Kitabı oku: «The Memoirs of Jacques Casanova de Seingalt, 1725-1798. Volume 01: Childhood», sayfa 2

In turning over another manuscript, I was caught by the name Charpillon, which every reader of the Memoirs will remember as the name of the harpy by whom Casanova suffered so much in London, in 1763-4. This manuscript begins by saying: 'I have been in London for six months and have been to see them (that is, the mother and daughter) in their own house,' where he finds nothing but 'swindlers, who cause all who go there to lose their money in gambling.' This manuscript adds some details to the story told in the ninth and tenth volumes of the Memoirs, and refers to the meeting with the Charpillons four and a half years before, described in Volume V., pages 428-485. It is written in a tone of great indignation. Elsewhere, I found a letter written by Casanova, but not signed, referring to an anonymous letter which he had received in reference to the Charpillons, and ending: 'My handwriting is known.' It was not until the last that I came upon great bundles of letters addressed to Casanova, and so carefully preserved that little scraps of paper, on which postscripts are written, are still in their places. One still sees the seals on the backs of many of the letters, on paper which has slightly yellowed with age, leaving the ink, however, almost always fresh. They come from Venice, Paris, Rome, Prague, Bayreuth, The Hague, Genoa, Fiume, Trieste, etc., and are addressed to as many places, often poste restante. Many are letters from women, some in beautiful handwriting, on thick paper; others on scraps of paper, in painful hands, ill-spelt. A Countess writes pitifully, imploring help; one protests her love, in spite of the 'many chagrins' he has caused her; another asks 'how they are to live together'; another laments that a report has gone about that she is secretly living with him, which may harm his reputation. Some are in French, more in Italian. 'Mon cher Giacometto', writes one woman, in French; 'Carissimo a Amatissimo', writes another, in Italian. These letters from women are in some confusion, and are in need of a good deal of sorting over and rearranging before their full extent can be realised. Thus I found letters in the same handwriting separated by letters in other handwritings; many are unsigned, or signed only by a single initial; many are undated, or dated only with the day of the week or month. There are a great many letters, dating from 1779 to 1786, signed 'Francesca Buschini,' a name which I cannot identify; they are written in Italian, and one of them begins: 'Unico Mio vero Amico' ('my only true friend'). Others are signed 'Virginia B.'; one of these is dated, 'Forli, October 15, 1773.' There is also a 'Theresa B.,' who writes from Genoa. I was at first unable to identify the writer of a whole series of letters in French, very affectionate and intimate letters, usually unsigned, occasionally signed 'B.' She calls herself votre petite amie; or she ends with a half-smiling, half-reproachful 'goodnight, and sleep better than I' In one letter, sent from Paris in 1759, she writes: 'Never believe me, but when I tell you that I love you, and that I shall love you always: In another letter, ill-spelt, as her letters often are, she writes: 'Be assured that evil tongues, vapours, calumny, nothing can change my heart, which is yours entirely, and has no will to change its master.' Now, it seems to me that these letters must be from Manon Baletti, and that they are the letters referred to in the sixth volume of the Memoirs. We read there (page 60) how on Christmas Day, 1759, Casanova receives a letter from Manon in Paris, announcing her marriage with 'M. Blondel, architect to the King, and member of his Academy'; she returns him his letters, and begs him to return hers, or burn them. Instead of doing so he allows Esther to read them, intending to burn them afterwards. Esther begs to be allowed to keep the letters, promising to 'preserve them religiously all her life.' 'These letters,' he says, 'numbered more than two hundred, and the shortest were of four pages: Certainly there are not two hundred of them at Dux, but it seems to me highly probable that Casanova made a final selection from Manon's letters, and that it is these which I have found.

But, however this may be, I was fortunate enough to find the set of letters which I was most anxious to find the letters from Henriette, whose loss every writer on Casanova has lamented. Henriette, it will be remembered, makes her first appearance at Cesena, in the year 1748; after their meeting at Geneva, she reappears, romantically 'a propos', twenty-two years later, at Aix in Provence; and she writes to Casanova proposing 'un commerce epistolaire', asking him what he has done since his escape from prison, and promising to do her best to tell him all that has happened to her during the long interval. After quoting her letter, he adds: 'I replied to her, accepting the correspondence that she offered me, and telling her briefly all my vicissitudes. She related to me in turn, in some forty letters, all the history of her life. If she dies before me, I shall add these letters to these Memoirs; but to-day she is still alive, and always happy, though now old.' It has never been known what became of these letters, and why they were not added to the Memoirs. I have found a great quantity of them, some signed with her married name in full, 'Henriette de Schnetzmann,' and I am inclined to think that she survived Casanova, for one of the letters is dated Bayreuth, 1798, the year of Casanova's death. They are remarkably charming, written with a mixture of piquancy and distinction; and I will quote the characteristic beginning and end of the last letter I was able to find. It begins: 'No, it is impossible to be sulky with you!' and ends: 'If I become vicious, it is you, my Mentor, who make me so, and I cast my sins upon you. Even if I were damned I should still be your most devoted friend, Henriette de Schnetzmann.' Casanova was twenty-three when he met Henriette; now, herself an old woman, she writes to him when he is seventy-three, as if the fifty years that had passed were blotted out in the faithful affection of her memory. How many more discreet and less changing lovers have had the quality of constancy in change, to which this life-long correspondence bears witness? Does it not suggest a view of Casanova not quite the view of all the world? To me it shows the real man, who perhaps of all others best understood what Shelley meant when he said:

 
True love in this differs from gold or clay
That to divide is not to take away.
 

But, though the letters from women naturally interested me the most, they were only a certain proportion of the great mass of correspondence which I turned over. There were letters from Carlo Angiolini, who was afterwards to bring the manuscript of the Memoirs to Brockhaus; from Balbi, the monk with whom Casanova escaped from the Piombi; from the Marquis Albergati, playwright, actor, and eccentric, of whom there is some account in the Memoirs; from the Marquis Mosca, 'a distinguished man of letters whom I was anxious to see,' Casanova tells us in the same volume in which he describes his visit to the Moscas at Pesaro; from Zulian, brother of the Duchess of Fiano; from Richard Lorrain, 'bel homme, ayant de l'esprit, le ton et le gout de la bonne societe', who came to settle at Gorizia in 1773, while Casanova was there; from the Procurator Morosini, whom he speaks of in the Memoirs as his 'protector,' and as one of those through whom he obtained permission to return to Venice. His other 'protector,' the 'avogador' Zaguri, had, says Casanova, 'since the affair of the Marquis Albergati, carried on a most interesting correspondence with me'; and in fact I found a bundle of no less than a hundred and thirty-eight letters from him, dating from 1784 to 1798. Another bundle contains one hundred and seventy-two letters from Count Lamberg. In the Memoirs Casanova says, referring to his visit to Augsburg at the end of 1761:

I used to spend my evenings in a very agreeable manner at the house of Count Max de Lamberg, who resided at the court of the Prince-Bishop with the title of Grand Marshal. What particularly attached me to Count Lamberg was his literary talent. A first-rate scholar, learned to a degree, he has published several much esteemed works. I carried on an exchange of letters with him which ended only with his death four years ago in 1792.

Casanova tells us that, at his second visit to Augsburg in the early part of 1767, he 'supped with Count Lamberg two or three times a week,' during the four months he was there. It is with this year that the letters I have found begin: they end with the year of his death, 1792. In his 'Memorial d'un Mondain' Lamberg refers to Casanova as 'a man known in literature, a man of profound knowledge.' In the first edition of 1774, he laments that 'a man such as M. de S. Galt' should not yet have been taken back into favour by the Venetian government, and in the second edition, 1775, rejoices over Casanova's return to Venice. Then there are letters from Da Ponte, who tells the story of Casanova's curious relations with Mme. d'Urfe, in his 'Memorie scritte da esso', 1829; from Pittoni, Bono, and others mentioned in different parts of the Memoirs, and from some dozen others who are not mentioned in them. The only letters in the whole collection that have been published are those from the Prince de Ligne and from Count Koenig.

IV

Casanova tells us in his Memoirs that, during his later years at Dux, he had only been able to 'hinder black melancholy from devouring his poor existence, or sending him out of his mind,' by writing ten or twelve hours a day. The copious manuscripts at Dux show us how persistently he was at work on a singular variety of subjects, in addition to the Memoirs, and to the various books which he published during those years. We see him jotting down everything that comes into his head, for his own amusement, and certainly without any thought of publication; engaging in learned controversies, writing treatises on abstruse mathematical problems, composing comedies to be acted before Count Waldstein's neighbours, practising verse-writing in two languages, indeed with more patience than success, writing philosophical dialogues in which God and himself are the speakers, and keeping up an extensive correspondence, both with distinguished men and with delightful women. His mental activity, up to the age of seventy-three, is as prodigious as the activity which he had expended in living a multiform and incalculable life. As in life everything living had interested him so in his retirement from life every idea makes its separate appeal to him; and he welcomes ideas with the same impartiality with which he had welcomed adventures. Passion has intellectualised itself, and remains not less passionate. He wishes to do everything, to compete with every one; and it is only after having spent seven years in heaping up miscellaneous learning, and exercising his faculties in many directions, that he turns to look back over his own past life, and to live it over again in memory, as he writes down the narrative of what had interested him most in it. 'I write in the hope that my history will never see the broad day light of publication,' he tells us, scarcely meaning it, we may be sure, even in the moment of hesitancy which may naturally come to him. But if ever a book was written for the pleasure of writing it, it was this one; and an autobiography written for oneself is not likely to be anything but frank.

'Truth is the only God I have ever adored,' he tells us: and we now know how truthful he was in saying so. I have only summarised in this article the most important confirmations of his exact accuracy in facts and dates; the number could be extended indefinitely. In the manuscripts we find innumerable further confirmations; and their chief value as testimony is that they tell us nothing which we should not have already known, if we had merely taken Casanova at his word. But it is not always easy to take people at their own word, when they are writing about themselves; and the world has been very loth to believe in Casanova as he represents himself. It has been specially loth to believe that he is telling the truth when he tells us about his adventures with women. But the letters contained among these manuscripts shows us the women of Casanova writing to him with all the fervour and all the fidelity which he attributes to them; and they show him to us in the character of as fervid and faithful a lover. In every fact, every detail, and in the whole mental impression which they convey, these manuscripts bring before us the Casanova of the Memoirs. As I seemed to come upon Casanova at home, it was as if I came upon old friend, already perfectly known to me, before I had made my pilgrimage to Dux.

1902

TRANSLATOR'S PREFACE

A series of adventures wilder and more fantastic than the wildest of romances, written down with the exactitude of a business diary; a view of men and cities from Naples to Berlin, from Madrid and London to Constantinople and St. Petersburg; the 'vie intime' of the eighteenth century depicted by a man, who to-day sat with cardinals and saluted crowned heads, and to morrow lurked in dens of profligacy and crime; a book of confessions penned without reticence and without penitence; a record of forty years of "occult" charlatanism; a collection of tales of successful imposture, of 'bonnes fortunes', of marvellous escapes, of transcendent audacity, told with the humour of Smollett and the delicate wit of Voltaire. Who is there interested in men and letters, and in the life of the past, who would not cry, "Where can such a book as this be found?"

Yet the above catalogue is but a brief outline, a bare and meagre summary, of the book known as "THE MEMOIRS OF CASANOVA"; a work absolutely unique in literature. He who opens these wonderful pages is as one who sits in a theatre and looks across the gloom, not on a stage-play, but on another and a vanished world. The curtain draws up, and suddenly a hundred and fifty years are rolled away, and in bright light stands out before us the whole life of the past; the gay dresses, the polished wit, the careless morals, and all the revel and dancing of those merry years before the mighty deluge of the Revolution. The palaces and marble stairs of old Venice are no longer desolate, but thronged with scarlet-robed senators, prisoners with the doom of the Ten upon their heads cross the Bridge of Sighs, at dead of night the nun slips out of the convent gate to the dark canal where a gondola is waiting, we assist at the 'parties fines' of cardinals, and we see the bank made at faro. Venice gives place to the assembly rooms of Mrs. Cornely and the fast taverns of the London of 1760; we pass from Versailles to the Winter Palace of St. Petersburg in the days of Catherine, from the policy of the Great Frederick to the lewd mirth of strolling-players, and the presence-chamber of the Vatican is succeeded by an intrigue in a garret. It is indeed a new experience to read this history of a man who, refraining from nothing, has concealed nothing; of one who stood in the courts of Louis the Magnificent before Madame de Pompadour and the nobles of the Ancien Regime, and had an affair with an adventuress of Denmark Street, Soho; who was bound over to keep the peace by Fielding, and knew Cagliostro. The friend of popes and kings and noblemen, and of all the male and female ruffians and vagabonds of Europe, abbe, soldier, charlatan, gamester, financier, diplomatist, viveur, philosopher, virtuoso, "chemist, fiddler, and buffoon," each of these, and all of these was Giacomo Casanova, Chevalier de Seingalt, Knight of the Golden Spur.

And not only are the Memoirs a literary curiosity; they are almost equally curious from a bibliographical point of view. The manuscript was written in French and came into the possession of the publisher Brockhaus, of Leipzig, who had it translated into German, and printed. From this German edition, M. Aubert de Vitry re-translated the work into French, but omitted about a fourth of the matter, and this mutilated and worthless version is frequently purchased by unwary bibliophiles. In the year 1826, however, Brockhaus, in order presumably to protect his property, printed the entire text of the original MS. in French, for the first time, and in this complete form, containing a large number of anecdotes and incidents not to be found in the spurious version, the work was not acceptable to the authorities, and was consequently rigorously suppressed. Only a few copies sent out for presentation or for review are known to have escaped, and from one of these rare copies the present translation has been made and solely for private circulation.

In conclusion, both translator and 'editeur' have done their utmost to present the English Casanova in a dress worthy of the wonderful and witty original.

AUTHOR'S PREFACE

I will begin with this confession: whatever I have done in the course of my life, whether it be good or evil, has been done freely; I am a free agent.

The doctrine of the Stoics or of any other sect as to the force of Destiny is a bubble engendered by the imagination of man, and is near akin to Atheism. I not only believe in one God, but my faith as a Christian is also grafted upon that tree of philosophy which has never spoiled anything.

I believe in the existence of an immaterial God, the Author and Master of all beings and all things, and I feel that I never had any doubt of His existence, from the fact that I have always relied upon His providence, prayed to Him in my distress, and that He has always granted my prayers. Despair brings death, but prayer does away with despair; and when a man has prayed he feels himself supported by new confidence and endowed with power to act. As to the means employed by the Sovereign Master of human beings to avert impending dangers from those who beseech His assistance, I confess that the knowledge of them is above the intelligence of man, who can but wonder and adore. Our ignorance becomes our only resource, and happy, truly happy; are those who cherish their ignorance! Therefore must we pray to God, and believe that He has granted the favour we have been praying for, even when in appearance it seems the reverse. As to the position which our body ought to assume when we address ourselves to the Creator, a line of Petrarch settles it:

'Con le ginocchia della mente inchine.'

Man is free, but his freedom ceases when he has no faith in it; and the greater power he ascribes to faith, the more he deprives himself of that power which God has given to him when He endowed him with the gift of reason. Reason is a particle of the Creator's divinity. When we use it with a spirit of humility and justice we are certain to please the Giver of that precious gift. God ceases to be God only for those who can admit the possibility of His non-existence, and that conception is in itself the most severe punishment they can suffer.

Man is free; yet we must not suppose that he is at liberty to do everything he pleases, for he becomes a slave the moment he allows his actions to be ruled by passion. The man who has sufficient power over himself to wait until his nature has recovered its even balance is the truly wise man, but such beings are seldom met with.

The reader of these Memoirs will discover that I never had any fixed aim before my eyes, and that my system, if it can be called a system, has been to glide away unconcernedly on the stream of life, trusting to the wind wherever it led. How many changes arise from such an independent mode of life! My success and my misfortunes, the bright and the dark days I have gone through, everything has proved to me that in this world, either physical or moral, good comes out of evil just as well as evil comes out of good. My errors will point to thinking men the various roads, and will teach them the great art of treading on the brink of the precipice without falling into it. It is only necessary to have courage, for strength without self-confidence is useless. I have often met with happiness after some imprudent step which ought to have brought ruin upon me, and although passing a vote of censure upon myself I would thank God for his mercy. But, by way of compensation, dire misfortune has befallen me in consequence of actions prompted by the most cautious wisdom. This would humble me; yet conscious that I had acted rightly I would easily derive comfort from that conviction.

In spite of a good foundation of sound morals, the natural offspring of the Divine principles which had been early rooted in my heart, I have been throughout my life the victim of my senses; I have found delight in losing the right path, I have constantly lived in the midst of error, with no consolation but the consciousness of my being mistaken. Therefore, dear reader, I trust that, far from attaching to my history the character of impudent boasting, you will find in my Memoirs only the characteristic proper to a general confession, and that my narratory style will be the manner neither of a repenting sinner, nor of a man ashamed to acknowledge his frolics. They are the follies inherent to youth; I make sport of them, and, if you are kind, you will not yourself refuse them a good-natured smile. You will be amused when you see that I have more than once deceived without the slightest qualm of conscience, both knaves and fools. As to the deceit perpetrated upon women, let it pass, for, when love is in the way, men and women as a general rule dupe each other. But on the score of fools it is a very different matter. I always feel the greatest bliss when I recollect those I have caught in my snares, for they generally are insolent, and so self-conceited that they challenge wit. We avenge intellect when we dupe a fool, and it is a victory not to be despised for a fool is covered with steel and it is often very hard to find his vulnerable part. In fact, to gull a fool seems to me an exploit worthy of a witty man. I have felt in my very blood, ever since I was born, a most unconquerable hatred towards the whole tribe of fools, and it arises from the fact that I feel myself a blockhead whenever I am in their company. I am very far from placing them in the same class with those men whom we call stupid, for the latter are stupid only from deficient education, and I rather like them. I have met with some of them—very honest fellows, who, with all their stupidity, had a kind of intelligence and an upright good sense, which cannot be the characteristics of fools. They are like eyes veiled with the cataract, which, if the disease could be removed, would be very beautiful.

Dear reader, examine the spirit of this preface, and you will at once guess at my purpose. I have written a preface because I wish you to know me thoroughly before you begin the reading of my Memoirs. It is only in a coffee-room or at a table d'hote that we like to converse with strangers.

I have written the history of my life, and I have a perfect right to do so; but am I wise in throwing it before a public of which I know nothing but evil? No, I am aware it is sheer folly, but I want to be busy, I want to laugh, and why should I deny myself this gratification?

'Expulit elleboro morbum bilemque mero.'

An ancient author tells us somewhere, with the tone of a pedagogue, if you have not done anything worthy of being recorded, at least write something worthy of being read. It is a precept as beautiful as a diamond of the first water cut in England, but it cannot be applied to me, because I have not written either a novel, or the life of an illustrious character. Worthy or not, my life is my subject, and my subject is my life. I have lived without dreaming that I should ever take a fancy to write the history of my life, and, for that very reason, my Memoirs may claim from the reader an interest and a sympathy which they would not have obtained, had I always entertained the design to write them in my old age, and, still more, to publish them.

I have reached, in 1797, the age of three-score years and twelve; I can not say, Vixi, and I could not procure a more agreeable pastime than to relate my own adventures, and to cause pleasant laughter amongst the good company listening to me, from which I have received so many tokens of friendship, and in the midst of which I have ever lived. To enable me to write well, I have only to think that my readers will belong to that polite society:

'Quoecunque dixi, si placuerint, dictavit auditor.'

Should there be a few intruders whom I can not prevent from perusing my Memoirs, I must find comfort in the idea that my history was not written for them.

By recollecting the pleasures I have had formerly, I renew them, I enjoy them a second time, while I laugh at the remembrance of troubles now past, and which I no longer feel. A member of this great universe, I speak to the air, and I fancy myself rendering an account of my administration, as a steward is wont to do before leaving his situation. For my future I have no concern, and as a true philosopher, I never would have any, for I know not what it may be: as a Christian, on the other hand, faith must believe without discussion, and the stronger it is, the more it keeps silent. I know that I have lived because I have felt, and, feeling giving me the knowledge of my existence, I know likewise that I shall exist no more when I shall have ceased to feel.

Should I perchance still feel after my death, I would no longer have any doubt, but I would most certainly give the lie to anyone asserting before me that I was dead.

The history of my life must begin by the earliest circumstance which my memory can evoke; it will therefore commence when I had attained the age of eight years and four months. Before that time, if to think is to live be a true axiom, I did not live, I could only lay claim to a state of vegetation. The mind of a human being is formed only of comparisons made in order to examine analogies, and therefore cannot precede the existence of memory. The mnemonic organ was developed in my head only eight years and four months after my birth; it is then that my soul began to be susceptible of receiving impressions. How is it possible for an immaterial substance, which can neither touch nor be touched to receive impressions? It is a mystery which man cannot unravel.

A certain philosophy, full of consolation, and in perfect accord with religion, pretends that the state of dependence in which the soul stands in relation to the senses and to the organs, is only incidental and transient, and that it will reach a condition of freedom and happiness when the death of the body shall have delivered it from that state of tyrannic subjection. This is very fine, but, apart from religion, where is the proof of it all? Therefore, as I cannot, from my own information, have a perfect certainty of my being immortal until the dissolution of my body has actually taken place, people must kindly bear with me, if I am in no hurry to obtain that certain knowledge, for, in my estimation, a knowledge to be gained at the cost of life is a rather expensive piece of information. In the mean time I worship God, laying every wrong action under an interdict which I endeavour to respect, and I loathe the wicked without doing them any injury. I only abstain from doing them any good, in the full belief that we ought not to cherish serpents.

As I must likewise say a few words respecting my nature and my temperament, I premise that the most indulgent of my readers is not likely to be the most dishonest or the least gifted with intelligence.

I have had in turn every temperament; phlegmatic in my infancy; sanguine in my youth; later on, bilious; and now I have a disposition which engenders melancholy, and most likely will never change. I always made my food congenial to my constitution, and my health was always excellent. I learned very early that our health is always impaired by some excess either of food or abstinence, and I never had any physician except myself. I am bound to add that the excess in too little has ever proved in me more dangerous than the excess in too much; the last may cause indigestion, but the first causes death.

Now, old as I am, and although enjoying good digestive organs, I must have only one meal every day; but I find a set-off to that privation in my delightful sleep, and in the ease which I experience in writing down my thoughts without having recourse to paradox or sophism, which would be calculated to deceive myself even more than my readers, for I never could make up my mind to palm counterfeit coin upon them if I knew it to be such.

The sanguine temperament rendered me very sensible to the attractions of voluptuousness: I was always cheerful and ever ready to pass from one enjoyment to another, and I was at the same time very skillful in inventing new pleasures. Thence, I suppose, my natural disposition to make fresh acquaintances, and to break with them so readily, although always for a good reason, and never through mere fickleness. The errors caused by temperament are not to be corrected, because our temperament is perfectly independent of our strength: it is not the case with our character. Heart and head are the constituent parts of character; temperament has almost nothing to do with it, and, therefore, character is dependent upon education, and is susceptible of being corrected and improved.

I leave to others the decision as to the good or evil tendencies of my character, but such as it is it shines upon my countenance, and there it can easily be detected by any physiognomist. It is only on the fact that character can be read; there it lies exposed to the view. It is worthy of remark that men who have no peculiar cast of countenance, and there are a great many such men, are likewise totally deficient in peculiar characteristics, and we may establish the rule that the varieties in physiognomy are equal to the differences in character. I am aware that throughout my life my actions have received their impulse more from the force of feeling than from the wisdom of reason, and this has led me to acknowledge that my conduct has been dependent upon my nature more than upon my mind; both are generally at war, and in the midst of their continual collisions I have never found in me sufficient mind to balance my nature, or enough strength in my nature to counteract the power of my mind. But enough of this, for there is truth in the old saying: 'Si brevis esse volo, obscurus fio', and I believe that, without offending against modesty, I can apply to myself the following words of my dear Virgil: