that unhappy house and left not one of them alive.²²⁴ Again, the great plague which devastated the ancient world in the reign of Marcus Antoninus is said to have originated in the curiosity and greed of some Roman soldiers, who, pillaging the city of Seleucia, came upon a narrow hole in a temple and incautiously enlarged the opening in the expectation of discovering treasure. But that which came forth from the hole was not treasure but the plague. It had been pent up in a secret chamber by the magic art of the Chaldeans; but now, released from its prison by the rash act of the spoilers, it stalked abroad and spread death and destruction from the Euphrates to the Nile and the Atlantic.²²⁵

Plague nailed down in ancient Rome.

The simple ceremony, in which to this day the superstition of European peasants sees a sovereign remedy for plague and fever and toothache, has come down to us from a remote antiquity; for in days when as yet Paris and London were not, when France still revered the Druids as the masters of all knowledge, human and divine, and when our own country was still covered with virgin forests, the home of savage beasts and savage men, the same ceremony was solemnly performed from time to time by the highest magistrate at Rome, to stay the ravages of pestilence or retrieve disaster that threatened the foundations of the national life. In the fourth century before our era the city of Rome was desolated by a great plague which raged for three years, carrying off some of the highest dignitaries and a great multitude of common folk. The historian who records the calamity informs us that when a banquet had been offered to the gods in vain, and neither human counsels nor divine help availed to mitigate the violence of the disease, it was resolved for the first time in Roman history to institute dramatical performances as an appropriate means of appeasing the wrath of the celestial powers. Accordingly actors were fetched from Etruria, who danced certain simple and decorous dances to the music of a flute. But even this novel spectacle failed to amuse or touch, to move to tears or laughter the sullen gods. The plague still raged, and at the very moment when the actors were playing their best in the circus beside the Tiber, the yellow river rose in angry flood and drove players and spectators, wading and splashing through the fast-deepening waters, away from the show. It was clear that the gods spurned plays as well as prayers and banquets; and in the general consternation it was felt that some more effectual measure should be taken to put an end to the scourge. Old men remembered that a plague had once been stayed by the knocking of a nail into a wall; and accordingly the Senate resolved that now in their extremity, when all other means had failed, a supreme magistrate should be appointed for the sole purpose of performing this solemn ceremony. The appointment was made, the nail was knocked, and the plague ceased, sooner or later.²²⁶ What better proof could be given of the saving virtue of a nail?

Pestilence and civil discord nailed into a wall in Rome.

Twice more within the same century the Roman people had recourse to the same venerable ceremony as a cure for public calamities with which the ordinary remedies, civil and religious, seemed unable to cope. One of these occasions was a pestilence;²²⁷ the other was a strange mortality among the leading men, which public opinion traced, rightly or wrongly, to a series of nefarious crimes perpetrated by noble matrons, who took their husbands off by poison. The crimes, real or imaginary, were set down to frenzy, and nothing could be thought of so likely to minister to minds diseased as the knocking of a nail into a wall. Search among the annals of the city proved that in a season of civil discord, when the state had been rent by party feud, the same time-honoured remedy, the same soothing balm, had been applied with the happiest results to the jarring interests and heated passions of the disputants. Accordingly the old nostrum was tried once more, and again success appeared to justify the experiment.²²⁸

The annual ceremony of knocking in a nail at Rome.

If the Romans in the fourth century before Christ thus deemed it possible to rid themselves of pestilence, frenzy, and sedition by hammering them into a wall, even as French and German peasants still rid themselves of fever and toothache by knocking them into a tree, their prudent ancestors appear to have determined that so salutary a measure should not be restricted in its scope to meeting special and urgent emergencies as they arose, but should regularly diffuse its benefits over the community by anticipating and, as it were, nipping in the bud evils which, left unchecked, might grow to dangerous proportions. This, we may conjecture, was the original intention of an ancient Roman law which ordained that the highest magistrate of the republic should knock in a nail every year on the thirteenth day of September. The law might be seen, couched in old-fashioned language, engraved on a tablet which was fastened to a wall of the temple of Capitoline Jupiter; and although the place where the nails were driven in is nowhere definitely stated by classical writers, there are some grounds for thinking that it may have been the same wall on which the law that sanctioned the custom was exhibited. Livy tells us that the duty of affixing the nail, at one time discharged by the consuls, was afterwards committed to dictators, whose higher rank consorted better with the dignity and importance of the function. At a later time the custom fell into abeyance, and the ancient ceremony was revived only from time to time in seasons of grave peril or extraordinary calamity, which seemed to attest the displeasure of the gods at modern ways, and disposed men to bethink them of ancestral lore and to walk in the old paths.²²⁹

The ceremony was probably a purificatory rite designed to disarm and disable all evils that might threaten the Roman state in the course of the year. Roman cure for epilepsy.

In antiquity the annual practice of hammering a nail into a wall was not confined to Rome. It was observed also at Vulsinii, in Etruria, where the nails thus fixed in the temple of the goddess Nortia served as a convenient means of recording and numbering the years.²³⁰ To Roman antiquaries of a later period it seemed, naturally enough, that such a practice had indeed no other object than that of marking the flight of time in ages when writing was but little used.²³¹ Yet a little reflection will probably convince us that this, though it was doubtless a useful consequence of the custom, can hardly have been its original intention. For it will scarcely be disputed that the annual observance of the custom cannot be wholly dissociated from its occasional observance in seasons of great danger or calamity, and that whatever explanation we give of the one ought to apply to the other also. Now it is plain that if we start from the annual observance and regard it as no more than a timekeeper or mode of recording the years, we shall never reach an adequate explanation of the occasional observance. If the nails were merely ready reckoners of the years, how could they come to be used as supreme remedies for pestilence, frenzy, and sedition, resorted to by the state in desperate emergencies when all the ordinary resources of policy and religion had failed? On the other hand, if we start from the occasional observance and view it, in accordance with modern analogies, as a rude attempt to dispose of intangible evils as if they were things that could be handled and put away out of sight, we can readily understand how such an attempt, from being made occasionally, might come to be repeated annually for the sake of wiping out all the old troubles and misfortunes of the past year and enabling the community to start afresh, unencumbered by a fardel of ills, at the beginning of a new year. Fortunately we can shew that the analogy which is thus assumed to exist between the Roman custom and modern superstition is not a merely fanciful one; in other words, it can be proved that the Romans, like modern clowns, did believe in the possibility of nailing down trouble, in a literal and physical sense, into a material substance. Pliny tells us that an alleged cure for epilepsy, or the falling sickness, was to drive an iron nail into the ground on the spot which was first struck by the patient's head as he fell.²³² In the light of the modern instances which have come before us, we can hardly doubt that the cure was supposed to consist in actually nailing the disease into the earth in such a way that it could not get up and attack the sufferer again. Precisely parallel is a Suffolk cure for ague. You must go by night alone to a cross-road, and just as the clock strikes the midnight hour you must turn yourself about thrice and drive a tenpenny nail up to the head into the ground. Then walk away backwards from the spot before the clock is done striking twelve, and you will miss the ague; but the next person who passes over the nail will catch the malady in your stead.²³³ Here it is plainly assumed that the ague of which the patient is relieved has been left by him nailed down into the earth at the cross-road, and we may fairly suppose that a similar assumption underlay the Roman cure for epilepsy. Further, we seem to be now justified in holding that originally, when a Roman dictator sought to stay a plague, to restore concord, or to terminate an epidemic of madness by knocking a nail into a wall, he was doing for the commonwealth exactly what any private man might do for an epileptic patient by knocking a nail into the ground on the spot where his poor friend had collapsed. In other words, he was hammering the plague, the discord, or the madness into a hole from which it could not get out to afflict the community again.²³⁴

Knocking nails into idols as a means of attracting the attention of the deity or spirit.

Different in principle from the foregoing customs appears to be the Loango practice of sticking nails into wooden idols or fetishes. The intention of knocking a nail into a worshipful image is said to be simply to attract the notice of the deity in a forcible manner to the request of his worshipper; it is like pinching a man or running a pin into his leg as a hint that you desire to speak with him. Hence in order to be quite sure of riveting the god's attention the nails are sometimes made red-hot.²³⁵ Even the most absent-minded deity could hardly overlook a petition urged in so importunate a fashion. The practice is resorted to in many emergencies. For example, when a man has been robbed, he will go and get a priest to knock a nail into an idol. The sharp pang naturally exasperates the deity and he seeks to wreak his wrath on the thief, who is the real occasion of his suffering. So when the thief hears of what has been done, he brings back the stolen goods in fear and trembling. Similarly a nail may be knocked into an idol for the purpose of making somebody fall ill; and if a sick man fancies that his illness is due to an enemy who has played him this trick, he will send to the priest of the idol and pay him to remove the nail.²³⁶ This mode of refreshing the memory and stimulating the activity of a supernatural being is not confined to the negroes of Loango; it is practised also by French Catholics, as we learn from Sir John Rhys. “Some years ago,” he writes, “when I was on a visit at the late Ernest Renan's house at Rosmapamon, near Perros-Guirec on the north coast of Brittany, our genial host took his friends one day to see some of the sights of that neighbourhood. Among other things which he showed us was a statue of St. Guirec standing at the head of an open creek. It was of wood, and altogether a very rude work of art, if such it might be called; but what attracted our attention most was the fact that it had innumerable pins stuck into it. We asked M. Renan what the pins meant, and his explanation was exceedingly quaint. He said that when any young woman in the neighbourhood made up her mind that she should marry, she came there and asked the saint to provide her with a husband, and to do so without undue delay. She had every confidence in the willingness and ability of the saint to oblige her, but she was haunted by the fear that he might be otherwise engaged and forget her request. So she would stick pins into him, and thus goad him, as she fancied, to exert himself on her behalf. This is why the saint's statue was full of pins.”²³⁷ Similarly in Japan sufferers from toothache sometimes stick needles into a willow-tree, “believing that the pain caused to the tree-spirit will force it to exercise its power to cure.”²³⁸

Two different spiritual applications of nails or pins.

Thus it would seem that we must distinguish at least two uses of nails or pins in their application to spirits and spiritual influences. In one set of cases the nails act as corks or bungs to bottle up and imprison a troublesome spirit; in the other set of cases they act as spurs or goads to refresh his memory and stimulate his activity. But so far as the evidence which I have cited allows us to judge, the use of nails as spiritual bungs appears to be commoner than their use as mental refreshers.