Kitabı oku: «Dangerous Women»
DANGEROUS WOMEN
EDITED BY
GEORGE R. R. MARTIN
AND
GARDNER DOZOIS

Copyright
HarperVoyager
An imprint of HarperCollinsPublishers Ltd.
1 London Bridge Street
London SE1 9GF
www.harpercollins.co.uk
First published in Great Britain by HarperVoyager 2013
Copyright © George R.R. Martin and Gardner Dozois 2013
Dangerous Women / Edited by George R.R. Martin and Gardner Dozois.
“Some Desperado” Copyright © 2013 by Joe Abercrombie
“My Heart Is Either Broken” Copyright © 2013 by Megan Abbott
“Nora’s Song” Copyright © 2013 by Cecelia Holland
“The Hands That Are Not There” Copyright © 2013 by Melinda Snodgrass
“Bombshells” Copyright © 2013 by Jim Butcher
“Raisa Stepanova” Copyright © 2013 by Carrie Vaughn
“Wrestling Jesus” Copyright © 2013 by Joe R. Lansdale
“Neighbors” Copyright © 2013 by Megan Lindholm
“I Know How to Pick ’Em” Copyright © 2013 by Lawrence Block
“Shadows for Silence in the Forests of Hell” Copyright © 2013 by Brandon Sanderson
“A Queen in Exile” Copyright © 2013 by Sharon Kay Penman
“The Girl in the Mirror” Copyright © 2013 by Lev Grossman
“Second Arabesque, Very Slowly” copyright © 2013 by Nancy Kress
“City Lazarus” Copyright © 2013 by Diana Rowland
“Virgins” Copyright © 2013 by Diana Gabaldon
“Hell Hath No Fury” Copyright © 2013 by Sherrilyn Kenyon
“Pronouncing Doom” Copyright © 2013 by S. M. Stirling
“Name the Beast” Copyright © 2013 by Sam Sykes
“Caretakers” Copyright © 2013 by Pat Cadigan
“Lies My Mother Told Me” Copyright © 2013 by Caroline Spector
“The Princess and the Queen” Copyright © 2013 by George R. R. Martin
The author of each individual story asserts their moral rights, including the right be identified as the author of their work
A catalogue copy of this book is available from the British Library
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.
Source ISBN: 9780007549405
Ebook Edition © NOVEMBER 2013 ISBN: 9780007549412
Version: 2018-06-20
To Jo Playford, my dangerous minion.
[—George R. R. Martin]
Contents
Cover
Title Page
Copyright
Dedication
Introduction
Some Desperado by Joe Abercrombie
My Heart Is Either Broken by Megan Abbott
Nora’s Song by Cecelia Holland
The Hands That Are Not There by Melinda Snodgrass
Bombshells by Jim Butcher
Raisa Stepanova by Carrie Vaughn
Wrestling Jesus by Joe R. Lansdale
Neighbors by Megan Lindholm
I Know How to Pick ’Em by Lawrence Block
Shadows For Silence in the Forests of Hell by Brandon Sanderson
A Queen in Exile by Sharon Kay Penman
The Girl in the Mirror by Lev Grossman
Second Arabesque, Very Slowly by Nancy Kress
City Lazarus by Diana Rowland
Virgins by Diana Gabaldon
Hell Hath No Fury by Sherrilyn Kenyon
Pronouncing Doom by S. M. Stirling
Name the Beast by Sam Sykes
Caretakers by Pat Cadigan
Lies My Mother Told Me by Caroline Spector
The Princess and the Queen by George R. R. Martin
Footnote
About the Publisher
Introduction by Gardner Dozois
Genre fiction has always been divided over the question of just how dangerous women are.
In the real world, of course, the question has long been settled. Even if the Amazons are mythological (and almost certainly wouldn’t have cut their right breasts off to make it easier to draw a bow if they weren’t), their legend was inspired by memory of the ferocious warrior women of the Scythians, who were very much not mythological. Gladiatrix, women gladiators, fought other women—and sometimes men—to the death in the arenas of Ancient Rome. There were female pirates like Anne Bonny and Mary Read, and even female samurai. Women served as frontline combat troops, feared for their ferocity, in the Russian army during World War II, and serve so in Israel today. Until 2013, women in the U.S. forces were technically restricted to “noncombat” roles, but many brave women gave their lives in Iraq and Afghanistan anyway, since bullets and land mines have never cared whether you’re a noncombatant or not. Women who served as Women Airforce Service Pilots for the United States during World War II were also limited to noncombat roles (where many of them were nevertheless killed in the performance of their duties), but Russian women took to the skies as fighter pilots, and sometimes became aces. A Russian female sniper during World War II was credited with more than fifty kills. Queen Boudicca of the Iceni tribe led one of the most fearsome revolts ever against Roman authority, one that was almost successful in driving the Roman invaders from Britain, and a young French peasant girl inspired and led the troops against the enemy so successfully that she became famous forever afterwards as Joan of Arc.
On the dark side, there have been female “highwaymen” like Mary Frith and Lady Katherine Ferrers and Pearl Hart (the last person to ever rob a stagecoach); notorious poisoners like Agrippina and Catherine de Medici, modern female outlaws like Ma Barker and Bonnie Parker, even female serial killers like Aileen Wuornos. Elizabeth Báthory was said to have bathed in the blood of virgins, and even though that has been called into question, there is no doubt that she tortured and killed dozens, perhaps hundreds, of children during her life. Queen Mary I of England had hundreds of Protestants burnt at the stake; Queen Elizabeth of England later responded by executing large numbers of Catholics. Mad Queen Ranavalona of Madagascar had so many people put to death that she wiped out one-third of the entire population of Madagascar during her reign; she would even have you executed if you appeared in her dreams.
Popular fiction, though, has always had a schizophrenic view of the dangerousness of women. In the science fiction of the 1930s, ’40s, and ’50s, women, if they appeared at all, were largely regulated to the role of the scientist’s beautiful daughter, who might scream during the fight scenes but otherwise had little to do except hang adoringly on the arm of the hero afterwards. Legions of women swooned helplessly while waiting to be rescued by the intrepid jut-jawed hero from everything from dragons to the bug-eyed monsters who were always carrying them off for improbable purposes either dietary or romantic on the covers of pulp SF magazines. Hopelessly struggling women were tied to railroad tracks, with nothing to do but squeak in protest and hope that the Good Guy arrived in time to save them.
And yet, at the same time, warrior women like Edgar Rice Burroughs’s Dejah Thoris and Thuvia, Maid of Mars, were every bit as good with the blade and every bit as deadly in battle as John Carter and their other male comrades, female adventuresses like C. L. Moore’s Jirel of Joiry swashbuckled their way through the pages of Weird Tales magazine (and blazed a trail for later female swashbucklers like Joanna Russ’s Alyx); James H. Schmitz sent Agents of Vega like Granny Wannatel and fearless teenagers like Telzey Amberdon and Trigger Argee out to battle the sinister menaces and monsters of the spaceways; and Robert A. Heinlein’s dangerous women were capable of being the captain of a spaceship or killing enemies in hand-to-hand combat. Arthur Conan Doyle’s sly, shady Irene Adler was one of the only people ever to outwit his Sherlock Holmes, and probably one of the inspirations for the legions of tricky, dangerous, seductive, and treacherous “femmes fatale” who featured in the works of Dashiell Hammett and James M. Cain and later went on to appear in dozens of films noir, and who still turn up in the movies and on television to this day. Later television heroines such as Buffy the Vampire Slayer and Xena, Warrior Princess, firmly established women as being formidable and deadly enough to battle hordes of fearsome supernatural menaces, and helped to inspire the whole subgenre of paranormal romance, which is sometimes unofficially known as the “kick-ass heroine” genre.
Like our anthology Warriors, Dangerous Women was conceived of as a cross-genre anthology, one that would mingle every kind of fiction, so we asked writers from every genre—science fiction, fantasy, mystery, historical, horror, paranormal romance, men and women alike—to tackle the theme of “dangerous women,” and that call was answered by some of the best writers in the business, including both new writers and giants of their fields like Diana Gabaldon, Jim Butcher, Sharon Kay Penman, Joe Abercrombie, Carrie Vaughn, Joe R. Lansdale, Lawrence Block, Cecelia Holland, Brandon Sanderson, Sherilynn Kenyon, S. M. Stirling, Nancy Kress, and George R. R. Martin.
Here you’ll find no hapless victims who stand by whimpering in dread while the male hero fights the monster or clashes swords with the villain, and if you want to tie these women to the railroad tracks, you’ll find you have a real fight on your hands. Instead, you will find sword-wielding women warriors; intrepid women fighter pilots and far-ranging spacewomen; deadly female serial killers; formidable female superheroes; sly and seductive femmes fatale; female wizards; hard-living bad girls; female bandits and rebels; embattled survivors in postapocalyptic futures; female private investigators; stern female hanging judges; haughty queens who rule nations and whose jealousies and ambitions send thousands to grisly deaths; daring dragonriders; and many more.
Enjoy!
Joe Abercrombie
As the sizzlingly fast-paced and action-packed story that follows demonstrates, sometimes chasing a fugitive can be as dangerous for the pursuers as for the pursued—particularly when the quarry has no place left to run …
Joe Abercrombie is one of the fastest-rising stars in fantasy today, acclaimed by readers and critics alike for his tough, spare, no-nonsense approach to the genre. He’s probably best known for his First Law trilogy, the first novel of which, The Blade Itself, was published in 2006; it was followed in subsequent years by Before They Are Hanged and Last Argument of Kings. He’s also written the stand-alone fantasy novels Best Served Cold and The Heroes. His most recent novel is Red Country. In addition to writing, Abercrombie is also a freelance film editor and lives and works in London.
SOME DESPERADO
Shy gave the horse her heels, its forelegs buckled, and, before she had a notion what was happening, she and her saddle had bid each other a sad farewell.
She was given a flailing instant aloft to consider the situation. Not a good one at a brief assay, and the impending earth gave her no time for a longer. She did her best to roll with the fall—as she tried to do with most of her many misfortunes—but the ground soon uncurled her, gave her a fair roughing up, and tossed her, flopping, into a patch of sun-shrivelled scrub.
Dust settled.
She stole a moment just to get some breath in. Then one to groan while the world stopped rolling. Then another to shift gingerly an arm and a leg, waiting for that sick jolt of pain that meant something was broke and her miserable shadow of a life would soon be lost in the dusk. She would’ve welcomed it, if it meant she could stretch out and not have to run any more. But the pain didn’t come. Not outside of the usual compass, leastways. As far as her miserable shadow of a life went, she was still awaiting judgment.
Shy dragged herself up, scratched and scuffed, caked in dust and spitting out grit. She’d taken too many mouthfuls of sand the last few months but she’d a dismal premonition that there’d be more. Her horse lay a few strides distant, one foamed-up flank heaving, forelegs black with blood. Neary’s arrow had snagged it in the shoulder, not deep enough to kill or even slow it right off, but deep enough to make it bleed at a good pace. With her hard riding, that had killed it just as dead as a shaft in the heart.
There’d been a time Shy had got attached to horses. A time—despite reckoning herself hard with people and being mostly right—she’d been uncommon soft about animals. But that time was a long time gone. There wasn’t much soft on Shy these days, body or mind. So she left her mount to its final red-frothed breaths without the solace of her calming hand and ran for the town, tottering some at first, but quickly warming to the exercise. At running, she’d a heap of practice.
“Town” was perhaps an overstatement. It was six buildings, and calling them buildings was being generous to two or three. All rough lumber and an entire stranger to straight angles, sun-baked, rain-peeled, and dust-blasted, huddled about a dirt square and a crumbling well.
The biggest building had the look of a tavern or brothel or trading post or more likely all three amalgamated. A rickety sign still clung to the boards above the doorway but the name had been rubbed by the wind to just a few pale streaks in the grain. Nothing, nowhere, was all its proclamation now. Up the steps two by two, bare feet making the old boards wheeze, thoughts boiling away at how she’d play it when she got inside, what truths she’d season with what lies for the most likely recipe.
There’s men chasing me! Gulping breath in the doorway and doing her best to look beyond desperate—no mighty effort of acting at that moment, or any occupying the last twelve months, indeed.
Three of the bastards! Then—provided no one recognised her from all the bills for her arrest—They tried to rob me! A fact. No need to add that she’d robbed the money herself from the new bank in Hommenaw in the company of those three worthies plus another since caught and hung by the authorities.
They killed my brother! They’re drunk on blood! Her brother was safe at home where she wished she was, and if her pursuers were drunk, it would likely be on cheap spirits as usual, but she’d shriek it with that little warble in her throat. Shy could do quite a warble when she needed one, she’d practiced it ’til it was something to hear. She pictured the patrons springing to their feet in their eagerness to aid a woman in distress. They shot my horse! She had to admit it didn’t seem overpowering likely that anyone hard-bitten enough to live out here would be getting into a sweat of chivalry, but maybe fate would deal her a winning hand for once.
It had been known to happen.
She blundered through the tavern’s door, opening her mouth to serve up the tale, and stopped cold.
The place was empty.
Not just no one there, but nothing there, and for damn sure no winning hand. Not a twig of furniture in the bare common room. A narrow stairway and a balcony running across the left-hand wall, doorways yawning empty upstairs. Chinks of light scattered where the rising sun was seeking out the many gaps in the splitting carpentry. Maybe just a lizard skittering away into the shadows—of which there was no shortage—and a bumper harvest of dust, greying every surface, drifted into every corner. Shy stood there a moment just blinking, then dashed back out along the rickety stoop and to the next building. When she shoved the door, it dropped right off its rusted hinges.
This one hadn’t even a roof. Hadn’t even a floor. Just bare rafters with the careless, pinking sky above, and bare joists with a stretch of dirt below, every bit as desolate as the miles of dirt outside.
She saw it now as she stepped back into the street with vision unhindered by hope. No glass in the windows, or wax paper, even. No rope by the crumbling well. No animals to be seen—aside from her own dead horse, that was, which only served to prove the point.
It was a dried-out corpse of a town, long since dead.
Shy stood in that forsaken place, up on the balls of her bare feet as though she was about to sprint off somewhere but lacked the destination, hugging herself with one arm while the fingers of the other hand fluttered and twitched at nothing, biting on her lip and sucking air fast and rasping through the little gap between her front teeth.
Even by recent standards, it was a low moment. But if she’d learned anything the last few months, it was that things can always get lower. Looking back the way she’d come, Shy saw the dust rising. Three little grey trails in the shimmer off the grey land.
“Oh, hell,” she whispered, and bit her lip harder. She pulled her eating knife from her belt and wiped the little splinter of metal on her dirty shirt, as though cleaning it might somehow settle the odds. Shy had been told she had a fertile imagination, but even so, it was hard to picture a more feeble weapon. She’d have laughed if she hadn’t been on the verge of weeping. She’d spent way too much time on the verge of weeping the last few months, now that she thought about it.
How had it come to this?
A question for some jilted girl rather than an outlaw with four thousand marks offered, but still a question she was never done asking. Some desperado! She’d grown expert on the desperate part but the rest remained a mystery. The sorry truth was that she knew full well how it came to this—the same way as always. One disaster following so hard on another that she just bounced between ’em, pinging about like a moth in a lantern. The second usual question followed hard on the first.
What the fuck now?
She sucked in her stomach—not that there was much to suck in these days—and dragged the bag out by the drawstrings, coins inside clicking together with that special sound only money makes. Two thousand marks in silver, give or take. You’d think that a bank would hold a lot more—they told depositors they always had fifty thousand on hand—but it turns out you can’t trust banks any more than bandits.
She dug her hand in, dragged free a fistful of coins, and tossed the money across the street, leaving it gleaming in the dust. She did it like she did most things these days—hardly knowing why. Maybe she valued her life a lot higher’n two thousand marks, even if no one else did. Maybe she hoped they’d just take the silver and leave her be, though what she’d do once she was left be in this corpse town—no horse, no food, no weapon—she hadn’t thought out. Clearly she hadn’t fixed up a whole plan, or not one that would hold too much water, leastways. Leaky planning had always been a problem of hers.
She sprinkled silver as if she was tossing seed on her mother’s farm, miles and years and a dozen violent deaths away. Whoever would’ve thought she’d miss the place? Miss the bone-poor house and the broke-down barn and the fences that always needed mending. The stubborn cow that never gave milk and the stubborn well that never gave water and the stubborn soil that only weeds would thrive in. Her stubborn little sister and brother too. Even big, scarred, softheaded Lamb. What Shy would’ve given now to hear her mother’s shrill voice curse her out again. She sniffed hard, her nose hurting, her eyes stinging, and wiped ’em on the back of her frayed cuff. No time for tearful reminiscences. She could see three dark spots of riders now beneath those three inevitable dust trails. She flung the empty bag away, ran back to the tavern, and—
“Ah!” She hopped over the threshold, bare sole of her foot torn on a loose nail head. The world’s nothing but a mean bully, that’s a fact. Even when you’ve big misfortunes threatening to drop on your head, small ones still take every chance to prick your toes. How she wished she’d got the chance to grab her boots. Just to keep a shred of dignity. But she had what she had, and neither boots nor dignity were on the list, and a hundred big wishes weren’t worth one little fact—as Lamb used to boringly drone at her whenever she cursed him and her mother and her lot in life and swore she’d be gone in the morning.
Shy remembered how she’d been then, and wished she had the chance now to punch her earlier self in the face. But she could punch herself in the face when she got out of this.
She’d a procession of other willing fists to weather first.
She hurried up the stairs, limping a little and cursing a lot. When she reached the top she saw she’d left bloody toe prints on every other one. She was working up to feeling pretty damn low about that glistening trail leading right to the end of her leg, when something like an idea came trickling through the panic.
She paced down the balcony, making sure to press her bloody foot firm to the boards, and turned into an abandoned room at the end. Then she held her foot up, gripping it hard with one hand to stop the bleeding, and hopped back the way she’d come and through the first doorway, near the top of the steps, pressing herself into the shadows inside.
A pitiful effort, doubtless. As pitiful as her bare feet and her eating knife and her two-thousand-mark haul and her big dream of making it back home to the shit-hole she’d had the big dream of leaving. Small chance those three bastards would fall for that, even stupid as they were. But what else could she do?
When you’re down to small stakes, you have to play long odds.
Her own breath was her only company, echoing in the emptiness, hard on the out, ragged on the in, almost painful down her throat. The breath of someone scared near the point of an involuntary shitting and all out of ideas. She just couldn’t see her way to the other side of this. She ever made it back to that farm she’d jump out of bed every morning she woke alive and do a little dance, and give her mother a kiss for every cuss, and never snap at her sister or mock Lamb again for being a coward. She promised it, then wished she was the sort who kept promises.
She heard horses outside, crept to the one window with half a view of the street, and peered down as gingerly as if she was peering into a bucket of scorpions.
They were here.
Neary wore that dirty old blanket cinched in at the waist with twine, his greasy hair sticking up at all angles, reins in one hand and the bow he’d shot Shy’s horse with in the other, the blade of the heavy axe hanging at his belt as carefully cleaned as the rest of his repugnant person was beyond neglect. Dodd had his battered hat pulled low, sitting his saddle with that round-shouldered cringe he always had around his brother, like a puppy expecting a slap. Shy would have liked to give the faithless fool a slap right then. A slap for starters. Then there was Jeg, sitting up tall as a lord in that long red coat of his, dirt-fringed tails spread out over his big horse’s rump, hungry sneer on his face as he scanned the buildings, that tall hat which he thought made him look quite the personage poking off his head slightly crooked, like the chimney from a burned-out farmstead.
Dodd pointed to the coins scattered across the dirt around the well, a couple of ’em winking with the sun. “She left the money.”
“Seems so,” said Jeg, voice hard as his brother’s was soft.
She watched them get down and hitch their mounts. No hurry to it. Like they were dusting themselves off after a jaunt of a ride and looking forward to a nice little evening among cultured company. They’d no need to hurry. They knew she was here, and they knew she was going nowhere, and they knew she was getting no help, and so did she.
“Bastards,” Shy whispered, cursing the day she ever took up with them. But you have to take up with someone, don’t you? And you can only pick from what’s on offer.
Jeg stretched his back, took a long sniff and a comfortable spit, then drew his sword. That curved cavalry sword he was so proud of with the clever-arsed basketwork, which he said he’d won in a duel with a Union officer, but that Shy knew he’d stolen, along with the best part of everything else he’d ever owned. How she’d mocked him about that stupid sword. She wouldn’t have minded having it to hand now, though, and him with only her eating knife.
“Smoke!” bellowed Jeg, and Shy winced. She’d no idea who’d thought that name up for her. Some wag had lettered it on the bills for her arrest and now everyone used it. On account of her tendency to vanish like smoke, maybe. Though it could also have been on account of her tendencies to stink like it, stick in folks’ throats, and drift with the wind.
“Get out here, Smoke!” Jeg’s voice clapped off the dead fronts of the buildings, and Shy shrank a little further into the darkness. “Get out here and we won’t hurt you too bad when we find you!”
So much for taking the money and going. They wanted the price on her too. She pressed her tongue into the gap between her teeth and mouthed, “Cocksuckers.” There’s a certain kind of man, the more you give him, the more he’ll take.
“We’ll have to go and get her,” she heard Neary say in the stillness.
“Aye.”
“I told you we’d have to go and get her.”
“You must be pissing your pants with joy over the outcome, then, eh?”
“Said we’d have to get her.”
“So stop pointing it out and get it done.”
Dodd’s wheedling voice. “Look, the money’s here, we could just scrape this up and get off, there ain’t no need to—”
“Did you and I really spring from between the same set o’ legs?” sneered Jeg at his brother. “You are the stupidest bastard.”
“Stupidest,” said Neary.
“You think I’m leaving four thousand marks for the crows?” said Jeg. “You scrape that up, Dodd, we’ll break the mare.”
“Where do you reckon she is?” asked Neary.
“I thought you was the big tracker?”
“Out in the wild, but we ain’t in the wild.”
Jeg cocked an eyebrow at the empty shacks. “You’d call this the highest extent of civilisation, would you?”
They looked at each other a moment, dust blowing up around their legs, then settling again.
“She’s here somewhere,” said Neary.
“You think? Good thing I got the self-described sharpest eyes west of the mountains with me, so I don’t miss her dead horse ten fucking strides away. Yes, she’s here somewhere.”
“Where do you reckon?” asked Neary.
“Where would you be?”
Neary looked about the buildings and Shy jerked out of the way as his narrowed eyes darted over the tavern.
“In that one, I reckon, but I ain’t her.”
“Course you ain’t fucking her. You know how I can tell? You got bigger tits and less sense. If you was her, I wouldn’t have to fucking look for her now, would I?”
Another silence, another dusty gust. “Guess not,” said Neary.
Jeg took his tall hat off, scrubbed at his sweaty hair with his fingernails, and jammed it back on at an angle. “You look in there, I’ll try the one next to it, but don’t kill the bitch, eh? That’ll half the reward.”
Shy eased back into the shadows, feeling the sweat tickling under her shirt. To be caught in this worthless arsehole of a place. By these worthless bastards. In bare feet. She didn’t deserve this. All she’d wanted was to be somebody worth speaking of. To not be nothing, forgotten on the day of her death. Now she saw that there’s a sharp balance between too little excitement and a huge helping too much. But like most of her lame-legged epiphanies, it had dawned a year too late.
She sucked air through the little gap between her teeth as she heard Neary creaking across the boards in the common room, maybe just the metal rattle of that big axe. She was shivering all over. Felt so weak of a sudden she could hardly hold the knife up, let alone imagine swinging it. Maybe it was time to give up. Toss the knife out the door and say, “I’m coming out! I’ll be no trouble! You win!” Smile and nod and thank ’em for their betrayal and their kind consideration when they kicked the shit out of her or horsewhipped her or broke her legs and whatever else amused them on the way to her hanging.
She’d seen her share of those and never relished the spectacle. Standing there tied while they read your name and your crime, hoping for some last reprieve that wouldn’t come while the noose was drawn tight, sobbing for mercy or hurling your curses and neither making the slightest hair of difference. Kicking at nothing, tongue stuck out while you shat yourself for the amusement of scum no better’n you. She pictured Jeg and Neary, up front in the grinning crowd as they watched her do the thief’s dance at rope’s end. Probably arrayed in even more ridiculous clothes secured with the reward money.
“Fuck them,” she mouthed at the darkness, lips curling back in a snarl as she heard Neary’s foot on the bottom step.
She had a hell of a contrary streak, did Shy. From when she was a tot, when someone told her how things would be, she immediately started thinking on how she’d make ’em otherwise. Her mother had always called her mule stubborn, and blamed it on her Ghost blood. “That’s your damn Ghost blood,” as though being quarter savage had been Shy’s own choice rather than on account of her mother picking out a half-Ghost wanderer to lie with who turned out—no crashing surprise—to be a no-good drunk.
Megan Abbott
Megan Abbott was born in the Detroit area, graduated from the University of Michigan with a B.A. in English literature, received her Ph.D. in English and American literature from New York University, and has taught literature, writing, and film at New York University and the State University of New York at Oswego. She published her first novel, Die a Little, in 2005, and has since come to be regarded as one of the foremost practitioners of modern noir mystery writing, with the San Francisco Chronicle saying that she was poised to “claim the throne as the finest prose stylist in crime fiction since Raymond Chandler.” Her novels include Queenpin, which won the Edgar Award in 2008, The Song Is You, Bury Me Deep, and The End of Everything. Her most recent novel is Dare Me. Her other books include, as editor, the anthology A Hell of a Woman: An Anthology of Female Noir and a nonfiction study, The Street Was Mine: White Masculinity in Hardboiled Fiction and Film Noir. She lives in Forest Hills, New York, and maintains a website at meganabbott.com.
In the subtle yet harrowing story that follows, she shows us that there are some things that you just can’t get over, no matter how hard you try—and some insights into the hearts of even those we love the most that you can’t unsee once you see them.
MY HEART IS EITHER BROKEN
He waited in the car. He had parked under one of the big banks of lights. No one else wanted to park there. He could guess why. Three vehicles over, he saw a woman’s back pressed against a window, her hair shaking. Once, she turned her head and he almost saw her face, the blue of her teeth as she smiled.
Fifteen minutes went by before Lorie came stumbling across the parking lot, heels clacking.
He had been working late and didn’t even know she wasn’t home until he got there. When she finally picked up her cell, she told him where she was, a bar he’d never heard of, a part of town he didn’t know.
“I just wanted some noise and people,” she had explained. “I didn’t mean anything.”
He asked if she wanted him to come get her.
“Okay,” she said.
On the ride home, she was doing the laughing-crying thing she’d been doing lately. He wanted to help her but didn’t know how. It reminded him of the kinds of girls he used to date in high school. The ones who wrote in ink all over their hands and cut themselves in the bathroom stalls at school.
“I hadn’t been dancing in so long, and if I shut my eyes no one could see,” she was saying, looking out the window, her head tilted against the window. “No one there knew me until someone did. A woman I didn’t know. She kept shouting at me. Then she followed me into the bathroom stall and said she was glad my little girl couldn’t see me now.”
He knew what people would say. That she was out dancing at a grimy pickup bar. They wouldn’t say she cried all the way home, that she didn’t know what to do with herself, that no one knows how they’ll act when something like this happens to them. Which it probably won’t.
But he also wanted to hide, wanted to find a bathroom stall himself, in another city, another state, and never see anyone he knew again, especially his mother or his sister, who spent all day on the Internet trying to spread the word about Shelby, collecting tips for the police.
Shelby’s hands—well, people always talk about baby’s hands, don’t they?—but they were like tight little flowers and he loved to put his palm over them. He never knew he’d feel like that. Never knew he’d be the kind of guy—that there even were kinds of guys—who would catch the milky scent of his daughter’s baby blanket and feel warm inside. Even, sometimes, press his face against it.
It took him a long time to tug off the dark red cowboy boots she was wearing, ones he did not recognize.
When he pulled off her jeans, he didn’t recognize her underwear either. The front was a black butterfly, its wings fluttering against her thighs with each tug.
He looked at her and a memory came to him of when they first dated, Lorie taking his hand and running it along her belly, her thighs. Telling him she once thought she’d be a dancer, that maybe she could be. And that if she ever had a baby she’d have a C-section, because everyone knew what happened to women’s stomachs after, not to mention what it does down there, she’d said, laughing, and put his hand there next.
He’d forgotten all this, and other things too, but now the things kept coming back and making him crazy.
He poured a tall glass of water for her and made her drink it. Then he refilled it and set it beside her.
She didn’t sleep like a drunk person but like a child, her lids twitching dreamily and a faint smile tugging at her mouth.
The moonlight coming in, it felt like he watched her all night, but at some point he must have fallen asleep.
When he woke, she had her head on his belly, was rubbing him drowsily.
“I was dreaming I was pregnant again,” she murmured. “It was like Shelby all over again. Maybe we could adopt. There are so many babies out there that need love.”
They had met six years ago. He was working for his mother, who owned a small apartment building on the north side of town.
Lorie lived on the first floor, where the window was high and you could see people walking on the sidewalk. His mother called it a “sunken garden apartment.”
She lived with another girl and sometimes they came in very late, laughing and pressing up against each other in the way young girls do, whispering things, their legs bare and shiny in short skirts. He wondered what they said.
He was still in school then and would work evenings and weekends, changing washers on leaky faucets, taking out the trash.
Once, he was in front of the building, hosing down the garbage cans with bleach, and she rushed past him, her tiny coat bunched around her face. She was talking on the phone and she moved so quickly he almost didn’t see her, almost splashed her with the hose. For a second he saw her eyes, smeary and wet.
“I wasn’t lying,” she was saying into the phone as she pushed her key into the front door, as she heaved her shoulders against it. “I’m not the liar here.”
One evening not long after, he came home and there was a note under the door. It read:
My heart is either broken or I haven’t paid the bill.
Thx, Lorie, #1-A
He’d read it four times before he figured it out.
She smiled when she opened the door, the security chain across her forehead.
He held up his pipe wrench.
“You’re just in time,” she said, pointing to the radiator.
No one ever thinks anything will ever happen to their baby girl. That’s what Lorie kept saying. She’d been saying that to reporters, the police, for every day of the three weeks since it happened.
He watched her with the detectives. It was just like on TV except nothing like on TV. He wondered why nothing was ever like you thought it would be and then he realized it was because you never thought this would be you.
She couldn’t sit still, her fingers twirling through the edges of her hair. Sometimes, at a traffic signal, she would pull nail scissors from her purse and trim the split ends. When the car began moving, she would wave her hand out the window, scattering the clippings into the wind.
It was the kind of careless, odd thing that made her so different from any girl he ever knew. Especially that she would do it front of him.
He was surprised how much he had liked it.
But now all of it seemed different and he could see the detectives watching her, looking at her like she was a girl in a short skirt, twirling on a bar stool and tossing her hair at men.
“We’re gonna need you to start from the beginning again,” the male one said, and that part was like on TV. “Everything you remember.”
“She’s gone over it so many times,” he said, putting his hand over hers and looking at the detective wearily.
“I meant you, Mr. Ferguson,” the detective said, looking at him. “Just you.”
They took Lorie to the outer office and he could see her through the window, pouring long gulps of creamer into her coffee, licking her lips.
He knew how that looked too. The newspapers had just run a picture of her at a smoothie place. The caption was “What about Shelby?” They must have taken it through the front window. She was ordering something at the counter, and she was smiling. They always got her when she was smiling. They didn’t understand that she smiled when she was sad. Sometimes she cried when she was happy, like at their wedding, when she cried all day, her face pink and gleaming, shuddering against his chest.
I never thought you would, she had said. I never thought I would. That any of this could happen.
He didn’t know what she meant, but he loved feeling her huddled against him, her hips grinding against him like they did when she couldn’t hold herself together and seemed to be holding on to him to keep from flying off the earth itself.
“So, Mr. Ferguson,” the detective said, “you came home from work and there was no one home?”
“Right,” he said. “Call me Tom.”
“Tom,” the detective started again, but the name seemed to fumble in his mouth like he’d rather not say it. Last week he’d called him Tom. “Was it unusual to find them gone at that time of day?”
“No,” he said. “She liked to keep busy.”
It was true, because Lorie never stayed put and sometimes would strap Shelby into the car seat and drive for hours, putting 100 or 200 miles on the car.
She would take her to Mineral Pointe and take photos of them in front of the water. He would get them on his phone at work and they always made him grin. He liked how she was never one of these women who stayed at home and watched court shows or the shopping channels.
She worked twenty-five hours a week at the Y while his mother stayed with Shelby. Every morning, she ran five miles, putting Shelby in the jogging stroller. She made dinner every night and sometimes even mowed the lawn when he was too busy. She never ever stopped moving.
This is what the newspapers and the TV people loved. They loved to take pictures of her jogging in her short shorts and talking on the phone in her car and looking at fashion magazines in line at the grocery store.
“What about Shelby?” the captions always read.
They never understood her at all. He was the only one.
“So,” the detective asked him, rousing from his thoughts, “what did you do when you found the house empty?”
“I called her cell.” He had. She hadn’t answered, but that wasn’t unusual either. He didn’t bother to tell them that. That he’d called four or five times and the phone went straight to voice mail and it wasn’t until the last time she picked up.
Her voice had been strange, small, like she might be in the doctor’s office, or the ladies’ room. Like she was trying to make herself quiet and small.
“Lorie? Are you okay? Where are you guys?”
There had been a long pause and the thought came that she had crashed the car. For a crazy second he thought she might be in the hospital, both of them broken and battered. Lorie was a careless driver, always sending him texts from the car. Bad pictures came into his head. He’d dated a girl once who had a baby shoe that hung on her rearview mirror. She said it was to remind her to drive carefully, all the time. No one ever told you that after you were sixteen.
“Lorie, just tell me.” He had tried to make his voice firm but kind.
“Something happened.”
“Lorie,” he tried again, like after a fight with her brother or her boss, “just take a breath and tell me.”
“Where did she go?” her voice came. “And how is she going to find me? She’s a little girl. She doesn’t know anything. They should put dog tags on them like they did when we were kids, remember that?”
He didn’t remember that at all, and there was a whirr in his head that was making it hard for him to hear.
“Lorie, you need to tell me what’s going on.”
So she did.
She said she’d been driving around all morning, looking at lawn mowers she’d found for sale on Craigslist. She was tired, decided to stop for coffee at the expensive place.
She saw the woman there all the time. They talked online about how expensive the coffee was but how they couldn’t help it. And what was an Americano, anyway? And, yeah, they talked about their kids. She was pretty sure the woman said she had kids. Two, she thought. And it was only going to be two minutes, five at the most.
“What was going to be five minutes?” he had asked her.
“I don’t know how it happened,” she said, “but I spilled my coffee, and it was everywhere. All over my new white coat. The one you got me for Christmas.”
He had remembered her opening the box, tissue paper flying. She had said he was the only person who’d ever bought her clothes that came in boxes, with tissue paper in gold seals.
She’d spun around in the coat and said, Oh, how it sparkles.
Crawling onto his lap, she’d smiled and said only a man would give the mother of a toddler a white coat.
“The coat was soaking,” she said now. “I asked the woman if she could watch Shelby while I was in the restroom. It took a little while because I had to get the key. One of those heavy keys they give you.”
When she came out of the restroom, the woman was gone, and so was Shelby.
He didn’t remember ever feeling the story didn’t make sense. It was what happened. It was what happened to them, and it was part of the whole impossible run of events that led to this. That led to Shelby being gone and no one knowing where.
But it seemed clear almost from the very start that the police didn’t feel they were getting all the information, or that the information made sense.
“They don’t like me,” Lorie said. And he told her that wasn’t true and had nothing to do with anything anyway, but maybe it did.
He wished they could have seen Lorie when she had pushed through the front door that day, her purse unzipped, her white coat still damp from the spilled coffee, her mouth open so wide, all he could see was the red inside her, raw and torn.
Hours later, their family around them, her body shuddering against him as her brother talked endlessly about Amber Alerts and Megan’s Law and his criminal justice class and his cop buddies from the gym, he felt her pressing into him and saw the feathery curl tucked in her sweater collar, a strand of Shelby’s angel-white hair.
By the end of the second week, the police hadn’t found anything, or if they did they weren’t telling. Something seemed to have shifted, or gotten worse.
“Anybody would do it,” Lorie said. “People do it all the time.”
He watched the detective watch her. This was the woman detective, the one with the severe ponytail who was always squinting at Lorie.
“Do what?” the woman detective asked.
“Ask someone to watch their kid, for just a minute,” Lorie said, her back stiffening. “Not a guy. I wouldn’t have left her with a man. I wouldn’t have left her with some homeless woman waving a hairbrush at me. This was a woman I saw in there every day.”
“Named?” They had asked her for the woman’s name many times. They knew she didn’t know it.
Lorie looked at the detective, and he could see those faint blue veins showing under her eyes. He wanted to put his arm around her, to make her feel him there, to calm her. But before he could do anything, she started talking again.
“Mrs. Caterpillar,” she said, throwing her hands in the air. “Mrs. Linguini. Madame Lafarge.”
The detective stared at her, not saying anything.
“Let’s try looking her up on the Internet,” Lorie said, her chin jutting and a kind of hard glint to her eyes. All the meds and the odd hours they were keeping, all the sleeping pills and sedatives and Lorie walking through the house all night, talking about nothing but afraid to lie still.
“Lorie,” he said. “Don’t—”
“Everything always happens to me,” she said, her voice suddenly soft and strangely liquid, her body sinking. “It’s so unfair.”
He could see it happening, her limbs going limp, and he made a grab for her.
She nearly slipped from him, her eyes rolling back in her head.
“She’s fainting,” he said, grabbing her, her arms cold like frozen pipes. “Get someone.”
The detective was watching.
“I can’t talk about it because I’m still coping with it,” Lorie told the reporters who were waiting outside the police station. “It’s too hard to talk about.”
He held her arm tightly and tried to move her through the crowd, bunched so tightly, like the knot in his throat.
“Is it true you’re hiring at attorney?” one of the reporters asked.
Lorie looked at them. He could see her mouth open and there was no time to stop her.
“I didn’t do anything wrong,” she said, a hapless grin on her face. As if she had knocked someone’s grocery cart with her own.
He looked at her. He knew what she meant—she meant leaving Shelby for that moment, that scattered moment. But he also knew how it sounded, and how she looked, that panicky smile she couldn’t stop.
That was the only time he let her speak to reporters.
Later, at home, she saw herself on the nightly news
Walking slowly to the TV, she kneeled in front of it, her jeans skidding on the carpet, and did the oddest thing.
She put her arms around it, like it was a teddy bear, a child.
“Where is she?” she whispered. “Where is she?”
And he wished the reporters could see this, the mystifying way grief was settling into her like a fever.
But he was also glad they couldn’t.
It was the middle of the night, close to dawn, and she wasn’t next to him.
He looked all over the house, his chest pounding. He thought he must be dreaming, calling out her name, both their names.
He found her in the backyard, a lithe shadow in the middle of the yard.
She was sitting on the grass, her phone lighting her face.
“I feel closer to her out here,” she said. “I found this.”
He could barely see, but moving closer saw the smallest of earrings, an enamel butterfly, caught between her fingers.
They had had a big fight when she came home with Shelby, her ears pierced, thick gold posts plugged in such tiny lobes. Her ears red, her face red, her eyes soft with tears.
“Where did she go, babe?” Lorie said to him now. “Where did she go?”
He was soaked with sweat and was pulling his T-shirt from his chest.
“Look, Mr. Ferguson,” the detective said, “you’ve cooperated with us fully. I get that. But understand our position. No one can confirm her story. The employee who saw your wife spill her coffee remembers seeing her leave with Shelby. She doesn’t remember another woman at all.”
“How many people were in there? Did you talk to all of them?”
“There’s something else too, Mr. Ferguson.”
“What?”
“One of the other employees said Lorie was really mad about the coffee spill. She told Shelby it was her fault. That everything was her fault. And that Lorie then grabbed your daughter by the arm and shook her.”
“That’s not true,” he said. He’d never seen Lorie touch Shelby roughly. Sometimes it seemed she barely knew she was there.
“Mr. Ferguson, I need to ask you: Has your wife had a history of emotional problems?”
“What kind of question is that?”
“It’s a standard question in cases like this,” the detective said. “And we’ve had some reports.”
“Are you talking about the local news?”
“No, Mr. Ferguson. We don’t collect evidence from TV.”
“Collecting evidence? What kind of evidence would you need to collect about Lorie? It’s Shelby who’s missing. Aren’t you—”
“Mr. Ferguson, did you know your wife spent three hours at Your Place Lounge on Charlevoix yesterday afternoon?”
“Are you following her?”
“Several patrons and one of the bartenders contacted us. They were concerned.”
“Concerned? Is that what they were?” His head was throbbing.
“Shouldn’t they be concerned, Mr. Ferguson? This is a woman whose baby is missing.”
“If they were so concerned, why didn’t they call me?”
“One of them asked Lorie if he could call you for her. Apparently, she told him not to.”
He looked at the detective. “She didn’t want to worry me.”
The detective looked back at him. “Okay.”
“You can’t tell how people are going to act when something like this happens to you,” he said, feeling his head dipping. Suddenly his shoulders felt very heavy and he had these pictures of Lorie in his head, at the far corner of the long black lacquered bar, eyes heavy with makeup and filled with dark feelings. Feelings he could never touch. Never once did he feel sure he knew what she was thinking. That was part of it. Part of the throb in his chest, the longing there that never left.
“No,” he said, suddenly.
“What?” the detective asked, leaning forward.
“She has no history of emotional problems. My wife.”
It was the fourth week, the fourth week of false leads and crying and sleeping pills and night terrors. And he had to go back to work or they wouldn’t make the mortgage payment. They’d talked about Lorie returning to her part-time job at the candle store, but somebody needed to be home, to be waiting.
(Though what, really, were they waiting for? Did toddlers suddenly toddle home after twenty-seven days? That’s what he could tell the cops were thinking.)
“I guess I’ll call the office tomorrow,” he said. “And make a plan.”
“And I’ll be here,” she said. “You’ll be there and I’ll be here.”
It was a terrible conversation, like a lot of those conversations couples have in dark bedrooms, late into the night, when you know the decisions you’ve been avoiding all day won’t wait anymore.
After they talked, she took four big pills and pushed her face into her pillow.
He couldn’t sleep and went into Shelby’s room, which he only ever did at night. He leaned over the crib, which was too small for her but Lorie wouldn’t use the bed yet, said it wasn’t time, not nearly.
He put his fingers on the soft baby bumpers, festooned with bright yellow fish. He remembered telling Shelby they were goldfish, but she kept saying Nana, nana, which was what she called bananas.
Her hands were always covered with the pearly slime of bananas, holding on to the front of Lorie’s shirt.
One night, sliding his hand under Lorie’s bra clasp, between her breasts, he felt a daub of banana even there.
“It’s everywhere,” Lorie had sighed. “It’s like she’s made of bananas.”
He loved that smell, and his daughter’s forever-glazed hands.
At some point, remembering this, he started crying, but then he stopped and sat in the rocking chair until he fell asleep.
In part, he was relieved to go back to work, all those days with neighbors and families and friends huddling in the house, trading Internet rumors, organizing vigils and searches. But now there were fewer family members, only a couple friends who had no other place to go, and no neighbors left at all.
The woman from the corner house came late one evening and asked for her casserole dish back.
“I didn’t know you’d keep it so long,” she said, eyes narrowing.
She seemed to be trying to look over his shoulder, into the living room. Lorie was watching a show, loudly, about a group of blond women with tight lacquered faces and angry mouths. She watched it all the time; it seemed to be the only show on TV anymore.
“I didn’t know,” the woman said, taking her dish, inspecting it, “how things were going to turn out.”
you sexy, sexy boy, Lorie’s text said. i want your hands on me. come home and handle me, rough as u like. rough me up.
He swiveled at his desk chair hard, almost like he needed to cover the phone, cover his act of reading the text.
He left the office right away, driving as fast as he could. Telling himself that something was wrong with her. That this had to be some side effect of the pills the doctor had given her, or the way sorrow and longing could twist in her complicated little body.
But that wasn’t really why he was driving so fast, or why he nearly tripped on the dangling seat belt as he hurried from the car.
Or why he felt, when he saw her lying on the bed, flat on her stomach and head turned, smiling, that he’d burst in two if he didn’t have her. If he didn’t have her then and there, the bed moaning beneath them and she not making a sound but, the blinds pulled down, her white teeth shining, shining from her open mouth.
It felt wrong but he wasn’t sure why. He knew her, but he didn’t. This was her, but a Lorie from long ago. Except different.
The reporters called all the time. And there were two that never seemed to leave their block. They had been there right at the start, but then seemed to go away, to move on to other stories.
They came back when the footage of Lorie coming out of Magnum Tattoo Parlor began appearing. Someone shot it with their cell phone.
Lorie was wearing those red cowboy boots again, and red lipstick, and she walked right up to the camera.
They ran photos of it in the newspaper with the headline: A Mother’s Grief?
He looked at the tattoo.
The words Mirame quemar written in script, wrapping itself around her hip.
It covered just the spot where a stretch mark had been, the one she always covered with her fingers when she stood before him naked.
He looked at the tattoo in the dark bedroom, a band of light coming from the hallway. She turned her hip, kept turning it, spinning her torso so he could feel it, all of it.
“I needed it,” she said. “I needed something. Something to put my fingers on. To remind me of me.
“Do you like it?” she asked, her breath in his ear. The ink looked like it was moving.
“I like it,” he said, putting his fingers there. Feeling a little sick. He did like it. He liked it very much.
Late, late into that night, her voice shook him from a deep sleep.
“I never knew she was coming and then she was here,” she was saying, her face pressed in her pillow. “And I never knew she was going and now she’s gone.”
He looked at her, her eyes shut, dappled with old makeup.
“But,” she said, her voice grittier, strained, “she was always doing whatever she wanted.”
That’s what he thought she said. But she was sleeping, and didn’t make any sense at all.
“You liked it until you thought about it,” she said. “Until you looked close at it and then you decided you didn’t want it anymore. Or didn’t want to be the guy who wants it.”
He was wearing the new shirt she had bought for him the day before. It was a deep, deep purple and beautiful and he felt good in it, like the unit manager who all the women in the office talked about. They talked about his shoes and he always wondered where people got shoes like that.
“No,” he said. “I love it. But it’s just … expensive.”
That wasn’t it, though. It didn’t seem right buying things, buying anything, right now. But it was also how colorful the shirt was, the sheen on it. The bright, hard beauty of it. A shirt for going out, for nightclubs, for dancing. For those things they did when they still did things: vodka and pounding music and frenzied sex in her car.
The kind of drunken sex so messy and crazy that you were almost shy around each other after, driving home, screwed sober, feeling like you’d showed something very private and very bad.
Once, years ago, she did something to him no one had ever done and he couldn’t look at her afterward at all. The next time he did something to her. For a while, it felt like it would never stop.
“I think someone should tell you about your wife,” the e-mail said. That was the subject line. He didn’t recognize the address, a series of letters and digits, and there was no text in the body of the e-mail. There was only a photo of a girl dancing in a bright green halter top, the ties loose and dangling.
It was Lorie, and he knew it must be an old picture. Weeks ago, the newspapers had gotten their hands on some snapshots of Lorie from her late teens, dancing on tabletops, kissing her girlfriends. Things girls did when they were drinking and someone had a camera.
In those shots, Lorie was always posing, vamping, trying to look like a model, a celebrity. It was a Lorie before he really knew her, a Lorie from what she called her “wild girl days.”
But in this picture she didn’t seem to be aware of the camera at all, seemed to be lost in the thrall of whatever music was playing, whatever sounds she was hearing in her crowded head. Her eyes were shut tight, her head thrown back, her neck long and brown and beautiful.
She looked happier than he had ever seen her.
A Lorie from long ago, or never.
But when he scrolled further down, he saw the halter top riding up her body, saw the pop of a hip bone. Saw the elegant script letters: Mirame quemar.
That night, he remembered a story she had told him long ago. It seemed impossible he’d forgotten it. Or maybe it just seemed different now, making it seem like something new. Something uncovered, an old sunken box you find in the basement smelling strong and you’re afraid to open it.
It was back when they were dating, when her roommate was always around and they had no place to be alone. They would have thrilling bouts in his car, and she loved to crawl into the backseat and lie back, hoisting a leg high over the headrest and begging him for it.
It was after the first or second time, back when it was all so crazy and confusing and his head was pounding and starbursting, that Lorie curled against him and talked and talked about her life, and the time she stole four Revlon eyeslicks from CVS and how she had slept with a soggy-eared stuffed animal named Ears until she was twelve. She said she felt she could tell him anything.
Somewhere in the blur of those nights—nights when he, too, told her private things, stories about babysitter crushes and shoplifting Matchbox cars—that she told him the story.
How, when she was seven, her baby brother was born and she became so jealous.
“My mom spent all her time with him, and left me alone all day,” she said. “So I hated him. Every night, I would pray that he would be taken away. That something awful would happen to him. At night, I’d sneak over to his crib and stare at him through the little bars. I think maybe I figured I could think it into happening. If I stared at him long enough and hard enough, it might happen.”
He had nodded, because this is how kids could be, he guessed. He was the youngest and wondered if his older sister thought things like this about him. Once, she smashed his finger under a cymbal and said it was an accident.
But she wasn’t done with her story and she snuggled closer to him and he could smell her powdery body and he thought of all its little corners and arcs, how he liked to find them with his hands, all the soft, hot places on her. Sometimes it felt like her body was never the same body, like it changed under his hands. I’m a witch, a witch.
“So one night,” she said, her voice low and sneaky, “I was watching him through the crib bars and he was making this funny noise.”
Her eyes glittered in the dark of the car.
“I leaned across, sticking my hands through the rails,” she said, snaking her hand towards him. “And that’s when I saw this piece of string dangling on his chin, from his pull toy. I starting pulling it, and pulling it.”
He watched her tugging the imaginary string, her eyes getting bigger and bigger.
“Then he let out this gasp,” she said, “and started breathing again.”
She paused, her tongue clicking.
“My mom came in at just that moment. She said I saved his life,” she said. “Everyone did. She bought me a new jumper and the hot-pink shoes I wanted. Everyone loved me.”
A pair of headlights flashed across them and he saw her eyes, bright and brilliant.
“So no one ever knew the real story,” she said. “I’ve never told anyone.”
She smiled, pushing herself against him.
“But now I’m telling you,” she said. “Now I have someone to tell.”
“Mr. Ferguson, you told us, and your cell phone records confirm, that you began calling your wife at 5:50 p.m. on the day of your daughter’s disappearance. Finally, you reached her at 6:45. Is that right?”
“I don’t know,” he said, this the eighth, ninth, tenth time they’d called him in. “You would know better than me.”
“Your wife said she was at the coffee place at around five. But we tracked down a record of your wife’s transaction. It was at 3:45.”
“I don’t know,” he said, rubbing at the back of his neck, the prickling there. He realized he had no idea what they might tell him. No idea what might be coming.
“So what do you think your wife was doing for three hours?”
“Looking for this woman. Trying to find her.”
“She did make some other calls during that time. Not to the police, of course. Or even you. She made a call to a man named Leonard Drake. Another one named Jason Patrini.”
One sounded like an old boyfriend—Lenny someone—the other he didn’t even know. He felt something hollow out inside him. He didn’t know who they were even talking about anymore, but it had nothing to do with him.
The female detective walked in, giving her partner a look.
“Since she was making all these calls, we could track her movements. She went to the Harbor View Mall.”
“Would you like to see her on the security camera footage there?” the female detective asked. “We have it now. Did you know she bought a tank top.”
He felt nothing.
“She also went to the quickie mart. The cashier just IDed her. She used the bathroom. He said she was in there a long time and when she came out, she had changed clothing.
“Would you like to see the footage there? She looks like a million bucks.”
She slid a grainy photo across the desk. A young woman in a tank top and hoodie tugged low over her brow. She was smiling.
“That’s not Lorie,” he said softly. She looked too young, looked like she looked when he met her, a little elfin beauty with a flat stomach and pigtails and a pierced navel. A hoop he used to tug. He’d forgotten about that. She must have let it seal over.
“I’m sure this is tough to hear, Mr. Ferguson,” the male detective said. “I’m sorry.”
He looked up. The detective did look very sorry.
“What did you say to them?” he asked.
Lorie was sitting in the car with him, a half block from the police station.
“I don’t know if you should say anything to them anymore,” he said. “I think maybe we should call a lawyer.”
Lorie was looking straight ahead, at the strobing lights from the intersection. Slowly, she lifted her hand to the edges of her hair, combing them thoughtfully.
“I explained,” she said, her face dark except for a swoop of blue from the car dealership sign, like a tadpole up her cheek. “I told them the truth.”
“What truth?” he asked. The car felt so cold. There was a smell coming from her, of someone who hasn’t eaten. A raw smell of coffee and nail polish remover.
“They don’t believe anything I say anymore,” she said. “I explained how I’d been to the coffee place twice that day. Once to get a juice for Shelby and then later for coffee for me. They said they’d look into it, but I could see how it was on their faces. I told them so. I know what they think of me.”
She turned and looked at him, the car moving fast, sending red lights streaking up her face. It reminded him of a picture he once saw in a National Geographic of an Amazon woman, her face painted crimson, a wooden peg through her lip.
“Now I know what everyone thinks of me,” she said, and turned away again.
It was late that night, his eyes wide open, that he asked her. She was sound asleep, but he said it.
“Who’s Leonard Drake? Who’s Jason whatever?”
She stirred, shifted to face him, her face flat on the sheet.
“Who’s Tom Ferguson? Who is he?
“Is that what you do?” he asked, his voice rising. “Go around calling men.”
It was easier to ask her this than to ask her other things. To ask her if she had shaken Shelby, if she had lied about everything. Other things.
“Yes,” she said. “I call men all day long, I go to their apartments. I leave my daughter in the car, especially if it’s very hot. I sneak up their apartment stairs.”
She had her hand on her chest, was moving it there, watching him.
“You should feel how much I want them by the time they open their doors.”
Stop, he said, without saying it.
“I have my hands on their belts before they close the door behind me. I crawl onto their laps on their dirty bachelor’s sofas and do everything.”
He started shaking his head, but she wouldn’t stop.
“You have a baby, your body changes. You need something else. So I let them do anything. I’ve done everything.”
Her hand was moving, touching herself. She wouldn’t stop.
“That’s what I do while you’re at work. I wasn’t calling people on Craigslist, trying to replace your lawn mower. I wasn’t doing something for you, always for you.”
He’d forgotten about the lawn mower, forgotten that’s what she’d said she’d been doing that day. Trying to get a secondhand one after he’d gotten blood blisters on both hands using it the last time. That’s what she’d said she was doing.
“No,” she was saying, “I was calling men, making dates for sex. That’s what I do since I’ve had a baby and been at home. I don’t know how to do anything else. It’s amazing I haven’t been caught before. If only I hadn’t been caught.”
He covered his face with his hand. “I’m sorry. I’m sorry.”
“How could you?” she said, a strangle in her throat. She was tugging all the sheet into her hands, rolling it, pulling off him, wringing it. “How could you?”
He dreamt of Shelby that night.
He dreamt he was wandering through the blue-dark of the house and when he got to Shelby’s room, there was no room at all and suddenly he was outside.
The yard was frost-tipped and lonely looking and he felt a sudden sadness. He felt suddenly like he had fallen into the loneliest place in the world, and the old toolshed in the middle seemed somehow the very center of that loneliness.
When they’d bought the house, they’d nearly torn it down—everyone said they should—but they decided they liked it; the “baby barn,” they’d called it, with its sloping roof and faded red paint.
But it was too small for anything but a few rakes and that push lawn mower with the sagging left wheel.
It was the only old thing about their house, the only thing left from before he was there.
By day, it was a thing he never thought about at all anymore, didn’t notice it other than the smell sometimes coming off it after rain.
But in the dream it seemed a living thing, neglected and pitiful.
It came to him suddenly that the lawn mower in the shed might still be fixed, and if it were, then everything would be okay and no one would need to look for lawn mowers and the thick tug of grass under his feet would not feel so heavy and all this loneliness would end.
He put his hand on the shed’s cool, crooked handle and tugged it open.
Instead of the lawn mower, he saw a small black sack on the floor of the shed.
He thought to himself in the way you do in dreams: I must have left the cuttings in here. They must be covered with mold and that must be the smell so strong it—
Grabbing for the sack, it slipped open, and the bag itself began to come apart in his hands.
There was the sound, the feeling of something heavy dropping to the floor of the shed.
It was too dark to see what was slipping over his feet, tickling his ankles.
Too dark to be sure, but it felt like the sweet floss of his daughter’s hair.
He woke already sitting up. A voice was hissing in his head: Will you look in the shed? Will you?
And that was when he remembered there was no shed in the backyard anymore. They’d torn it down when Lorie was pregnant because she said the smell of rot was giving her headaches, making her sick.
The next day the front page of the paper had a series of articles marking the two-month anniversary of Shelby’s disappearance.
They had the picture of Lorie under the headline: What Does She Know? There was a picture of him, head down, walking from the police station yesterday. The caption read: “More unanswered questions.”
He couldn’t read any of it, and when his mother called he didn’t pick up.
All day at work, he couldn’t concentrate. He felt everyone looking at him.
When his boss came to his desk, he could feel the careful way he was being talked to.
“Tom, if you want to leave early,” he said, “that’s fine.”
Several times he caught the administrative assistant staring at his screen saver, the snapshot of Lorie with ten-month-old Shelby in her Halloween costume, a black spider with soft spider legs.
Finally he did leave, at three o’clock.
Lorie wasn’t in the house and he was standing at the kitchen sink, drinking a glass of water, when he saw her through the window.
Though it was barely seventy degrees, she was lying on one of the summer loungers.
Headphones on, she was in a bright orange bikini with gold hoops in the straps and on either hip.
She had pushed the purple playhouse against the back fence, where it tilted under the elm tree.
He had never seen the bikini before, but he recognized the sunglasses, large ones with white frames she had bought on a trip Mexico she had taken with an old girlfriend right before she got pregnant.
Gleaming in the center of her slicked torso was a gold belly ring.
She was smiling, singing along to whatever music was playing in her head.
That night he couldn’t bring himself to go to bed. He watched TV for hours without watching any of it. He drank four beers in a row, which he had not done since he was twenty years old.
Finally, the beer pulled on him, and the Benadryl he took after, and he found himself sinking at last onto their mattress.
At some point in the middle of the night, there was a stirring next to him, her body shifting hard. It felt like something was happening.
“Kirsten,” she mumbled.
“What?” he asked. “What?”
Suddenly she half sat up, her elbows beneath her, looking straight ahead.
“Her daughter’s name was Kirsten,” she said, her voice soft and tentative. “I just remembered. Once, when we were talking, she said her daughter’s name was Kirsten. Because she liked how it sounded with Krusie.”
He felt something loosen inside him, then tighten again. What was this?
“Her last name was Krusie with a K,” she said, her face growing more animated, her voice more urgent. “I don’t know how it was spelled, but it was with a K. I can’t believe I just remembered. It was a long time ago. She said she liked the two Ks. Because she was two Ks. Katie Krusie. That’s her name.”
He looked at her and didn’t say anything.
“Katie Krusie,” she said. “The woman at the coffee place. That’s her name.”
He couldn’t seem to speak or even move.
“Are you going to call?” she said. “The police?”
He found he couldn’t move. He was afraid somehow. So afraid he couldn’t breathe.
She looked at him, paused, and then reached across him, grabbing for the phone herself.
As she talked to the police, told them, her voice now clear and firm, what she’d remembered, as she told them she would come to the station, would leave in five minutes, he watched her, his hand over his own heart, feeling it beating so hard it hurt.
“We believe we have located the Krusie woman,” the female detective said. “We have officers heading there now.”
He looked at both of them. He could feel Lorie beside him, breathing hard. It had been less than a day since Lorie first called.
“What are you saying?” he said, or tried to. No words came out.
Katie-Ann Krusie had no children, but told people she did, all the time. After a long history of emotional problems, she had spent a fourteen-month stint at the state hospital following a miscarriage.
For the past eight weeks she had been living in a rental in Torring, forty miles away with a little blond girl she called Kirsten.
After the police released a photo of Katie-Ann Krusie on Amber Alert, a woman who worked at a coffee chain in Torring recognized her as a regular customer, always ordering extra milk for her babies.
“She sure sounded like she loved her kids,” the woman said. “Just talking about them made her so happy.”
The first time he saw Shelby again, he couldn’t speak at all.
She was wearing a shirt he’d never seen and shoes that didn’t fit and she was holding a juice box the policeman had given her.
She watched him as he ran down the hall toward her.
There was something in her face that he had never seen before, knew hadn’t been there before, and he knew in an instant he had to do everything he could to make it gone.
That was all he would do, if it took him the rest of his life to do it.
The next morning, after calling everyone, one by one, he walked into the kitchen to see Lorie sitting next to Shelby, who was eating apple slices, her pinkie finger curled out in that way she had.
He sat and watched her and Shelby asked him why he was shaking and he said because he was glad to see her.
It was hard to leave the room, even to answer the door when his mother and sister came, when everyone started coming.
Three nights later, at the big family dinner, the Welcome Home dinner for Shelby, Lorie drank a lot of wine and who could blame her, everyone was saying.
He couldn’t either, and he watched her.
As the evening carried on, as his mother brought out an ice cream cake for Shelby, as everyone huddled around Shelby, who seemed confused and shy at first and slowly burst into something beautiful that made him want to cry again—as all these things were occurring—he had one eye on Lorie, her quiet, still face. On the smile there, which never grew or receded, even when she held Shelby in her lap, Shelby nuzzling her mother’s wine-flushed neck.
At one point he found her standing in the kitchen and staring into the sink; it seemed to him she was staring down into the drain.
It was very late, or even early, and Lorie wasn’t there.
He thought she had gotten sick from all the wine, but she wasn’t in the bathroom either.
Something was turning in him, uncomfortably, as he walked into Shelby’s room.
He saw her back, naked and white from the moonlight. The plum-colored underpants she’d slept in.
She was standing over Shelby’s crib, looking down.
He felt something in his chest move.
Then, slowly, she kneeled, peeking through the crib rails, looking at Shelby.
It looked like she was waiting for something.
For a long time he stood there, five feet from the doorway, watching her watching their sleeping baby.
He listened close for his daughter’s high breaths, the stop and start of them.
He couldn’t see his wife’s face, only that long white back of hers, the notches of her spine. Mirame quemar etched on her hip.
He watched her watching his daughter, and knew he could not ever leave this room. That he would have to be here forever now, on guard. There was no going back to bed.
Cecelia Holland
Cecelia Holland is one of the world’s most highly acclaimed and respected historical novelists, ranked by many alongside other giants in that field such as Mary Renault and Larry McMurtry. Over the span of her thirty-year career, she’s written more than thirty historical novels, including The Firedrake, Rakóssy, Two Ravens, Ghost on the Steppe, The Death of Attila, Hammer for Princes, The King’s Road, Pillar of the Sky, The Lords of Vaumartin, Pacific Street, The Sea Beggars, The Earl, The Kings in Winter, The Belt of Gold, and more than a dozen others. She also wrote the well-known science fiction novel Floating Worlds, which was nominated for a Locus Award in 1975, and of late has been working on a series of fantasy novels, including The Soul Thief, The Witches’ Kitchen, The Serpent Dreamer, Varanger, and The King’s Witch. Her most recent books are the novels The High City, Kings of the North, and The Secret Eleanor.
In the high drama that follows, she introduces us to the ultimate dysfunctional family, whose ruthless, clashing ambitions threw England into bloody civil war again and again over many long years: King Henry II, his queen, Eleanor of Aquitaine, and their eight squabbling children. All deadly as cobras. Even the littlest one.
NORA’S SONG
MONTMIRAIL,
JANUARY, 1169
Nora looked quickly around, saw no one was watching, and slipped away between the trees and down the bank to the little stream. She knew there would be no frogs to hunt; her brother had told her that when the trees had no leaves, the streams had no frogs. But the water glittered over bright stones and she saw tracks printed into the damp sand. She squatted down to pick a shiny bit from the stream. It wouldn’t be pretty when it dried out. Behind her, her little sister Johanna slid down the bank in a rush.
“Nora! What do you have?”
She held out the pebble to her sister and went on a little way along the trickle of water. Those tracks were bird feet, like crosses in the damp sand. She squatted down again, to poke at the rocks, and then saw, in the yellow gritty stream bank, like a little round doorway, a hole.
She brushed aside a veil of hairy roots, trying to see in; did something live there? She could reach her hand in to find out, and in a quick tumble of her thoughts she imagined something furry, something furry with teeth, the teeth snapping on her hand, and tucked her fist against her skirt.
From up past the trees, a voice called, “Nora?”
That was her new nurse. She paid no attention, looking for a stick to probe the hole with; Johanna, beside her, went softly, “Ooooh,” and on all fours leaned toward the burrow. Her skirt was soaked from the stream.
“Nora!” Another voice.
She leapt up. “Richard,” she said, and scrambled up the bank, nearly losing a shoe. On the grassy edge, she pulled the shoe back on, turned and helped Johanna up behind her, and ran out through the bare trees, onto the broad open ground.
Her brother was striding toward her, smiling, his arms out, and she ran to him. She had not seen him since Christmas, the last time they had all been together. He was twelve years old, a lot older than she was, almost grown up. He bundled her into his arms and hugged her. He smelled like horses. Johanna came whooping up and he hugged her too. The two nurses, red in the face, were panting along behind them, their skirts clutched up in their hands. Richard straightened, his blue eyes blazing, and pointed across the field.
“See? Where Mother comes.”
Nora shaded her eyes, looking out across the broad field. At first she saw only the crowded people, stirring and swaying all around the edges of the field, but then a murmur swept through them, and on all sides rose into a roar. Far down there, a horse loped up onto the field and stopped, and the rider raised one hand in salute.
“Mama!” Johanna cried, and clapped.
Now the whole crowd was yelling and cheering, and, on her dark grey horse, Nora’s Mama was cantering along the sideline, toward the wooden stand under the plane trees, where they would all sit. Nora swelled, full to bursting; she yelled, “Hooray! Hooray, Mama!”
Up there, by the stand, a dozen men on foot went forward to meet the woman on the horse. She wheeled in among them, cast her reins down, and dismounted. Swiftly she climbed onto the platform, where two chairs waited, and stood there, and lifted her arm, turning slowly from one side to the other to greet the cheering crowd. She stood straight as a tree, her skirts furling around her.
Above the stand, suddenly, her pennant flapped open like a great wing, the Eagle of Aquitaine, and the thunderous shouting doubled.
“Eleanor! Eleanor!”
She gave one last wave to the crowd, but she had seen her children running toward her, and all her interest turned to them. She stooped, holding her arms out toward them, and Richard scooped Johanna into his arms and ran toward the platform. Nora went up the steps at the side. Coming to the front, Richard set Johanna at their mother’s feet.
Their mother’s hands fell on them. Nora buried her face in the Queen’s skirts.
“Mama.”
“Ah.” Their mother sat down, holding Johanna slightly away from her; she slid her free arm around Nora’s waist. “Ah, my dear ones. How I’ve missed you.” She kissed them both rapidly, several times. “Johanna, you’re drenched. This won’t do.” She beckoned, and Johanna’s nurse came running. Johanna squealed but was taken.
Still holding Nora against her, Eleanor leaned forward and leveled her gaze on Richard, leaning with his arms folded on the edge of the platform in front of her.
“Well, my son, are you excited?”
He pushed away from the platform, standing taller, his face flaming, his fair hair a wild tangle from the wind. “Mother, I can’t wait! When will Papa get here?”
Nora leaned on her mother. She loved Richard too, but she wished her mother would pay more heed to her. Her mother was beautiful, even though she was really old. She wore no coif, only a heavy gold ring upon her sleek red hair. Nora’s hair was like old dead grass. She would never be beautiful. The Queen’s arm tightened around her, but she was still tilted forward toward Richard, fixed utterly on Richard.
“He’s coming. You should get ready for the ceremony.” She touched the front of his coat, lifted her hand to his cheek. “Comb your hair, anyway.”
He jiggled up and down, vivid. “I can’t wait. I can’t wait. I’m going to be Duke of Aquitaine!”
The Queen laughed. A horn blew, down the pitch. “See, now it begins. Go find your coat.” She turned, beckoned to a page. “Attend the Lord Richard. Nora, now …” She nudged Nora back a step so that she could run her gaze over her from head to toe. Her lips curved upward and her eyes glinted. “What have you been doing, rolling in the grass? You’re my big girl now; you have to be presentable.”
“Mama.” Nora didn’t want to be the big girl. The idea reminded her that Mattie was gone, the real big girl. But she loved having her mother’s attention, she cast wildly around for something to say to keep it. “Does that mean I can’t play anymore?”
Eleanor laughed and hugged her again. “You will always be able to play, my girl. Just different games.” Her lips brushed Nora’s forehead. Nora realized she had said the right thing. Then Eleanor was turning away.
“See, here your father comes.”
A ripple of excitement rose through the crowd like the wind in a dry field, turned to a rumble, and erupted into a thunderous cheer. Down the pitch came a column of riders. Nora straightened, clapping her hands together, and drew in a deep breath and held it. In the center of the horsemen, her father rode along, wearing neither crown nor royal robes, and yet it seemed that everything bowed and bent around him, as if nobody else mattered but him.
“Papa.”
“Yes,” Eleanor said, under her breath. “The kingly Papa.” She drew her arm from Nora and sat straighter on her chair.
Nora drew back; if she got behind them, out of sight, they might forget her, and she could stay. Richard had not gone away, either, she saw, but lingered at the front of the royal stand. Her father rode up and swung directly from his saddle to the platform. He was smiling, his eyes narrow, his clothes rumpled, his beard and hair shaggy. He seemed to her like the king of the greenwood, wild and fierce, wreathed in leaves and bark. All along this side of the field, on either side of the booth, his knights rode up in a single rank, stirrup to stirrup, facing the French across the field. The king stood, throwing a quick glance that way, and then lowered his gaze to Richard, standing stiff and tall before him.
“Well, sirrah,” their father said, “are you ready to shiver a lance here?”
“Oh, Papa!” Richard bounced up and down. “Can I?”
Their father barked a laugh at him, looking down on him from the height of the booth. “Not until you can pay your own ransoms when you lose.”
Richard flushed pink, like a girl. “I won’t lose!”
“No, of course not.” The King waved him off. “Nobody ever thinks he’ll lose, sirrah.” He laughed again, scornful, turning away. “When you’re older.”
Nora bit her lip. It was mean to talk to Richard that way, and her brother drooped, kicked the ground, and then followed the page down the field. Suddenly he was just a boy again. Nora crouched down behind her mother’s skirts, hoping her father did not notice her. He settled himself in the chair beside the Queen’s, stretched his legs out, and for the first time turned toward Eleanor.
“You look amazingly well, considering. I’m surprised your old bones made it all the way from Poitiers.”
“I would not miss this,” she said. “And it’s a pleasant enough ride.” They didn’t touch, they didn’t give each other kisses, and Nora felt a little stir of worry. Her nurse had come up to the edge of the platform and Nora shrank deeper into Eleanor’s shadow. Eleanor paid the king a long stare. Her attention drifted toward his front.
“Eggs for breakfast? Or was that last night’s supper?”
Startled, Nora craned up a little to peer at him: his clothes were messy but she saw no yellow egg. Her father was glaring back at her mother, his face flattened with temper. He did not look down at his coat. “What a prissy old woman you are.”
Nora ran her tongue over her lower lip. Her insides felt full of prickers and burrs. Her mother’s hand lay on her thigh, and Nora saw how her mother was smoothing her skirt, over and over, with hard, swift, clawing fingers.
Her nurse said, “Lady Nora, come along now.”
“You didn’t bring your truelove,” the Queen said.
The King leaned toward her a little, as if he would leap on her, pound her, maybe, with his fist. “She’s afraid of you. She won’t come anywhere near you.”
Eleanor laughed. She was not afraid of him. Nora wondered what that was about; wasn’t her mother the King’s truelove? She pretended not to see her nurse beckoning her.
“Nora, come now!” the nurse said, loudly.
That caught her mother’s attention, and she swung around, saw Nora there, and said, “Go on, my girl. Go get ready.” Her hand dropped lightly to Nora’s shoulder. “Do as you’re bid, please.” Nora slid off the edge of the platform and went away to be dressed and primped.
Her old nurse had gone with Mattie when Nora’s big sister went to marry the Duke of Germany. Now she had this new nurse, who couldn’t brush hair without hurting. They had already laced Johanna into a fresh gown, and braided her hair, and the others were waiting outside the little tent. Nora kept thinking of Mattie, who had told her stories, and sung to her when she had nightmares. Now they were all walking out onto the field for the ceremony, her brothers first, and then her and Johanna.
Johanna slipped her hand into Nora’s, and Nora squeezed her fingers tight. All these people made her feel small. Out in the middle of the field everybody stood in rows, as if they were in church, and the ordinary people were all gathered closely around, to hear what went on. On either side banners hung, and a herald stood in front of them all, watching the children approach, his long shiny horn tipped down.
On big chairs in the very middle sat her father and mother and, beside them, a pale, weary-looking man in a blue velvet gown. He had a little stool for his feet. She knew that was the King of France. She and her sister and brothers went up before them, side by side, and the herald said their names, and as one they bowed, first to their parents and then to the French king.
Ücretsiz ön izlemeyi tamamladınız.