Kitabı oku: «Romola», sayfa 31

Chapter Forty Three.
The Unseen Madonna

In returning from the hospital, more than an hour later, Romola took a different road, making a wider circuit towards the river, which she reached at some distance from the Ponte Vecchio. She turned her steps towards that bridge, intending to hasten to San Stefano in search of Baldassarre. She dreaded to know more about him, yet she felt as if, in forsaking him, she would be forsaking some near claim upon her.

But when she approached the meeting of the roads where the Por’ Santa Maria would be on her right-hand and the Ponte Vecchio on her left, she found herself involved in a crowd who suddenly fell on their knees; and she immediately knelt with them. The Cross was passing—the Great Cross of the Duomo—which headed the procession. Romola was later than she had expected to be, and now she must wait till the procession had passed. As she rose from her knees, when the Cross had disappeared, the return to a standing posture, with nothing to do but gaze, made her more conscious of her fatigue than she had been while she had been walking and occupied. A shopkeeper by her side said—

“Madonna Romola, you will be weary of standing: Gian Fantoni will be glad to give you a seat in his house. Here is his door close, at hand. Let me open it for you. What! he loves God and the Frate as we do. His house is yours.”

Romola was accustomed now to be addressed in this fraternal way by ordinary citizens, whose faces were familiar to her from her having seen them constantly in the Duomo. The idea of home had come to be identified for her less with the house in the Via de’ Bardi, where she sat in frequent loneliness, than with the towered circuit of Florence, where there was hardly a turn of the streets at which she was not greeted with looks of appeal or of friendliness. She was glad enough to pass through the open door on her right-hand and be led by the fraternal hose-vendor to an upstairs-window, where a stout woman with three children, all in the plain garb of Piagnoni, made a place for her with much reverence above the bright hanging draperies. From this corner station she could see, not only the procession pouring in solemn slowness between the lines of houses on the Ponto Vecchio, but also the river and the Lung’ Arno on towards the bridge of the Santa Trinita.

In sadness and in stillness came the slow procession. Not even a wailing chant broke the silent appeal for mercy: there was only the tramp of footsteps, and the faint sweep of woollen garments. They were young footsteps that were passing when Romola first looked from the window—a long train of the Florentine youth, bearing high in the midst of them the white image of the youthful Jesus, with a golden glory above his head, standing by the tall cross where the thorns and the nails lay ready.

After that train of fresh beardless faces came the mysterious-looking Companies of Discipline, bound by secret rules to self-chastisement, and devout praise, and special acts of piety; all wearing a garb which concealed the whole head and face except the eyes. Every one knew that these mysterious forms were Florentine citizens of various ranks, who might be seen at ordinary times going about the business of the shop, the counting-house, or the State; but no member now was discernible as son, husband, or father. They had dropped their personality, and walked as symbols of a common vow. Each company had its colour and its badge, but the garb of all was a complete shroud, and left no expression but that of fellowship.

In comparison with them, the multitude of monks seemed to be strongly distinguished individuals, in spite of the common tonsure and the common frock. First came a white stream of reformed Benedictines; and then a much longer stream of the Frati Minori, or Franciscans, in that age all clad in grey, with the knotted cord round their waists, and some of them with the zoccoli, or wooden sandals, below their bare feet;—perhaps the most numerous order in Florence, owning many zealous members who loved mankind and hated the Dominicans. And after the grey came the black of the Augustinians of San Spirito with more cultured human faces above it—men who had inherited the library of Boccaccio, and had made the most learned company in Florence when learning was rarer; then the white over dark of the Carmelites; and then again the unmixed black of the Servites, that famous Florentine order founded by seven merchants who forsook their gains to adore the Divine Mother.

And now the hearts of all onlookers began to beat a little faster, either with hatred or with love, for there was a stream of black and white coming over the bridge—of black mantles over white scapularies; and every one knew that the Dominicans were coming. Those of Fiesole passed first. One black mantle parted by white after another, one tonsured head after another, and still expectation was suspended. They were very coarse mantles, all of them, and many were threadbare, if not ragged; for the Prior of San Marco had reduced the fraternities under his rule to the strictest poverty and discipline. But in the long line of black and white there was at last singled out a mantle only a little more worn than the rest, with a tonsured head above it which might not have appeared supremely remarkable to a stranger who had not seen it on bronze medals, with the sword of God as its obverse; or surrounded by an armed guard on the way to the Duomo; or transfigured by the inward flame of the orator as it looked round on a rapt multitude.

As the approach of Savonarola was discerned, none dared conspicuously to break the stillness by a sound which would rise above the solemn tramp of footsteps and the faint sweep of garments; nevertheless his ear, as well as other ears, caught a mingled sound of slow hissing that longed to be curses, and murmurs that longed to be blessings. Perhaps it was the sense that the hissing predominated which made two or three of his disciples in the foreground of the crowd, at the meeting of the roads, fall on their knees as if something divine were passing. The movement of silent homage spread: it went along the sides of the streets like a subtle shock, leaving some unmoved, while it made the most bend the knee and bow the head. But the hatred, too, gathered a more intense expression; and as Savonarola passed up the Por’ Santa Maria, Romola could see that some one at an upper window spat upon him.

Monks again—Frati Umiliati, or Humbled Brethren, from Ognissanti, with a glorious tradition of being the earliest workers in the wool-trade; and again more monks—Vallombrosan and other varieties of Benedictines, reminding the instructed eye by niceties of form and colour that in ages of abuse, long ago, reformers had arisen who had marked a change of spirit by a change of garb; till at last the shaven crowns were at an end, and there came the train of untonsured secular priests.

Then followed the twenty-one incorporated Arts of Florence in long array, with their banners floating above them in proud declaration that the bearers had their distinct functions, from the bakers of bread to the judges and notaries. And then all the secondary officers of State, beginning with the less and going on to the greater, till the line of secularities was broken by the Canons of the Duomo, carrying a sacred relic—the very head, enclosed in silver, of San Zenobio, immortal bishop of Florence, whose virtues were held to have saved the city perhaps a thousand years before.

Here was the nucleus of the procession. Behind the relic came the archbishop in gorgeous cope, with canopy held above him; and after him the mysterious hidden Image—hidden first by rich curtains of brocade enclosing an outer painted tabernacle, but within this, by the more ancient tabernacle which had never been opened in the memory of living men, or the fathers of living men. In that inner shrine was the image of the Pitying Mother, found ages ago in the soil of L’Impruneta, uttering a cry as the spade struck it. Hitherto the unseen Image had hardly ever been carried to the Duomo without having rich gifts borne before it. There was no reciting the list of precious offerings made by emulous men and communities, especially of veils and curtains and mantles. But the richest of all these, it was said, had been given by a poor abbess and her nuns, who, having no money to buy materials, wove a mantle of gold brocade with their prayers, embroidered it and adorned it with their prayers, and, finally, saw their work presented to the Blessed Virgin in the great Piazza by two beautiful youths who spread out white wings and vanished in the blue.

But to-day there were no gifts carried before the tabernacle: no donations were to be given to-day except to the poor. That had been the advice of Fra Girolamo, whose preaching never insisted on gifts to the invisible powers, but only on help to visible need; and altars had been raised at various points in front of the churches, on which the oblations for the poor were deposited. Not even a torch was carried. Surely the hidden Mother cared less for torches and brocade than for the wail of the hungry people. Florence was in extremity: she had done her utmost, and could only wait for something divine that was not in her own power.

The Frate in the torn mantle had said that help would certainly come, and many of the faint-hearted were clinging more to their faith in the Frate’s word, than to their faith in the virtues of the unseen Image. But there were not a few of the fierce-hearted who thought with secret rejoicing that the Frate’s word might be proved false.

Slowly the tabernacle moved forward, and knees were bent. There was profound stillness; for the train of priests and chaplains from L’Impruneta stirred no passion in the onlookers. The procession was about to close with the Priors and the Gonfaloniere: the long train of companies and symbols, which have their silent music and stir the mind as a chorus stirs it, was passing out of sight, and now a faint yearning hope was all that struggled with the accustomed despondency.

Romola, whose heart had been swelling, half with foreboding, half with that enthusiasm of fellowship which the life of the last two years had made as habitual to her as the consciousness of costume to a vain and idle woman, gave a deep sigh, as at the end of some long mental tension, and remained on her knees for very languor; when suddenly there flashed from between the houses on to the distant bridge something bright-coloured. In the instant, Romola started up and stretched out her arms, leaning from the window, while the black drapery fell from her head, and the golden gleam of her hair and the flush in her face seemed the effect of one illumination. A shout arose in the same instant; the last troops of the procession paused, and all faces were turned towards the distant bridge.

But the bridge was passed now: the horseman was pressing at full gallop along by the Arno; the sides of his bay horse, just streaked with foam, looked all white from swiftness; his cap was flying loose by his red becchetto, and he waved an olive-branch in his hand. It was a messenger—a messenger of good tidings! The blessed olive-branch spoke afar off. But the impatient people could not wait. They rushed to meet the on-comer, and seized his horse’s rein, pushing and trampling.

And now Romola could see that the horseman was her husband, who had been sent to Pisa a few days before on a private embassy. The recognition brought no new flash of joy into her eyes. She had checked her first impulsive attitude of expectation; but her governing anxiety was still to know what news of relief had come for Florence.

“Good news!”

“Best news!”

“News to be paid with hose!” (novelle da calze) were the vague answers with which Tito met the importunities of the crowd, until he had succeeded in pushing on his horse to the spot at the meeting of the ways where the Gonfaloniere and the Priors were awaiting him. There he paused, and, bowing low, said—

“Magnificent Signori! I have to deliver to you the joyful news that the galleys from France, laden with corn and men, have arrived safely in the port of Leghorn, by favour of a strong wind, which kept the enemy’s fleet at a distance.”

The words had no sooner left Tito’s lips than they seemed to vibrate up the streets. A great shout rang through the air, and rushed along the river; and then another, and another; and the shouts were heard spreading along the line of the procession towards the Duomo; and then there were fainter answering shouts, like the intermediate plash of distant waves in a great lake whose waters obey one impulse.

For some minutes there was no attempt to speak further: the Signoria themselves lifted up their caps, and stood bare-headed in the presence of a rescue which had come from outside the limit of their own power—from that region of trust and resignation which has been in all ages called divine.

At last, as the signal was given to move forward, Tito said, with a smile—

“I ought to say, that any hose to be bestowed by the Magnificent Signoria in reward of these tidings are due, not to me, but to another man who had ridden hard to bring them, and would have been here in my place if his horse had not broken down just before he reached Signa. Meo di Sasso will doubtless be here in an hour or two, and may all the more justly claim the glory of the messenger, because he has had the chief labour and has lost the chief delight.”

It was a graceful way of putting a necessary statement, and after a word of reply from the Proposto, or spokesman of the Signoria, this dignified extremity of the procession passed on, and Tito turned his horse’s head to follow in its train, while the great bell of the Palazzo Vecchio was already beginning to swing, and give a louder voice to the people’s joy in that moment, when Tito’s attention had ceased to be imperatively directed, it might have been expected that he would look round and recognise Romola; but he was apparently engaged with his cap, which, now the eager people were leading his horse, he was able to seize and place on his head, while his right-hand was still encumbered by the olive-branch. He had a becoming air of lassitude after his exertions; and Romola, instead of making any effort to be recognised by him, threw her black drapery over her head again, and remained perfectly quiet. Yet she felt almost sure that Tito had seen her; he had the power of seeing everything without seeming to see it.

Chapter Forty Four.
The Visible Madonna

The crowd had no sooner passed onward than Romola descended to the street, and hastened to the steps of San Stefano. Cecco had been attracted with the rest towards the Piazza, and she found Baldassarre standing alone against the church-door, with the horn-cup in his hand, waiting for her. There was a striking change in him: the blank, dreamy glance of a half-returned consciousness had given place to a fierceness which, as she advanced and spoke to him, flashed upon her as if she had been its object. It was the glance of caged fury that sees its prey passing safe beyond the bars.

Romola started as the glance was turned on her, but her immediate thought was that he had seen Tito. And as she felt the look of hatred grating on her, something like a hope arose that this man might be the criminal, and that her husband might not have been guilty towards him. If she could learn that now, by bringing Tito face to face with him, and have her mind set at rest!

“If you will come with me,” she said, “I can give you shelter and food until you are quite rested and strong. Will you come?”

“Yes,” said Baldassarre, “I shall be glad to get my strength. I want to get my strength,” he repeated, as if he were muttering to himself, rather than speaking to her.

“Come!” she said, inviting him to walk by her side, and taking the way by the Arno towards the Ponte Rubaconte as the more private road.

“I think you are not a Florentine,” she said, presently, as they turned on to the bridge.

He looked round at her without speaking. His suspicious caution was more strongly upon him than usual, just now that the fog of confusion and oblivion was made denser by bodily feebleness. But she was looking at him too, and there was something in her gentle eyes which at last compelled him to answer her. But he answered cautiously—

“No, I am no Florentine; I am a lonely man.”

She observed his reluctance to speak to her, and dared not question him further, lest he should desire to quit her. As she glanced at him from time to time, her mind was busy with thoughts which quenched the faint hope that there was nothing painful to be revealed about her husband. If this old man had been in the wrong, where was the cause for dread and secrecy!

They walked on in silence till they reached the entrance into the Via de’ Bardi, and Romola noticed that he turned and looked at her with a sudden movement as if some shock had passed through him. A few moments after, she paused at the half-open door of the court and turned towards him.

“Ah!” he said, not waiting for her to speak, “you are his wife.”

“Whose wife?” said Romola.

It would have been impossible for Baldassarre to recall any name at that moment. The very force with which the image of Tito pressed upon him seemed to expel any verbal sign. He made no answer, but looked at her with strange fixedness.

She opened the door wide and showed the court covered with straw, on which lay four or five sick people, while some little children crawled or sat on it at their ease—tiny pale creatures, biting straws and gurgling.

“If you will come in,” said Romola, tremulously, “I will find you a comfortable place, and bring you some more food.”

“No, I will not come in,” said Baldassarre. But he stood still, arrested by the burden of impressions under which his mind was too confused to choose a course.

“Can I do nothing for you?” said Romola. “Let me give you some money that you may buy food. It will be more plentiful soon.”

She had put her hand into her scarsella as she spoke, and held out her palm with several grossi in it. She purposely offered him more than she would have given to any other man in the same circumstances. He looked at the coins a little while, and then said—

“Yes, I will take them.”

She poured the coins into his palm, and he grasped them tightly.

“Tell me,” said Romola, almost beseechingly. “What shall you—”

But Baldassarre had turned away from her, and was walking again towards the bridge. Passing from it, straight on up the Via del Fosso, he came upon the shop of Niccolò Caparra, and turned towards it without a pause, as if it had been the very object of his search. Niccolò was at that moment in procession with the armourers of Florence, and there was only one apprentice in the shop. But there were all sorts of weapons in abundance hanging there, and Baldassarre’s eyes discerned what he was more hungry for than for bread. Niccolò himself would probably have refused to sell anything that might serve as a weapon to this man with signs of the prison on him; but the apprentice, less observant and scrupulous, took three grossi for a sharp hunting-knife without any hesitation. It was a conveniently small weapon, which Baldassarre could easily thrust within the breast of his tunic, and he walked on, feeling stronger. That sharp edge might give deadliness to the thrust of an aged arm: at least it was a companion, it was a power in league with him, even if it failed. It would break against armour, but was the armour sure to be always there? In those long months while vengeance had lain in prison, baseness had perhaps become forgetful and secure. The knife had been bought with the traitor’s own money. That was just. Before he took the money, he had felt what he should do with it—buy a weapon. Yes, and if possible, food too; food to nourish the arm that would grasp the weapon, food to nourish the body which was the temple of vengeance. When he had had enough bread, he should be able to think and act—to think first how he could hide himself, lest Tito should have him dragged away again.

With that idea of hiding in his mind, Baldassarre turned up the narrowest streets, bought himself some meat and bread, and sat down under the first loggia to eat. The bells that swung out louder and louder peals of joy, laying hold of him and making him vibrate along with all the air, seemed to him simply part of that strong world which was against him.

Romola had watched Baldassarre until he had disappeared round the turning into the Piazza de’ Mozzi, half feeling that his departure was a relief, half reproaching herself for not seeking with more decision to know the truth about him, for not assuring herself whether there were any guiltless misery in his lot which she was not helpless to relieve. Yet what could she have done if the truth had proved to be the burden of some painful secret about her husband, in addition to the anxieties that already weighed upon her? Surely a wife was permitted to desire ignorance of a husband’s wrong-doing, since she alone must not protest and warn men against him. But that thought stirred too many intricate fibres of feeling to be pursued now in her weariness. It was a time to rejoice, since help had come to Florence; and she turned into the court to tell the good news to her patients on their straw beds.

She closed the door after her, lest the bells should drown her voice, and then throwing the black drapery from her head, that the women might see her better, she stood in the midst and told them that corn was coming, and that the bells were ringing for gladness at the news. They all sat up to listen, while the children trotted or crawled towards her, and pulled her black skirts, as if they were impatient at being all that long way off her face. She yielded to them, weary as she was, and sat down on the straw, while the little pale things peeped into her basket and pulled her hair down, and the feeble voices around her said, “The Holy Virgin be praised!”

“It was the procession!”

“The Mother of God has had pity on us!”

At last Romola rose from the heap of straw, too tired to try and smile any longer, saying as she turned up the stone steps—

“I will come by-and-by, to bring you your dinner.”

“Bless you, madonna! bless you!” said the faint chorus, in much the same tone as that in which they had a few minutes before praised and thanked the unseen Madonna.

Romola cared a great deal for that music. She had no innate taste for tending the sick and clothing the ragged, like some women to whom the details of such work are welcome in themselves, simply as an occupation. Her early training had kept her aloof from such womanly labours; and if she had not brought to them the inspiration of her deepest feelings, they would have been irksome to her. But they had come to be the one unshaken resting-place of her mind, the one narrow pathway on which the light fell clear. If the gulf between herself and Tito which only gathered a more perceptible wideness from her attempts to bridge it by submission, brought a doubt whether, after all, the bond to which she had laboured to be true might not itself be false—if she came away from her confessor, Fra Salvestro, or from some contact with the disciples of Savonarola amongst whom she worshipped, with a sickening sense that these people were miserably narrow, and with an almost impetuous reaction towards her old contempt for their superstition—she found herself recovering a firm footing in her works of womanly sympathy. Whatever else made her doubt, the help she gave to her fellow-citizens made her sure that Fra Girolamo had been right to call her back. According to his unforgotten words, her place had not been empty: it had been filled with her love and her labour. Florence had had need of her, and the more her own sorrow pressed upon her, the more gladness she felt in the memories, stretching through the two long years, of hours and moments in which she had lightened the burden of life to others. All that ardour of her nature which could no longer spend itself in the woman’s tenderness for father and husband, had transformed itself into an enthusiasm of sympathy with the general life. She had ceased to think that her own lot could be happy—had ceased to think of happiness at all: the one end of her life seemed to her to be the diminishing of sorrow.

Her enthusiasm was continually stirred to fresh vigour by the influence of Savonarola. In spite of the wearisome visions and allegories from which she recoiled in disgust when they came as stale repetitions from other lips than his, her strong affinity for his passionate sympathy and the splendour of his aims had lost none of its power. His burning indignation against the abuses and oppression that made the daily story of the Church and of States had kindled the ready fire in her too. His special care for liberty and purity of government in Florence, with his constant reference of this immediate object to the wider end of a universal regeneration, had created in her a new consciousness of the great drama of human existence in which her life was a part; and through her daily helpful contact with the less fortunate of her fellow-citizens this new consciousness became something stronger than a vague sentiment; it grew into a more and more definite motive of self-denying practice. She thought little about dogmas, and shrank from reflecting closely on the Frate’s prophecies of the immediate scourge and closely—following regeneration. She had submitted her mind to his and had entered into communion with the Church, because in this way she had found an immediate satisfaction for moral needs which all the previous culture and experience of her life had left hungering. Fra Girolamo’s voice had waked in her mind a reason for living, apart from personal enjoyment and personal affection; but it was a reason that seemed to need feeding with greater forces than she possessed within herself, and her submissive use of all offices of the Church was simply a watching and waiting if by any means fresh strength might come. The pressing problem for Romola just then was not to settle questions of controversy, but to keep alive that flame of unselfish emotion by which a life of sadness might still be a life of active love.

Her trust in Savonarola’s nature as greater than her own made a large part of the strength she had found. And the trust was not to be lightly shaken. It is not force of intellect which causes ready repulsion from the aberration and eccentricities of greatness, any more than it is force of vision that causes the eye to explore the warts on a face bright with human expression; it is simply the negation of high sensibilities. Romola was so deeply moved by the grand energies of Savonarola’s nature, that she found herself listening patiently to all dogmas and prophecies, when they came in the vehicle of his ardent faith and believing utterance.¹³

No soul is desolate as long as there is a human being for whom it can feel trust and reverence. Romola’s trust in Savonarola was something like a rope suspended securely by her path, making her step elastic while she grasped it; if it were suddenly removed, no firmness of the ground she trod could save her from staggering, or perhaps from falling.