Kitabı oku: «Vittoria. Volume 7», sayfa 3
It is a mean image to say that the entry of the Austrians into the reconquered city was like a river of oil permeating a lake of vinegar, but it presents the fact in every sense. They demanded nothing more than submission, and placed a gentle foot upon the fallen enemy; and wherever they appeared they were isolated. The deepest wrath of the city was, nevertheless, not directed against them, but against Carlo Alberto, who had pledged his honour to defend it, and had forsaken it. Vittoria committed a public indiscretion on the day when the king left Milan to its fate: word whereof was conveyed to Carlo Ammiani, and he wrote to her.
"It is right that I should tell you what I have heard," the letter said. "I have heard that my bride drove up to the crowned traitor, after he had unmasked himself, and when he was quitting the Greppi palace, and that she kissed his hand before the people—poor bleeding people of Milan! This is what I hear in the Val d'Intelvi:—that she despised the misery and just anger of the people, and, by virtue of her name and mine, obtained a way for him. How can she have acted so as to give a colour to this infamous scandal? True or false, it does not affect my love for her. Still, my dearest, what shall I say? You keep me divided in two halves. My heart is out of me; and if I had a will, I think I should be harsh with you. You are absent from my mother at a time when we are about to strike another blow. Go to her. It is kindness; it is charity: I do not say duty. I remember that I did write harshly to you from Brescia. Then our march was so clear in view that a little thing ruffled me. Was it a little thing? But to applaud the Traitor now! To uphold him who has spilt our blood only to hand the country over to the old gaolers! He lent us his army like a Jew, for huge interest. Can you not read him? If not, cease, I implore you, to think at all for yourself.
"Is this a lover's letter? I know that my beloved will see the love in it. To me your acts are fair and good as the chronicle of a saint. I find you creating suspicion—almost justifying it in others, and putting your name in the mouth of a madman who denounces you. I shall not speak more of him. Remember that my faith in you is unchangeable, and I pray you to have the same in me.
"I sent you a greeting from the Chief. He marched in the ranks from Bergamo. I saw him on the line of march strip off his coat to shelter a young lad from the heavy rain. He is not discouraged; none are who have been near him.
"Angelo is here, and so is our Agostino; and I assure you he loads and fires a carbine much more deliberately than he composes a sonnet. I am afraid that your adored Antonio-Pericles fared badly among our fellows, but I could gather no particulars.
"Oh! the bright two minutes when I held you right in my heart. That spot on the Vicentino is alone unclouded. If I live I will have that bit of ground. I will make a temple of it. I could reach it blindfolded."
A townsman of Milan brought this letter to Vittoria. She despatched Luigi with her reply, which met the charge in a straightforward affirmative.
"I was driving to Zotti's by the Greppi palace, when I saw the king come forth, and the people hooted him. I stood up, and petitioned to kiss his hand. The people knew me. They did not hoot any more for some time.
"So that you have heard the truth, and you must judge me by it. I cannot even add that I am sorry, though I strive to wish that I had not been present. I might wish it really, if I did not feel it to be a cowardly wish.
"Oh, my Carlo! my lover! my husband! you would not have me go against my nature? I have seen the king upon the battle-field. He has deigned to speak to me of Italy and our freedom. I have seen him facing our enemy; and to see him hooted by the people, and in misfortune and with sad eyes! —he looked sad and nothing else—and besides, I am sure I know the king. I mean that I understand him. I am half ashamed to write so boldly, even to you. I say to myself you should know me, at least; and if I am guilty of a piece of vanity, you should know that also. Carlo Alberto is quite unlike other men. He worships success as, much; but they are not, as he is, so much bettered by adversity. Indeed I do not believe that he has exact intentions of any sort, or ever had the intention to betray us, or has done so in reality, that is, meaningly, of his own will. Count Medole and his party did, as you know, offer Lombardy to him; and Venice gave herself—brave, noble Venice! Oh! if we two were there—Venice has England's sea-spirit. But, did we not flatter the king? And ask yourself, my Carlo, could a king move in such an enterprise as a common person? Ought we not to be in union with Sardinia? How can we be if we reject her king? Is it not the only positive army that, we can look to— I mean regular army? Should we not; make some excuses for one who is not in our position?
"I feel that I push my questions like waves that fall and cannot get beyond—they crave so for answers agreeing to them. This should make me doubt myself, perhaps; but they crowd again, and seem so conclusive until I have written them down. I am unworthy to struggle with your intellect; but I say to myself, how unworthy of you I should be if I did not use my own, such as it is! The poor king; had to conclude an armistice to save his little kingdom. Perhaps we ought to think of that sternly. My heart is; filled with pity.
"It cannot but be right that you should know the worst; of me. I call you my husband, and tremble to be permitted to lean my head on your bosom for hours, my sweet lover! And yet my cowardice, if I had let the king go by without a reverential greeting from me, in his adversity, would have rendered me insufferable to myself. You are hearing me, and I am compelled to say, that rather than behave so basely I would forfeit your love, and be widowed till death should offer us for God to join us. Does your face change to me?
"Dearest, and I say it when the thought of you sets me almost swooning. I find my hands clasped, and I am muttering I know not what, and I am blushing. The ground seems to rock; I can barely breathe; my heart is like a bird caught in the hands of a cruel boy: it will not rest. I fear everything. I hear a whisper, 'Delay not an instant!' and it is like a furnace; 'Hasten to him! Speed!' and I seem to totter forward and drop— I think I have lost you—I am like one dead.
"I remain here to nurse our dear friend Merthyr. For that reason I am absent from your mother. It is her desire that we should be married.
"Soon, soon, my own soul!
"I seem to be hanging on a tree for you, swayed by such a teazing wind.
"Oh, soon! or I feel that I shall hate any vestige of will that I have in this head of mine. Not in the heart—it is not there!
"And sometimes I am burning to sing. The voice leaps to my lips; it is quite like a thing that lives apart—my prisoner.
"It is true, Laura is here with Merthyr.
"Could you come at once?—not here, but to Pallanza? We shall both make our mother happy. This she wishes, this she lives for, this consoles her—and oh, this gives me peace! Yes, Merthyr is recovering! I can leave him without the dread I had; and Laura confesses to the feminine sentiment, if her funny jealousy of a rival nurse is really simply feminine. She will be glad of our resolve, I am sure. And then you will order all my actions; and I shall be certain that they are such as I would proudly call mine; and I shall be shut away from the world. Yes; let it be so! Addio. I reserve all sweet names for you. Addio. In Pallanza:—no not Pallanza—Paradise!
"Hush! and do not smile at me:—it was not my will, I discover, but my want of will, that distracted me.
"See my last signature of—not Vittoria; for I may sign that again and still be Emilia Alessandra Ammiani.
"SANDRA BELLONI"
The letter was sealed; Luigi bore it away, and a brief letter to Countess
Ammiani, in Pallanza, as well.
Vittoria was relieved of her anxiety concerning Merthyr by the arrival of Georgiana, who had been compelled to make her way round by Piacenza and Turin, where she had left Gambier, with Beppo in attendance on him. Georgiana at once assumed all the duties of head-nurse, and the more resolutely because of her brother's evident moral weakness in sighing for the hand of a fickle girl to smooth his pillow. "When he is stronger you can sit beside him a little," she said to Vittoria, who surrendered her post without a struggle, and rarely saw him, though Laura told her that his frequent exclamation was her name, accompanied by a soft look at his sister—"which would have stirred my heart like poor old Milan last March," Laura added, with a lift of her shoulders.
Georgiana's icy manner appeared infinitely strange to Vittoria when she heard from Merthyr that his sister had become engaged to Captain Gambier.
"Nothing softens these women," said Laura, putting Georgiana in a class.
"I wish you could try the effect of your winning Merthyr," Vittoria suggested.
"I remember that when I went to my husband, I likewise wanted every woman of my acquaintance to be married." Laura sighed deeply. "What is this poor withered body of mine now? It feels like an old volcano, cindery, with fire somewhere:—a charming bride! My dear, if I live till my children make me a grandmother, I shall look on the love of men and women as a toy that I have played with. A new husband? I must be dragged through the Circles of Dante before I can conceive it, and then I should loathe the stranger."
News came that the volunteers were crushed. It was time for Vittoria to start for Pallanza, and she thought of her leave-taking; a final leave- taking, in one sense, to the friends who had cared too much for her. Laura delicately drew Georgiana aside in the sick-room, which she would not quit, and alluded to the necessity for Vittoria's departure without stating exactly wherefore: but Georgiana was a Welshwoman. Partly to show her accurate power of guessing, and chiefly that she might reprove Laura's insulting whisper, which outraged and irritated her as much as if "Oh! your poor brother!" had been exclaimed, she made display of Merthyr's manly coldness by saying aloud, "You mean, that she is going to her marriage." Laura turned her face to Merthyr. He had striven to rise on his elbow, and had dropped flat in his helplessness. Big tears were rolling down his cheeks. His articulation failed him, beyond a reiterated "No, no," pitiful to hear, and he broke into childish sobs. Georgiana hurried Laura from the room. By-and-by the doctor was promptly summoned, and it was Georgiana herself, miserably humbled, who obtained Vittoria's sworn consent to keep the life in Merthyr by lingering yet awhile.
Meantime Luigi brought a letter from Pallanza in Carlo's handwriting.
This was the burden of it:
"I am here, and you are absent. Hasten!"
CHAPTER XXXVI
A FRESH ENTANGLEMENT
The Lenkenstein ladies returned to Milan proudly in the path of the army which they had followed along the city walls on the black March midnight. The ladies of the Austrian aristocracy generally had to be exiles from Vienna, and were glad to flock together even in an alien city. Anna and Lena were aware of Vittoria's residence in Milan, through the interchange of visits between the Countess of Lenkenstein and her sister Signora Piaveni. They heard also of Vittoria's prospective and approaching marriage to Count Ammiani. The Duchess of Graatli, who had forborne a visit to her unhappy friends, lest her Austrian face should wound their sensitiveness, was in company with the Lenkensteins one day, when Irma di Karski called on them. Irma had come from Lago Maggiore, where she had left her patron, as she was pleased to term Antonio-Pericles. She was full of chatter of that most worthy man's deplorable experiences of Vittoria's behaviour to him during the war, and of many things besides. According to her account, Vittoria had enticed him from place to place with promises that the next day, and the next day, and the day after, she would be ready to keep her engagement to go to London, and at last she had given him the slip and left him to be plucked like a pullet by a horde of volunteer banditti, out of whose hands Antonio-Pericles-"one of our richest millionaires in Europe, certainly our richest amateur," said Irma—escaped in fit outward condition for the garden of Eden.
Count Karl was lying on the sofa, and went into endless invalid's laughter at the picture presented by Irma of the 'wild man' wanderings of poor infatuated Pericles, which was exaggerated, though not intentionally, for Irma repeated the words and gestures of Pericles in the recital of his tribulations. Being of a somewhat similar physical organization, she did it very laughably. Irma declared that Pericles was cured of his infatuation. He had got to Turin, intending to quit Italy for ever, when—"he met me," said Irma modestly.
"And heard that the war was at an end," Count Karl added.
"And he has taken the superb Villa Ricciardi, on Lago Maggiore, where he will have a troupe of singers, and perform operas, in which I believe I may possibly act as prima donna. The truth is, I would do anything to prevent him from leaving the country."
But Irma had more to say; with "I bear no malice," she commenced it. The story she had heard was that Count Ammiani, after plighting himself to a certain signorina, known as Vittoria Campa, had received tidings that she was one of those persons who bring discredit on Irma's profession. "Gifted by nature, I can acknowledge," said Irma; "but devoured by vanity —a perfect slave to the appetite for praise; ready to forfeit anything for flattery! Poor signor Antonio-Pericles!—he knows her." And now Count Ammiani, persuaded to reason by his mother, had given her up. There was nothing more positive, for Irma had seen him in the society of Countess Violetta d'Isorella.
Anna and Lena glanced at their brother Karl.
"I should not allude to what is not notorious," Irma pursued. "They are always together. My dear Antonio-Pericles is most amusing in his expressions of delight at it. For my part, though she served me an evil turn once,—you will hardly believe, ladies, that in her jealousy of me she was guilty of the most shameful machinations to get me out of the way on the night of the first performance of Camilla,—but, for my part, I bear no malice. The creature is an inveterate rebel, and I dislike her for that, I do confess."
"The signorina Vittoria Campa is my particular and very dear friend," said the duchess.
"She is not the less an inveterate rebel," said Anna.
Count Karl gave a long-drawn sigh. "Alas, that she should have brought discredit on Fraulein di Karski's profession!"
The duchess hurried straightway to Laura, with whom was Count Serabiglione, reviewing the present posture of affairs from the condescending altitudes of one that has foretold it. Laura and Amalia embraced and went apart. During their absence Vittoria came down to the count and listened to a familiar illustration of his theory of the relations which should exist between Italy and Austria, derived from the friendship of those two women.
"What I wish you to see, signorina, is that such an alliance is possible; and, if we supply the brains, as we do, is by no means likely to be degrading. These bears are absolutely on their knees to us for good fellowship. You have influence, you have amazing wit, you have unparalleled beauty, and, let me say it with the utmost sadness, you have now had experience. Why will you not recognize facts? Italian unity! I have exposed the fatuity—who listens? Italian freedom! I do not attempt to reason with my daughter. She is pricked by an envenomed fly of Satan. Yet, behold her and the duchess! It is the very union I preach; and I am, I declare to you, signorina, in great danger. I feel it, but I persist. I am in danger" (Count Serabiglione bowed his head low) "of the transcendent sin of scorn of my species."
The little nobleman swayed deploringly in his chair. "Nothing is so perilous for a soul's salvation as that. The one sane among madmen! The one whose reason is left to him among thousands who have forsaken it! I beg you to realize the idea. The Emperor, as I am given to understand, is about to make public admission of my services. I shall be all the more hated. Yet it is a considerable gain. I do not deny that I esteem it as a promotion for my services. I shall not be the first martyr in this world, signorina."
Count Serabiglione produced a martyr's smile.
"The profits of my expected posts will be," he was saying, with a reckoning eye cast upward into his cranium for accuracy, when Laura returned, and Vittoria ran out to the duchess. Amalia repeated Irma's tattle. A curious little twitching of the brows at Violetta d'Isorella's name marked the reception of it.
"She is most lovely," Vittoria said.
"And absolutely reckless."
"She is an old friend of Count Ammiani's."
"And you have an old friend here. But the old friend of a young woman—
I need not say further than that it is different."
The duchess used the privilege of her affection, and urged Vittoria not to trifle with her lover's impatience.
Admitted to the chamber where Merthyr lay, she was enabled to make allowance for her irresolution. The face of the wounded man was like a lake-water taking light from Vittoria's presence.
"This may go on for weeks," she said to Laura.
Three days later, Vittoria received an order from the Government to quit the city within a prescribed number of hours, and her brain was racked to discover why Laura appeared so little indignant at the barbarous act of despotism. Laura undertook to break the bad news to Merthyr. The parting was as quiet and cheerful as, in the opposite degree, Vittoria had thought it would be melancholy and regretful. "What a Government!" Merthyr said, and told her to let him hear of any changes. "All changes that please my friends please me."
Vittoria kissed his forehead with one grateful murmur of farewell to the bravest heart she had ever known. The going to her happiness seemed more like going to something fatal until she reached the Lago Maggiore. There she saw September beauty, and felt as if the splendour encircling her were her bridal decoration. But no bridegroom stood to greet her on the terrace-steps between the potted orange and citron-trees. Countess Ammiani extended kind hands to her at arms' length.
"You have come," she said. "I hope that it is not too late."
Vittoria was a week without sight of her lover: nor did Countess Ammiani attempt to explain her words, or speak of other than common daily things. In body and soul Vittoria had taken a chill. The silent blame resting on her in this house called up her pride, so that she would not ask any questions; and when Carlo came, she wanted warmth to melt her. Their meeting was that of two passionless creatures. Carlo kissed her loyally, and courteously inquired after her health and the health of friends in Milan, and then he rallied his mother. Agostino had arrived with him, and the old man, being in one of his soft moods, unvexed by his conceits, Vittoria had some comfort from him of a dull kind. She heard Carlo telling his mother that he must go in the morning. Agostino replied to her quick look at him, "I stay;" and it seemed like a little saved from the wreck, for she knew that she could speak to Agostino as she could not to the countess. When his mother prepared to retire, Carlo walked over to his bride, and repeated rapidly and brightly his inquiries after friends in Milan. She, with a pure response to his natural-unnatural manner, spoke of Merthyr Powys chiefly: to which he said several times, "Dear fellow!" and added, "I shall always love Englishmen for his sake."
This gave her one throb. "I could not leave him, Carlo."
"Certainly not, certainly not," said Carlo. "I should have been happy to wait on him myself. I was busy; I am still. I dare say you have guessed that I have a new journal in my head: the Pallanza Iris is to be the name of it;—to be printed in three colours, to advocate three principles, in three styles. The Legitimists, the Moderates, and the Republicans are to proclaim themselves in its columns in prose, poetry, and hotch-potch. Once an editor, always an editor. The authorities suspect that something of the sort is about to be planted, so I can only make occasional visits here:—therefore, as you will believe,"—Carlo let his voice fall—"I have good reason to hate them still. They may cease to persecute me soon."
He insisted upon lighting his mother to her room. Vittoria and Agostino
sat talking of the Chief and the minor events of the war—of Luciano,
Marco, Giulio, and Ugo Corte—till the conviction fastened on them that
Carlo would not return, when Agostino stood up and said, yawning wearily,
"I'll talk further to you, my child, tomorrow."
She begged that it might be now.
"No; to-morrow," said he.
"Now, now!" she reiterated, and brought down a reproof from his fore- finger.
"The poetic definition of 'now' is that it is a small boat, my daughter, in which the female heart is constantly pushing out to sea and sinking. 'To-morrow' is an island in the deeps, where grain grows. When I land you there, I will talk to you."
She knew that he went to join Carlo after he had quitted her.
Agostino was true to his promise next day. He brought her nearer to what she had to face, though he did not help her vision much. Carlo had gone before sunrise.
They sat on the terrace above the lake, screened from the sunlight by thick myrtle bushes. Agostino smoked his loosely-rolled cigarettes, and Vittoria sipped chocolate and looked upward to the summit of Motterone, with many thoughts and images in her mind.
He commenced by giving her a love-message from Carlo. "Hold fast to it that he means it: conduct is never a straight index where the heart's involved," said the chuckling old man; "or it is not in times like ours. You have been in the wrong, and your having a good excuse will not help you before the deciding fates. Woman that you are! did you not think that because we were beaten we were going to rest for a very long while, and that your Carlo of yesterday was going to be your Carlo of to-day?"
Vittoria tacitly confessed to it.
"Ay," he pursued, "when you wrote to him in the Val d'Intelvi, you supposed you had only to say, 'I am ready,' which was then the case. You made your summer and left the fruits to hang, and now you are astounded that seasons pass and fruits drop. You should have come to this place, if but for a pair of days, and so have fixed one matter in the chapter. This is how the chapter has run on. I see I talk to a stunned head; you are thinking that Carlo's love for you can't have changed: and it has not, but occasion has gone and times have changed. Now listen. The countess desired the marriage. Carlo could not go to you in Milan with the sword in his hand. Therefore you had to come to him. He waited for you, perhaps for his own preposterous lover's sake as much as to make his mother's heart easy. If she loses him she loses everything, unless he leaves a wife to her care and the hope that her House will not be extinct, which is possibly not much more the weakness of old aristocracy than of human nature.
"Meantime, his brothers in arms had broken up and entered Piedmont, and he remained waiting for you still. You are thinking that he had not waited a month. But if four months finished Lombardy, less than one month is quite sufficient to do the same for us little beings. He met the Countess d'Isorella here. You have to thank her for seeing him at all, so don't wrinkle your forehead yet. Luciano Romara is drilling his men in Piedmont; Angelo Guidascarpi has gone there. Carlo was considering it his duty to join Luciano, when he met this lady, and she has apparently succeeded in altering his plans. Luciano and his band will go to Rome. Carlo fancies that another blow will be struck for Lombardy. This lady should know; the point is, whether she can be trusted. She persists in declaring that Carlo's duty is to remain, and— I cannot tell how, for I am as a child among women—she has persuaded him of her sincerity. Favour me now with your clearest understanding, and deliver it from feminine sensations of any description for just two minutes."
Agostino threw away the end of a cigarette and looked for firmness in
Vittoria's eyes.
"This Countess d'Isorella is opposed to Carlo's marriage at present. She says that she is betraying the king's secrets, and has no reliance on a woman. As a woman you will pardon her, for it is the language of your sex. You are also denounced by Barto Rizzo, a madman—he went mad as fire, and had to be chained at Varese. In some way or other Countess d'Isorella got possession of him; she has managed to subdue him. A sword-cut he received once in Verona has undoubtedly affected his brain, or caused it to be affected under strong excitement. He is at her villa, and she says—perhaps with some truth—that Carlo would in several ways lose his influence by his immediate marriage with you. The reason must have weight; otherwise he would fulfil his mother's principal request, and be at the bidding of his own desire. There; I hope I have spoken plainly."
Agostino puffed a sigh of relief at the conclusion of his task.
Vittoria had been too strenuously engaged in defending the steadiness of her own eyes to notice the shadow of an assumption of frankness in his.
She said that she understood.
She got away to her room like an insect carrying a load thrice its own size. All that she could really gather from Agostino's words was, that she felt herself rocking in a tower, and that Violetta d'Isorella was beautiful. She had striven hard to listen to him with her wits alone, and her sensations subsequently revenged themselves in this fashion. The tower rocked and struck a bell that she discovered to be her betraying voice uttering cries of pain. She was for hours incapable of meeting Agostino again. His delicate intuition took the harshness off the meeting. He led her even to examine her state of mind, and to discern the fancies from the feelings by which she was agitated. He said shrewdly and bluntly, "You can master pain, but not doubt. If you show a sign of unhappiness, remember that I shall know you doubt both what I have told you, and Carlo as well."
Vittoria fenced: "But is there such a thing as happiness?"
"I should imagine so," said Agostino, touching her cheek, "and slipperiness likewise. There's patience at any rate; only you must dig for it. You arrive at nothing, but the eternal digging constitutes the object gained. I recollect when I was a raw lad, full of ambition, in love, and without a franc in my pockets, one night in Paris, I found myself looking up at a street lamp; there was a moth in it. He couldn't get out, so he had very little to trouble his conscience. I think he was near happiness: he ought to have been happy. My luck was not so good, or you wouldn't see me still alive, my dear."
Vittoria sighed for a plainer speaker.
