Kitabı oku: «Pip»
FREYA NORTH
Pip
Copyright
This is a work of fiction. Names, characters, places, and incidents either are the products of the author’s imagination or are used fictitiously. Any resemblance to actual events, locales, organizations, or persons, living or dead, is entirely coincidental and beyond the intent of either the author or the publisher.
Published by HarperCollinsPublishers Ltd 1 London Bridge Street London SE1 9GF
www.harpercollins.co.uk
First published in Great Britain
by William Heinemann 2003
Copyright © Freya North 2003
Afterword © Freya North 2012
The author asserts the moral right to be identified as the author of this work
‘The Tears of a Clown’. Words and Music by Stevie Wonder, William Robinson and Henry Cosby © 1967, Jobete Music Co, Inc./Black Bull Music, Inc., USA. Reproduced by permission of Black Bull Music Inc., Jobete Music Co., London WC2H 0QY. All rights Reserved
A catalogue record for this book is available from the British Library
Source ISBN: 9780007462254
Ebook Edition © June 2012 ISBN: 9780007462261
Version: 2017-11-28
FIRST EDITION
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.
For Mum and Dad
We never know the love of our parents for us till we have become parents.
Now I know! Thank you.
‘Clowns work as well as aspirin, but twice as fast’
Groucho Marx
Table of Contents
Title Page
Copyright
Dedication
Epigraph
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
Chapter Twenty-One
Chapter Twenty-Two
Chapter Twenty-Three
Chapter Twenty-Four
Chapter Twenty-Five
Chapter Twenty-Six
Chapter Twenty-Seven
Chapter Twenty-Eight
Chapter Twenty-Nine
Chapter Thirty
Chapter Thirty-One
Chapter Thirty-Two
Chapter Thirty-Three
Chapter Thirty-Four
Chapter Thirty-Five
Chapter Thirty-Six
Chapter Thirty-Seven
Chapter Thirty-Eight
Chapter Thirty-Nine
Chapter Forty
Chapter Forty-One
Acknowledgements
Afterword
About the Author
Acclaim for Freya
Also by Freya North
About the Publisher
ONE
‘There’s really not that much difference between lap dancing and doing what I do,’ Pip McCabe proclaimed in a very matter-of-fact way over a robust but imaginative dinner that her uncle Django had spent the afternoon preparing in celebration of his three nieces’ weekend visit home to Derbyshire. Django spooned a large portion of something alarmingly beige on to his plate and appeared to contemplate it at length. In fact, he was considering his eldest niece’s words, wondering if he’d misheard, wondering if Pip had changed jobs; wondering, basically, what on earth he was going to do with her. Pip’s two younger sisters, Fen and Cat, sniggered into their semolina. Django had proudly called it ‘polenta’. But that was imaginative both with the truth and with the ingredients of the dish itself.
The three sisters tactfully referred to it as ‘polenta’ because they, too, were being imaginative with the truth as well as heedful of the chef’s sensitivities. Having been brought up single-handedly by their uncle Django, the McCabe girls were well accustomed to his eccentricities and loved him all the more because of them. He devoted the same imaginative attention to idiosyncratic detail in his dress sense as to his cooking. The sisters saw nothing untoward about pea soup with tuna and stilton, or rhubarb crumble with Jelly Babies instead of rhubarb. They had never gone hungry and their taste buds had developed a commendable and valuable robustness. Nor did they think it odd that a man in his late sixties should dress in the souvenirs of his colourful past. Today, as Django dolloped polenta on to his plate and enlivened it with a hearty slosh of Henderson’s Relish, he tucked his paisley cravat (he’d partied with the Kinks in the 1960s) into his cambric shirt, and loosened the enormous buckled belt he’d acquired at some free festival or other, currently holding together a pair of jeans Clint Eastwood would have coveted for a Spaghetti Western.
‘Philippa,’ he said, chewing thoughtfully, ‘I implore you to elaborate.’
‘Not much difference at all, really, between lap dancing and my line of work,’ Pip mused whilst masticating. ‘Same attention to make-up, same use and abuse of one’s body. Strutting one’s stuff for money. Having often ghastly punters to deal with. Always being gawped at. I’m pretty much a painted lady, too – quite literally.’
Her family regarded her. Everyone chewed. They all thought to themselves that they were sure polenta was meant to melt in the mouth, not glue the hinges of the jaw together. If Jamie Oliver was to be believed. It tasted good, though, and surely that was the point.
‘It’s a new take on polenta,’ Django reasoned out loud. ‘A polenta for the Millennium.’ Privately they each wondered how long he could credit (or blame) his experiments in the kitchen on the Millennium. As his jaw worked energetically, his mind turned to the vagaries of his niece’s career.
‘The main difference between my work and lap dancing,’ said Pip, holding her fork aloft for good measure, ‘is the working hours. Because, of course, I tend to work days and not nights.’
The McCabes observed with awe how the polenta on Pip’s fork defied both gravity and her expressive hand movements to adhere with such determination.
‘Surely the main difference,’ Django said, sipping sherry from a teacup because he had used the sherry glasses earlier to measure olive oil and Tabasco, ‘is that you wear substantially more clothes when you perform.’
Django, Fen and Cat were momentarily unnerved by the fact that Pip’s confirmation was not immediate.
‘Yes,’ she responded at length, ‘and no.’
‘No?’ Fen asked.
‘No?’ Cat echoed but with a raised tone.
‘No!’ Django boomed as an order, not a question.
‘I’ve modified my motley,’ Pip shrugged. ‘Somewhat skimpier – it’s spring, after all.’
‘God, I wonder whether to move back,’ Cat said, with an audible lump in her throat, as the sisters journeyed by train away from rural Derbyshire and Django, back down to their lives in London.
‘Listen, it’s still very early days for you,’ said Fen, thinking that actually Cat’s split with her odious boyfriend hadn’t come a moment too soon. ‘Why don’t you see how you feel after the summer? After all, it’s been a long-held ambition for you to follow the Tour de France as a journalist – give it your all.’
‘God,’ Cat sighed. Her dream-come-true was now more like a nightmare-in-waiting, such was the low ebb of her self-esteem.
Pip regarded her youngest sister and decided in an instant that humour was essential. ‘Think of all those bronzed thighs, all that testosterone, the lashings of Lycra!’ Cat couldn’t help but giggle. Pip felt she could now introduce a little common sense. ‘You’ve wanted to get up close and personal for years. Here’s your chance. It’ll be an excellent opportunity for someone in your position – further your career as a sports journalist plus get over Bastardwanker. And, of course, you never know whom you might meet.’
‘I’m off to Paris soon myself,’ Fen announced, ‘also to be surrounded by mouth-watering male physiques. Not in Lycra on bicycles, though,’ she all but apologized to Cat.
‘You’re a weirdo,’ Pip teased. ‘The men you salivate over are all marble and bronze sculptures.’ Fen, an art historian, found nothing remotely weird in her penchant for the work of Rodin and his followers and she screwed up her face and poked her tongue out at Pip in protest.
‘Well, I have no plans for Paris or pedallers,’ Pip said in such a tone as to suggest that she wouldn’t want to cross the Channel anyway, ‘but I, too, am due to be surrounded by men.’ She opened a packet of salt-and-vinegar crisps and offered them to her sisters. ‘Holloway, actually,’ she said, with such gravitas that she might well have said Hollywood. ‘I’m doing a show for a young man called Billy. And all his mates.’
TWO
‘Billy Billy Billy,’ Pip chants under her breath whilst putting on a hair band and laying her make-up out in front of her, ‘Billy’s the birthday boy. He’s the blond one in the Gap sweatshirt.’ She stares at her reflection in the mirror she always takes with her. She’s learned from experience not to trust other people’s mirrors – distortion, however subtle or slight, could have utterly drastic consequences. So, wherever she performs, regardless of the size of her audience, the length of her performance, the shortcomings of the venue or the fee she charges, Pip always demands of her client a changing-room with good natural light and a suitable surface other than her knees on which to prop her mirror. Today, she is in Holloway. The gentrified side; where fashionable young folk with large sums of money have been buying up the gorgeous terraces from elderly owners who paid ‘two bob’ for their homes decades ago.
‘Billy’s the birthday boy,’ Pip murmurs, applying her slap, ‘blond hair, Gap sweatshirt.’ She stares at her face.
I remember, when I was fourteen and had bought my first eye-shadow – admittedly bright green – Django saying, ‘Philippa, you’re pretty enough without make-up!’
Now look at me!
‘Positively garish,’ she mutters, wielding a bright red lipstick with gay abandon and adding a final flourish of powder to set the lot. She scoops her hair into two schoolgirl bunches, tying large polka-dot ribbons on each. She puckers up her lips and blows her reflection a pantomime kiss. ‘Well, this is for Billy,’ she says, standing and springing up and down as a warm-up. ‘He’d expect nothing less from me. He’s the birthday boy.’ She hops lightly from toe to toe, jiggling her arms and fingers. ‘Gap sweatshirt. Blond hair.’ Pip clears her throat and hums ‘Happy Birthday’ very fast. She’s ready.
‘She’s great,’ Zac Holmes, who’s been watching quietly from the back of the room, murmurs to the man standing next to him. ‘I must get her number. So many of her ilk can be such a let-down – and pricey, too. You sometimes don’t get what you pay for.’
They watch as Pip does the splits. Billy and his mates gasp with delight. The man next to Zac gives her a round of applause and chuckles, ‘Do you reckon she has business cards to give out?’
Zac feels tired. He rubs his eyes, wondering why he’s wearing contact lenses and not his glasses. His eyes feel dry and uncomfortable. It’s suddenly all a bit too noisy and frantic for him. He’d rather not be in Holloway; he’d rather be diving into a gorgeous cool swimming-pool in the Caribbean, soothing his eyes, refreshing his limbs. But chance would be a fine thing. He hasn’t taken a holiday for over a year. He stifles a yawn. He really ought to go home. He has work to do, despite it being the weekend; regardless that it’s the first weekend he’s officially had off in weeks. Billy’s birthday was fun for a couple of hours but Zac has had enough now. He doesn’t much like Holloway. He’s never really cared for birthdays. He let his own thirtieth come and go without so much as a quick drink with colleagues after work, let alone a celebration with friends or family. And that was almost five years ago. Birthdays. Bollocks. Yes, he’s going to go.
The show now over, Billy and the gang are guzzling down the drinks and tucking into the grub. Zac is hungry but doesn’t really fancy anything on offer. He’ll grab something on his way home to Hampstead. Someone knocks a drink over and it soaks Zac’s right trouser leg. No one seems to notice, let alone apologize. It really is time to go.
‘Happy birthday, Billy old man,’ Zac says, turning on the charm and ruffling Billy’s hair boisterously. ‘I have to go. I’d love to stay but I can’t. I have to work.’
Someone else is vying for Billy’s attention and another drink is sent flying.
‘Have a great party,’ Zac continues. ‘Happy birthday.’
‘Where’s Tom?’ Billy asks, not seeming too bothered if Zac stays or goes.
‘He was hoping to come,’ Zac says, ‘really wanted to. But he hasn’t been feeling too well.’
‘Say “hi” from me.’
‘Happy birthday, Billy,’ Zac repeats.
Alone, out in the hallway, Zac rummages around for his jacket. He has a headache lurking and is muttering ‘Nurofen’ under his breath. He’s suffered with his headaches a lot recently. He searches his pockets but finds only Marlboro Lights. Why does he always carry cigarettes when he rarely smokes more than two a day and doesn’t know why he even smokes those two anyway?
‘Stupid fucking idiot,’ he hisses at himself.
‘Language!’ chastises a female voice.
Zac turns around. Who? Oh. Her. Without the make-up, eyes still quite a startling blue-green. Dressed down in jeans. Upright, not doing the splits. Hair in a plain pony-tail. She’s smaller now, close to and not in costume.
‘I didn’t recognize you with your clothes off,’ says Zac and then cringes. ‘I mean, with your clothes on. I mean, in jeans.’
She laughs. ‘Did you enjoy the show?’
‘Great,’ Zac answers economically. He really doesn’t feel much like chatting. He’s hungry and headachy in Holloway when he’d so much rather be home alone in Hampstead.
‘Thanks,’ the girl says, with grace.
‘Have you a card?’ Zac asks, remembering he wanted one though now wondering why.
‘Sure,’ she says, and one seems to materialize, as if by magic, from what appeared to be the swiftest snap of her fingers.
‘Ta,’ says Zac, not looking at her, pocketing her card without even glancing at it. He’s at his car. He gets in and drives off. Doesn’t give her a backward glance nor even so much as a ‘goodbye’. His headache is threatening to consume him.
Pip McCabe thinks he’s rude, though. She stands on the kerb side, watching him drive away – too fast.
THREE
You can tell a lot about a person by the friends they keep. You would think you could tell a lot about a person by the clothes they wear and the place they live. However, you’d be hard-pressed to guess what Zac does for a living by analysing his dwelling, his dress or his disposition. Each is at odds with the other and none are remotely representative of the stereotypes traditionally associated with Zac’s particular vocation.
Take a look around his flat. To say it sings with colour is an understatement. It’s not so much a symphony of colours as a full-blown rock opera. To forgo the approved, if ubiquitous, muted heritage hues predominantly deployed by fellow Hampsteadites was no act of rebellion, no salute to the Shock of the New on his part. Zac simply opted for oranges and turquoises and citrus greens and parma violets because they are his favourite colours. Leyland Paints groan when he comes into the store. He spends a fortune there because he is so exacting. ‘No. I said ultramarine and I mean ultra,’ he’d complain and they’d have to spend a morning adding a dribble of this and a drip of that until Zac nodded and grinned and proclaimed something along the lines of ‘Turquoise-tastic! Fan-bloody-brilliant! Ultimate ultramarine. Ta.’
Zac’s inspiration comes not from the Sunday Times ‘Style’ section, certainly not from Changing Rooms, not from hip clubs, but really just from his own predilections. Zac is in no pretentious pursuit of retro-psychedelia; nor is his home an arty-farty appraisal of the merits of kitsch. Objectively, elements of his colour schemes are indeed psychedelic and some of his furniture and objects are quintessentially kitsch. But he only chooses what he loves. He doesn’t refer to style magazines. In fact, when he flicked through a copy of Wallpaper at a friend’s house, he thought it so brilliant that he started chuckling because he genuinely assumed that the magazine was a parody on other style magazines. He was quite horrified to learn it was serious. ‘But it’s so far up its own arse,’ he’d reasoned, ‘they might as well call it Toiletpaper.’
Zac doesn’t read about art but he does love to look at it. He didn’t consider trend when he was choosing colour for his walls and furniture for his rooms but he did pay homage to Matisse. Zac simply loves colour for its own sake. He loves the greenness of green, the blueness of blue, and he finds great expanses of solid colour incredibly satisfying. He cannot comprehend how colours can be in and out of fashion. He loves it that he cannot fathom how colour can convey movement, rhythm and mood. It’s a mystery he is content to be awestruck by.
My job’s stressful. The building is grey. I want to come home to energy and a place that – I don’t know – grins. Turquoise and orange have always made me feel positive. Green makes me feel refreshed. What’s all this crap about blue being a ‘cool’ colour – cool in what respect? Cold? Or hip? Pardon? I just find blue relaxing. Swimming-pools and cloudless skies.
Zac goes for things he really likes the look of. He loves things that amuse him. His acid yellow PVC banana beanbag chair is just as comfortable as his black leather Eames lounger. He knew the Eames was almost vulgar in cost but what price ultimate comfort for reading papers or snoozing or chilling out with a beer? The Eames serves much the same purpose as the banana chair but the banana chair was forty pounds. Zac didn’t think it a ‘bargain’, he simply thought ‘funky chair, great colour, really comfortable’, bought it on the spot and took it home on the bus. He doesn’t own a coffee-table so it’s just as well that he doesn’t buy sumptuous coffee-table tomes. Though he loves the feel of his Folio editions of fables and myths, he also devours commercial paperbacks. His book shelves are crammed with them. ‘What’s wrong with Grisham or Herbert?’ he might say. ‘They’re bloody good reads.’ He sometimes rereads Wilbur Smith and he really quite liked Bridget Jones’s Diary. He read it on the tube going to and from work. He was aware that people stared at him. He didn’t care.
It’s always open house at Zac’s. His flat just has a subliminal effect of putting people in a good mood. He doesn’t officially entertain but he has the sort of personality and the type of place that encourage people to pop in. Male friends stop by for a beer or two if they’ve had a crap day at work or a row with a wife or girlfriend. And those very same wives and girlfriends pop in if they’ve walked their feet off perusing Hampstead’s shops. Zac tells them to ‘take a load off’; while he fixes them a juice, they revolve a while in the Eames, or snuggle gratefully into the bizarre banana chair. If their kids have thrown tantrums at the Finchley Road Sainsbury’s, they’re dragged in to let off steam at Uncle Zac’s; scampering around his flat, throwing themselves on to his large low bed, rolling off on to the tufty orange rug by the side, coming back into the living-room to snuggle on Mummy’s lap and gaze at the lava lamp or quietly snigger at the massive painting that’s allegedly of mountains but really looks like a large pair of blue bosoms.
Ah, but have a look inside Zac’s wardrobe. It’s like an archive for Gap. Beige, navy or black. No deviation. Trousers, shirts or pullovers. He owns one suit. It’s currently at the dry-cleaner. It’s navy. He never wears it by choice; only if he must – a meeting with specific clients, a wedding, a funeral. His underwear is unremittingly black and blue.
His kitchen reveals his obsession with gadgets which he affectionately calls ‘toys’. A top-of-the-range fully automatic espresso machine, a sixties-inspired juicer, an impressive if intimidating array of Global kitchen knives, all manner of high-shine stainless-steel utensils hanging from hooks above the granite worktop. His fridge-freezer is, of course, one of those cavernous walk-in American machines that do ice and cold water and can take a whole sucking pig plus the apple. There is no pig inside, just a staggering array of ready-meals. Does this man work for M&S? No? He must have a discount card, then, surely? No? Does he have substantial shares in the company, then? Or is this simply what you’d call brand loyalty? Or is it just plain laziness? No wonder that all his utensils and gadgets look so pristine – they’ve never been used. He has no need of any of them. You do not need a mandolin from Divertimenti to prepare an M&S ready-meal. The only things requiring any chopping are the tomatoes (aesthetically still on the vine) and, of course, the oranges for the juicer (despite the fact that there are cartons of fresh juice, every conceivable variety, in the fridge). His friends’ offspring like the cupboard over there best; it contains the most astonishing variety of biscuits, chocolates and crisps. Have a peek in his kitchen bin – nothing but chocolate wrappers and cartons from his shove-it-in-the-oven-at-190-degrees meals. Zac Holmes hides nothing. He is totally at ease with his likes and dislikes and the choices he’s made.
‘I like figures,’ he said ingenuously on a recent date with a Canadian girl who’s the cousin of one of his friends. ‘I really love getting my teeth into them.’ The Canadian girl was so charmed by his open personality, so taken with his slate-grey eyes, handsome face and naturally athletic physique, that she told him her figure was honed to perfection because she worked out five times a week and could they please get the bill right now, though their main courses had not yet arrived, so he could take her back to her hotel and get his teeth into her figure. Zac obliged. He doesn’t like to disappoint people. And he does love figures. He didn’t let her down back at her hotel. He didn’t get his teeth into her but he certainly employed a fabulous technique of nibbling and sucking.
Zac likes sex very much. He has quite a lot of it. To him, it’s a colourful, fun, recreational activity and he’s rather good at it. He doesn’t mind at all that over the last three years or so sex has not led to deep and meaningful relationships. He’s had two of those during his life. One from his late teens to his early twenties, the other in his late twenties. He’s not now shying away from commitment. And, nearing thirty-five, though he does, of course, have a past, it is one with which he is at peace. If there is any baggage, he certainly doesn’t look on it as a burdensome weight on his shoulders. He hasn’t been in love these past five years. But his life hasn’t lacked for it. He’s loved his last five years, loved the sex he’s had – the quick flings, the threesome, the three-month dalliance, the couple of six-month demi-relationships. He hasn’t met the right girl because he really isn’t looking. Sex wouldn’t be the better for it. Nor does his life want for lack of it. So, being single is neither a problem nor a conscious decision. However, because he’s not on the lookout, he might well not recognize Her.
In all probability he certainly wouldn’t recognize Her if she came dressed as a clown: all stripy tights, mismatched lace-up shoes, a short frilly ra-ra skirt, pigtails sticking out starchily at odd angles. And a face powdered white, eyes delineated with black diamonds and star shapes; a comedy smile; a nose with a very red tip.
But there again, why would an artist like Pip fall for a chartered accountant?
In fact, how would their paths cross anyway?
They crossed the once, at Billy’s party. But by next year, Billy probably won’t want a clown. He’ll want to take a posse to the cinema. Or McDonald’s. Or both.
And so, when Zac came across Pip’s card a few days later, it had been through a hot wash, fast spin and tumble-dry. It was frayed and faded when he found it, half stuck to the back pocket of his jeans. He could just make out ‘Clown and Children’s Entertainer’. After some scrutiny, he reckoned the name was Merry Martha. The phone number remained legible. But he didn’t make a note of it and he put the card in his kitchen bin without another thought.
FOUR
Pip McCabe’s flat, like Zac’s, gives away little about the career of its owner. There’s nothing remotely zany or even vaguely theatrical about the interior. It’s neither colourful nor quirky. Though the basement flat is a small space, it doesn’t seem cramped on account of Pip’s aversion to clutter. No ornaments. The pictures on the walls are non-representational, frameless and subdued in colour. Photos held in stylish thick glass sandwiches are of her family, though Pip herself features in few. Pip’s home is an essay on calm; gradations of neutral hues for walls, floors and soft furnishings. The stripes and spots and frills and flounces and plastic and kitsch of her clowning – her clothes, her props, her funky chunky shoes – are immediately and neatly stored as soon as she returns from work. There’s never any leftover washing-up to be done. There’s never a damp towel left scrunched on the bathroom floor. The bed is made as soon as she’s left it. Not that it even looks that crumpled when she rises each morning.
Pip’s favourite drink is red wine. She doesn’t care for white, for champagne or for spirits. She likes a good Rioja best of all. And she has the utter confidence to happily drink it – and sometimes quite a lot of it – in her spic-and-spandom, with not one spillage to date. Maybe her training as an acrobat has something to do with it. At work, she flops and flaps and fools around but such japery is attributable to consummate physical control; at the centre of her slapstick and tumbling are balletic grace, athletic stability and acrobatic control.
When Pip McCabe is out and about, at work or at play, she is the life and soul, she’s the girl who gets things going, she tells the first joke, she’s the last to leave. When Pip McCabe is at home, however, she wafts around quietly with music playing softly. She’s happy with the solitude, confident with quiet, content in her own company. Alone in her flat, she provides the best audience in front of which she can truly be herself. She’s entertaining; she’s a children’s entertainer. But she’d really rather not entertain at home. Which was why Mike, her last steady boyfriend, left her. She never let him in. The door to her flat and entry to her heart remained closed.
She’s a great illusionist, is Pip McCabe. Her home isn’t Conran, none of her stuff is from stockists recommended by Elle Decoration. Rather, she has a cunning way with calico bought cheaply from Berwick Street and furniture bid for at Tring Auction Rooms. If she wasn’t a clown by trade, Pip could well earn her living as an invisible mender. However, that’s not to say there aren’t a couple of flaws, a little fraying, in her own fabric. But she’d rather keep them invisible and try to fix them in her own way and in her own time.
There are two nights a week when Pip would rather not be at home, absolutely never alone if she is. Tuesdays and Thursdays are exhausting for her though she works a maximum of four hours in the afternoons on these days and never as Merry Martha. Pip won’t ask for support, for help, for company, but she tries to ensure that her evenings on these days are occupied. Pizzas are good, movies are better, a fair few drinks in a raucous bar is the ultimate, watching Friends at a friend’s home will do and she has even been known on one or two occasions to have people round to hers, Rioja at the ready and comfort food aplenty. This Thursday she quite fancied seeing her sisters but Cat is in bed with flu and doesn’t want a visit, much less to provide company, and Fen is suddenly up in Derbyshire again, assessing sculpture in a private collection. Pip turned to her honorary sister instead.
‘Megan?’ she phoned.
‘Philippa McCabe,’ Megan responded, thinking to herself But of course, it’s Thursday. ‘I was going to call you. Do you want to do something?’
‘Sure,’ Pip said casually, as if she had only been phoning for a chat but Megan’s suggestion of meeting up was most appealing and how convenient that she herself happened to be free. ‘What do you fancy?’
‘To be honest,’ Megan said in a lascivious whisper, ‘I fancy a bit of Dominic. He’s the brother of Polly’s boyf, Max – you’ve met them. But I don’t think he’s on the menu tonight – so I’ll settle for pizza.’
‘Sounds good to me,’ Pip laughed.
‘Or alcohol,’ Megan interjected excitedly, as if she’d overlooked its existence.
‘Either,’ said Pip.
‘Both!’ Megan declared and they arranged to meet at Smorfia in West Hampstead.
Pip settled down to a bath, dipping her body deep into the water, right up to her lower lip.
Wash the day away. Soothe. Cleanse. Breathe.
She closed her eyes on the day just been and what she had seen. She opened her eyes and stared at the taps. She could be in West Hampstead in less than half an hour.
The waiters flirted extravagantly with the two women. Megan was a regular and Pip had been often. The restaurant was small – friendly, noisy and smelt heavenly. Megan and Pip filched food from each other’s plates and chatted nineteen to the dozen, though on occasion this meant talking with their mouths full.
‘Was it tough today?’ Megan asked, tearing a much larger slice of Pip’s pizza than she’d intended.
‘It was,’ Pip confirmed, helping herself to Megan’s pappardelle, ‘particularly.’ Megan didn’t ask more and Pip didn’t elaborate. Pip enquired about this Dominic chap and Megan swooned off on elaborate tangents, describing potential wedding cake design and fantasy honeymoon destinations.
‘Has he asked you?’ Pip enquired.
‘Asked me what?’ Megan responded.
Pip thought about it. ‘Anything? Your favourite colour? If you snore? If you’ll marry him?’
Megan laughed heartily. ‘He hasn’t even asked me out yet,’ she admitted, raising her eyebrows at herself, ‘let alone kissed me, never mind asking me to marry him. But hey, I’ll live in hope. Or in day-dreamland at the very least.’
‘Well,’ said Pip, slightly histrionically due to a fast-flowing Chianti and a lot of garlic in the food, ‘if you ask me, day-dreams endanger reality.’
‘You’re too bloody cynical for your own good,’ Megan pouted, ‘and for mine.’
‘No, I’m not,’ Pip protested, ‘I’m just sensibly circumspect.’
‘Bollocks!’ Megan retorted, because Pip was her best friend so she was allowed to. ‘Your mum ran off with a cowboy when you were a kid and bang! you don’t believe in true love!’
Pip chewed thoughtfully. ‘I’m fine about love. I just don’t trust men with a penchant for rhinestones and rodeos!’
They chinked glasses and laughed.
Megan picked a large glistening black olive from her friend’s pizza, scrutinizing it admiringly before popping it into her mouth. Pip mopped at Megan’s sauce with some leftover bruschetta. ‘The thing about love,’ she said with her mouth full, ‘is that it requires one to get naked.’
Megan looked a little blank. ‘Well, if you leave your clothes on, you tend to get a little messy.’
‘But that’s my point,’ said Pip. ‘Once you’ve laid yourself bare, it often becomes messier.’
Megan looked baffled.
‘Reveal?’ Pip said first, tipping her head one way. ‘Or conceal?’ she continued, tipping her head the other way. ‘I guess I’d rather keep covered up than expose myself.’
‘But you have a great physique,’ Megan protested artlessly.
‘I’m talking metaphorically,’ Pip laughed. ‘God, I forget you work in numbers not words.’
‘Being a maths teacher doesn’t make me an emotional moron,’ Megan sulked – but not seriously.
‘Of course not,’ Pip said, ‘but you do fall in love too easily and you get hurt.’ Over the years, Pip had witnessed Megan in pieces several times. Privately, Pip felt Megan’s experience in terms of quantity and variety thus counted for little; certainly it hadn’t paved the way to happy-ever-after. Pip found it difficult to fathom how someone who had been badly burnt by love’s flame could continue to thrust herself into the fire.
Megan pouted through Pip’s silence but was quietly relieved that Pip was keeping her misgivings to herself. Megan topped up their wineglasses and winked lasciviously. ‘Well, I bet you I’ve had more fun and frolics than you with your “I don’t need a man” bollocks.’
‘But I don’t!’ Pip attempted to proclaim though it was met with another energetic ‘Bollocks!’ from Megan. ‘Seriously,’ Pip remonstrated.
‘Well,’ Megan said, ‘just as well, then, isn’t it? Because working as a clown called Merry Martha doesn’t really make you millions and dressing like a clown called Merry Martha really isn’t going to have the men flocking. At least, no male over the age of eight.’
‘Ouch!’ Pip winced theatrically because she didn’t want Megan to know that her words had actually confronted her more than anticipated. Megan had meant no malice. Like many around Pip, Megan had become used to her friend shunning romance, wealth and the panoply of either. And, like those closest to Pip, Megan knew Pip would actually benefit from a little of each.
‘Share a pudding?’ Pip suggested, changing the subject.
‘How about share each other’s – order one each? Asking me to choose between pannacotta and tiramisu would be the same as asking me to choose between George Clooney and Brad Pitt.’
‘Hmm,’ Pip mused, ‘I was going to choose fruit salad.’
‘You’re just trying to be wholesome!’ Megan said astutely. ‘Live a little!’ Soon enough, she was swooning over desserts and Dominic in equal measures.
‘I hope it happens for you,’ Pip said sincerely whilst wielding her spoon with gay abandon between the two bowls. ‘He sounds lovely. And suitable.’ Megan raised her glass and her eyebrow. ‘Thing is,’ Pip said, because the wine was enabling her to do so, ‘I say I don’t need money because, in truth, I’ve never wanted – let alone needed – anything I can’t afford.’ She sipped contemplatively. ‘I like bargain hunting. I rather like doing upholstery. I get a kick out of people asking “Heals?” and me saying “Hell no, house clearance”.’ Megan spooned the last of the pannacotta into Pip’s mouth. ‘And I say I don’t need a man,’ Pip continued, ‘because I’ve never felt for someone enough to really feel that life wouldn’t make sense without them.’ She ran her finger around the tiramisu bowl though their spoons had already scraped at practically every vestige of the dessert. ‘I guess,’ she said thoughtfully, ‘I’ve managed to reach the grand old age of thirty without ever being in love.’
Megan contemplated this. She chinked glasses with Pip. ‘You know what, McCabe,’ she said, ‘to be honest, that’s no bad thing.’ Megan sighed. ‘Sometimes being in love is more hassle than it’s worth. Way too costly.’
Deep down, that’s what Pip had long had a hunch about. ‘You see, for me,’ she said, pouring the last of the second bottle of wine into their glasses, ‘there are nice blokes like good old Mike for every now and then. And in between times,’ she whispered, eyes wide for dramatic effect, ‘there are vibrators.’
Megan shrieked with laughter. The other diners turned and stared.
Pip snorted into her wine. Paulo, the young waiter, had eavesdropped the conversation. He decided it prudent and hopefully profitable to present the girls with complimentary Sambucas.
‘You get what you settle for,’ Pip murmured softly. It was the early hours of Friday morning when Pip finally decided to go to bed. She’d been sitting up with a bottle of Evian, waiting for her living-room to stop revolving at such an alarming rate. ‘If I settle for anything less, I’ll be the one who pays.’ The revolutions of the room had slowed to approximately three per minute. ‘Anyway, you don’t enter your thirties without a fair weight of baggage from your twenties. And I’m not having someone else’s dumped on me. I’m absolutely not unpacking it for them. I don’t do baggage and that’s that, really. Simple.’ The room was settling nicely into one revolution per minute. ‘Vibrators it is, then.’
The room is stationary. And silent. The Evian is finished and Pip feels hydrated enough to see what lying down feels like. ‘Friday Friday,’ she says to herself, trying to recall her timetable as she walks through to her bedroom.
Face painting at Golders Hill Park, lunch-time. Party in Chalk Farm at tea-time.
You could have a lie-in, Pip.
Me? God, no. If I have spare time, why on earth fill it with doing nothing? I have loads to do. I can find loads to do.
Can you face being horizontal?
Let me see. Not too bad.
Are you all right in the dark?
Yes. I’m not afraid of the dark.
Pip is in bed. Lying still in the dark. She loves her bedroom. No clutter. Walls the colour of oyster mushrooms. Thick curtains the colour of crème caramel and behind them, cream roller blinds at the window the colour of cappuccino froth. She bought the blinds in the Habitat sale; the curtains were a freebie from a set-designer friend of hers. They had been on a BBC costume drama and had required a fair bit of deft needlework from Pip. The blisters and pricked fingertips had been a small price to pay for such hallowed curtains. She laid the carpet herself. It doesn’t quite fit but her strategically placed furniture hides this from view. It looks like sisal but is much kinder to bare feet. The massive rusty stain that enabled Pip to purchase it for less than a quarter of the price is conveniently straddled by her bed. Her bed has a birch, Shaker-style headboard, very simply panelled and beautifully made. She picked that up for next to nothing as it had a split right through it. But she worked with wood filler and sandpaper and stain; it took her a month, but now you can’t see the join.
However, what she loves most of all about her bedroom is something she had to pay full price for – indeed, over the odds – and that is the remarkable quiet considering her flat’s proximity to Kentish Town Road. This had cost her the asking price for the flat two years ago. Though most of her pennies go straight towards the mortgage and Camden Council’s absurdly high council tax, she doesn’t begrudge a penny. It might be a small space subdivided by stud walls, but it is her own place, her haven, and she loves it.
Pip submits herself to the stillness and silence and stares upwards to where the ceiling ought to be though she can’t determine its surface in the darkness. She tells herself it is now Friday, that Thursday was indeed yesterday. But in effect, it still feels very much Thursday that she is closing her eyes and going to sleep from. Right now, her evening with Megan doesn’t seem as current as the afternoon preceding it. Sure, Megan and she talked about life, love and the universe. And vibrators. But none have the resonance of her afternoon.
‘Night-night, little ones,’ she says out loud, ‘see you next week.’
FIVE
George Saunders is nine years old. He is into his sixth month on Reynolds, the renal ward at St Beatrix’s, the children’s hospital in the City affectionately known at St Bea’s. He’s uncomfortable and fed up. And now he’s agreed to having his eyes tested because they’re about the only part of him that haven’t been tested. He thinks they’re fine. But he wouldn’t be surprised if they’re poorly. Everything else seems to be.
‘Well, here we go, then,’ the doctor says. ‘Cover your left eye – that’s right – what? Yes, I know it’s your left one – I said that’s right, right? Good, use that hand, right? Or that one, left – we’re not testing your hands, are we? Right. Left! Whatever. Ho-hum. Just shut that eye and tell me what’s written on this card.’
George stares at the card held in front of him.
i
‘i,’ says George.
The doctor is making those stern contemplative muttering sounds that they are famous for. ‘Right. Now please cover your right eye with the other hand. Lovely. Can you tell me what’s written on this card?’ Another card is held in front of George. He looks at it, then looks at the doctor. He really doesn’t want to smile but invisible magnets haul the corners of his mouth up towards the mobiles dangling from the ward’s ceiling. He reads the card again.
I
‘Um, i,’ he says, stifling a giggle.
The doctor looks at him sternly. Regards his mother, too. And nods sagely at the ward sister who is hovering. ‘I declare that there is absolutely nothing whatsoever wrong with this young man’s “i”s,’ the doctor says. And then the doctor takes out a hammer and starts bashing George’s arms. George giggles as the hammer makes funny beeps and dongs on impact. After all, the tool is made of red and yellow plastic and is light as a feather. ‘Now look what you’ve gone and done!’ the doctor chastises. ‘Nurse! Nurse! Quick, call the doctor! My nose! My nose!’
The nurse laughs. ‘Incurable!’ she declares and walks away.
George is smiling widely. The doctor’s nose, bright red at the best of times, is flashing. ‘Quick!’ George is told. ‘Give me your bed and your tubes and those things that do all that bleeping – I need them more than you!’
‘Are you coming back next week?’ he asks, very interested in the stickers the doctor has just given him, having magicked them from behind George’s ear.
The doctor regards the young patient. ‘Yes. I reckon so. Perhaps. If I can switch my nose off.’
‘Brill,’ says George. ‘See you then, Dr Pippity. Bye!’
‘Good aftermorning,’ says Dr Pippity, clicking her heels together and saluting so clumsily that she clonks herself in the eye. Her nose continues to glow on and off. She points at her gift of stickers: ‘Don’t eat them all at once!’ she declares. She turns from George and walks away, jauntily, with a peculiar skip every step or so. ‘Pippitypippity,’ she mutters as she goes. ‘Pip. Pip. Good aftermorning!’ She settles herself quietly into a chair by the bedside of a small girl who feels too poorly to move, let alone speak. But, in a glance, Dr Pippity clocks a glimmer of welcome in the girl’s eyes. So we’ll leave her sitting there awhile, performing simple and silly tricks. She’s carefully placed a magic wand in the little girl’s hand. It’s one of those trick sticks that segments and collapses. Dr Pippity is feigning frustration with her bedridden assistant. Who, in turn, now has eyes that hint at a sparkle.
The shift is over. Dr Pippity is exhausted but as she makes her way to the small room she uses to change in, she skips and ‘pip pip’s everyone she passes; the sounds of squeaks and bells emanating at random from any of her many pockets; her nose lighting up every now and then, apparently much to her consternation.
Her changing-room is basically a glorified cupboard along a corridor on the ground floor. Dr Pippity doesn’t mind. There’s a sink. A small table to prop her mirror on. A stool. She removes her nose. She takes off her slap and in doing so, emotionally wipes away the tougher parts of her day. She hums softly as she unbraids her hair from the taut pigtails. Her scalp feels both sore and relieved. She runs her fingers through her hair, amused, as always, by the kinks and curls that will take a few hours, if not a wash and blow-dry, to calm down. It proves to her that her naturally straight hair suits her best. It still amuses her to remember how she longed for a perm in her teenage years and how she cursed Django who forbade it. The hippy in him, however, was happy for her to experiment with henna (‘If it’s herbal it’s harmless! If it’s organic don’t panic!’ being one of his favourite maxims). Unfortunately, henna turned her mid-mousy brown to garish barmaid orange in the space of half an hour. It took half a year to dull down and fade. Pip has decided to be at peace with her natural colour ever since. She keeps her cut softly layered and shoulder length. It may be mousy and straight, but it’s glossy and frames her face becomingly, crowning her features well.
From her doctor’s coat pockets she lays out the tools of her trade and wipes everything with antiseptic cloths. A comedy stethoscope. Five different types of magic wand. Small red foam balls that, with a little surreptitious rubbing between the palms, or a heartfelt ‘abracadabra’ from a child, metamorphose into a selection of miniature animals. A huge pair of plastic scissors. Handfuls of stickers. The squeaking plastic hammer. She takes off her doctor’s coat. It’s a real doctor’s coat, in thick white cotton, but embellished with colourful patterns on the pockets and with her name, ‘Dr Pippity’, emblazoned on the back like some kind of patchwork tattoo. An intricate circuit and a couple of AAA batteries enable her to make the squeaks and dongs. She takes off her luridly striped pinafore, with the flowers on springs attached to the kangaroo-style pouch, the badges dotted here and there with ‘I am 8’ and ‘smile’ and various cartoon characters. She peels off her tights – she customized this pair so that one leg has multicoloured dots and the other has wriggling lines. She showed them off that afternoon, very forlornly, to a girl with no hair up on Gainsborough, the cancer ward.
‘I’ve not got no hair no more,’ the child had told her. Dr Pippity had sat beside her and stretched her legs out. ‘This leg here,’ she showed the girl, ‘has the multicoloured measles.’ The girl gingerly placed a finger over the spots to check. ‘And this leg here,’ Dr Pippity declared, ‘has worms!’ She’d been able to muster a giggle from the girl. The girl hadn’t giggled for days. It felt good. For Dr Pippity. For the nurses. For the children in the beds to either side. But especially for the little girl with cancer and no hair. And she was the point.
‘And that’s the point,’ Dr Pippity says as she takes off her tights and puts on a pair of navy socks instead. ‘That’s my job.’
The clothes and the bits and pieces that accessorize Dr Pippity are placed carefully into a really rather dull beige holdall. Pip checks her reflection and wipes away a smudge of slap that she’d missed. She pops her mirror into her bag, tucks her white shirt into her jeans and leaves the room, closing the door quietly. Not that there’s anyone to disturb. The wards are all upstairs. She walks through the main entrance, not now recognized by anyone, though many of them would know her at forty paces in her slap and motley.
Zac did a swift double take when Pip passed him, but he didn’t linger or even look back. Over the years, he has known so many people at the hospital – as faces, or as names, too, or even well enough for a quick conversation – that he doesn’t think to try and place Pip. He’s got things on his mind, anyway. So has she, she didn’t notice him at all.
‘Fen? It’s me.’
‘Hiya, Pip.’ The sisters chatted on their mobile phones as they left work; Fen walking away from Tate Britain, her older sister hovering near the ambulance bay.
‘Fancy a film?’ Pip asked, pronouncing it ‘fill-erm’ as is a McCabe tradition. But Fen explained she had ‘a bit of a date’ and would Pip mind awfully therefore if she didn’t. ‘A bit of a date?’ Pip teased. ‘Which bit – just the arms and torso of some poor sod? Oh, for God’s sake, tell me it’s a real hunk, not just a hunk of sculpture you’ve fallen for.’
‘Shut up!’ Fen protested lightly. ‘It’s only that Matt bloke, the editor of the Trust’s magazine, Art Matters,’ she justified. ‘I’m still just the new girl at work, remember. Nothing to read into – it’s just a quick drink.’ However, Pip was sure that there was a veritable novel to read into. Fen could sense her older sister’s smirk. And Pip knew her younger sister was blushing slightly.
‘Be good!’ she warned her. ‘And if you can’t be good—’
‘—be careful,’ groaned Fen, finishing off another McCabe-ism.
‘Have you spoken to Cat today?’ Pip asked. ‘Is she OK?’ Fen hadn’t. ‘I’ll give her a call,’ Pip said, ‘cook her something hearty and wholesome.’ Deep down, Pip would have preferred someone to do the looking-after her. It was a Tuesday, after all. But she’d never ask. Certainly not her younger sisters. As eldest sister, she had duties to them, responsibilities – in lieu of their mother who had left them to cavort in Colorado.
‘Are you off, Pip? Off duty? Off home? Off somewhere else?’ Pip turns. It’s Caleb Simmons, all chocolate eyes and husky voice and olive skin smoothed over exceptional cheek-bones.
‘Just wondered if you wanted to go for a quick drink? I’m through for the day,’ says the brilliant young paediatrician, ruffling his immaculately tousled hairstyle. Handsome enough for a role on ER. Compassionate to the children, patient with the parents, charming and courteous to the nurses, to the hospital staff, to the clown doctors and to the janitors alike. He’d asked her the same question a couple of weeks ago. Today, she gives him the same answer she’d given him then.
‘Sorry,’ says Pip, with an apologetic shrug, ‘I already have plans.’
No, you don’t.
I do. I just haven’t quite made them yet.
‘Another time, then,’ Caleb suggests with equanimity and a dashing smile. With hands in his pockets, his white coat flowing out behind, he turns back to the hospital, sharing banter with the porters and patients he passes.
Pip went to see her youngest sister, Cat. And had a draining evening. Cat was heartbroken, now at the stage of denial and daft hope. She begged to be allowed to phone him. Pleaded with Pip to promise that this was a bad dream and she’d awake soon. Prayed that they’d get back together. Yet if Pip could grant wishes, she wouldn’t allow a single one of Cat’s to come true.
‘He was horrid to you,’ Pip tried to reason without lecturing, ‘he was a nasty piece of work. You are going to be fine. I know it doesn’t feel that way right now, but I promise you that there will be a time when you breathe a sigh of relief that your life has no place or space for him.’
Cat looked absolutely flabbergasted. ‘I don’t believe you,’ she sobbed. She didn’t believe a word Pip tried to say, didn’t want to believe her, didn’t eat a mouthful Pip had prepared. In protest, Pip wanted to shake sense into her sister, to yell home truths at her. But she didn’t. She was trying hard to be sensitive and diplomatic, although, after the day she’d had, she really didn’t feel like counselling Cat. But she did. It was her duty.
You should have said ‘yes’ to that lovely Caleb Simmons.
Then what would Cat have done without me?
Exactly as she did with you there.
Caleb’s not the answer.
But he might be a nice little diversion. A handsome distraction.
I haven’t the time. Or the inclination, to be honest.
Honestly? Really.
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