Kitabı oku: «The Amazing Marriage. Complete», sayfa 7
CHAPTER IX. CONCERNING THE BLACK GODDESS FORTUNE AND THE WORSHIP OF HER, TOGETHER WITH AN INTRODUCTION OF SOME OF HER VOTARIES
In those early days of Fortune’s pregnant alternations of colour between the Red and the Black, exhibited publicly, as it were a petroleum spring of the ebony-fiery lake below, Black-Forest Baden was the sprightliest’ of the ante-chambers of Hades. Thither in the ripeness of the year trooped the devotees of the sable goddess to perform sacrifice; and annually among them the beautiful Livia, the Countess of Fleetwood; for nowhere else had she sensation of the perfect repose which is rocked to a slumber by gales.
She was not of the creatures who are excited by an atmosphere of excitement; she took it as the nymph of the stream her native wave, and swam on the flood with expansive languor, happy to have the master passions about her; one or two of which her dainty hand caressed, fearless of a sting; the lady petted them as her swans. It surprised her to a gentle contempt of men and women, that they should be ruffled either by love or play. A withholding from the scene will naturally arouse disturbing wishes; but to be present lulls; for then we live, we are in our element. And who could expect, what sane person can desire, perpetual good luck? Fortune, the goddess, and young Love, too, are divine in their mutability: and Fortune would resemble a humdrum housewife, Love a droning husband, if constancy were practised by them. Observe the staggering and plunging of the blindfold wretch seeking to be persuaded of their faithfulness.
She could make for herself a quiet centre in the heart of the whirlwind, but the whirlwind was required. The clustered lights at the corner of the vale under forest hills, the burst of music, the blazing windows of the saloons of the Furies, and the gamblers advancing and retreating, with their totally opposite views of consequences, and fashions of wearing or tearing the mask; and closer, the figures shifting up and down the promenade, known and unknown faces, and the histories half known, half woven, weaving fast, which flew their threads to provoke speculation; pleasantly embraced and diverted the cool-blooded lady surrounded by her courtiers, who could upon occasion supply the luminous clue or anecdote. She had an intuitive liveliness to detect interchanges of eyes, the shuttle of intrigue; the mild hypocrisy, the clever audacity, the suspicion confirmed, the complication threatening to become resonant and terrible; and the old crossing the young and the young outwitting the old, wiles of fair traitors and dark, knaves of all suits of the pack. A more intimate acquaintance with their lineaments inspired a regard for them, such as poets may feign the throned high moon to entertain for objects causing her rays to flash.
The simple fools, performing in character, were a neutral people, grotesques and arabesques wreathed about the margins of the scene. Venus or Fortune smote them to a relievo distinguishing one from another. Here, however, as elsewhere, the core of interest was with the serious population, the lovers and the players in earnest, who stood round the furnace and pitched themselves into it, not always under a miscalculation of their chances of emerging transfigured instead of serving for fuel. These, the tragical children of folly, were astute: they played with lightning, and they knew the conditions of the game; victories were to be had.
The ulterior conditions of the game, the price paid for a victory, they thought little of: for they were feverish worshippers of the phantasmal deity called the Present; a god reigning over the Past, appreciable only in the Future; whose whiff of actual being is composed of the embryo idea of the union of these two periods. Still he is occasionally a benevolent god to the appetites; which have but to be continuous to establish him in permanence; and as nothing in us more readily supposes perpetuity than the appetite rushing to destroy itself, the rational nature of the most universal worship on earth is perceived at once.
Now, the price paid for a victory is this: that having been favoured in a single instance by the spouse of the aforesaid eminent divinity—the Black Goddess of the golden fringes—men believe in her for ever after, behold her everywhere, they belong to her. Their faith as to sowing and reaping has gone; and so has their capacity to see the actual as it is: she has the power to attach them to her skirts the more by rewarding their impassioned devotion with cuffs and scorns. They have ceased to have a first notion upon anything without a second haunting it, which directs them to propitiate Fortune.
But I am reminded by the convulsions of Dame Gossip, that the wisdom of our ancestors makes it a mere hammering of commonplace to insist on such reflections. Many of them, indeed, took the union of the Black Goddess and the Rosy Present for the composition of the very Arch-Fiend. Some had a shot at the strange conjecture, figuring her as tired of men in the end and challengeing him below—equally tired of his easy conquests of men since the glorious old times of the duelling saints. By virtue of his one incorrigible weakness, which we know him to have as long as we have it ourselves: viz., the belief in her existence, she is to get the better of him.
Upon this point the experience of Captain Abrane has a value. Livia was a follower of the Red and Black and the rounding ball in the person of the giant captain, through whom she received her succession of sweetly teasing thrills and shocks, as one of the adventurous company they formed together. The place was known to him as the fair Philistine to another muscular hero; he had been shorn there before, and sent forth tottering, treating the friends he met as pillars to fall with him; and when the operation was done thoroughly, he pronounced himself refreshed by it, like a more sensible Samson, the cooler for his clipping. Then it was that he relapsed undistractedly upon processes of his mind and he often said he thought Fortune would beat the devil.
Her power is shown in the moving of her solicitors to think, instantly after they have made their cast, that the reverse of it was what they intended. It comes as though she had withdrawn the bandage from her forehead and dropped a leaden glance on them, like a great dame angry to have her signal misinterpreted. Well, then, distinguished by the goddess in such a manner, we have it proved to us how she wished to favour: for the reverse wins, and we who are pinched blame not her cruelty but our blind folly. This is true worship. Henceforth the pain of her nip is mingled with the dream of her kiss; between the positive and the imagined of her we remain confused until the purse is an empty body on a gallows, honour too, perhaps.
Captain Abrane was one of the Countess Livia’s numerous courtiers on the border of the promenade under the lighted saloons. A colossus inactive, he had little to say among the chattering circle; for when seated, cards were wanted to animate him: and he looked entirely out of place and unfitted, like a great vessel’s figure-head in a shipwright’s yard.
She murmured: ‘Not this evening?’
Abrane quoted promptly a line of nursery song ‘How shall he cut it without e’er a knife?’
‘Have we run it down so low?’ said she, with no reproach in her tone.
The captain shrugged over his clean abyss, where nothing was.
Yesterday their bank presented matronly proportions. But an importuned goddess reduces the most voluminous to bare stitches within a few winks of an eye.
Livia turned to a French gentleman of her court, M. de St. Ombre, and pursued a conversation. He was a stately cavalier of the Gallicized Frankish outlines, ready, but grave in his bearing, grave in his delivery, trimly moustached, with a Guise beard.
His profound internal question relating to this un-English beauty of the British Isles:—had she no passion in her nature? was not convinced by her apparent insensibility to Fortune’s whips.
Sir Meeson Corby inserted a word of Bull French out of place from time to time.
As it might be necessary to lean on the little man for weapons of war, supposing Lord Fleetwood delayed his arrival yet another day, Livia was indulgent. She assisted him to think that he spoke the foreign tongue.
Mention of Lord Fleetwood set Sir Meeson harping again on his alarms, in consideration of the vagabond object of the young lord had roamed away with.
‘You forget that Russett has gypsy in him: Welsh! it’s about the same,’ said Livia. ‘He can take excellent care of himself and his purse.’
‘Countess, he is a good six days overdue.’
‘He will be in time for the ball at the Schloss.’
Sir Meeson Corby produced an aspect of the word ‘if,’ so perkily, that the dejected Captain Abrane laughed outright and gave him double reason to fret for Lord Fleetwood’s arrival, by saying: ‘If he hangs off much longer, I shall have to come on you for another fifty.’
Our two pedestrians out of Salzburg were standing up in the night of cloud and pines above the glittering pool, having made their way along the path from the hill anciently dedicated to the god Mercury; and at the moment when Sir Meeson put forth his frilled wrists to say: ‘If you had seen his hands—the creature Fleetwood trotted off alone with!—you’d be a bit anxious too’; the young lord called his comrade to gaze underneath them: ‘There they are, hard at it, at their play!—it’s the word used for the filthiest gutter scramble.’
They had come to know something of one another’s humours; which are taken by young men for their characters; and should the humours please, they are friends, until further humours develop, trying these nascent conservatives hard to suit them to their moods as well as the accustomed. Lord Fleetwood had discovered in his companion, besides the spirit of independence and the powers of thought impressed on him by Woodseer’s precocious flashes, a broad playfulness, that trenched on buffoonery; it astonished, amused, and relieved him, loosening the spell of reverence cast over him by one who could so wonderfully illumine his brain. Prone to admire and bend the knee where he admired, he chafed at subjection, unless he had the particular spell constantly renewed. A tone in him once or twice of late, different from the comrade’s, had warned Woodseer to be guarded.
Susceptible, however, of the extreme contrast between the gamblers below and Nature’s lover beside him, Fleetwood returned to his enthusiasm without thinking it a bondage.
‘I shall never forget the walk we ‘ve had. I have to thank you for the noblest of pleasures. You ‘ve taught me—well, a thousand things; the things money can’t buy. What mornings they were! And the dead-tired nights! Under the rock and up to see the snowy peak pink in a gap of thick mist. You were right: it made a crimsoning colour shine like a new idea. Up in those mountains one walks with the divinities, you said. It’s perfectly true. I shall remember I did. I have a treasure for life! Now I understand where you get your ideas. The life we lead down there is hoggish. You have chosen the right. You’re right, over and over again, when you say, the dirty sweaters are nearer the angels for cleanliness than my Lord and Lady Sybarite out of a bath, in chemical scents. A man who thinks, loathes their High Society. I went through Juvenal at college. But you—to be sure, you add example—make me feel the contempt of it more. I am everlastingly indebted to you. Yes, I won’t forget: you preach against the despising of anything.
This was pleasant in Woodseer’s ears, inasmuch as it established the young nobleman as the pupil of his philosophy for the conduct of life; and to fortify him, he replied:
‘Set your mind on the beauty, and there’ll be no room for comparisons. Most of them are unjust, precious few instructive. In this case, they spoil both pictures: and that scene down there rather hooks me; though I prefer the Dachstein in the wane of the afterglow. You called it Carinthia.’
‘I did: the beautiful Gorgon, haggard Venus—if she is to be a girl!’ Fleetwood rejoined. ‘She looked burnt out—a spectre.’
‘One of the admirably damned,’ said Woodseer, and he murmured with enjoyment: ‘Between the lights—that ‘s the beauty and the tragedy of Purgatory!’
His comrade fell in with the pictured idea: ‘You hit it:—not what you called the “sublimely milky,” and not squalid as you’ll see the faces of the gambling women at the tables below. Oblige me—may I beg?—don’t clap names on the mountains we’ve seen. It stamps guide-book on them, English tourist, horrors. We’ll moralize over the crowds at the tables down there. On the whole, it’s a fairish game: you know the odds against you, as you don’t on the Turf or the Bourse. Have your fling; but don’t get bitten. There’s a virus. I’m not open to it. Others are.’
Hereupon Woodseer, wishing to have his individuality recognised in the universality it consented to, remarked on an exchequer that could not afford to lose, and a disposition free of the craving to win.
These were, no doubt, good reasons for abstaining, and they were grand morality. They were, at the same time, customary phrases of the unfleshed in folly. They struck Fleetwood with a curious reminder of the puking inexperienced, whom he had seen subsequently plunge suicidally. He had a sharp vision of the attractive forces of the game; and his elemental nature exulted in siding with the stronger against a pretender to the superhuman. For Woodseer had spoken a trifle loftily, as quite above temptation. To see a forewarned philosopher lured to try the swim on those tides, pulled along the current, and caught by the undertug of the lasher, would be fun.
‘We’ll drop down on them, find our hotel, and have a look at what they’re doing,’ he said, and stepped.
Woodseer would gladly have remained. The starlit black ridges about him and the dragon’s mouth yawing underneath were an opposition of spiritual and mundane; innocent, noxious; exciting to the youthful philosopher. He had to follow, and so rapidly in the darkness that he stumbled and fell on an arm; a small matter.
Bed-chambers awaited them at the hotel, none of the party: and Fleetwood’s man-servant was absent.
‘Gambling, the rascal!’ he said. Woodseer heard the first note of the place in that.
His leader was washed, neatly dressed, and knocking at his door very soon, impatient to be off, and he flung a promise of ‘supper presently’ to one whose modest purse had fallen into a debate with this lordly hostelry, counting that a supper and a night there would do for it. They hurried on to the line of promenaders, a river of cross-currents by the side of seated groups; and the willowy swish of silken dresses, feminine perfumery, cigar-smoke, chatter, laughter, told of pleasure reigning.
Fleetwood scanned the groups. He had seen enough in a moment and his face blackened. A darting waiter was called to him.
He said to Woodseer, savagely, as it sounded: ‘You shall have something to joint your bones!’ What cause of wrath he had was past a guess: a wolf at his vitals bit him, hardening his handsome features.
The waiter darted back, bearing a tray and tall glasses filled each with piled parti-coloured liqueurs, on the top of which an egg-yolk swam. Fleetwood gave example. Swallowing your egg, the fiery-velvet triune behind slips after it, in an easy milky way, like a princess’s train on a state-march, and you are completely, transformed, very agreeably; you have become a merry demon. ‘Well, yes, it’s next to magic,’ he replied to Woodseer’s astonished snigger after the draught, and explained, that it was a famous Viennese four-of-the-morning panacea, the revellers’ electrical restorer. ‘Now you can hold on for an hour or two, and then we’ll sup. At Rome?’
‘Ay! Druids to-morrow!’ cried the philosopher bewitched.
He found himself bowing to a most heavenly lady, composed of day and night in her colouring, but more of night, where the western edge has become a pale steel blade. Men were around her, forming a semi-circle. The world of men and women was mere timber and leafage to this flower of her sex, glory of her kind. How he behaved in her presence, he knew not; he was beyond self-criticism or conscious reflection; simply the engine of the commixed three liqueurs, with parlous fine thoughts, and a sense of steaming into the infinite.
To leave her was to have her as a moon in the heavens and to think of her creatively. A swarm of images rushed about her and away, took lustre and shade. She was a miracle of greyness, her eyes translucently grey, a dark-haired queen of the twilights; and his heart sprang into his brain to picture the novel beauty; language became a flushed Bacchanal in a ring of dancing similes. Lying beside a bank of silvery cinquefoil against a clear evening sky, where the planet Venus is a point of new and warmer light, one has the vision of her. Or something of Persephone rising to greet her mother, when our beam of day first melts through her as she kneels to gather an early bud of the year, would be near it. Or there is a lake in mid-forest, that curls part in shadow under the foot of morning: there we have her.
He strained to the earthly and the skyey likenesses of his marvel of human beauty because they bestowed her on him in passing. All the while, he was gazing on a green gaming-table.
The gold glittered, and it heaped or it vanished. Contemptuous of money, beyond the limited sum for his needs, he gazed; imagination was blunted in him to the hot drama of the business. Moreover his mind was engaged in insisting that the Evening Star is not to be called Venus, because of certain stories; and he was vowed to defend his lady from any allusion to them. This occupied him. By degrees, the visible asserted its authority; his look on the coin fell to speculating. Oddly, too, he was often right;—the money, staked on the other side, would have won. He considered it rather a plain calculation than a guess.
Philosophy withdrew him from his temporary interest in the tricks of a circling white marble ball. The chuck farthing of street urchins has quite as much dignity. He compared the creatures dabbling, over the board to summer flies on butcher’s meat, periodically scared by a cloth. More in the abstract, they were snatching at a snapdragon bowl. It struck him, that the gamblers had thronged on an invitation to drink the round of seed-time and harvest in a gulp. Again they were desperate gleaners, hopping, skipping, bleeding, amid a whizz of scythe-blades, for small wisps of booty. Nor was it long before the presidency of an ancient hoary Goat-Satan might be perceived, with skew-eyes and pucker-mouth, nursing a hoof on a knee.
Our mediaeval Enemy sat symbolical in his deformities, as in old Italian and Dutch thick-line engravings of him. He rolled a ball for souls, excited like kittens, to catch it, and tumbling into the dozens of vacant pits. So it seemed to Woodseer, whose perceptions were discoloured by hereditary antagonism. Had he preserved his philosopher’s eye, he would have known that the Hoofed One is too wily to show himself, owing to his ugliness. The Black Goddess and no other presides at her own game. She (it is good for us to know it) is the Power who challenges the individual, it is he who spreads the net for the mass. She liquefies the brain of man; he petrifies or ossifies the heart. From her comes craziness, from him perversity: a more provocative and, on the whole, more contagious disease. The gambler does not seek to lead his fellows into perdition; the snared of the Demon have pleasure in the act. Hence our naturally interested forecasts of the contests between them: for if he is beaten, as all must be at the close of an extended game with her, we have only to harden the brain against her allurements and we enter a clearer field.
Woodseer said to Fleetwood: ‘That ball has a look of a nymph running round and round till she changes to one of the Fates.’
‘We’ll have a run with her,’ said Fleetwood, keener for business than for metaphors—at the moment.
He received gold for a bank-note. Captain Abrane hurriedly begged a loan. Both of them threw. Neither of them threw on the six numbers Woodseer would have selected, and they lost. He stated that the number of 17 had won before. Abrane tried the transversal enclosing this favoured number. ‘Of course!’ he cried, with foul resignation and a hostile glare: the ball had seated itself and was grinning at him from the lowest of the stalls.
Fleetwood quitted the table-numbers to throw on Pair; he won, won again, pushed his luck and lost, dragging Abrane with him. The giant varied his tone of acquiescence in Fortune’s whims: ‘Of course! I ‘ve only to fling! Luck hangs right enough till I put down my stake.’
‘If the luck has gone three times, the chances....’ Woodseer was rather inquiring than pronouncing.... Lord Fleetwood cut him short. ‘The chances are equally the contrary!’ and discomposed his argumentative mind.
As argument in such a place was impossible, he had a wild idea of example—‘just to see’—; and though he smiled, his brain was liquefying. Upon a calculation of the chances, merely for the humour of it, he laid a silver piece on the first six, which had been neglected. They were now blest. He laid his winnings on the numbed 17. Who would have expected it? why, the player, surely! Woodseer comported himself like a veteran: he had proved that you can calculate the chances. Instead of turning in triumph to Lord Fleetwood, he laid gold pieces to hug the number 17, and ten in the centre. And it is the truth, he hoped then to lose and have done with it—after proving his case. The ball whirled, kicked, tried for seat in two, in three points, and entered 17. The usual temporary wonderment flew round the table; and this number was courted in dread, avoided with apprehension.
Abrane let fly a mighty breath: ‘Virgin, by Jove!’
Success was a small matter to Gower Woodseer. He displayed his contempt of fortune by letting his heap of bank-notes lie on Impair, and he won. Abrane bade him say ‘Maximum’ in a furious whisper. He did so, as one at home with the word; and winning repeatedly, observed to Fleetwood: ‘Now I can understand what historians mean, in telling us of heroes rushing into the fray and vainly seeking death. I always thought death was to be had, if you were in earnest.’
Fleetwood scrutinized the cast of his features and the touch of his fingers on the crispy paper.
‘Come to another of these “green fields,”’ he returned briefly. ‘The game here is child’s play.’
Urging Virgin Luck not to quit his initiatory table, the captain reluctantly went at their heels. Shortly before the tables were clad in mantles for the night, he reported to Livia one of the great cases of Virgin Luck; described it, from the silver piece to the big heap of notes, and drew on his envy of the fellow to sketch the indomitable coolness shown in following or in quitting a run. ‘That fellow it is, Fleetwood’s tag-rag; holds his head like a street-fiddler; Woodler or some name. But there’s nothing to be done if we don’t cultivate him. He must have pocketed a good three thousand and more. They had a quarrel about calculations of chances, and Fleet ran the V up his forehead at a piece of impudence. Fellow says some high-flying stuff; Fleet brightens like a Sunday chimney-sweep. If I believed in Black Arts, upon my word!’
‘Russett is not usually managed with ease,’ the lady said.
Her placid observation was directed on the pair then descending the steps.
‘Be careful how you address, this gentleman,’ she counselled Abrane. ‘The name is not Woodier, I know. It must be the right name or none.’
Livia’s fairest smile received them. She heard the captain accosting the child of luck as Mr. Woodier, and she made a rustle in rising to take Fleetwood’s arm.
‘We haven’t dined, we have to sup,’ said he.
‘You are released at the end of the lamps. You redeem your ring, Russett, and I will restore it. I have to tell you, Henrietta is here to-morrow.’
‘She might be in a better place.’
‘The place where she is to be seen is not generally undervalued by men. It is not her fault that she is absent. The admiral was persuaded to go and attend those cavalry manoeuvres with the Grand Duke, to whom he had been civil when in command of the Mediterranean squadron. You know, the admiral believes he has military—I mean soldierly-genius; and the delusion may have given him wholesome exercise and helped him to forget his gout. So far, Henrietta will have been satisfied. She cannot have found much amusement among dusty troopers or at that court at Carlsruhe. Our French milliner there has helped in retarding her quite against her will. She has had to choose a balldress for the raw mountain-girl they have with them, and get her fitted, and it’s a task! Why take her to the ball? But the admiral’s infatuated with this girl, and won’t hear of her exclusion—because, he says, she understands a field of battle; and the Ducal party have taken to her. Ah, Russett, you should not have flown! No harm, only Henrietta does require a trifle of management. She writes, that she is sure of you for the night at the Schloss.’
‘Why, ma’am?’
‘You have given your word. “He never breaks his lightest word,” she says.’
‘It sounds like the beginning of respect.’
‘The rarest thing men teach women to feel for them!’
‘A respectable love match—eh? Good Lord! You’ll be civil to my friend. You have struck him to the dust. You have your one poetical admirer in him.’
‘I am honoured, Russett.’
‘Cleared out, I suppose? Abrane is a funnel for pouring into that Bank. Have your fun as you like it! I shall get supplies to-morrow. By the way, you have that boy Cressett here. What are you doing with him?’
Livia spoke of watching over him and guarding him:
‘He was at the table beside me, bursting to have a fling; and my friend Mr. Woodseer said, it was “Adonis come to spy the boar”:—the picture!’
Prompt as bugle to the breath, Livia proposed to bet him fifty pounds that she would keep young Cressett from gambling a single louis. The pretty saying did not touch her.
Fleetwood moved and bowed. Sir Meeson Corby simulated a petrifaction of his frame at seeing the Countess of Fleetwood actually partly bent with her gracious acknowledgement of the tramp’s gawky homage.
