Kitabı oku: «The Choice of Life», sayfa 6
5
The setting sun was no more than a thin crimson streak on the dividing line of sky and sea; and the peaceful billows whispered mysteriously in the dusk that rose from every side.
It was time to go. When we were both standing, so frail and insignificant on the great empty beach, a wave of passionate gratitude overwhelmed both our hearts; and I at last believed that all nature—the sea, the meadows and the fields—had wrought its work of love and beauty in my Rose.
Chapter XIV
1
Immense black clouds scudded past in the darkness; a furious wind stripped the groaning branches of their leaves; and, when the moon suddenly pierced the night, gaunt figures appeared of almost bare trees twisted and shaken by the wind. Behind the orchards, a few cottage-windows showed a glimmer of light; and the watch-dogs howled as I passed, to the accompaniment of their dragging chains.
I walked quickly, full of misgivings and yet undaunted. I asked myself at intervals what was taking me to the farm, to probable suffering. Was it Rose's silence: I had heard nothing of her for a week? Was it the hope of saying good-bye to her, of letting her know at least that I was to go away the next day? Or was it not rather the curiosity that makes us wish to see, without being seen ourselves, the man or woman who interests us?
We always influence in some way or other the looks or the words that are addressed to us. The eye that rests on us becomes unconsciously filled with our own rest; and the longing that awakens at the sight of us is often born of the unspoken call of our soul or our blood. From the first moment when our hands meet, an exchange takes place, and we are no longer entirely ourselves, we exist in relation to the persons and the things around us. Two honest lives cannot join in falsehood; but either of them, if united to a vulgar nature, is perhaps capable of deterioration.
While thus arguing, I seek to reassure myself. True, Rose could never be at the farm, among those coarse people, what she is with me. Still, what will she be like?
I remember something she said to me at the beginning of our acquaintance:
"For the sake of peace with those about me, by degrees I made myself the same as they were. After a time, I never said what I really thought and soon I ceased to notice the difference between the two. As I thought that it was impossible for me ever to go away, it seemed to me a wise policy to adapt myself to the life I had to live. It was a lie at first; later it became second nature...."
But now? Now that all that existence is no more than a temporary unpleasantness, what is her attitude?
2
It was striking eight when I came up to the farm. As a rule, everybody is in bed by then. But to-day was the feast of the patron-saint of the village; and there must have been dancing and drinking till nightfall. At that moment, the darkness was so thick that I could hardly see anything in front of me. I found the gate locked. Clinging to the trees and pulling myself through the thorns and brambles, I climbed across the bank and dropped into the orchard. I at once called softly to the dog, so that he should recognise a friend's voice, and, as soon as I was certain of his silence, I walked quietly to the house, where there was a light in two of the windows at the back of the farm-yard. Not daring to take the path that led to the door, I made my way as best I could through the long grass. I was shivering in my dress; and my feet were frozen. Whenever the moon peeped through two clouds, I quickly flung myself against a tree and waited without moving for the darkness to return. Cows were lying here and there on the grass: at each lull in the storm, I heard the heavy breathing of the sleeping animals; and their peacefulness soothed my troubled mind.
Some thirty yards from the house, I stopped, uncertain what to do. It can be approached only by going a little higher, for it is built on a mound in the centre of the yard. The whole length of the one-storeyed, thatched buildings was without a tree or any dark corner where I could shelter.
I was still hesitating, when suddenly a shadow passed across one of the windows. I seemed to recognise Rose, and my rising curiosity made me cover in a moment the distance that separated me from her. Once there, against the window-pane, I thought of nothing else.
No, it was not fear but sorrow that oppressed me from the first glance within: Rose was laughing at the top of her voice, her mouth opened in a paroxysm of mirth. She was laughing a silly, brutish laugh, lying back in her chair, with her knees wide apart and her hands on her hips. A lamp stood near her on the long table around which the men were eating and drinking; under its torn shade the light flared unevenly, lighting up some things with ruthless clearness and leaving others in complete darkness. Of the men, I could see nothing distinctly except their heavy jaws and coarse hands and the lighter patches of their white shirts and blue smocks. I could make out very little of the large, low-ceilinged room. A rickety chair here; an old dresser there, with a few battered dishes on it. At regular intervals, a brass pendulum sends forth gleams as it catches the light; and the smouldering fire in the tall chimney-place flickers for a moment and illumines the strings of beans and onions drying round the hearth. On the floor, in the middle of the room, two little cowherds are quarrelling for the possession of a goose, no doubt won as a prize in the village. The poor thing, lying half-dead, with its wings and legs tied up, utters piteous sounds, which are the signal for a burst of laughter and coarse jokes.
But suddenly all is silence. A door opens at the far end of the room and on the threshold stands the mistress, with a candle in her hand and some bottles under her arm. The fear inspired by the old madwoman is obvious at once. The two urchins take refuge under the table with their prey, Rose's laughter ceases abruptly and, through the window-panes, I hear the steady ticking of the clock and the clatter of the spoons in the bowls.
The old woman has sat down in the full light. She is eating, with bent back, lowered head and jerky, nervous movements, while her wicked little sunken eyes peer from under her heavy, matted brows. She speaks some curt words in patois, too fast for me to catch their sense; but her strident voice hurts my ears. The conversation becomes livelier by degrees and soon everybody is speaking at once....
I wait in vain for an absent look, a gesture of annoyance, an expression of pain on Rose's part. No, she seems at her ease among these people, as she was at the great house, as she is and as she will be everywhere. She follows the remarks of one and all and shows the same attention which she vouchsafes to me when I speak to her. From time to time, she says a word or two; and I recognise the shrill voice and the vulgar gestures that used to hurt me so much during our early talks.
I remained there for a long time, always waiting, always hoping. Excited by liquor, the men began to quarrel; and I heard the old woman hurl a torrent of vile insults at them. Rose took the part of one of the men and interfered, using language as coarse as theirs.
3
It was late when I went away. The clouds had dispersed, the wind had dropped; the moonbeams were making pools of silver on the ground through the trees; and, when I reached the open fields, they appeared to me cold, immense, infinite under a molten sky.
The picture which I carry away with me seems to lose its colour before my eyes: it is harder and sadder, made up of harsh lights and darker shadows, like an etching. I see the rough hands on the white deal table, the bony faces brutally outlined by a crude light. I hear the cracked voice of the old madwoman, now raised in yells of abuse, now breaking into song … and Rose … my beautiful Rose....
But I have stolen this sight of a life which I was never meant to see. The dishonesty of my invisible presence makes a gulf between my actual vision and my perception; and it seems to me that, in this case, I must withhold my judgment even as we hold our breath before a flickering flame.
PART THE SECOND
Chapter I
1
There is in love, in friendship or in the curiosity that drives us towards a fellow-creature a period of ascendency when nothing can quench our enthusiasm. The fire that consumes us must burn itself out; until then, all that we see, all that we discover feeds it and increases it.
We are aware of a blemish, but we do not see it. We know the weakness that to-morrow perhaps will blight our joy, but we do not feel it. We hear the word that ought to deal our hopes a mortal blow; and it does not even touch them!… And our reason, which knows, sees, hears and foresees, remains dumb, as though it delighted in these games which bring into play our heart and our capacity for feeling. Besides, to us women this exercise of the emotions is something so delightful and so salutary that our will has neither the power nor the inclination to check it either in its soberest or its most extravagant manifestations. The influence of the will would always be commonplace and sordid by the side of that generous force which is created by each impulse of the heart or mind.
Upon every person or every idea that arouses our enthusiasm we have just so much to bestow, a definite sum of energy to expend, which seems, like that of our body, to have its own time and season. I have known Rose for hardly three months; her picture is still vernal in my heart; nothing can prevent its colours from being radiant with freshness, radiant with vigour, radiant with sunshine. I shall therefore go away without regret. I see the childishness of all the experiments to which I am subjecting the girl so as to know her a little better. My interest throws such a light upon her that she cannot, do what she will, shrink back into the shade.
She is to me the incarnation of one of my most cherished ideas. Until I know all, I shall suspend my judgment and my intentions will not change. I believe that every seed in the rich soil of a noble heart has to fulfil its tender, gracious work of love and kindness.
I cannot, therefore, lay upon Rose the burden of my disappointment last night; and my affection suggests a thousand good reasons for absolving her. Is this wrong? And are we to consider, with the sapient ones of the earth, that our vision is never clear until the day when we no longer have the strength to love, believe and admire? I do not think so. Setting aside the careful judgment which we exercise in the case of our companion for life, it is certain that our opinions on the others, on our chance acquaintances, are but an illusion and owe far more to our souls than to theirs. In our brief and crowded lives, we have barely time to catch a note of beauty here, to perceive a sign of truth there. If, therefore, we have to pass days and years without understanding everything and loving everything, if we have to remain under a misapprehension, why not choose that which is on the side of love and gladdens our hearts?
We should take care of the images that adorn our soul. Our women's minds would possess more graciousness if we bestowed upon them a little of the attention which we lavish on our bodies.
My beautiful Rose is kind and loving; I will deck her with my hopes as long as I can. When enthusiasm is shared, it is easy to keep it up. It weighs lightly in spite of its infinite preciousness. If I ever find it a strain, the reason will be that Rose did not really bear her share of it. It will become a burden and I shall relinquish it. All that she will have of me will be the careless charity bestowed upon the poor.
2
"Paris, … 19—
"If you knew, Rose, how I miss the lovely autumn landscapes! The weather was so bright on the day of my departure that, to enjoy it to the full, I bicycled to the railway-town. After leaving the village, I took the road through the wood and it was delightful to skim along through the dead leaves, the softly-streaming tears of autumn. Sometimes, when a gust of wind blew, I went faster; and little yellow waves seemed to rise and fall and chase one another all around me. Some of the trees, not yet bare, but only thinned, traced an exquisite russet lacework against the blue sky; and the birds warbled, cooed and whistled as in spring. I saw the noisy, crowded streets of Paris waiting for me at the end of my day; and this gave a flavour of sadness to the calm of the high roads, the pureness of the air, the dear beauty of the lanes....
"It was quite early in the morning and the fields were still bathed in a dewy radiance. I sat down for a little while on a roadside bank; an immense plain began at the level of my face and ended by rising slowly towards the sky. It was a very young field of corn, which the splendour of the day turned into pearly down. I could have looked at it for ever, at one moment letting the full glory of it burst on my dazzled eyes and then gradually lowering my lids down to the tiny threads that trembled and glittered in my breath. Then my mouth formed itself into a kiss; and I amused myself by slowly and lovingly making the cool pearls of the morning die on my warm lips...."
3
"Paris, … 19—
"I see you, my Rose, laying supper in the wretched kitchen, while the farm-hands gather round the hearth. I like to picture you going cautiously through the old woman's room at night, so as to write to me by the rays of the moon, without disturbing the household with an unwonted light. You come and sit on the ledge of the open window, to receive the full benefit of the moonbeams, and then you write on your knee those trembling lines which convey your emotion to me.
"I see you in the wonderful setting of the silver-flooded orchard. The golden silk of your long tresses embroiders your white night-dress. Your eyes are filled with peace; you are beautiful like that; and there is nothing so sweet as an orchard in the moonlight. The apple-trees seem to lay their even shadows softly upon the pallor of the grass; and their ordered quiet spreads a serene and simple joy over nature's sleep....
"Rose, at the moving period that brought us together, how I would that your sweet composure had been sometimes a little ruffled! It would have appeared to me of a finer quality had I found it more variable. A woman's reason should be less rigid; and I should loathe mine if it were not a leaven of indulgence and forgiveness in my life....
"Oh, Rose, Rose, tell me that the coldness of your soul springs from its wonderful purity! Tell me that your heart is so deep that the sound of the joys which fall into it cannot be heard outside! Tell me that it is the storm of your life that has crushed the flowers of your sensibility for the time....
"I well know that our interest cannot always be active, that it must be suppressed; I know that indifference is essential to the happy equilibrium of our faculties and that, beside the exaltation of our soul, it is the untroubled lake fertilising and refreshing the earth. And you will find, Rose, how necessary it is to be on our guard against it in our judgments and how it can take possession of some natures and slowly destroy them under a hateful appearance of wisdom! I would rather discover ugly and active defects in you than that beautiful impassiveness. Besides, as I have told you many a time, the excellence that seems to me ideal has its weaknesses. It is rather a way of perfection for our poor humanity, a way that is all the better because it is adapted for our feeble and wavering steps!…
"Once, at harvest-time, I met you in the little road near the church. It was the end of the day; and you were coming back from the fields. You were standing high on a swaying mountain of hay, you were driving a great farm-horse, which disappeared under its load. Your tall figure stood out against the sky ablaze with the last rays of the sun; and I still see your look of absolute unconcern. You wore a long blue apron that came all round you and a bodice of the same colour. In that blue faded by the sun, with your hair a pale cloud in the gold of the sunset, you looked like an archangel taken from some Italian fresco.
"As you passed me, you timidly returned my smile; and I followed you for a long time with my eyes. Do you still remember the trouble you had in passing under the dark vault of the old oaks? Every now and again, a branch, longer and lower than the others, threatened your face: you caught it with a quick movement and lifted it over your head. At one time, there were so many of those branches and they were so heavy that you were obliged to lie back on the hay, holding both arms over your face to save it from being struck. Then, when the lumbering wagon stopped in front of the farm, my archangel stepped down humbly into the mud, took the horse by the bridle and disappeared from sight....
"The reason why this memory now comes back to me is that I find in it some affinity with what I would ask of your reason: those simple movements by which you will be able to thrust aside the bad habits that disfigure you! May your reason be the beautiful archangel to guide and sway your humble life, but may it sometimes know how to descend and stoop in obedience to the necessities of chance. Even as, on the day when I saw you, you could not alter the road which you had to follow, so you cannot alter your real nature; but you must 'know the way,' you must guide and control."
4
"Paris,… 19—
"I am longing to have you here so that I may watch carefully over the slightest details of your life and put your temperament incessantly to the test. They say that enthusiasm cannot be acquired. But how can they tell that it is not merely sleeping, unless they try to awaken it? Those around us have sometimes, quite unconsciously, an unhappy way of subduing and oppressing us.
"Even the most emotional have often to struggle lest their souls should shrink in the presence of certain people, like the flowers whose petals exposed to the light timidly hide their hearts as soon as day declines. You, whom a placid humour reserves for gentle emotions, must try not to let that very beautiful nature exceed its rights, or cast an unnecessary shadow over your feelings, or ever check your finest bursts of admiration with doubt and misgiving. Circumstances have failed to form your taste; and at first you will pass marvels by and prefer to marvel at some hideous thing. Never mind! I like to think that, after all, the best part of a noble work is the enthusiasm which it arouses and that the greatest dignity of art lies in the flame which it kindles.
"Time was when I wept in front of things that now leave me unmoved; but, in captivating my childish heart, did they not accomplish their task even as those do now which quicken the beating of my woman's heart?…
"Learn to appreciate life and to look upon all that does not enhance it as vain and wearisome. As there is nothing in this world which has not its relation to life, in loving it, my Roseline, you will understand everything and accept everything.
"I want your eyes, when presenting to your mind whatever is best in a great work, to learn the luxury of lingering on it; I want your ears to perceive the wonderful, voluptuous charm of sounds, your hands to rejoice in things soft to the touch; I want you to learn how to breathe with delight and how to eat with pleasure. Don't smile. None of all this is childish; it is made up of tiny joyous movements which the simplest existence can command when it knows how to recognise them. And yet … and yet I feel a selfish wish to leave you still in your prison, so that your desire to escape from it may keep on growing! I love that desire, I love your actual distress, I love the wretchedness of your past, the wretchedness of your present, I love you to see difficulties in the way of your deliverance....
"Oh, if those obstacles could give you, as they do me, that sort of intoxication for which I cherish them! When at last I see the goal beyond them, my heart leaps for joy. But hardly is the goal attained when I rejoice in it only because it brings me to another, higher and more distant; and my imagination resumes its course, never looking back except to measure the road already traversed.... In this way, never satisfied and yet happy in the mere fact that I am advancing and in the knowledge that no more can be asked of a poor human will, I have the feeling that my life never stops."
