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London lay beneath her. The might of the great hive hummed at the verge of her haven of peace without disturbing. There she had been what none had known of her: an ambitious girl, modest merely for lack of intrepidity; paralyzed by her masterful lord; aiming her highest at a gilt weathercock; and a disappointed creature, her breast a home of serpents; never herself. She thought and hoped she was herself now. Alarm lest this might be another of her moods, victim of moods as she had latterly been, was a shadow armed with a dart playing round her to find the weak spot. It sprang from her acknowledged weakness of nature; and she cast about for how to keep it outside her and lean on a true though a small internal support. She struck at her desires, to sound them.
They were yesterday for love; partly for distinction, for a woman having beauty to shine in the sphere of beauty; but chiefly to love and be loved, therefore to live. She had yesterday read letters of a man who broke a music from the word—about as much music as there is in a tuning —fork, yet it rang and lingered; and he was not the magical musician. Now those letters were as dust of the road. The sphere of beauty was a glass lamp-globe for delirious moths. She had changed. Belief in the real change gave her full view of the compliant coward she had been.
Her heart assured her she had natural courage. She felt that it could be stubborn to resist a softness. Now she cared no more for the hackneyed musical word; friendship was her desire. If it is not life's poetry, it is a credible prose; a land of low undulations instead of Alps; beyond the terrors and the deceptions. And she could trust her friend: he who was a singular constancy. His mother had told her of his preserving letters of a girl he loved when at school; and of his journeys to an empty house at Dover. That was past; but, as the boy, so the man would be in sincerity of feeling trustworthy to the uttermost.
She mused on the friend. He was brave. She had seen how he took his blow, and sorrow as a sister, conquering emotion. It was not to be expected of him by one who knew him when at school. Had he faults? He must have faults. She, curiously, could see none. After consenting to his career as a schoolmaster, and seeing nothing ludicrous in it, she endowed him with the young school-hero's reputation, beheld him with the eyes of the girl who had loved him—and burnt his old letters!—bitterly regretted that she burnt his letters!—and who had applauded his contempt of ushers and master opposing his individual will and the thing he thought it right to do.
Musing thus, she turned a corner, on a sudden, in her mind, and ran against a mirror, wherein a small figure running up to meet her, grew large and nodded, with the laugh and eyes of Browny. So little had she changed! The stedfast experienced woman rebuked that volatile, and some might say, faithless girl. But the girl had her answer: she declared they were one and the same, affirmed that the years between were a bad night's dream, that her heart had been faithful, that he who conjures visions of romance in a young girl's bosom must always have her heart, as a crisis will reveal it to her. She had the volubility of the mettled Browny of old, and was lectured. When she insisted on shouting 'Matey! Matey!' she was angrily spurned and silenced.
Aminta ceased to recline in her carriage. An idea that an indolent posture fostered vapourish meditations, counselled her sitting rigidly upright and interestedly observing the cottages and merry gutter-children along the squat straight streets of a London suburb. Her dominant ultimate thought was, 'I, too, can work!' Like her courage, the plea of a capacity to work appealed for confirmation to the belief which exists without demonstrated example; and as she refrained from probing to the inner sources of that mental outcry, it was allowed to stand and remain among the convictions we store—wherewith to shape our destinies.
Childishly indeed, quite witlessly, she fell into a trick of repeating the name of Matthew Weyburn in her breast and on her lips, after the manner of Isabella Lawrence Finchley, when she had inquired for his Christian name, and went on murmuring it, as if sucking a new bonbon, with the remark: 'It sounds nice, it suits the mouth.' Little Selina Collett had told, Aminta remembered, how those funny boys at Cuper's could not at first get the name 'Aminta' to suit the mouth, but went about making hideous faces in uttering it. She smiled at the recollection, and thought, up to a movement of her lips, one is not tempted to do that in saying Matthew Weyburn!
CHAPTER XV
SHOWING A SECRET FISHED WITHOUT ANGLING
That great couchant dragon of the devouring jaws and the withering breath, known as our London world, was in expectation of an excitement above yawns on the subject of a beautiful Lady Doubtful proposing herself, through a group of infatuated influential friends, to a decorous Court, as one among the ladies acceptable. The popular version of it sharpened the sauce by mingling romance and cynicism very happily; for the numerous cooks, when out of the kitchen, will furnish a piquant dish. Thus, a jewel-eyed girl of half English origin (a wounded British officer is amiably nursed in a castle near the famous Peninsula battlefield, etc.), running wild down the streets of Seville, is picked up by Lord Ormont, made to discard her tambourine, brought over to our shores, and allowed the decoration of his name, without the legitimate adornment of his title. Discontented with her position after a time, she now pushes boldly to claim the place which will be most effective in serving her as a bath. She has, by general consent, beauty; she must, seeing that she counts influential friends, have witchery. Those who have seen her riding and driving beside her lord, speak of Andalusian grace, Oriental lustre, fit qualification for the fair slave of a notoriously susceptible old warrior.
She won a party in the widening gossip world; and enough of a party in the regent world to make a stream. Pretending to be the actual Countess of Ormont, though not publicly acknowledged as his countess by the earl, she had on her side the strenuous few who knew and liked her, some who were pleased compassionately to patronize, all idle admirers of a shadowed beautiful woman at bay, the devotees of any beauty in distress, and such as had seen, such as imagined they had seen, such as could paint a mental picture of a lady of imposing stature, persuasive appearance, pathetic history, and pronounce her to be unjustly treated, with a general belief that she was visible and breathing. She had the ready enthusiasts, the responsive sentimentalists, and an honest active minor number, of whom not every one could be declared perfectly unspotted in public estimation, however innocent under verdict of the courts of law.
Against her was the livid cloud-bank over a flowery field, that has not yet spoken audible thunder: the terrible aggregate social woman, of man's creation, hated by him, dreaded, scorned, satirized, and nevertheless, upheld, esteemed, applauded: a mark of civilization, on to which our human society must hold as long as we have nothing humaner. She exhibits virtue, with face of waxen angel, with paw of desert beast, and blood of victims on it. Her fold is a genial climate and the material pleasures for the world's sheepy: worshipping herself, she claims the sanctification of a performed religion. She is gentle when unassailed, going her way serenely, with her malady in the blood. When the skin bears witness to it, she swallows an apothecary, and there is a short convulsion. She is refreshed by cutting off diseased inferior members: the superior betraying foul symptoms, she covers up and retains; rationally, too, for they minister to her present existence, and she lives all in the present. Her subjects are the mixed Subservient; among her rebellious are earth's advanced, who have cold a morning on their foreheads, and these would not dethrone her, they would but shame and purify by other methods than the druggist. She loves nothing. Undoubtedly, she dislikes the vicious. On that merit she subsists.
The vexatious thing in speaking of her is, that she compels to the use of the rhetorician's brass instrument. As she is one of the Powers giving life and death, one may be excused. This tremendous queen of the congregation has brought discredit on her sex for the scourge laid on quivering female flesh, and for the flippant indifference shown to misery and to fine distinctions between right and wrong, good and bad; and particularly for the undiscriminating hardness upon the starved of women. We forget her having been conceived in the fear of men, shaped to gratify them. She is their fiction of the state they would fain beguile themselves to suppose her sex has reached, for their benefit; where she may be queen of it in a corner, certain of a loyal support, if she will only give men her half-the-world's assistance to uplift the fabric comfortable to them; together with assurance of paternity, case of mind in absence, exclusive possession, enormous and minutest, etc.; not by any means omitting a regimental orderliness, from which men are privately exempt, because they are men, or because they are grown boys—the brisker at lessons after a vacation or a truancy, says the fiction.
In those days the world had oscillated, under higher leading than its royal laxity, to rigidity. Tiny peccadilloes were no longer matter of jest, and the sinner exposed stood 'sola' to receive the brand. A beautiful Lady Doubtful needed her husband's countenance if she was to take one of the permanent steps in public places. The party of Lady Charlotte Eglett called on the livid cloud-bank aforesaid to discharge celestial bolts and sulphur oil on the head of an impudent, underbred, ambitious young slut, whose arts had bewitched a distinguished nobleman not young in years at least, and ensnared the remainder wits of some principal ancient ladies of the land. Professional Puritans, born conservatives, malicious tattlers, made up a goodly tail to Lady Charlotte's party. The epithet 'unbred' was accredited upon the quoted sayings and doings of the pretentious young person's aunt, repeated abroad by noblemen and gentlemen present when she committed herself; and the same were absurd. They carried a laugh, and so they lived and circulated. Lord Ormont submitted to the infliction of that horrid female in his household! It was no wonder he stopped short of allying himself with the family.
Nor was it a wonder that the naturally enamoured old warrior or invalided Mars (for she had the gift of beauty) should deem it prudent to be out of England when she and her crazy friends determined on the audacious move. Or put it the other way—for it is just as confounding right side or left—she and her friends take advantage of his absence to make the clever push for an establishment, and socially force him to legalize their union on his return. The deeds of the preceding reign had bequeathed a sort of legendary credence to the wildest tales gossip could invent under a demurrer.
But there was the fact, the earl was away. Lady Charlotte's party buzzed everywhere. Her ladyship had come to town to head it. Her ladyship laid trains of powder from dinner-parties, balls, routs, park-processions, into the Lord Chamberlain's ear, and fired and exploded them, deafening the grand official. Do you consider that virulent Pagan Goddesses and the flying torch-furies are extinct? Error of Christians! We have relinquished the old names and have no new ones for them; but they are here, inextinguishable, threading the day and night air with their dire squib-trail, if we would but see. Hissing they go, and we do not hear. We feel the effects.
Upon the counsel of Mrs. Lawrence, Aminta sent a letter to Lord Ormont at his hotel in Paris, informing him of the position of affairs. He had delayed his return, and there had been none of his brief communications.
She wrote, as she knew, as she felt, coldly. She was guided by others, and her name was up before the world, owing to some half-remembered impulsion of past wishes, but her heart was numbed; she was not a woman to have a wish without a beat of the heart in it. For her name she had a feeling, to be likened rather to the losing gambler's contemplation of a big stake he has flung, and sees it gone while fortune is undecided; and he catches at a philosophy nothing other than his hug of a modest little background pleasure, that he has always preferred to this accursed bad habit of gambling with the luck against him. Reckless in the cast, she was reckless of success.
Her letter was unanswered.
Then, and day by day more strongly, she felt for her name. She put a false heart into it. She called herself to her hearing the Countess of Ormont, and deigned to consult the most foolish friend she could have chosen—her aunt; and even listened to her advice, that she should run about knocking at all the doors open to her, and state her case against the earl. It seemed the course to take, the moment for taking it. Was she not asked if she could now at last show she had pride? Her pride ran stinging through her veins, like a band of freed prisoners who head the rout to fire a city. She charged her lord with having designedly—oh! cunningly indeed left her to be the prey of her enemies at the hour when he knew it behoved him to be her great defender. There had been no disguise of the things in progress: they had been spoken of allusively, quite comprehensibly, after the fashion common with two entertaining a secret semi-hostility on a particular subject; one of them being the creature that blushes and is educated to be delicate, reserved, and timorous. He was not ignorant, and he had left her, and he would not reply to her letter!
So fell was her mood, that an endeavour to conjure up the scene of her sitting beside the death-bed of Matthew Weyburn's mother, failed to sober and smooth it, holy though that time was. The false heart she had put into the pride of her name was powerfuller than the heart in her bosom. But to what end had the true heart counselled her of late? It had been a home of humours and languors, an impotent insurgent, the sapper of her character; and as we see in certain disorderly States a curative incendiarism usurp the functions of the sluggish citizen, and the work of re-establishment done by destruction, in peril of a total extinction, Aminta's feverish anger on behalf of her name went a stretch to vivify and give her dulled character a novel edge. She said good-bye to cowardice. 'I have no husband to defend me—I must do it for myself.' The peril of a too complete exercise of independence was just intimated to her perceptions. On whom the blame? And let the motively guilty go mourn over consequences! That Institution of Marriage was eyed. Is it not a halting step to happiness? It is the step of a cripple,—and one leg or the other poses for the feebler sex,—small is the matter which! And is happiness our cry? Our cry is rather for circumstance and occasion to use our functions, and the conditions are denied to women by Marriage—denied to the luckless of women, who are many, very many: denied to Aminta, calling herself Countess of Ormont, for one, denied to Mrs. Lawrence Finchley for another, and in a base bad manner. She had defended her good name triumphantly, only to enslave herself for life or snatch at the liberty which besmirches.
Reviewing Mrs. Lawrence, Aminta's real heart pressed forward at the beat, in tender pity of the woman for whom a yielding to love was to sin; and unwomanly is the woman who does not love: men will say it. Aminta found herself phrasing. 'Why was she unable to love her husband?—he is not old.' She hurried in flight from the remark to confidences imparted by other ladies, showing strange veins in an earthy world; after which, her mind was bent to rebuke Mrs. Pagnell for the silly soul's perpetual allusions to Lord Ormont's age. She did not think of his age. But she was vividly thinking that she was young. Young, married, loveless, cramped in her energies, publicly dishonoured—a Lady Doubtful, courting one friend whom she liked among women, one friend whom she respected among men; that was the sketch of her.
That was in truth the outline, as much as Aminta dared sketch of herself without dragging her down lower than her trained instinct would bear to look. Our civilization shuns nature; and most shuns it in the most artificially civilized, to suit the market. They, however, are always close to their mother nature, beneath their second nature's mask of custom; and Aminta's unconscious concluding touch to the sketch: 'My husband might have helped me to a footing in Society,' would complete it as a coloured picture, if writ in tones.
She said it, and for the footing in Society she had lost her taste.
Mrs. Lawrence brought the final word from high quarters: that the application must be deferred until Lord Ormont returned to town. It was known before, that such would be the decision. She had it from the eminent official himself, and she kicked about the room, setting her pretty mouth and nose to pout and sniff, exactly like a boy whose chum has been mishandled by a bully.
'Your dear good man is too much for us. I thought we should drive him. 'C'est un ruse homme de guerre.' I like him, but I could slap him. He stops the way. Upon my word, he seems tolerably careless of his treasure. Does he suppose Mrs. Paggy is a protection? Do you know she's devoted to that man Morsfield? He listens to her stories. To judge by what he shouts aloud, he intends carrying you off the first opportunity, divorcing, and installing you in Cobeck Hall. All he fears is, that your lord won't divorce. You should have seen him the other day; he marched up and down the room, smacking his head and crying out: "Legal measures or any weapons her husband pleases!" For he has come to believe that the lady would have been off with him long before, if her lord had no claim to the marital title. "It 's that husband I can't get over! that husband!" He reminded me, to the life, of Lawrence Finchley with a headache the morning after a supper, striding, with his hand on the shining middle of his head: "It's that Welsh rabbit! that Welsh rabbit!" He has a poor digestion, and he will eat cheese. The Welsh rabbit chased him into his bed. But listen to me, dear, about your Morsfield. I told you he was dangerous.'
'He is not my Morsfield,' said Aminta.
'Beware of his having a tool in Paggy. He boasts of letters.'
'Mine? Two: and written to request him to cease writing to me.'
'He stops at nothing. And, oh, my Simplicity! don't you see you gave him a step in begging him to retire? Morsfield has lived a good deal among our neighbours, who expound the physiology of women. He anatomizes us; pulls us to pieces, puts us together, and then animates us with a breath of his "passion"—sincere upon every occasion, I don't doubt. He spared me, although he saw I was engaged. Perhaps it was because I 'm of no definite colour. Or he thought I was not a receptacle for "passion." And quite true,—Adder, the dear good fellow, has none. Or where should we be? On a Swiss Alp, in a chalet, he shooting chamois, and I milking cows, with 'ah-ahio, ah-ahio,' all day long, and a quarrel at night over curds and whey. Well, and that 's a better old pensioner's limp to his end for "passion" than the foreign hotel bell rung mightily, and one of the two discovered with a dagger in the breast, and the other a don't- look lying on the pavement under the window. Yes, and that's better than "passion" splitting and dispersing upon new adventures, from habit, with two sparks remaining of the fire.'
